Did Hollywood have anything to do with the emergence of the Occupy Wall Street movement? The whole thing seems a little bit convenient. Last month saw the behind-the-meltdown docudrama Margin Call and the sci-fi metaphor In Time. Now we have Tower Heist a comedy that pits the blue collar staff of the Trump Tower against a thieving Bernie Madoff-esque tenant. The movie's an Ocean's 11 for the 99% with a sense of timeliness that makes the simple plotting and wisecracking that much more effective.
Ben Stiller stars as Josh Kovacs overseer of all the goings-on at the Tower. He wakes up before dawn and heads home after sunset spending his day catering to the occupants of the ritzy apartment complex and managing his eclectic crew—including former Burger King cook Enrique (Michael Peña) Jamaican maid Odessa (Gabourey Sidibe) and his slacker brother-in-law Charlie (Casey Affleck). The crew's greatest concern is multi-billionaire Arthur Shaw (Alan Alda) the penthouse resident Tower board member and thanks to attention paid trusted friend of Josh.
Trusted...until the FBI busts Shaw for stealing millions including the Tower employees' pensions.
Like all good tower heists Josh's titular harebrained scheme is prompted by a drunken night out with lead investigator Claire (Téa Leoni) who tips the irked manager off to Shaw's hidden stash: a possible eight-figure sum hidden somewhere in his apartment. In pursuing the American dream of revenge Josh recruits his slighted co-workers along with distraught former-millionaire Fitzhugh (Matthew Broderick) and Josh's childhood friend-turned-thief Slide (Eddie Murphy). Together the motley crew concocts a plan to retrieve what's rightfully theirs—all while sinking Shaw in the process.
Tower Heist isn't as slick or intricate as the Ocean movies but its straightforward take on the crime genre is strengthened by Stiller Murphy and the rest of the cast's ability to inject ridiculous humor into sympathetic characters. When Josh realizes his decade spent commanding the operations of the Tower were for naught he wigs out marching up to the top floor to beat the crap out of Shaw's priceless convertible (it was owned by Steve McQueen in case you were wondering why anyone would keep an antique car on the top floor of a building). Not entirely realistic but relatable which sums up every over-the-top satisfying scenario these characters find themselves throughout the film.
Most importantly Tower Heist delivers on the funny. Playing the straight man is an art and Stiller's one of the masters (although you'd never know it from his Night at the Museum shtick or wackier roles like Zoolander) riffing off his co-stars while giving them ample time to be complete weirdos. The movie is being touted as a comeback for Murphy but he wisely steps into a supporting role delivering on his character's manic charm while never trying to steal the spotlight. The one who really steals the show is Broderick whose clueless neurotic Fitzhugh can't help relapsing mid-heist into memories of luxurious trips to Greece.
Credit goes to director Brett Ratner who cranked out three Rush Hour movies and an X-Men threequel while never really nailing down what it takes to make a group dynamic work. Here he pulls it off finding the right beats to make Tower Heist funny and thrilling. There are moments during the actual heist scene set during the Macy's Thanksgiving Day parade that cause quite a stir—a rarity in today's run-of-the-mill thrill rides.
Tower Heist is the definition of a cinematic softball avoiding risky choices and utilizing each actor to their previously known (and successful) traits without feeling lazy. As the holidays roll in and families look for something they all can enjoy Tower Heist delivers a little something for everyone. Except maybe Bernie Madoff.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
WHAT IT’S ABOUT?
Although The Great Buck Howard is not the literal story of the once popular (in the '60s and '70s) entertainer known as the Amazing Kreskin the film makes it known this is a pretty thinly disguised tribute to the man who made 88 appearances on Johnny Carson’s Tonight Show before fading into obscurity on the dinner theater circuit. Writer/director Sean McGinly who worked briefly as Kreskin’s assistant has reinvented him essentially as Buck Howard a “mentalist extraordinaire ” who once strode in the limelight with numerous TV and Vegas appearances but now plays faded community centers and hasn’t filled a theater in decades. As his new assistant law-school dropout Troy Gable quickly learns it isn’t easy working for Buck who still sees himself as a big star but when a quirk of fate intervenes and he really does get a second chance at the national spotlight neither one is quite prepared for what comes next.
WHO’S IN IT?
John Malkovich is a fine actor but he isn’t exactly known for comedy. As Buck Howard however he has the role of a lifetime and he’s simply amazing wryly funny as the has-been mentalist who would never admit he isn’t still every bit the top celebrity he used to be. Although Malkovich plays him somewhat pompously he’s ultimately quite touching as a celeb who once commanded great attention and still craves it on his own terms. As his new unwitting assistant Colin Hanks drolly underplays most of his scenes with Buck and effortlessly shows the quiet desperation of a wannabe writer who’s not exactly sure what he should be doing with his life. Emily Blunt is lovely as a publicist who helps engineer Buck’s surprising comeback; and there are also small but fun bits with Steve Zahn Griffin Dunne and even Colin’s real-life dad Tom Hanks whose company bankrolled the movie.
