Anthony Dixon \ WENN
Models and musicians – the pairing is as perfect as pancakes and syrup. Just last week, U2 bassist Adam Clayton married his model girlfriend Mariana Teixeira de Carvalho in Dublin, entering a long, distinguished line of rockers who have said “hell yeah” to fashionistas and models around the globe.
Here’s a rundown of some of the best model/rocker pairings over the years.
Kate Moss and Pete Doherty Kate Moss may be happily married to The Kills’ Jamie Hince, but before there was Jamie, there was her busted relationship with Pete Doherty. Moss was hardly a vision of innocence herself, but hooking up with a notorious, self-admitted junkie made for pure tabloid gold. Drugs and scandal followed, with Doherty claiming everything from “loving her bones” to saying that Moss was a “nasty old rag” who once kicked him in the head. In his mind, the pair broke up because, according to Doherty, “I can’t buy her diamonds.”
Billy Joel and Christie Brinkley The Piano Man definitely loves his statuesque blondes, and supermodel Christie Brinkley is no different. Brinkley starred in Joel’s video for “Uptown Girl,” which, contrary to popular belief, wasn’t actually written about Brinkley, but another one of Joel’s model exes – Elle McPherson. The pair married in 1985, but their marriage was strained due to Joel’s philandering and love for booze, and they finally divorced at the end of 1993.
Jack White and Karen Elson This couple was smoking hot and seemed like they were made for each other. White and Elson met when the former starred in the White Stripes video for “Blue Orchid,” and the pair married in 2005. Although they divorced 6 years later, they were awesome enough to hold a divorce party in 2011, so everyone thought that all was well between the two. However, lately Elson has accused White of basically being a douchebag (who really has it out for the Black Keys’ Dan Auerbach, for some reason), and White has countersued her in what’s become a messy ending for the once-reigning Couple of Cool.
Caleb Followill and Lily Aldridge Son of a preacher turned rock star who has fire-sex meets California girl at overexposed music festival, and they live happily ever after – that’s essentially the story of Kings of Leon’s Caleb Followill and Victoria’s Secret Angel Lily Aldridge. The two met at Coachella in 2011 and married later that year. Their daughter, Dixie Pearl Followill, was born in June last year.
Simon Le Bon and Yasmin Parveneh Not all model/rocker pairings end badly. Simon Le Bon has been married to Yasmin Parveneh since 1985. At the time of their marriage, their relationship was all over the gossip headlines – Le Bon was the lead singer of Duran Duran, one of the biggest bands of the 1980s, and Parveneh herself was one of the highest-earning models of the decade.
Adam Levine and Behati Prinsloo Previously trying his darndest to be the Leonardo DiCaprio of the pop world, Adam Levine has had a long list of models by his side. His latest model girlfriend, Behati Prinsloo, is set to be his future wife, putting to rest his image of the perpetual pop bachelor. Though the pair had briefly broken up and Levine wasted no time in hooking up with model Nina Agdal, the two got back together and decided to get engaged.
Agyness Deyn and Albert Hammond, Jr. When Agyness Deyn and Albert Hammond, Jr. hooked up in 2008, it seemed like a match made in hipster heaven. Usually seen in paparazzi photos holding hands and walking dogs, the relationship was rumored to be much rockier than it initially seemed, and the couple finally broke up a year later. Deyn has definitely dated her share of rock stars, including The Paddingtons’ Josh Hubbard, Phantom Planet’s Alex Greenwald, and Last Shadow Puppets frontman and solo artist Miles Kane. The world is waiting for a supergroup of all the model’s exes, hopefully called Deyn’s Discards.
Rod Stewart and Rachel Hunter Like Billy Joel, Rod Stewart likes his women tall and blonde (and nearly identical-looking). In 1990, Stewart married model Rachel Hunter, the woman responsible for millions of young men saving up their dollars for Sports Illustrated issues in the 90s. The two separated in 1999 and officially divorced in 2006, and Hunter went on to have it going on as “Stacy’s Mom,” while Stewart – what else? – married another model.
