Much like the somber melodies that float throughout its 105-minute runtime, Inside Llewyn Davis will remain lodged in your head weeks after you and the film first meet. With Oscar Isaac's "Fare thee we-e-ell..." ringing daintily in your ears, you'll shuffle out from the grasp of the Coen Brothers' wonderland of gray, but you won't soon be able to relieve yourself of what is arguable the pair's best film yet. Llewyn's is a story so outstandingly simple — he's a man who's s**t out of luck, and not especially deserving of any. He wakes up, loses his friend's cat, plays some music, and wishes things were better. And yet his is the Coens' most invigorating and deftly human tale yet.
Llewyn Davis makes the bold, but practical, choice of never insisting that we love its hero. He's effectively a jackass, justifying all the waste he has incurred with the rudeness he showers on the majority of those in his acquaintance. But Llewyn Davis isn't the villain here, either. The villain is the industry, and all the uphill battles inherent to its machinations. The villain isn't Llewyn's substantially more successful contacts — an old pal Jim (Justin Timberlake) and new fellow couch-surfer Troy (Stark Sands), but the listening public that prefers their saccharine pop to his dreary drips of misery. The villain isn't Llewyn's resentful old flame Jean (Carey Mulligan), no matter how many volatile admonitions she might shoot his way, but the act of God surrounding their unwitting adherence to one another. And it's not even the cantankerous and foul Roland Turner (a delightfully hammy John Goodman), but the endless, frigid open road of which each man is a prisoner (if the film has one flaw, it's that this segment carries on just a bit too long, but that might very well be the point). The villain is the cold.
Call it all a raw deal. But the real dynamism isn't in the challenges that happen outside Llewyn Davis, but in the determined toxicity brewing inside as he meets each and every one.
But this isn't the Coen Brothers' Murphy's Law comedy A Serious Man — we don't watch a chaotic pileup of every imaginable trick that the devil can manage to pull. Llewyn is steady throughout, not burying Llewyn deeper but keeping him on the ground, with the fruit-bearing branches forever out of his reach. In its narrative, Llewyn Davis is as close to natural life as any of the filmmakers' works to date. Perfectly exhibited in a late scene involving a trip to Akron, Llewyn isn't a cinematic construct, but the sort of person we know, so painfully, that we are very likely to be... on our bad days.
Still, working in such a terrific harmony with the grounded feel of Llewyn himself, we have that Coen whimsy in their delivery of 1960s New York City — rather, a magic kingdom painted in the stellar form of a 1960s New York City. And not the New York City we're given by the likes of Martin Scorsese or Woody Allen. Closer, maybe, to Spike Lee or Sydney Lumet, but still a terrain unique to moviegoers. A New York that's always recovering from a hostile rain, and always promising another 'round the bend. One that flickers like a dying bulb, with its million odd beleaguered moths buzzing around it against the pull of logic. There is something so incredibly alive about the Coens' crying city; this hazy dream world's partnership with half-dead, anchored-to-earth portrait like Llewyn is the product of such sophisticated imagination at play.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
And to cap this review of one of the best features 2013 has given us, it's only appropriate to return to the element in which its identity is really cemented: the music. Without the tunes bobbing through the story, we'd still likely find something terrific in Llewyn Davis. But the music, as beautiful as it is, is the reason for the story. As we watch Isaac's hopeless sad sack drag himself through Manhattan's winter, past the helping hands of friends and into the grimaces of strangers, as we struggle with our own handfuls of nihilistic skepticism that any of this yarn is worth the agony (or that our attention to its meandering nature is worth the price of a ticket), we are given the rare treat of an answer. Of course it's all for something. Of course it's all about something. It's about that beautiful, beautiful music.
Follow @Michael Arbeiter
| Follow @Hollywood_com
Clint Eastwood filed a $10 million libel suit in San Jose, Calif., Tuesday against the author and publisher of the unauthorized biography, Clint: The Life and Legend, which he says portrays him as an atheist and wife-abuser. The suit accuses St. Martin's Press and author Patrick McGilligan of lying about Eastwood and "setting out intentionally to destroy [his] reputation," The Associated Press reports. Eastwood's attorney Marshall Grossman said the book, released in the United States in August, is riddled with false statements and incorrectly claims the actor struck his first wife. McGilligan stands by the book and said that while he is upset about the suit, he is not surprised. "He has sued people religiously," he told the AP."He's made a career of suppressing dissidence."
