Take Me Home Tonight directed by Michael Dowse is a comedy about the ‘80s but its futility is timeless: In just about any decade it would be considered generic and unfunny. Set in 1988 it stars the likable and witty Topher Grace as Matt a recent MIT grad with a crippling case of post-college career-indecision. Working as a lowly clerk at a video store he has a chance encounter with his high-school crush Tori (Teresa Palmer) who to his (and our) surprise actually displays faint interest in him. But Matt fails to pull the trigger and so he resolves to make up for his lack of cojones when he sees her later that evening at a party hosted by the preppy douchebag boyfriend (Chris Pratt) of his twin sister Wendy (Anna Faris).
This sets the stage for an eventual romantic union between Matt and Tori; until then there is insecurity to overcome and wacky adventures to be had. Many of the latter stem from the increasingly unhinged behavior of Matt’s best friend Barry (Dan Fogler). The film turns on a bag of cocaine Barry finds in the glove compartment of a Mercedes stolen from the dealership that fired him earlier in the day. Cocaine is renowned for its ability to induce euphoria in even the most mundane of settings but it has arguably the opposite effect on Take Me Home Tonight. I consider Fogler to be a legitimately funny guy but he has the irritating tendency to compensate for underwritten material by wildly overacting. Throw in a bag of blow and that tendency is amplified ten-fold.
A happy standout in the film is Palmer who brings a liveliness and dignity to the stereotypical rom-com role of the Otherworldly Hottie Who Inexplicably Falls for the Stammering Schlub. (It also helps that she's the only member of the main cast who is young enough to realistically portray a recent college graduate.) She is one of the more talented young Australian exports to arrive on our shores in quite some time and has the potential to become a saucier version of fellow Aussie Nicole Kidman. That is if she finds material better than Take Me Home Tonight.
What is an ensemble cast? How many actors constitute one? There aren’t any guidelines that determine what qualifies as a true ensemble, but if anyone can offer some insight it would be Woody Allen, who has been getting great groups of actors together for decades now. From Manhattan and Hannah and Her Sisters to Melinda and Melinda and You Will Meet A Tall Dark Stranger, he’s always had a keen eye for casting and the stars continue to line up to work with the iconic auteur.
With the home entertainment release of his latest, fore mentioned film at hand, I thought it’d be apt to honor some of the coolest ensemble casts ever assembled. Keep in mind: this isn’t a list of the best films featuring an ensemble cast. It’s about the best rosters of talent roped in for a single production.
This under-appreciated Tony Scott action spectacle was polarizing to audiences because of its ultra-violent approach, particularly toward women. But Patricia Arquette proved herself to be one tough chick, able to take a beating a give it back in equal measure. Together with her beau-to-be Christian Slater, she embarks on an odyssey to free herself from pimp Gary Oldman and, later, his criminal overlord Christopher Walken, all while L.A. detectives Tom Sizemore and Chris Penn are hot on the trail of drugs and blood. With bonus appearances by Dennis Hopper, Val Kilmer, Brad Pitt, James Gandolfini, Michael Rapaport and more, True Romance is a twisted web of cameos and special roles filled by some of the coolest actors of the time.
The Thin Red Line
WWII films have a long history of stellar casts comprised of legions of screen legends. This 1998 genre entry continues that grand tradition with enough A-listers to make five separate movies. George Clooney, Sean Penn, Nick Nolte, Adrien Brody, Miranda Otto, John Cusack, John C. Reilly, Woody Harrelson, John Travolta, Nick Stahl, Elias Koteas and Jim Caviezel all appear in the prestigious picture at one point or another – a logistic achievement in and of itself.
This sweet rom-com gets me every time. Not just because of the cheerful dialogue and warm and fuzzy relationships, but also because of the charming cast of characters played by Hugh Grant, Emma Thompson, Alan Rickman, Laura Linney, Liam Neeson, Keira Knightley, Billy Bob Thornton, Martin Freeman, January Jones, Elisha Cuthbert, Rodrigo Santoro, Shannon Elizabeth, Andrew Lincoln, Denise Richards and the adorable Thomas Sangster. Together, there are around eight revolving, relatable romances in the film, but we wouldn’t have cared about any of them if not for the lovable cast.