Iman and David Bowie Arguably one of the coolest couples ever, Iman and David Bowie have been married since 1992. The union of Ziggy Stardust and the most gorgeous advocate for social aid had the entertainment world in a frenzy. Forget haters, barely anyone thought that this marriage would last, but twenty-one years later, the couple is still going strong.
Axl Rose and Stephanie Seymour From the documentation of his behavior in the media, it’s safe to say that anyone who dates Axl Rose is probably making up for some bad karma in a past life. Allegations of physical abuse, theft, and violence Rose’s relationship with Seymour, but for some reason, the couple still decided to get engaged. The engagement was short-lived, due to Rose accusing Seymour of being unfaithful (because why would anyone cheat on a prize like Axl Rose?) and the couple finally broke up.
Keith Richards and Patti Hansen Who would’ve ever thought that Keith Richards would be the guy to be married to his wife for thirty years? Richards married model Patti Hansen in 1983 and have been together since then. A couple that makes it through drugs, rock and roll, Mick Jagger, and everything in between, is definitely a couple that stays together.
Paulina Porizkova and Ric Ocasek When these two hooked up, most people were scratching their heads, thinking “….what?” The gorgeous, then-19 year old Paulina Porizkova was featured in the Cars’ video for “Drive,” and although lead singer Ric Ocasek was still married at the time (and 35 years old), the two started dating and have been together ever since. Porizkova has also gone on to say that Ocasek is better-looking than George Clooney.
Paul McCartney and Heather Mills And the award for the most notorious rocker/model pairing goes to Paul McCartney and Heather Mills. Mills is a former model, famous for 2 things: having a prosthetic limb as part of her leg and for trying to suck Sir Macca drier than anyone else ever could. The pair married in 2002 and divorced 6 years later, with the divorce becoming a highly-publicized affair for the settlement amount that the celebrities were fighting for. Mills wanted £125 million – McCartney offered £15.8 million. Because is £15.8 million is obviously pennies, Mills kept fighting for more, eventually ending up with a total of £24.3 million, plus £35,000 per year to take care of their daughter. The best part of this is that Mills fancies herself to be a charity campaigner.
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Playing second fiddle to a more famous sibling can be rough. Just ask Fred Claus (Vaughn) a regular guy who has had to grow up under the shadow of his little brother Nicholas Claus (Paul Giamatti) aka Santa. That’s a big shadow to say the least both figuratively and literally. As an adult Fred has pretty much steered clear of his family but when he finds himself in dire need of some fast cash he calls his brother. Pleased as punch to hear from him Nicholas nonetheless makes him a deal: If he comes up to the North Pole for a visit and to help out the few days before Christmas then Fred can have the money. Fred reluctantly agrees and soon he’s being whisked off in Santa’s sleigh by head elf Willie (John Michael Higgins). But once Fred gets to the North Pole nothing seems to go right and soon he is the cause of much chaos--which unbeknownst to Fred causes Nicholas even more stress since his North Pole operation is one step away from being shut down by a cold-hearted efficiency expert (Kevin Spacey). Can Fred quit being bitter in time to save his brother’s livelihood? Of course he can. Hmmm Vince Vaughn minus the R-rated Wedding Crashers/Old School irreverence? It’s a stretch. Seeing the comic actor playing it PG is a little weird but you might enjoy how Vaughn infuses his unique energy into Fred Claus. From getting all the elves to boogie down in Santa’s workshop to going on one rant after another (on his brother: “He’s a clown a megalomaniac a fame junkie!”) to pilfering money on the street and then being chased by Salvation Army Santas it’s all good. Giamatti too seems a little out of his comfort zone as the saintly St. Nick. The actor who usually plays such endearing sad sacks has already played against type to great effect this year as the maniacal bad guy in Shoot ‘Em Up but he isn't nearly as successful in doing the flipside of that in Fred Claus. And what the hell is Kevin Spacey doing in this? As the villain