In his new book, It's Good To Be the King ... Sometimes, pro wrestler Jerry "The King" Lawler confesses that his infamous feud with comedian Andy Kaufman was a set up, the AP reports. The supposed feud began in Memphis when Kaufman tried out pro wrestling. Later, in a 1982 appearance on the David Letterman show, Lawler slapped the comedian, who in return threw coffee at him--as Letterman watched aghast. Lawler writes that he and Kaufman orchestrated the confrontation on their own, unbeknownst to Letterman and his producer. Kaufman died in 1984.
Britney Spears filed a lawsuit in Los Angeles Monday against Skechers USA, Inc., claiming the footwear company ran ads for her brand of skates when the skates she endorses--and receives royalties for--weren't even for sale, causing consumers to buy Skechers' skates instead. Skechers, meanwhile, said Wednesday it would file a countersuit against Spears' company, Britney's Brands, Inc. They claim the singer failed to approve designs and manufacturers for the line, causing them to miss the fall season for the apparel industry, resulting in millions of dollars in lost sales, the Los Angeles Times reports.
Michael Jackson's baby-dangling stunt last month has given rise to a new video game. Available at www.madblast.com, the game features a cartoon version of the pop star hurling babies from a rooftop. Players must catch babies in a basket, but watch out! The cartoon Jackson also throws spiders that cause the basket to spill. At the end of the game, players receive a score--and an evaluation of their parenting skills.
Osbourne clan matriarch Sharon Osbourne gave a rather untraditional Christmas Day speech in Great Britain, the BBC reports. In the address, shown at the same time as Queen Elizabeth's traditional address, Osbourne had kind words to say about the monarch, whom she met at her Golden Julbilee. "She was very warm and amazingly down-to-earth, and I just told her that she had great tits," Osbourne observed. "Because she does."
Zsa Zsa Gabor, who was seriously injured in a car accident Nov. 27, is recovering rapidly. "I must say she is recovering very quickly," her husband Frederic von Anhalt told the AP. "At the beginning she was very moody, she wanted to give up. Now she wants to go home fast. She wants to recover and to ride her horses." Gabor remains in fair condition at Cadars-Sinai Medical Center.
Ken Tobey, who starred in the 1951 horror pic The Thing From Another World, died Dec. 22 at the age of 85, the AP reports. Since launching his career in 1949, Tobey had appeared in nearly 100 films--mostly Westerns and B-movies--and made dozens of television appearances.
Late night talk show host David Letterman spent Christmas Day with troops at the U.S. base at Kandahar, Afghanistan. According to the AP, Letterman was also due to visit the U.S. military headquarters at Bagram Air Base, but the trip was canceled because of bad weather.
The Hard Rock Café International is showcasing rock 'n' roll memorabilia to the public in a 17,000-square-foot museum in Orlando, Fla. Called the Hard Rack Vault, the exhibit features a portion of the company's 65,000 music artifacts that rotate among its restaurants, hotels and casinos worldwide, the AP reports. Items include guitars from Pete Townshend, Steve Cropper and B. B. King, as well as costumes worn by Elton John, Madonna and Prince.
Will Will Truman get lucky? Will Chandler and Monica tie the knot? Will Dawson and Pacey make up? And what's up with "Popular"?!
Those are some of the questions that have been posed and that will be answered during the fall season of television.
Herein is a critique of the fall seasons of 10 TV series that Hollywood.com staffers watch on a weekly basis:
"Will & Grace," NBC, Thursdays, 9 p.m. ET
Is "Will & Grace," the as-of-late-sometimes-hilarious sitcom about a gay man named Will Truman (Eric McCormack, who looks tan and really sexy this season), his best gay friend Jack McFarland (the always funny, over the top Emmy winner Sean Hayes), his best female friend Grace Adler (Debra Messing), and her lush of a socialite "employee" Karen Walker (Emmy winner Megan Mullally), falling from, er, grace this season? "Will & Grace" sadly has been spotty since its Emmy win for Best Comedy. McCormack has said that Will will date this season and have a number of boyfriends. The guest spot a few weeks back by Patrick Dempsey as one of those alleged future boyfriends was funny, and the exchange among Dempsey, McCormack and Hayes in Banana Republic (dancer-actor-singer-choreographer Jack is now a Banana Republic sales associate, headphones and all) was witty and pretty and ... well, you know. But last week's much-hyped guest spot by Cher was totally disappointing. The writing was weak for most of the episode, guest star Camryn Manheim was wasted and Cher appeared in only the last few minutes. What we needed was a half hour of "Jack & Cher." Here's hoping that Will hooks up with Mr. Banana Republic. Life is about the Banana, after all. Go, girlfriend. Grade: B-
