Instead of following a ragtag team of brutes hired for a suicide mission to destroy an Earth-bound meteor Seeking a Friend for the End of the World plays out the apocalyptic "what if?" scenario from the everyman vantage point. Written and directed by Lorene Scafaria (Nick and Norah's Infinite Playlist) the film pairs average joe Dodge (Steve Carell) with wallflower Penny (Keira Knightley) for a journey across the east coast a hunt for Dodge's college sweetheart. Scafaria takes a character-first approach to her anti-blockbuster examining the end of the world with a pitch black sense of humor. But the road trip loses steam as it chugs along with the film's insistence to avoid Hollywood disaster tropes taking a toll on the entertainment value. Dodge and Penny are so normal they aren't that interesting to watch. In turn neither is Seeking a Friend.
Worse for Dodge than the whole "destruction of humanity" thing is the fact that he's facing it alone; his wife leaves him he has no real family and he hates nearly all of his friends. While everyone he knows is either hooking up or shooting up in hopes of going out on a high note Dodge buckles under the weight of an existential crisis that feels all too familiar. To his rescue is next-door neighbor Penny who insists the two hit the road together to go find Dodge's one-that-got-away. They don't have much of a choice as New York City is quickly overrun by Malatov cocktail-hurling riots.
When the catastrophe and societal chaos is seen through Dodge's eyes and Carell's complex interpretation of the straight man Scafaria hits all the marks. Watching Dodge tell his cleaning lady to go home because "What's the point?" is heartbreaking while his good friend's descent into frat boy madness for the same reasons nails mankind's vile tendencies. And through it all it's funny thanks to Carell's impeccable timing. When Dodge is eventually paired up with Penny the film meanders the two never unearthing what it is about each other that keeps them sticking together. The duo run into a kindly truck driver (who's hired an assassin to off him when he's unaware) a TGIFriday's-esque restaurant full of zany drugged up waiters and even one of Penny's ex-boyfriends whose locked down with automatic rifles and Ruffles chips in anticipation of the end. But Dodge and Penny's quest is mostly about the in-between moments the quitter grounded human reactions to the apocalypse. Even with great performers at the helm Seeking a Friend doesn't organically shape those moments so much as contrive them. In one scene Penny fondly recalls the wonders of listening to music on vinyl Dodge listening carefully and learning. It's a soft and low key discussion perfect juxtaposition against the big-scale problem at hand but when a twenty-something is explaining records to a guy nearing 50 it comes off as twee instead of truthful. The problem infiltrates most of Seeking a Friend's character moments.
Scafaria has an ear and eye for comedy but Seeking a Friend boldly reaches for something more. Sadly ambition doesn't translate to success a messy tonal mix that fail to make it all that engaging or emotional. Carell and Knightley serve the material as best they can but this is the end of the world an even that requires a little weight a little sensationalism and a little more than a casual road movie.
Playing second fiddle to a more famous sibling can be rough. Just ask Fred Claus (Vaughn) a regular guy who has had to grow up under the shadow of his little brother Nicholas Claus (Paul Giamatti) aka Santa. That’s a big shadow to say the least both figuratively and literally. As an adult Fred has pretty much steered clear of his family but when he finds himself in dire need of some fast cash he calls his brother. Pleased as punch to hear from him Nicholas nonetheless makes him a deal: If he comes up to the North Pole for a visit and to help out the few days before Christmas then Fred can have the money. Fred reluctantly agrees and soon he’s being whisked off in Santa’s sleigh by head elf Willie (John Michael Higgins). But once Fred gets to the North Pole nothing seems to go right and soon he is the cause of much chaos--which unbeknownst to Fred causes Nicholas even more stress since his North Pole operation is one step away from being shut down by a cold-hearted efficiency expert (Kevin Spacey). Can Fred quit being bitter in time to save his brother’s livelihood? Of course he can. Hmmm Vince Vaughn minus the R-rated Wedding Crashers/Old School irreverence? It’s a stretch. Seeing the comic actor playing it PG is a little weird but you might enjoy how Vaughn infuses his unique energy into Fred Claus. From getting all the elves to boogie down in Santa’s workshop to going on one rant after another (on his brother: “He’s a clown a megalomaniac