Don’t let the previews fool you—Terabithia isn’t anything like Chronicles of Narnia. Based on the Newbery-Award winning children’s novel by Katharine Paterson the story is more about childhood friendships and the way imagination can quite literally open new worlds. Jess Aarons (Josh Hutcherson) sees himself as an outsider at school—and at home. He really only feels himself when he’s drawing. Then he meets the new kid Leslie Burke (AnnaSophia Robb) who has just moved from the big city. Despite their differences—she’s rich he’s poor—they become fast friends. Leslie who likes to spin magical stories opens Jess’ eyes to the possibilities and together they create the secret kingdom of Terabithia a mystical place accessible by swinging on an old rope over a stream in the woods near their homes. Interacting with the Terabithian denizens they’ve imagined both evil and good Jess and Leslie learn to deal with the pressures of their young pre-adolescent lives—and learn what the power of real friendship truly means. The young fresh cast really make Bridge to Terabithia work. Robb and Hutcherson are already veteran kid actors: Robb is best known for stealing hearts in Because of Winn-Dixie (another kid novel adaptation) and popping chewing gum as Violet in Charlie and the Chocolate Factory while Hutcherson played the tough older brother in Zathura as well as Robin Williams’ kid in R.V. Their acting experience clearly shows as they make the friendship between Jess and Leslie both genuine and heartfelt. There isn’t a false moment in their performances especially from Hutcherson who at first sends off an I-could-care-less vibe but through his soulful eyes becomes more attached to Leslie and their secret place. And as Jess’ little sister 7 year-old Bailee Madison plays the moppet without any cutesy affectations. As far as the adults are concerned stand outs include Robert Patrick as Jess’ stern dad just trying to make ends meet for his family and Zooey Deschanel as the kids’ music teacher who Jess has a crush on. In 1978 author Katharine Paterson wrote Bridge to Terabithia for her then 11 year-old son David Paterson about a special friendship he had. It was an instant hit. Now David all grown up is able to bring his mom’s touching story to life as one of the writers. Talk about a family effort backed by Walden Media--the geniuses behind Holes and Chronicles of Narnia. Directed by Rugrats creator Gabor Csupo Terabithia truly captures the essence of childhood imagination even I dare say more so than Narnia. Maybe it’s because the idea of Terabithia comes from the minds’ of very real children who are going through very real emotions as they enter into adolescence. Csupo keeps the imagery simple allowing audiences to create a fantasy world filled with mythical creatures right along with the film’s main characters. And if you haven’t read the book you might be surprised by the story’s poignancy. In a saturated field of animated duds and kid films better suited as after-school TV specials Bridge to Terabithia stands out as a one of the better family movies to come around in a long time.
Sometimes it sucks being Spider-Man. Two years of playing superhero has finally gotten to Peter Parker (Tobey Maguire) who finds himself in the middle of an identity crisis. Not only does he feel underappreciated as Spider-Man he's also broke flunking out of college and of course still can't get the girl. He wishes more and more he didn't have this "gift " so he can live a normal mild-mannered life and declare his love to Mary Jane (Kirsten Dunst). She wants to love him too if she could only get some kind of signal but Peter keeps pushing her away (for her own good of course) until she decides she has to move on with her life. Poor Peter. The reluctant hero is also on tenuous ground with his best friend Harry Osborn (James Franco) who is now working for his late father's company but whose growing vendetta against Spider-Man clouds their friendship. While Peter wavers on giving the whole superhero gig up for good across town there's a new even more powerful nemesis in the making. Dr. Otto Octavius (Alfred Molina) a scientist working on a breakthrough fusion-energy invention for Harry's company has a freak accident (is there any other kind?) in his lab which leaves him with four deadly mechanical tentacles fused to his back--and his mind diabolically twisted. Suddenly the city is desperate for Spider-Man's help as the madman dubbed Doc Ock runs amok. For the love of god pull yourself together Peter accept your fate and put those Spidey powers to good use!
As if there are still any doubts Tobey Maguire's performance in Spider-Man 2 reaffirms the fact he fits the Peter Parker/Spider-Man persona perfectly. It's in his eyes his red-rimmed soulful eyes which show every sentiment. Maguire is not afraid to embrace Parker's sensitive albeit nerdy nature. Beneath the buffed out exterior and superhuman abilities he's still a lovable geek deep down (watch him trip over his feet when he walks down the street). As Mary Jane Dunst is thankfully no longer just the damsel in distress but also a thriving and successful actress who displays her own fair share of emotions over their unrequited love. Spider-Man is in essence a love story and these two talented actors continue to spark like the best of them (although rumor has it they can't stand each other in real life. Oh actors.) The intense Franco chews it up with gusto as the angst-ridden Harry. But what truly makes Spider-Man 2 rise above the original is the malevolent Doc Ock played with relish by the brilliant Molina (Frida). Far more menacing and formidable a villain than the Green Goblin (sorry Willem Dafoe) the multi-tentacled mad scientist just plain scares the bejeezus out of you. Yet he also elicits sympathy if you can believe it watching the relatively sane man buried deep within the madness struggle to break free. Heck just about everyone's conflicted in this flick.
It's no wonder Spider-Man 2 surpasses its predecessor. Thanks to comic-book guru Stan Lee who created something operatic in the Spider-Man story the film's heartfelt and inherent conflicts--tortured souls undying love vs. duty to fellow man villains with a conscience--just keeps getting more and more interesting. And luckily director Sam Raimi rarely strays from the main source. From the opening credits where scenes from the first film are shown through glorious artwork Raimi crafts the movie to combine the best in visuals with the compelling story fashioning a thrill ride with heart. One of the best examples is when Spider-Man uses all his strength to stop a speeding train and falls exhausted only to be caught by the people on the train and carefully placed on the ground. Exposed and vulnerable Spider-Man's faith is renewed when the folks around him tell him they'll keep his secret safe. Classic stuff. The only minor drawback is the time it takes for Peter to get over his identity crisis; the "will he won't he?" drags a bit. Maybe we just get a little anxious for Parker to realize people really do need Spider-Man and to finally go webbed head-to-mechanical tentacle with the nasty Doc Ock. It's what a must-see summer blockbuster is all about baby.