AMC, the network that brought us Mad Men and Breaking Bad, has got another potential winner in the works: The Wreck, a Southern college football drama, from The Blind Side director John Lee Hancock. The hour-long series would center on "the high-profile coach of a once legendary team that has just finished a losing season. The school gives the coach one last chance to turn the team into winners or he's fired."
If AMC picks up the project, The Wreck would join political thriller Rubicon and zombie thriller The Walking Dead as part of the cable network's push to rival premium channel HBO's lineup for sheer critical praise. Mad Men and Breaking Bad are already two of the most acclaimed hour-long serials on television. It's sort of shocking how quickly AMC has managed to transition from a network that played only movies to the home of some of the biggest shows on television right now. AMC premiered their first drama, the award-winning Mad Men, in 2007; now, just three years later, the network is looking to develop a line-up of five high-profile, hour-long series.
'The Wreck' comes from writing duo Graham Gordy and Michael Fuller, and will be produced by Anonymous Content and The Blind Side's Hancock.
Source: Hollywood Reporter
January 21, 2009 6:32pm EST
When award season rolls around there’s only one show that no one in Hollywood wants to be a part of ... the Annual Razzie Awards. The only competition honoring the best of the worst in film.
Even the biggest stars can’t dodge the occasional stinker and this year Mike Myers’ was no different. His summer flop The Love Guru received seven nominations, including worst picture, worst actor and worst screenplay for Myers. Ouch!
Myers shouldn’t feel too bad, Paris Hilton didn’t fair much better with nods for worst actress and worst screen couple for Hottie and the Nottie and worst supporting actress for Repo! The Genetic Opera.
Hilton’s Hottie and the Nottie will also compete for worst pic alongside The Love Guru, The Happening, In the Name of the King: A Dungeon Siege Tale and spoof flicks Disaster Movie and Meet the Spartans.
The 29th Annual Razzies, determined by the 687 members of the Golden Raspberry Award Foundation, will be announced Feb. 21, the morning before the Academy Awards.
And the nominees are:
Disaster Movie and Meet The Spartans
The Hottie and The Nottie In The Name of The King: A Dungeon Siege Tale
The Love Guru
Larry the Cable Guy, Witless Protection
Eddie Murphy, Meet Dave
Mike Myers, The Love Guru
Al Pacino, 88 Minutes and Righteous Kill
Mark Wahlberg, The Happening and Max Payne
Jessica Alba, The Eye and The Love Guru
Cameron Diaz, What Happens in Vegas
Paris Hilton, The Hottie and the Nottie
Kate Hudson, Fool's Gold and My Best Friend's Girl
The entire cast of The Women (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith and Meg Ryan)
Uwe Boll, 1968 Tunnel Rats, In the Name of the King: A Dungeon Siege Tale and Postal
Jason Friedberg, Aaron Seltzer for Disaster Movie and Meet the Spartans
Tom Putnam, The Hottie and the Nottie
Marco Schnabel, The Love Guru
M. Night Shyamalan, The Happening
Worst Supporting Actor
Uwe Boll (as himself), Postal
Pierce Brosnan, Mamma Mia!