a fame junkie!”) to pilfering money on the street and then being chased by Salvation Army Santas it’s all good. Giamatti too seems a little out of his comfort zone as the saintly St. Nick. The actor who usually plays such endearing sad sacks has already played against type to great effect this year as the maniacal bad guy in Shoot ‘Em Up but he isn't nearly as successful in doing the flipside of that in Fred Claus. And what the hell is Kevin Spacey doing in this? As the villain of the film he fills the shoes nicely but he is almost too good at it (natch) for such a feel-good family film. Even Higgins--a character actor who is usually so hilarious in films such as The Break Up and all of Christopher Guest’s movies—has to shed the cheekiness and sugar himself up for Fred Claus. There’s also Rachel Weisz as Fred’s beleaguered girlfriend (you heard right) and Kathy Bates as the Claus boys’ mother who always sees Fred as inferior to her other son to fill out a cast of big names doing family fare. Director David Dobkin is a Vince Vaughn favorite having directed him in Wedding Crashers and Clay Pigeons but like his muse Dobkin seems a little out of place guiding this material. Granted Dobkin creates a pretty magical North Pole complete with an entire city of little dwellings a Frosty Tavern and a huge domed Santa’s Workshop. The montage of Fred delivering presents on Christmas Eve—falling down chimneys stuffing cookies in his face zooming around in the sleigh—is also well done. But overall Fred Claus is a Vaughn vehicle—even as sugary sweet and family-friendly as it is--and all Dobkin really does is turn the camera on and let the man do his stuff. Dan Fogelman's script is also so very bland full of any number of holes and only picks up once Vaughn starts to improvise. Bottom line: If you’re looking to take the kids to a sweet Christmas movie and are a Vince Vaughn fan then Fred Claus is for you.
Following a brief history lesson and one of the most asinine opening sequences in recent movie history it becomes apparent that four friends--Caleb (Steven Strait) Pogue (Taylor Kitsch) Reid (Toby Hemingway) and Tyler (Chace Crawford)--possess superhuman powers. In fact the four share an unbreakable bond: Direct descendants of the original settlers of Ipswich Colony during the Salem witch trials of the late 1600s they all inherited their ancestors’ supernatural powers. When they turn 18 they “ascend ” gaining even more potent--but addictive--powers. With Caleb’s 18th just days away his mother (Wendy Crewson) worries about him because each time a magical power is put to use the user ages prematurely and the powers are addictive. But with his girlfriend (Laura Ramsey) in grave danger and an outsider (Sebastian Stan) threatening to infringe on the group’s sacred name and ancestry will Caleb be able to resist? Well it’s official: If you want to break into acting looks are everything. If you look fresh out of the pages of an Abercrombie & Fitch catalog you can act--even if you can’t act! The guys in The Covenant might not be quite that bad but the acting’s just not pretty especially compared to these dudes (it’s a backhanded compliment!). Strait (Undiscovered) Covenant’s resident movie veteran with five films under his belt absolutely has enough Abercrombie in him to warrant infinite chances to get it right but he makes Keanu Reeves look like Robin Williams--or a snail like a cheetah. The rest of the actors tend to overact where Strait underacts. Kitsch a bottle beefcake with one hell of an ironic last name and Hemingway (an equally ironic last name) both seem to think they’re in some throwaway teen horror flick instead of a throwaway supernatural thriller. And the other relative newcomer Stan comes close to decency but undoes his good towards the end. Uwe Boll gets a lot of flak for his films but how ‘bout throwing some hate Renny Harlin’s way?! Harlin has the ability to be a good director--as evidenced on Die Hard 2 and Cliffhanger--but that ability has been M.I.A. for over a decade. Fresh off 2004’s clunkeriffic duo of Exorcist: The Beginning and Mindhunters (the latter not being released until last year) Harlin has unfortunately added to his canon o’ crap with The Covenant. Though not nearly as much his fault as it is the actors’ the film remains a directorial mess no thanks to the muddled script from The Forsaken writer J.S. Cardone. Despite the characters trying to spell the story out for us it’s still somewhat hazy and its brief moments of clarity provide little to enjoy. Nice cinematography allows for scarce fun but such scenes turn the movie into an underwhelming Matrix/Underworld hybrid in place of an actual mystery. All in all some teenagers might appreciate the thrills and the loud music but fans of the occult surely won’t.