of the film he fills the shoes nicely but he is almost too good at it (natch) for such a feel-good family film. Even Higgins--a character actor who is usually so hilarious in films such as The Break Up and all of Christopher Guest’s movies—has to shed the cheekiness and sugar himself up for Fred Claus. There’s also Rachel Weisz as Fred’s beleaguered girlfriend (you heard right) and Kathy Bates as the Claus boys’ mother who always sees Fred as inferior to her other son to fill out a cast of big names doing family fare. Director David Dobkin is a Vince Vaughn favorite having directed him in Wedding Crashers and Clay Pigeons but like his muse Dobkin seems a little out of place guiding this material. Granted Dobkin creates a pretty magical North Pole complete with an entire city of little dwellings a Frosty Tavern and a huge domed Santa’s Workshop. The montage of Fred delivering presents on Christmas Eve—falling down chimneys stuffing cookies in his face zooming around in the sleigh—is also well done. But overall Fred Claus is a Vaughn vehicle—even as sugary sweet and family-friendly as it is--and all Dobkin really does is turn the camera on and let the man do his stuff. Dan Fogelman's script is also so very bland full of any number of holes and only picks up once Vaughn starts to improvise. Bottom line: If you’re looking to take the kids to a sweet Christmas movie and are a Vince Vaughn fan then Fred Claus is for you.
With a diverse range extending from bubblegum early rock 'n' roll hits like "Splish Splash" to American pop standards like "Mack the Knife" to Vegas show-stoppers like "Hello Young Lovers" to self-penned war-protesting folk tunes like "Simple Song of Freedom " Darin certainly has a compelling story arc chasing fame and fortune from a young age because of a serious heart condition that makes an early demise inevitable. Darin manages to defy the fatal odds against him and emerges as a top-selling singing sensation and even an Oscar-nominated actor while his hard-driving never-say-die odyssey through celebrity includes romance with the gorgeous young matinee idol Sandra Dee (Kate Bosworth) and surprising revelations about his past. Yet like the title of one of his hits "More " nothing ever seems to be enough for the singer who must learn how to truly live in the midst of his seemingly packed life until he finally succumbs to his heart disease at the age of 37.
We know what you're thinking: didn't Bobby Darin hit it big in his early 20s? How the heck in his mid-forties is even Mr. Two-Time-Oscar-Winner going to pull that off? Well Spacey does and he doesn't. Sure he's too old to be literally believed as the early Darin but the film's clever framing sequence and fourth-wall-breaking techniques tell the story as though Darin is looking back at his life and "plugging in" the more mature version of Spacey-as-Darin throughout--and it helps that Darin is not as recognizable an icon to today's audiences as say Elvis or Sinatra. With that nifty feat accomplished Spacey is more than up to the task of capturing the singer's "I want it all yesterday" temperament as well as his distinctive vocals. Darin purists may have preferred that the film used the singer's actual tracks but given that Spacey insisted on singing the songs himself his vocal mimicry is as convincing as can be imagined. Bosworth (Win a Date With Tad
Hamilton) is as poodle-skirt-cute as Sandra Dee should be and adds a nice touch of Hollywood actress insecurity as well. However the vast age difference between Bosworth and Spacey is a tad creepy and their chemistry as both lovers and fighters doesn't really combust on screen. Supporting players Caroline Aaron and Bob Hoskins come close to stealing scenes even from the likes of Spacey--and that's as high a compliment as can be bestowed.
Even if you are a fan of Spacey or not his cinematic execution while not entirely razzle-dazzle in the non-musical sequences is quite competent making the most of the era's settings--especially old Hollywood and the lush lounge environs Darin prowled. Nods also go to the film conventions of the time. His deft direction combined with his always-engrossing performance manages to overcome and liven up the screenplay's often considerably lame dialogue. And those musical sequences! Whenever the story starts to meander Spacey cleverly slides in a 50s-style song-and-dance number or swinging lounge lizard set to goose up the proceedings.