Comedian Jerry Seinfeld plans to unveil an all-new comedy routine Thursday on CBS' Late Night With David Letterman, Reuters reports. Although Seinfeld recently appeared on the show to promote his latest film Comedian, this would be Seinfeld's first TV stand-up performance since he appeared on Letterman in March 2001. Before that, he last performed TV stand-up in his HBO comedy special I'm Telling You for the Last Time, which aired in 1998. His NBC sitcom Seinfeld was recently ranked the greatest television show of all time by the editors of TV Guide magazine.
Jail administrators say accused wife killer Robert Blake cannot take part in a television interview with ABC reporter Diane Sawyer. According to Reuters, Los Angeles County Sheriff Lee Baca said the interview had never been approved. "These kinds of interviews are not traditionally done," a spokesman for Baca said. "Unless there's some reason the public needs to know, there's really no exception."
The Association of American Publishers is giving talk show host Oprah Winfrey an honorary award, which will be presented to her in February at the AAP's annual meeting, The Associated Press reports. "She's brought unparalleled excitement and attention to books," Jane Friedman, president and CEO of HarperCollins and vice chair of the publishers association said. "All of America should be grateful to her."
Bob Newhart was awarded the Kennedy Center's Mark Twain Prize for American Humor Tuesday night in Washington, the AP reports. Newhart is best known for his role as Bob Hartley on the CBS comedy The Bob Newhart Show, which ran from 1972-78. The event will be broadcast on PBS Nov. 13.
A New York publicity company is suing Anna Nicole Smith for millions of dollars in damages for $155,000 in allegedly unpaid bills and legal fees, Reuters reports. The suit, filed in Manhattan federal court Monday, also seeks $25 million in damages from Smith and her lawyer, Howard Stern. David Granoff Public Relations claims to have helped Smith secure her reality show on E! Entertainment as well as photo spreads in several magazines, but Smith's lawyer said Granoff had not been her publicist for some time.
Adam Sandler is attached to star in and produce Fifty First Kisses for Columbia Pictures. The film is about a man who falls in love with a woman who suffers from severe short-term memory and doesn't remember who he is. Sandler's The Wedding Singer co-star Drew Barrymore may sign on to the project, according to Variety.
Ozzy Osbourne's wife and manager Sharon said they are close to signing a deal with a major studio for a biopic about the rocker's life life. According to The Hollywood Reporter, Sharon Osbourne said her husband would not be playing himself, but she would love the part to go to actor Johnny Depp. "He's a brilliant actor," she said.
While fans of the self-proclaimed Prince of Darkness will have to wait for the Ozzy Osbourne biopic, the second season of reality series The Osbournes is returning to MTV on Nov. 26. The family decided to pick up where they left off last spring with 10 new episodes chronicling their lives in Beverly Hills, Reuters reports. The future of the show was brought into question this summer when Sharon Osbourne announced she had colon cancer. "With the Osbournes, you never know what you're gonna get," she said in a statement issued by MTV.
Speaking of reality TV, here's a new concept. UPN has given an eight-episode midseason order of a reality series that will revolve around a supermodel talent search, Variety reports. Tentatively titled Supermodel, the show, hosted by Tyra Banks, will feature eight model wanna-bes competing for a modeling contract.
Hollywood.com is on the scene at the 55th Cannes Film Festival, seeing the films and sipping with the stars. Check in every day to get the latest!
Day 3: There is more than An American in Paris in France-- the Hollywood 'hood is here in droves, with the exception of Leonardo DiCaprio and his Gangs of New York, who aren't expected until Monday afternoon.
Just north of the Palais is The American Pavilion, which has been a Cannes-teen for temporary expatriates since 1989. It is a charmingly huge cabana just off the Croisette, offering shade as well as free, although occasionally shaky, Internet access.
The area on which tables are set up extends out above the sea, where American Italian chef Mario Batali serves up Mediterranean fare all day long. Everyone is welcome, including--or perhaps especially--actress Faye Dunaway. Wearing casual slacks and a purple t-shirt, she whirls about, peering over her eyeglasses and doing some serious networking (or maybe rehearsing for the role of a producer in her next project).
The baking sun had risen well past high noon when the crowds dashed to the American Pavilion to catch a glimpse of Christina Ricci, expected to pay a visit. Batali, a star in his own right thanks to his Food Network show Riviera Fantasy, had just seen her three weeks ago in his New York City restaurant Babbo, and was very excited to say hello again. "I am a strong believer in American cinema, especially their protagonists because they are so cool and talented, and it's great to see them in real life!" said the charming chef.
The crowd went berserk as the (currently) brunette Ricci sauntered in, slinging reporters a smile and peering back over her shoulder as if she was in on the best secret in the world. She had come to the fest for tonight's world premiere of her movie The Gathering. In this supernatural thriller, she plays Cassie, an American backpacker in rural England who has a horrible accident. When she encounters some sinister strangers during her recovery, she can't tell what's real and what's hallucination.
Ricci was dazzling in fire-red lipstick and '70's blue eye shadow, and looked to have done some serious dieting! In skintight jeans and a long-sleeved, black half-top, she will soon be giving Calista Flockhart a run for her money.
Director Michael Moore doesn't have that problem. In fact, he actually looks thinner on
camera! Today he ambled up the red carpet like a slow-moving bear to present his controversial tour-de-force documentary Bowling for Columbine. Raves for the film can be heard up and down the Croisette.
In just three days the energy and excitement has already built to an incredible high, with so many films, meetings, complaints about slow service, endlessly ringing cell phones, name-dropping and just too many parties every night. The noise is deafening. And fun. Everything happens at once. As the sun finally decided to call it a day, the sounds of popping corks echoed up and down the beach.