The Crusades were a series of religious wars in which the Christians tried to reclaim Jerusalem from the Muslims who had conquered the Middle East in the 7th century. With the battle cry of "God wills it! " thousands of Europeans answered the call and were able to retake the fabled Holy City in the 11th century. Kingdom of Heaven begins in 1186 between the Second and Third Crusades. A fragile peace prevails mostly through the efforts of Jerusalem's enlightened Christian king Baldwin IV (Edward Norton) and the military restraint of the legendary Muslim leader Saladin (Ghassan Massoud). But it's difficult to maintain the peace. There are extremists within the Christian brigades--known as the Knights Templar--who want to wipe every Muslim off the face of the Earth. On top of that King Baldwin's health is failing. Once he's gone war is sure to follow. If ever there was a need for a hero this is the time. Enter the young French blacksmith Balian (Orlando Bloom) who is in deep despair over the loss of his family. He joins the Crusades after the father he never knew Godfrey (Liam Neeson) comes back from Jerusalem and convinces him it's a quest worth fighting for. As Godfrey passes his sword to his son he also passes on that sacred knightly oath: to protect the helpless safeguard the peace and work toward harmony between religions and cultures so that a kingdom of heaven can flourish on earth. No pressure or anything though.
Orlando Bloom carries his first major motion picture very well easily handling the chores of being such a gallant conscientious and morally upstanding knight. As Balian the Troy costar plays the gamut. He broods over his lost wife and child has father-son epiphanies upholds his knightly duties on a regular basis falls in love with a beautiful but troubled princess and finally bravely defends the Holy City from the encroaching Muslim army thus becoming a legend. Not bad for a day's work eh? There are even times especially toward the end when Balian is standing before the denizens of Jerusalem urging them to fight when you swear you can see a little of Bloom's The Lord of the Rings alter-elf Legolas creep in. The supporting cast also does an adequate job painting a picture of some trying times. Chief among them: Jeremy Irons as King Baldwin's right-hand man Tiberias; Marton Csokas (The Bourne Supremacy) as the evil leader of the Knights Templar; Massoud as the great warrior Saladin; and lovely Eva Green (The Dreamers) as Princess Sibylla King Baldwin's sister who captures our hero's heart but makes some bad choices with dire consequences.
Even if these sword-and-armor epics are all blending together you've got to give props to the directors who make them. These films are massive undertakings and Kingdom of
Heaven with the expert Ridley Scott at the helm is no exception. The Oscar-winning director of course has had his fair share of recreating history first with the classic Gladiator and then with the contemporary Black Hawk Down. But in recreating the Crusades Scott faces his toughest challenge to date and takes on the responsibility very seriously. He is painstakingly meticulous with details even as he is building a 12th-century Jerusalem or corralling 2 000 heavily costumed extras for the colossal climactic battle sequences. And it is always a good thing when a historical film can teach you something you may not have known like what the heck the Crusades were really all about. No Kingdom's biggest obstacle is timing. While it certainly has more substance than Alexander it is not nearly as intense and stirring as The Lord of the Rings trilogy or the granddaddy of them all Braveheart. Too many of its ilk has come before and the concept has unfortunately worn thin.
Top Story: Crosby Arrested on Gun and Drug Charges
Rock musician David Crosby was arrested early Saturday on marijuana and felony gun possession charges at a New York hotel, Reuters reports. According to the police report, a hotel manager at the Doubletree Guest Suites hotel called police after a maid searching for identification in a green canvas bag Crosby left after checking out of his room discovered a small quantity of marijuana, a .45-caliber gun, ammunition and knives. The 62-year-old musician, who rose to fame with the Byrds and later Crosby, Stills, Nash and Young in the late 1960s and 1970s, was charged with the third-degree felony of criminal possession of a weapon and unlawful drug possession, Manhattan District Attorney spokeswoman Barbara Thompson told Reuters. Crosby, who spent a year in prison after a drug charge conviction in 1985, could serve up to seven years in jail if convicted of the gun charge. He was freed after appearing in court and posting bail of $3,500.
Return of the King DVD Bows in May
The Lord of the Rings enthusiasts can look forward to the DVD and VHS release of The Return of the King May 25, three months earlier in the year than its predecessors, The Associated Press reports. In recent years, New Line had held off until August to release The Fellowship of the Ring and The Two Towers to generate anticipation for the trilogy's next theatrical release. Now, with the trilogy concluded--and riding high on the 11 Oscars the film won at the Academy Awards--New Line has decided to roll out the third and final installment earlier. AP reports the initial DVD release of The Return of the King will include a bevy of behind-the-scenes material--and, as with the other two installments, an extended version of King will be released sometime around the holidays. The three extended versions will push the saga's running time to more than 11 hours.