Ben Kingsley, The Love Guru, War, Inc. and The Wackness
Burt Reynolds, Deal and In the Name of the King: A Dungeon Siege Tale
Verne Troyer, The Love Guru and Postal
Worst Supporting Actress
Carmen Electra, Disaster Movie and Meet the Spartans
Paris Hilton, Repo! The Genetic Opera
Kim Kardashian, Disaster Movie
Jenny McCarthy, Witless Protection
Leelee Sobieski, 88 Minutes and In the Name of the King: A Dungeon Siege Tale
Disaster Movie and Meet the Spartans (jointly) - written by Jason Friedberg & Aaron Seltzer
The Happening - written by M. Night Shyamalan
The Hottie and the Nottie - written by Heidi Ferrer
In the Name of the King: A Dungeon Siege Tale - screenplay by Doug Taylor
The Love Guru - written by Mike Myers & Graham Gordy
Worst Screen Couple
Uwe Boll & any actor, camera or screenplay, 1968 Tunnel Rats, In the Name of the King: A Dungeon Siege Tale and Postal
Cameron Diaz & Ashton Kutcher, What Happens in Vegas
Paris Hilton & either Christine Lakin or Joel David Moore, The Hottie and the Nottie
Larry the Cable Guy & Jenny McCarthy, Witless Protection
Eddie Murphy & Eddie Murphy, Meet Dave
Worst Rip-Off, Prequel or Remake
The Day the Earth Stood Still
Disaster Movie and Meet The Spartans (jointly)
Indiana Jones and the Kingdom of the Crystal Skull
Star Wars: The Clone Wars
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Myers’ Guru Pitka could have used a little more back story and a little less shtick. The thin plot has Pitka uttering philosophical piddle like “an eye for an eye leaves everyone blind ” and repeating his mantra “Mariska Hargitay” over and over. But Pitka is not happy with his standing in the spiritual community--especially with the success story of his childhood friend and colleague Deepak Chopra (who cameos in the film). Chopra has been on Oprah for god’s sake! Suddenly Pitka sees the possibility of the fame when Jane (Jessica Alba) the owner of the Toronto Maple Leafs hockey team summons him to help get back her star player Darren’s (Romany Malco) mojo back after his wife Prudence (Meagan Good) leaves him for the legendarily well-endowed L.A. Kings star Jacques “Le Coq” Grande (Justin Timberlake). Pitka’s spiritual mission? Get Darren and Prudence back together in time for the Leafs to win the all-important Stanley Cup. If you’re looking for one-man shows Mike Myers is your man. Clearly the actor is this generation’s Peter Sellers choosing to play characters far from his own persona such as spy Austin Powers or Wayne Campbell. Guru Pitka fits right in. In Love Guru Pitka throws all sorts of self-help mumbo jumbo around hoping some of it sticks. He is like a distant cousin to other Sellers incarnations in films such as The Magic Christian I Love You Alice B. Toklas and particularly his Indian actor Hrundi V. Bakshi in The Party. But Love Guru doesn’t match those films or even any part of the Austin Powers trilogy largely because the gags take precedence over any true character development. For every Bollywood musical takeoff that works there’s a couple of bits that fall flat. It’s hit and miss despite Myers best efforts to sell this show as something more than an SNL sketch. Surrounding the star is the spectacularly unfunny but still beautiful Alba and the surprisingly funny AND beautiful Justin Timberlake who holds his own in the comedy department especially with his broken Canadian accent. Austin Powers sidekick Verne Troyer is back as the not-so-swell coach of the Leafs and he makes a good hockey puck while Ben Kingsley does his thing as the master Guru Tugginmypudha. First-timer Marco Schnabel is credited as director but it’s a good bet star/co-writer (with Graham Gordy) Mike Myers was calling most of the shots; it appears Myers did not have someone behind the camera reigning him in. Too bad. A sharp comedy director could have shaped the film into more than just a series of sight and sound gags designed for quick laughs at the expense of a coherent story. For his first live action film in five years (he does the animated Shrek films in between) it’s a little disappointing The Love Guru isn’t better than it is particularly from the creative mind behind the Austin Powers trilogy. Myers says he came up with this idea while seeking spiritual guidance from Deepak Chopra after his father died. The opportunity for some sharper satire and a stronger storyline is traded for a hit or miss 88 minute skit that has its moments but never finds it’s true Karma.