In telling this sprawling tale about the intersecting lives of a handful of Angelenos, director Paul Haggis needed an international cast to represent the diverse population of the City of Angels. He got it with Don Cheadle, Sandra Bullock, Jennifer Esposito, Shaun Toub, Daniel Dae Kim, Matt Dillon, Loretta Devine, Brendan Fraser, Terrence Howard, Keith David, Ryan Phillippe, Michael Pena, Tony Danza and Thandie Newton. Though Dillon was the only actor recognized by the Academy at awards time, the triumph of the film belongs to its eclectic cast.
The Magnificent Seven
Akira Kurasawa’s epic Seven Samurai was practically begging for a Hollywood adaptation when it was released in 1954. By 1960, director John Sturges had made it a reality with a pack of screen idols including the dashing Yul Brynner, the inimitable Eli Wallach, the ultra-cool Steve McQueen, the bad-ass Charles Bronson, the slick Robert Vaughn, the cool James Coburn and the “newbie” Horst Buchholz. The septuplet of stars had a great deal of chemistry that made their on-screen antics all the more enjoyable to watch, and fifty years later their work on this classic film has become the stuff of movie mythology.
The star power packed into these popular motion pictures is astonishing. With Hollywood heavyweights like George Clooney, Matt Damon and Brad Pitt leading an army of talent - young and old - including Don Cheadle, Scott Caan, Bernie Mac, Andy Garcia, Carl Reiner, Eddie Jemison, Elliot Gould, Casey Affleck and Julia Roberts, there's no shortage of charisma throughout the film. You may be wondering why I chose Oceans Twelve over the 2001 remake of the 1960 original; it's because this hit heist pic also features the likes of Catherine Zeta-Jones, Albert Finney, Robbie Coltrane, Jared Harris, Vincent Cassel and Bruce Willis in appearances big and small. Not too shabby for a sequel...
Forget the awful 2008 remake. I implore you to give the original a chance. It’s a virtual who’s who of top Hollywood talent of the era. The premise is simple by today’s standards, but in 1939 its empowering themes were ahead of its time. Some of best actresses to ever grace the silver screen, including Norma Shearer, Joan Crawford, Joan Fontaine, Rosalind Russell, Paulette Goddard, Lucile Watson and Marjorie Main delivered the message. All of the above are Oscar winners or nominees, making this cast of female performers one of the most celebrated of all time.
I’m not sure if Francis Ford Coppola knew what he was onto when he picked his rag-tag group of actors for this kick-ass 1983 film. After all, most of the actors were relatively unknown and untested at the time (save for C. Thomas Howell, who had just starred in Steven Spielberg's E.T.), but that quickly changed in the years following its release. Patrick Swayze, Emilio Estevez, Matt Dillon, Ralph Macchio, Rob Lowe, Diane Lane and Tom Cruise all appeared in the acclaimed teen drama, leaving behind one hell of a legacy.
When a movie gets knocked around from one crummy release date to another one would assume that it is pretty awful. However even I a knowledgeable and open-minded film geek wasn’t prepared for the monstrosity that is Season of the Witch a medieval mess that has reportedly been in the works for a decade. You’d never be able to tell so many years of preparation went into this sad excuse for a B-movie based on its laughable CGI dialogue and contrived premise. How many flavors of bad is this supernatural stinker? Sample this…
A period horror action flick Season of the Witch is initially set in a cursed city suffering from the Black Plague that has deformed and decimated the majority of its population. The disease has been unleashed as a result of a literal witch-hunt gone wrong. Ancient evil forces are afoot and the blame is put on a young girl who the Church believes is a witch. Though imprisoned in the dungeons of a castle her power reigns supreme. Enter Behman (Nicolas Cage) and Felson (Ron Perlman) Knights of the Crusades who happen upon the city on their way back to civilization. Once recognized as deserters they are imprisoned and given the choice to remain captive or lead a suicide transport mission to a remote monastery where the girl’s innocence or guilt can be determined. If deemed evil she is to be destroyed.
The premise though far from original could have been cool if executed with some style but director Dominic Sena (Gone In Sixty Seconds) is incapable of making it enjoyable. Instead of creating suspense through eerie environments he settles for cheap thrills that fall short every time. His use of CGI is painfully bad conjuring effects that would’ve looked dated around the turn of the century. Most insulting is the film’s big “twist” - a lazy paradigm shift so easily foreseeable the movie should have just been called The Devil’s Advocate. Is that not bad enough for you? Just wait it gets better (read: worse).