"Friends," NBC, Thursdays, 8 p.m. ET
Some shows grind to a halt after two characters get together, but the pairing of Monica (Courteney Cox Arquette) and Chandler (Matthew Perry), who are set to wed this season, has created more hijinks than ever. They have created the funniest storylines of the season: Monica consults an elaborate wedding binder she's been keeping since 4th grade, only to find out that her parents spent her wedding fund on a beach house. Chandler keeps having embarrassing moments with his future father-in-law (Elliott Gould) and finds that he can't smile in photographs. Rachel (Jennifer Aniston) and Phoebe (Lisa Kudrow) compete for maid of honor (Phoebe wins, but lets Rachel do it because it means more to her). Meanwhile, the non-wedding-related storylines have fallen to the wayside: Rachel has hired a cute younger assistant she can't date; Joey's pilot gets canceled, and Phoebe just found out that her grandmother's secret cookie recipe is from Nestle Tollhouse. Ross (David Schwimmer), other than a memory-lane kiss with Rachel, is so far unlucky in love. But, in the funniest episode of the season, he finds an unlikely snuggling partner in Joey when the two accidentally nap together -- and like it. Grade: B+
"The West Wing," NBC, Wednesdays, 9 p.m. ET
This Emmy winner started its second season with a bang -- quite literally. After the cliffhanger from the end of the first season, wherein President Jed Bartlet (Martin Sheen) and Deputy Chief of Staff Josh Lyman (Bradley Whitford) were shot, the two-hour opener took viewers from the present to the past. The episode cleverly gave the audience the background of why Bartlet first got on the campaign trail and showed how his extraordinary staff was assembled, all while juxtaposed with the assassination crisis. And the show doesn't seem to be stopping, creating scenarios that mirror the current social and political climate -- including some controversial racial conflict. The cast is still outstanding -- including Emmy winners Allison Janney as Press Secretary C.J. Cregg and Richard Schiff as Communications Director Toby Ziegler. Guest spots by the likes of Timothy Busfield and John Laroquette added heart and intensity to the behind-the-scenes storylines. But the heart of the show remains Sheen as the wise and truthful President Bartlet, and given the current real-life situation in the political world, Bartlet would be considered a godsend. Grade: A
"Everybody Loves Raymond," CBS, Mondays, 9 p.m. ET
Though "Everybody Loves Raymond" does not tend to build upon storylines episode to episode, it has shown some resourcefulness this season. Bringing in guest stars such as Robert Culp as Debra Barone's (Emmy winner Patricia Heaton) dad was a nice touch, especially when it led to a hilarious dispute between in-laws. But the show has been quite hit-or-miss lately. Ray (Ray Romano) developing a fear of germs, for example -- interesting but not funny, especially for a character who already has three young children. Just a breakdown of logic there. Ray's brother Robert, the divorced cop (played with deadpan precision by Brad Garrett), has also been curiously underused thus far. Grade: B-
"ER," NBC, Thursdays, 10 p.m. ET
The best thing America's top drama -- for the past six seasons -- has done so far is not add any new characters. Drs. Greene and Corday (Anthony Edwards and Alex Kingston) have gotten engaged; Dr. Kovac (the very hunky Goran Visjnic) is feeling guilt over a guy he accidentally killed during a mugging; and Dr. Carter (Noah Wyle) is back from rehab and peeing in a cup whenever he's asked. Dr. Chen (Ming-Na) is pregnant by a doctor at another hospital; Dr. Benton (Eriq LaSalle) lost his surgical attending position and is now "demoted" to an ER post; and there are hints that Dr. Weaver (Laura Innes) is mulling a lesbian relationship. Oh yes, and they treat people, too. The strongest episodes are still the medical-oriented cases, especially the 22-week-old "miracle baby" who survived nearly an entire day. Medical student/nurse Abby Lockhart (Maura Tierney) is emerging as the emotional core, letting us miss Sherry Stringfield and Julianna Margulies a little less. What's left to do is to use more of Michael Michele, who plays pediatric resident Dr. Cleo Finch. "ER" is not consistently great, but it still keeps our pulses pounding. Grade: B
"Dawson's Creek," WB, Wednesdays, 8 p.m. ET