Schwarzenegger Heads Up Fitness Weekend
Arnold Schwarzenegger's got a busy schedule, what with running the nation's largest state and all, but still managed to take time out for his first love--bodybuilding. Reuters reports the Governator visited Columbus, Ohio, last weekend to officiate the Arnold Schwarzenegger Fitness Weekend and its centerpiece, the Arnold Classic bodybuilding contest. The three-day event--which dates back to 1989 and includes 600 exhibitors, 11,000 athletes and some 80,000 attendees--coincided with Schwarzenegger's appointment as executive editor of Muscle & Fitness and Flex magazines, two American Media-owned bodybuilding mags that have featured the former Mr. Universe on their covers some 50 times, Reuters reports.
Lost in Translation Feted at Comedy Fest
The Oscar-winning Lost in Translation was one of the big winners at the U.S. Comedy Arts Festival in Aspen, Colo. According to the Hollywood Reporter, Sofia Coppola's film about two lost souls in Tokyo won the audience award, along with best performance (Bill Murray), first-time director and screenplay prizes at the festival's second annual Comedy Film Honors. Al Madrigal took the jury award for best standup performer, while Dave Gorman won for the second time in the best one-person show category.
Role Call, Part I: McConaughey Swings Hammer, Universal in 11th Hour
Matthew McConaughey is in negotiations to star in Hammer Down for DreamWorks, a story about a disgraced NASCAR driver who becomes a wheel man in a heist in hopes to get his life back on track, Variety reports… Universal Pictures has acquired the project The 11th Hour, by first-time director and Shattered Glass scribe Billy Ray. According to Variety, the biopic tells the story of Robert Hanssen, the traitorous FBI agent who sold government secrets to the Soviet Union and centers on Hanssen's assistant Eric O'Neil. No cast as been set as yet.
Role Call, Part II: Malick Postpones Che
The trades also report eccentric director Terrence Malick (The Thin Red Line) has abruptly shelved his biopic project Che, about Cuban revolutionary Che Guevara, and will instead direct The New World, a drama about Pocahontas and the cultural collision of European explorers and Native American tribes starring Colin Farrell. Che was due to start filming in July 2004 in Bolivia with Benicio Del Toro set as the title character and Franka Potente, Javier Bardem, Benjamin Bratt and Ryan Gosling as his lieutenants. Malick, who co-wrote the Che script with Del Toro and Ben Vanderveen, has told the film's producers, Laura Bickford and Steven Soderbergh (Traffic), and financiers that he still intends to direct the film in July 2005, Variety reports. Despite the delay, Del Toro plans to stick with it. He and Bickford came up with the project in 1997, and they and Soderbergh own it. According to Variety, Del Toro is already fielding acting offers to fill his sudden summer vacancy, and Che will apparently wait until Malick returns.
Cambridge-educated Tony Wilson is a young but established TV journalist in Manchester who is fed up with his silly assignments be they hang-gliding adventures or an interview with a midget who cares for elephants. When one evening he catches an unknown band called the Sex Pistols at a poorly attended show he becomes a believer in what is the new and rebellious punk movement. Taking a chance he opens a club to give new punk bands exposure becoming a major promoter of the punk movement. But hardly the exemplary capitalist he's motivated by gut feelings and passion and his belief in Manchester as the epicenter of new music. Wilson does discover several bands that go on to varying degrees of success and notoriety including Joy Division/New Order and the Happy Mondays but punk values and the lifestyle take their toll. There are the premature deaths marital breakups including Wilson's first marriage and drug lords who wield too much influence in Wilson's club. His own loosey-goosey ways with his record business and artist contracts leads to his label's demise. Through it all Wilson keeps his day job as TV personality and never lets go his allegiance to his beloved Manchester flag.
Thanks to 24 Hour Party People Steve Coogan as Tony Wilson may well become a star in Yank country. Known to TV audiences in the U.K. Wilson with a background in comedy is a brilliant and compelling presence as the film's drolly ironic and obviously learned hero. All supporting roles here are superb including Andy Serkis as doomed and messed up producer Martin Hannett Rob Brydon as Ryan Letts and Shirley Henderson as Wilson's first wife Shirley.
Michael Winterbottom who so brilliantly directed Welcome to Sarajevo but disappointed with The Claim again triumphs here. Employing an arsenal of special effects and using DV Winterbottom perfectly captures an era a rock movement a place and the authentic spirit of a hugely intelligent and appealing maverick entrepreneur whose field of vision extended well above the bottom line.