In the same sweet but low-key vein of My Favorite Year McGinly paints a portrait of the less glamorous aspect of showbiz when an outsized personality starts traveling on the downside of the entertainment world. Clearly his days with Kreskin gave him an entree into this life and his film is nicely observant and respectful. But still very funny.
The film plays it all a little too safe. It doesn’t seem to want to be anything more than a snapshot of life after huge success has faded; adding a little more complexity might have offered an even richer role for Malkovich. It’s pleasant but there’s not a whole lot of depth.
Buck hypnotizes a large crowd of volunteers but gets sidetracked and neglects to snap them out of it. It’s pricelessly funny and captures the ego of the guy perfectly in the expert hands of Malkovich.
The Constant Gardener is leading the pack ahead of next month's British Academy of Film and Television Arts (BAFTA) Awards after picking up 10 nominations.
Rachel Weisz, who won the Best Supporting Actress in a Motion Picture Golden Globe on Monday, is nominated for Actress in a Leading Role for her performance in the adaptation of Graham Greene's novel, while Ralph Fiennes is up for Actor in a Leading Role and filmmaker Fernando Meirelles is put forward for the David Lean Award for Achievement in Direction.
Hot on the heels of The Constant Gardener are gay cowboy heartbreaker Brokeback Mountain and politically charged Crash, which have both received nine nominations for the Feb. 19 awards ceremony.
Taiwanese filmmaker Ang Lee is nominated for the David Lean Award, and his stars Heath Ledger, Jake Gyllenhaal and Michelle Williams have all received recognition for their performances.
Hit British movie Pride and Prejudice has been named in six BAFTA categories including British Film of the Year and Actress in a Supporting Role for Brenda Blethyn's scene-stealing performance.
George Clooney is up for two awards—Actor in a Supporting Role for Syriana and Achievement in Direction for his handling of Good Night, And Good Luck—which has scooped six nominations.
Oscars favorites and Walk the Line co-stars Joaquin Phoenix and Reese Witherspoon have both been nominated for their acclaimed acting in the Johnny Cash biopic, while Chinese beauty Ziyi Zhang is up for the Actress in a Leading Role BAFTA for her star turn in the big screen version of Arthur Golden's best-selling novel Memoirs of a Geisha.
The partial list of nominees is as follows:
The Constant Gardener
Good Night, And Good Luck
The Alexander Korda Award for the Outstanding British Film of the Year:
A Cock and Bull Story
The Constant Gardener
Pride and Prejudice
The Curse of the Were-Rabbit
The Carl Foreman Award for Special Achievement by a British Director, Writer or Producer in Their First Feature Film:
David Belton (Producer)--Shooting Dogs
Peter Fudakowski (Producer)--Tsotsi
Annie Griffin (Director/Writer)—Festival
Richard Hawkins (Director)--Everything
Joe Wright (Director)--Pride and Prejudice
The David Lean Award for Achievement in Direction:
Brokeback Mountain--Ang Lee
The Constant Gardener--Fernando Meirelles
Good Night, And Good Luck--George Clooney
Best Original Screenplay:
Cinderella Man--Cliff Hollingsworth/Akiva Goldsman
Crash--Paul Haggis/Bobby Moresco
Good Night, And Good Luck--George Clooney/Grant Heslov
Hotel Rwanda--Keir Pearson/Terry George
Mrs. Henderson Presents--Martin Sherman
Best Adapted Screenplay:
Brokeback Mountain--Larry Mcmurtry/Diana Ossana
The Constant Gardener--Jeffrey Caine
A History of Violence--Josh Olson
Pride and Prejudice--Deborah Moggach
Best Film Not in the English Language:
De Battre Mon Coeur S'est Arrêté (The Beat That My Heart Skipped)
Le Grand Voyage
Kung Fu Hustle
Best Actor in a Leading Role:
David Strathairn--Good Night, And Good Luck
Heath Ledger--Brokeback Mountain
Joaquin Phoenix--Walk the Line
Philip Seymour Hoffman--Capote
Ralph Fiennes--The Constant Gardener
Best Actress in a Leading Role:
Charlize Theron--North Country
Judi Dench--Mrs. Henderson Presents
Rachel Weisz--The Constant Gardener
Reese Witherspoon--Walk the Line
Ziyi Zhang--Memoirs of a Geisha
Best Actor in a Supporting Role:
George Clooney--Good Night, And Good Luck
Jake Gyllenhaal--Brokeback Mountain
Best Actress in a Supporting Role:
Brenda Blethyn--Pride and Prejudice
Frances Mcdormand--North Country
Michelle Williams--Brokeback Mountain
Article Copyright World Entertainment News Network All Rights Reserved.