Last year ended with Joey (Katie Holmes) sailing into the sunset with Pacey (Joshua Jackson), leaving her best friend/soul mate Dawson (James Van Der Beek) weeping and alone. It's a good choice because Holmes and Jackson have decidedly better chemistry, and although they dispense the same amount of SAT-filled sentences (meanwhile Pacey is flunking school) as Joey and Dawson, this new couple have snappier arguments/flirtations. This season: Joey's repairing her friendship with Dawson, who's trying to move on by taking pictures and finding a new confidante in Pacey's older sister (Sasha Alexander), particularly after his parents discover that they're having another baby. Pacey and Dawson take (very small) steps toward reconciliation after the former's boat is swept into a storm and the latter risks his neck to save him. Jen (Michelle Williams) is temporarily ostracized from the group -- and from best friend Jack (Kerr Smith) -- when she lets the already medicated Andie (Meredith Monroe) try Ecstasy at a rave, causing her to collapse and nearly die. But it's Andie who gives the fractured group a chance to heal again when she announces that she's leaving Capeside to spend the rest of the year in Italy (she already got into Harvard early, dontcha know). In her tearjerking farewell, she implores her friends to make up, and it looks as if they will. Grade: B+
"Frasier," NBC, Tuesdays, 9 p.m. ET
In the early '90s -- in its third season -- "Seinfeld" began to structure its episodes around the supporting characters, not the title character. Suddenly, the same seems true about "Frasier." While the love affair between Niles (David Hyde Pierce) and Daphne (Jane Leeves) seemed to be the hook to get viewers back into the show early this fall, it remained the hook throughout most of the season. And it worked. Their relationship has spawned a number of morose storylines thus far, with ex-wives and ex-fiancees plotting against the likable couple, but Frasier himself seems to have been pushed aside, stuck with adequate conflicts such as his displeasure with his wealthy new boss. But it still works. And Niles pretending to still be married in social circles is surprisingly hilarious each time. Grade: B+
"Spin City," ABC, Wednesdays, 9 p.m. ET
No, you can't blame Charlie Sheen alone for "Spin City's" decline in popularity. It really comes down to the writing. Only one episode of "Spin City" this fall has been impressive -- the one where Sheen and Heather Locklear lock horns on the set of "Live With Regis" -- but little else has proven to be much of a surprise. Sure, Sheen's character, the deputy mayor of New York, is narcissistic, and yes, he has a tainted history with drugs, but didn't we already expect that? It's not Sheen's fault that this sort of cliched writing took place. It's not Locklear's fault that she has little chemistry with him. And it's not the viewers' fault for wanting to change the channel - even though it means the certain demise of one of their previously most beloved shows. We miss ya, Mike. Grade: C-
"Popular," WB, Fridays, 9 p.m. ET
The WB's "Popular" is one of the most underrated and funniest shows on television. It's sad that it's been relegated to a Friday night spot. The show boasts a fabulous ensemble cast of pretty people vs. Everyday people, although the two sides have been mingling more and more. School stud turned social pariah Josh Ford (Bryce Johnson) has hooked up with tree-hugger Lily Esposito (Tamara Mello) after the pair rescued a gay chimpanzee from the L.A. Zoo. It's a lame pairing, but player-player Josh has already hooked up with the rest of the ladies on the show, so I guess Lil' Lily was next. Alarming this season: Instead of funny gags such as kidnapping Gwyneth Paltrow's personal shopper and competing ruthlessly for Homecoming Queen, "Popular" has turned to Very Special Episodes. Harrison John (Christopher Gorham) is battling leukemia, Nicole Julian (Tammy Lynn Michaels) has cried ... twice(!) ... over her fall from popularity, Carmen Ferrera's (Sara Rue) mother is an alcoholic, and both reigning Homecoming Queen Brooke McQueen (Leslie Bibb) and Mike "Sugar Daddy" Bernadino are battling eating disorders. Not very funny stuff. This season has been more about tears over sadness and struggles rather than laughter. As Mary Cherry (the always hilarious Leslie Grossman) would say, let's get some laughs back, hon. And pronto! Grade: B-
"Ally McBeal," Fox, Mondays, 9 p.m. ET
After a disappointing third season, David E. Kelley's series was in need of some serious spice. Kelley tried everything to raise ratings, from a lesbian lip-lock to some full-blown musical mishmash, but nothing could save the sinking show. In a final act of desperation, Kelley brought in a fresh-from-the-cell Robert Downey Jr. Little did Kelley know that the criminal element would bring such critical success this fall. As a cute, clever attorney named Larry, Downey's straight but sarcastic delivery is the perfect foil for Ally's (Calista Flockhart) high-strung hysteria. He steals every scene with his flawless timing, then punctuates even the simplest sentence with that trademark sexy smirk. Downey may have been sent in to rekindle the spark, but his presence has set the show on fire and made "Ally McBeal" a must-see on Monday nights again. Grade: B+
Reviews by Jason Alcorn, Kit Bowen, Tracey Pollack, Ellen A. Kim and Don Chareunsy.