Stars Cage and Perlman are Razzie bound with a pair of pathetic non-performances. The accomplished actors don’t even try to get into character. Rather they don period garb shield and sword and run around like cheap imitations of their former selves for two hours. You won’t hear any attempts at English accents because apparently 14th Century Knights are just like contemporary buddy cops. With this little effort being put forth by the two men who are essentially the reason folks will pay to see the movie Season of the Witch doesn’t have much of a leg to stand on. The supporting cast which includes Ulrich Thomsen Stephen Graham and Christopher Lee try to bear the burden but cannot undo the damage that Cage and Perlman inflict upon this film. The scariest thing about Season of the Witch is the movie itself an abomination of bad filmmaking and terrible acting.
WHAT IT'S ABOUT?
In the latest action drama from the World Wrestling Entertainment WWE wrestler John Cena (The Marine) is back this time as New Orleans police detective Danny Fisher who captures a brilliant criminal mastermind and foils an attempted heist in which the crook's girlfriend is accidentally killed by a passing van. One year later the guy breaks out of prison intent on getting revenge by kidnapping Fisher's fiancée and leading him on a lethal game of cat and mouse in which he must complete 12 rounds of near impossible tasks or risk the life of his bride-to-be.
WHO'S IN IT?
Cena is clearly out to become the next Dwayne "The Rock" Johnson and physically he certainly fills the bill of an action hero. As a film star though he's capable but just not terribly compelling. Fortunately 12 Rounds isn't exactly the kind of movie that requires a lot of acting ability. Cena manages to deliver groaner lines like "I'm gonna find you hunt you down and kill you " with ease and he looks good racing through the streets in cop cars and hijacked fire engines. If he doesn't make it in movies he'd be a great contestant on The Amazing Race. As the key villain Irish actor Aidan Gillen is appropriately slimy and evil but mainly one-dimensional. Steve Harris is tough and determined as the FBI agent with a personal stake in the case while Ashley Scott as the fiancée and Brian White as Cena's partner are fine in their limited screen time.
Director Renny Harlin who cut his teeth on movies like Die Hard 2 and Cliffhanger knows his way around the action genre and has crafted one heart-racing sequence after another. Technically this is a terrific looking genre film that ought to please hardcore action fans who are willing to check their brain at the box office (and we know who you are!).
Apparently one of the many guns in the film was used to shoot the script full of holes. Because the key action scenes — while exciting to watch — look like they were written by a committee and have no anchor in reality. A key plot point involving the prison break of the main villain also defies credibility and fails to pass the smell test.
Lots of great action throughout but the sheer audacity of the grand helicopter finale is not to be believed — or missed.
September 16, 2005 5:05am EST
The socially inept Elizabeth Masterson (Reese Witherspoon) is a workaholic doctor who never leaves the hospital. Her married sister Abby (Dina Waters) tries in vain to set up with a good man to no avail. But fate is about to intervene. On her way home from a long shift Elizabeth gets into a head-on collision with a semi-truck and suddenly the lines between life and death are blurred. Jumping forward we meet David Abbott (Mark Ruffalo) a guy wallowing in self-pity from the death of his wife two years earlier who to find some solitude moves into a fabulous furnished apartment. What he doesn't know is the previous tenant hasn't left not really. That's right it was Elizabeth's apartment and for whatever reason (seriously they don't entirely explain it) Elizabeth--or her spirit I guess--hasn't grasped the idea that she is in well limbo. Only David can see her of course as she yells at him for leaving sweat rings on the coffee table but Elizabeth eventually grows on him. She elicits his help in finding out what happened to her and with a little help from the eccentric Darryl (Jon Heder) a bookstore employee who has the gift for sensing spirits David and Elizabeth find that heaven and earth are not really that far apart.
As our romantic pair Witherspoon and Ruffalo do an adequate job adhering to the staid romantic comedy formula. Witherspoon is one of the more consistent comedic actresses these days and has the sweet but controlling ingénue routine down to a science. But it may be time for her to take a break from the standard fare and head back to the indies getting down and dirty like she did in Election. Ruffalo does a pretty impressive job for his second time as the romantic lead. As he did with 13 Going on 30 Ruffalo at least tries to add some quirky twists to a boring character. Still he should also probably stick to showcasing his dramatic acting talent in cool indies much like he did in You Can Count on Me. It's Heaven's side characters who have all the fun. Waters (The Haunted Mansion) does a nice turn as the caring sister who's own hectic life as a mother of two rambunctious kids always seems to interfere with what she's doing. Donal Logue (TV's Grounded For Life) as David's therapist best friend too has a fun time yuking it up. But the real standout in an otherwise dull universe is Napoleon Dynamite himself Jon Heder in his second feature film. He's still a geek but at least this time he's a mystical one who knows a thing or two about wandering spirits. Of course he also gets the best lines: "I'm 99.9 percent parched here. I need a cola." I'm going to use that one from now on.
