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A reality-first thriller that'll leave you running for the shower—in a good way.
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By:
Robert Sims
March 07, 2008 4:13am EST
Much like the recent Reservation Road, director David Gordon Green’s pensive adaptation of Stuart O’Nan’s bestseller is a painfully sad but occasionally predictable look at life, death and vengeance in small-town USA.
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By:
Kit Bowen
January 25, 2008 4:37am EST
With a very creepy premise about a serial killer using the Internet to kill his victims, Untraceable mostly delivers the chills, despite its conventionalities.
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By:
Fred Topel
December 22, 2006 4:43am EST
You know how it begins and you know how it ends, but We Are Marshall will still make a sports fan cheer. Its still the same old triumph against the odds, but it's a solid version of that.
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By:
WENN.com Source
January 19, 2006 9:16am EST
The Constant Gardner is leading the pack ahead of next month's British Academy of Film and Television Arts (BAFTA) Awards after picking up 10 nominations.
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By:
Kit Bowen
December 23, 2005 7:44am EST
Here’s a rumor for ya: this is pretty bland stuff, despite all the clever people involved and good intentions to pull off a hip dramedy. Ultimately, Rumor Has It doesn’t know what it wants to be.
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By:
WENN.com Source
December 01, 2005 9:49am EST
Thriller The Constant Gardener was the big winner at last night's British Independent Film Awards (BIFA), triumphing in three main categories, including Best Film.
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By:
Guylaine Cadorette
October 23, 2003 4:57pm EST
Those who haven't seen the movies being spoofed should skip Scary Movie 3 altogether. Those who can pick them out will laugh at some of the references, but will also have to sit through some painfully bad scenes and plotlines to get to them.
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By:
Guylaine Cadorette
June 21, 2002 6:53am EST
Juwanna Mann, an NBA-meets-Tootsie-type comedy, is a surprisingly funny take on an old story. While it's not outrageously hilarious, Miguel A. Nunez Jr. steals the show as an unlikely cross-dressing hero.
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By:
Noah Davis
December 07, 2001 10:18am EST
Like the original, Ocean's Eleven is a lark, but unlike the 1960 version, it's no throwaway; with Steven Soderbergh directing, the film is stylish and smart, even if it lacks a little soul