Top Story: Indie Couple Coppola, Jonze Split
Director couple Sofia Coppola and Spike Jonze have decided to divorce, according to MTV News.com. The couple wed four and a half years ago after meeting in 1992. Since then, Coppola, 32, and Jonze, 34, have become indie film whizkids, with the succsess of Jonze's cult flicks Being John Malkovich and Adaptation and Coppola's Lost in Translation and The Virgin Suicides. Rumors of trouble in the marriage surfaced, however, in recent months, especially after Coppola's semi-autobiographical Translation was released. The L.A. Weekly recently observed that in the film, the "workaholic, emotionally absent photographer" husband, played by Giovanni Ribisi, of Scarlett Johansson's young wife Charlotte "reminds one of Coppola's husband."
Dead Musicians Reap Grammy Nods
Warren Zevon, George Harrison, and the Cashes picked up multiple posthumous Grammy nominations Thursday. Zevon, who died in September from lung cancer, gathered four nods including song of the year, while Harrison picked up three--two years after he, too, died of lung cancer. Country couple Johnny Cash and June Carter Cash, who died within months of each other earlier this year, landed four between them. Other deceased nominees included Rosemary Clooney, Celia Cruz, soul legend Sam Cooke and blues giant Muddy Waters.
Limbaugh Blames Politics for Drug Probe
In the drug investigation against him, Rush Limbaugh's attorney is accusing the prosecutor of having political motives in saying his client bought painkillers illegally, Reuters reports. In search warrants released Thursday, investigators alleged that Limbaugh engaged in illegal drug use and went "doctor shopping" for prescription painkillers. The controversial radio commentator has denied any wrongdoing. "What [the medical records] show is that Mr. Limbaugh suffered extreme pain and had legitimate reasons for taking pain medication," Limbaugh read on his radio show Thursday from his lawyer's statement. "Unfortunately, because of Mr. Limbaugh's prominence and well-known political opinions, he is being subjected to an invasion of privacy no citizen of this republic should endure."
Second Child Claimed Abuse in Old Jackson Case
Authorities investigating molestation allegations in 1993 against Michael Jackson spoke to a second child at that time who also claimed to have been molested, but no charges were ever filed, a retired sheriff told The Associated Press. Former Santa Barbara County Sheriff Jim Thomas said late Thursday the child was reluctant to testify and the case was abandoned. Apparently, the claims of molestation were not as severe as what was being alleged by the first boy, whose parent's settled a multimillion-dollar civil settlement with the pop superstar. The second child could have been used as a corroborating witness if the primary victim had testified in court, Thomas told AP.
Celebrate Christmas With Ozzy and the Gang
MTV will air The Osbourne Family Christmas Special Dec. 11 to give viewers a glimpse into the holiday season with America's favorite dysfunctional family, AP reports. Promising to take "holiday specials to a bizarre new level," the program was taped at the family home in Beverly Hills, Calif., and includes appearances by Jessica Simpson, newlyweds Dave Navarro and Carmen Electra, and the show-stopping reading of 'Twas the Night Before Christmas with Electra, matriarch Sharon Osbourne, OutKast's Big Boi, Eddie Griffin, Tracy Morgan, Anthony Anderson and Eva Mendes.
Wanda Yanked, Joe Millionaire Gets New Gig
Fox has pulled the plug on Wanda Sykes' Wanda at Large, according to The Hollywood Reporter. The series had a promising midseason start last March but fell in ratings this fall…Meanwhile, Joe Millionaire's first star Evan Marriott has a new gig as a game show host for the Game Show Network. The show Fake-a-Date will feature a contestant who will date two singles, one looking for love and the other who's hoping to win a luxury trip with his or her significant other, AP reports.
Role Call: Graham With Child, Thornton Turns on the Lights
Heather Graham has signed to do the independent feature Samantha's Child, also starring James Purefoy and Andy Serkis. According to The Hollywood Reporter, the film follows Samantha (Graham), who is unable to get pregnant and goes to a fertility clinic, where she is unknowingly impregnated with the Devil's DNA. Serkis (voice of Gollum in Lord of the Rings) portrays a priest who tries to stop Samantha from having the Devil's child…Billy Bob Thornton is in negotiations to star in the football drama, Friday Night Lights. Based on the book by H.G. Bissinger, the film chronicles the 1988 football season of the Odessa, Texas, Permian High Panthers, capturing the struggles and hopes of a financially troubled town that pins its dreams on the team's Friday night games. Thornton will play the team's coach, the trade paper reports.