As the director of the satirical Mean Girls and the cutesy Freaky Friday Mark Waters may be out of his element with an out and out romantic comedy. The initial idea about a women whose stuck in the spirit world until she finds the true love she never sought after in life is somewhat intriguing. But rather than play with that the film just ends up your standard romantic comedy while also stealing from other films such as Ghost and The Sixth Sense. Just Like Heaven also has some serious logistical flaws. For example seeing how Elizabeth is supposed to be a ghost--that she can't touch anything tangible and can walk through walls tables and just about anything else--she is later seen laying on top of a table. It doesn't make sense as to how she can walk through it at one moment and be on it the next. And the fact you are paying attention to these inconsistencies means you just aren't caring that much about the rest of the film.
The Crusades were a series of religious wars in which the Christians tried to reclaim Jerusalem from the Muslims who had conquered the Middle East in the 7th century. With the battle cry of "God wills it! " thousands of Europeans answered the call and were able to retake the fabled Holy City in the 11th century. Kingdom of Heaven begins in 1186 between the Second and Third Crusades. A fragile peace prevails mostly through the efforts of Jerusalem's enlightened Christian king Baldwin IV (Edward Norton) and the military restraint of the legendary Muslim leader Saladin (Ghassan Massoud). But it's difficult to maintain the peace. There are extremists within the Christian brigades--known as the Knights Templar--who want to wipe every Muslim off the face of the Earth. On top of that King Baldwin's health is failing. Once he's gone war is sure to follow. If ever there was a need for a hero this is the time. Enter the young French blacksmith Balian (Orlando Bloom) who is in deep despair over the loss of his family. He joins the Crusades after the father he never knew Godfrey (Liam Neeson) comes back from Jerusalem and convinces him it's a quest worth fighting for. As Godfrey passes his sword to his son he also passes on that sacred knightly oath: to protect the helpless safeguard the peace and work toward harmony between religions and cultures so that a kingdom of heaven can flourish on earth. No pressure or anything though.
Orlando Bloom carries his first major motion picture very well easily handling the chores of being such a gallant conscientious and morally upstanding knight. As Balian the Troy costar plays the gamut. He broods over his lost wife and child has father-son epiphanies upholds his knightly duties on a regular basis falls in love with a beautiful but troubled princess and finally bravely defends the Holy City from the encroaching Muslim army thus becoming a legend. Not bad for a day's work eh? There are even times especially toward the end when Balian is standing before the denizens of Jerusalem urging them to fight when you swear you can see a little of Bloom's The Lord of the Rings alter-elf Legolas creep in. The supporting cast also does an adequate job painting a picture of some trying times. Chief among them: Jeremy Irons as King Baldwin's right-hand man Tiberias; Marton Csokas (The Bourne Supremacy) as the evil leader of the Knights Templar; Massoud as the great warrior Saladin; and lovely Eva Green (The Dreamers) as Princess Sibylla King Baldwin's sister who captures our hero's heart but makes some bad choices with dire consequences.
Even if these sword-and-armor epics are all blending together you've got to give props to the directors who make them. These films are massive undertakings and Kingdom of
Heaven with the expert Ridley Scott at the helm is no exception. The Oscar-winning director of course has had his fair share of recreating history first with the classic Gladiator and then with the contemporary Black Hawk Down. But in recreating the Crusades Scott faces his toughest challenge to date and takes on the responsibility very seriously. He is painstakingly meticulous with details even as he is building a 12th-century Jerusalem or corralling 2 000 heavily costumed extras for the colossal climactic battle sequences. And it is always a good thing when a historical film can teach you something you may not have known like what the heck the Crusades were really all about. No Kingdom's biggest obstacle is timing. While it certainly has more substance than Alexander it is not nearly as intense and stirring as The Lord of the Rings trilogy or the granddaddy of them all Braveheart. Too many of its ilk has come before and the concept has unfortunately worn thin.