If you thought the Viking Age was uninteresting in that old history textbook Pathfinder does it one better by actually upping the boring ante. In fact even ye Old World buffs out there will be disoriented. It’s set “600 years before Columbus ” when “people had to guard America’s shores from marauders.” One of those most noble guardsmen was Ghost (Karl Urban). Native Americans happened upon him as a young orphan boy and decided to raise him as one of their own--even though he was never truly accepted due to his unknown ancestry. Fifteen years pass and Ghost once a frail child has blossomed into a beast-sized man capable of warding off almost anyone. His size and skill set come in handy when Norse invaders look to raise hell in his village. Armed with horses swords and thorny helmets they kill and maim everyone in sight and mostly get away with it. That is until they mess with the object of Ghost’s affection Starfire (Moon Bloodgood) thereby seriously messing with Ghost. You don’t put Ghost in a corner! Beefcake actors are apparently a dime a dozen these days and Pathfinder lead Urban does nothing to separate himself from the supporting actors of his own movie let alone from the aforementioned Hollywood stereotype. Looking like a runway model on steroids the Lord of the Rings and Bourne Ultimatum star only stands out aesthetically here and is in danger of being pigeonholed and typecast for a long time to come. Unless he can somehow show a different side Urban will wind up on a long list with the likes of wrestlers-turned-actors who can’t act. Thing is in Pathfinder he can’t even manage the uber-virility his character is meant to project. Bloodgood (Eight Below) meanwhile owner of the best non-porn name in showbiz holds her own and softens things up in a movie otherwise completely dominated by males. And finally there's veteran Native American actor Russell Means (Natural Born Killers) who as the Pathfinder himself at least lends some desperately needed credibility. Looking up a director’s name and past work isn’t a fair way to pre-judge his or her movie but it may sometimes hint at what you’re in for. Take Pathfinder for example: Director Marcus Nispel's past work includes Texas Chainsaw Massacre and music videos. Massacre was terrible and music videos are stylized; thus we arrive upon Pathfinder which is terrible and stylized. When parents complain about violence in the movies this should be their focal point. Nispel like other offenders is unable to ever refrain and beheadings and such in all their slow-motion glory resemble fun video games. Not that his lack of morality makes Pathfinder the crap it is however. That blame rests on his apparent decision that such violence is all moviegoers want to see. And it is perhaps the sheer lack of a story that accentuates how mediocre the violent scenes really are--scenes that are meant to leave us agape in amazement as if we’ve never seen a loose eyeball on the screen before. On a (lone) positive note though the set design seems up-to-snuff.
When people first meet Gray (Heather Graham) and Sam (Tom Cavanagh) they often assume the deeply connected pair are a couple--after all they live together spend all their free time together and even finish each other's sentences. But they're not so much boyfriend and girlfriend as they are brother and sister and it's high time they broadened their horizons. Enter Charlie (Bridget Moynahan) a bright beautiful zoologist who sweeps Sam off his feet with her first smile. A whirlwind romance leads to matrimony--and a startling realization for Gray who discovers that she might feel more than sisterly affection for her brother's wife. From there the movie follows Gray's journey toward self-acceptance and fulfillment ... in between scenes where she talks the ear off of anyone who will listen including smitten cabbie Gordy (Alan Cumming). Gray Matters doesn't really seem like a stretch for any of its stars. Graham has already done the wide-eyed neurotic single-girl shtick plenty of times and--even with its "am I gay?" storyline--the movie doesn't offer anything new on that front. Plus Gray is so busy yammering on and on about nothing that Graham doesn't have time to do much more than make big gestures and mug for the camera. Cavanagh's brand of goofy charm has been more or less the same Ed Moynahan's only requirement is to walk around in skimpy lingerie and be irresistible and Molly Shannon is gratingly broad as Gray's friend/co-worker Carrie. Cumming's Gordy is one of the film's few bright spots; the usually fey Scotsman plays it sweetly (and rather ironically) straight as a new friend who helps Gray cope with the emotional maelstrom she finds herself at the center of. Gray Matters is writer/director Sue Kramer's first feature film so perhaps she deserves a little leniency. Then again... The movie is plagued by unoriginality from Gray's generic ad agency job to Charlie's drunken Vegas performance of "I Will Survive" to Carrie's rants about body image and Oprah--all are familiar from myriad Hollywood romantic comedies that have come before. The coming-out storyline does set Gray Matters apart but that doesn't kick in until at least halfway through the movie (which at just over 90 minutes still feels long and clunky thanks to the poor pacing). So by the time Gray is really ready for some self-examination--no thanks to her weird therapist Sydney (Sissy Spacek who must have owed someone a favor)--the audience is already thoroughly tired of her monumental insecurity no matter how valid it is that she feels that way. Ultimately Gray just doesn't matter.