Based on the bestseller by Nicolas Sparks the film begins with Duke (James Garner) and Allie (Gena Rowlands) an inseparable couple living in a nursing home. While Duke remembers their life together Allie who suffers from progressive dementia does not. Their only bond is a faded notebook from which Duke reads to Allie every day telling her the same story over and over. It's a sweeping tale of two South Carolina teens country boy Noah (Ryan Gosling) and city gal Allie (Rachel McAdams) who spend one glorious summer in the early 1940s falling madly in love. Unfortunately the couple is soon separated first by her disapproving parents and then by World War II but after seven years apart after taking different paths they are passionately reunited. There's a catch though; Allie is now faced to choose between the man she once loved and the successful businessman (James Marsden) she is engaged to. It's really no surprise who the young Allie chooses in the end--but for Duke the only thing that keeps him going is the fact that every day somehow through the power of this story the mentally impaired Allie miraculously remembers their love if only for a very brief moment before slipping back into oblivion. Tears being jerked from your eyes yet?
The talented cast certainly elevates The Notebook's romantic drudgery. McAdams takes a departure from all the Mean Girls she's played lately (including The Hot Chick) and easily wins you over as the spirited young Allie while the usually intense Gosling also tackles something lighter so to speak than his previous darker roles such as his Jewish-turned-American Nazi leader in The Believer. While infusing a certain sense of brooding and melancholy into Noah especially in the years he spends pining for Allie Gosling manages to exude Noah's genuine warmth and sensitivity as well. And between the two of them real sparks fly as the actors paint a fresh and inviting picture of young love that stands the test of time. Marsden is completely wasted however as Allie's fiancé Lon a upstanding Southern gentleman Allie's parents expect her to marry who offers little as to why Allie should stay with him. As the older contingency veterans Garner and Rowlands who take the sappiest material and turn it into something meaningful inspire some truly heart-ripping moments as the aging couple holding onto their love as tight as they can. In the supporting cast Joan Allen has some shining moments as Allie's uptight mother with a secret of her own.
In bringing the popular novel about enduring love to life director Nick Cassavetes (Unhook the Stars) may have used his own experiences having seen his parents--the late John Cassavetes and his lady love and muse Gena Rowlands--play out their own real-life love affair. Cassavettes gets to the heart of the material right away and permeates the screen with the beautiful surroundings of South Carolina where The Notebook was filmed. We glide through lush moss-filled swamps and sleepy Southern towns marvel at languid shots of the South Carolina coastline. It's very clear Cassavetes has a way with actors much like his father did gently coaxing realistic performances from his young somewhat untested leads while allowing old guards like Garner and Rowlands to simply work their magic (imagine telling your Oscar-nominated mother how to act. Right). The problem is the story itself which not only offers nothing new to the romance genre but also isn't very compelling. There are no great tragedies (save perhaps for the whole dementia thing) no real villainous presence to keep the lovers apart no peril at all. It's boy-meets-girl boy-loses-girl boy-wins-girl-back--ho-hum. Where's the sudsy soap opera when you need it?
When he was 12 years old Cody Banks (Frankie Muniz) was recruited to attend a summer camp secretly run by the CIA. Four years later the Agency comes knocking on his door with a mission: He must get close to Natalie Connors (Hilary Duff) a prep school student in Cody's home town and the daughter of a scientist developing deadly nanobot technology for the evil organization ERIS. Problem is Cody is not the most confident guy when it comes to girls and meeting Natalie proves to be a mission in itself. Luckily for Cody his agency mentor is the stunning Ronica Miles (Angie Harmon) who knows a thing or two about relationships. Cody must now prove himself as an agent and stop ERIS from completing its mission. Can he do it? And more importantly will he get the girl? With its crop of predictable gadgets and two-dimensional villains Agent Cody Banks MGM's answer to James Bond for 'tweens is not too imaginative. But its likeable cast and characters make this pic a tolerable undertaking.
Muniz is only 16 years old but he's hardly a newcomer to Hollywood. He stars in Fox's hit sitcom Malcolm in the Middle and has two features My Dog Skip and Big Fat Liar under his belt. Muniz doesn't come across as a manufactured Hollywood kid actor and there is something refreshing about the fact that he doesn't use puppy dog eyes or speak childishly to wring sympathy out of moviegoers. He possesses an intelligence that comes through in his work especially here where he plays a quick-thinking operative. Duff meanwhile stars in her own hit Disney Channel series Lizzie Maguire a comedy about a young teenager and her animated alter ego. In Cody Banks Duff plays Natalie a smart and clever teen who doesn't have to follow the pack to be popular. Together Duff and Muniz make a snappy little onscreen duo. Rounding out the cast is Harmon (formerly of NBC's Law and Order) as Cody's proctor. Harmon obviously saw the humor in this part and ran with it. You'll love her leather outfits and shoulder-pad stuffed cleavage.
Director Harald Zwart's pint-sized secret agent flick is packed with silly but entertaining action sequences. The film starts off on a high as Cody jumps on his skateboard to save a toddler trapped inside a runaway car in a thrilling high-speed rescue. Although Agent Cody Banks has some lively action the storyline is a bit derivative and follows the basic spy formula of good versus evil complete with bald scarred villains seeking to destroy the world for no reason other than to be well evil. The gadgets--an important part of any spy movie--are also basic fare (think suction cup shoes and x-ray vision glasses). But the film is still fun to watch because a) it only runs 96 minutes leaving little time for boredom to set in b) it's got a really likeable cast and c) it doesn't take itself seriously. Zwart who directed the 2001 comedy One Night at McCool's lightens the film with some humorous touches here and there including playing Nelly's "Hot in Herre" whenever Ronica Miles makes a sultry entrance.