A lovely champagne and dessert reception was thrown at the Majestic Terrace overlooking the harbor by husband and wife team Ted Hartley and Dina Merrill to celebrate the grand winner of their film writing competition. Acting since the early fifties with legends like Alfred Hitchcock and Bob Hope, Dina is the daughter of stockbroker E.F. Hutton, and her mother's first husband is Glenn Close's grandfather. Ted was a regular on Peyton Place.
At the party, a glowing Melissa Joan Hart was hiding from the glare of the setting sun. "I'm just here enjoying myself," she said with a smile, before leaving with two friends. She was one of the presenters for Monaco's Laureus Humanitarian Awards, where she got to spend the day hanging out with Prince Albert and Michael Jordan.
As the reception wound down, the next shindig fired up as the band got ready. It's the hot-ticket after-party for Woody Harrelson, Alicia Silverstone and John Cleese's new movie, Scorched. They play disgruntled bank employees who unknowingly all decide to rob their bank on the same day.
…another day has stolen away along the Croisette!
An Easter parade of moviegoers kicked Panic Room off in style to $30.2 million, a new record for the holiday weekend.
Ice Age remained frozen in second place with a still steaming $18.6 million. The Rookie opened on third base with a solid $15.8 million line drive.
Rounding out the top five were Blade 2, finishing fourth with a less sharp $13.2 million, and Clockstoppers, ticking slowly with a $10.1 million fifth place launch.
For the third consecutive weekend, key films--those grossing $500,000 or more--enjoyed summer size ticket sales. The Easter weekend's $126.3 million total was 37 percent ahead of $92 million for the comparable weekend last year. It also was up 48 percent from Easter 2001 (Apr. 13-15) when key films grossed $85.3 million.
THE TOP TEN
Columbia's opening of its R rated thriller Panic Room opened atop the chart to a record setting ESTIMATED $30.2 million at 3,053 theaters ($9,892 per theater).
Panic's average per theater was the highest for any film playing this weekend.
Directed by David Fincher, it stars Jodie Foster.
"It's the biggest Easter opening ever, beating Matrix, which isn't a bad one to beat," Sony Pictures Entertainment worldwide marketing & distribution president Jeff Blake said Sunday morning. "Matrix opened Apr. 2, 1999--Easter Weekend was Apr. 2-4 and it actually opened on Wednesday, Mar. 31. It did $27.8 million for the three-day portion [of the holiday weekend]. It went on to gross $171.4 million. I'd say that's a little ambitious, but it's obviously a great start when you're talking about the biggest Easter opening ever and beating a film of that high profile.
"It's also Jodie Foster's biggest [opening], beating Contact, which was July 11-13, 1997 at $20.6 million. Again, you're talking about somebody with a great portfolio of films, including Maverick and Silence of the Lambs, all $100 million-plus movies. So it's nice that this is her biggest opening."
Focusing on who went to see Panic, Blake noted, "What we got was a good mix of younger and older adults. I think it really appeared, as it is, to be a 'full meal movie' as opposed to something specifically for kids or something specifically for science fiction fans or some of the more segmented [audience] movies that have done very well but have been appealing to less of a broadly adult audience. I think we're really the first broadly adult film in a while that has had equal appeal to young adults as well as older adults and very equal between male and female.
"Our audience was largely 25 and older and was almost equally split between men and women. It clearly was a 'full meal movie' that several adult audiences would enjoy. It's a $48 million negative, so that puts us in a real nice position [to see profits and] especially for a picture of this quality."
20th Century Fox's PG rated animated feature Ice Age held on to second place and was still sizzling in its third week with an ESTIMATED $18.58 million (-38%) at 3,333 theaters (-12 theaters; $5,575 per theater). Its cume is approximately $117.3 million, heading for $150-175 million in domestic theaters.
Directed by Chris Wedge, it features the voices of Ray Romano, John Leguizamo and Denis Leary.
"People love it," Fox distribution president Bruce Snyder said Sunday morning, addressing the film's success. "It has just caught the public's fancy."
Reflecting on the strong March marketplace, Snyder pointed out, "It's the movies. It keeps expanding every time another quality picture's put in the marketplace."
Buena Vista/Disney's G rated family appeal baseball drama The Rookie opened in third place to a rousing ESTIMATED $15.8 million at 2,511 theaters ($6,283 per theater).
Directed by John Lee Hancock, it stars Dennis Quaid.
"I'm so pleased," Buena Vista Distribution president Chuck Viane said Sunday morning. "The filmmakers and Dennis Quaid have been so committed and have worked so hard on this movie. As you can see by the CinemaScores and [the grosses], the picture has played great. The word of mouth is terrific."
Focusing on the strong opening, Viane noted, "We've gotten Dennis the highest opening Dennis has ever had. And I don't think there's been a baseball movie that's ever done this kind of business."
Baseball doesn't typically hit a home run at the box office, Viane observed, but, "This one sure looks like we're going to get an inside the park one. It looks to me like we're going to have legs beyond belief. The CinemaScore numbers in all three [age] categories gave an A for the guys and for females it was A+ under-21, 21-34 was an A and 35-and-up was an A+. Those are very, very terrific responses from the public."
Buena Vista held 1,151 well-attended sneak previews of Rookie the weekend of Mar. 15-17. "I really believe that the impetus to having this kind of opening was to get the very positive word of mouth out there [through the sneaks]," Viane said.
"The picture scored one point higher with the public on opening weekend [than at the sneaks[, which means their anticipation was relatively high and we delivered on it. But, again, I don't think we'd get there without Dennis Quaid doing all that hard work [promoting the film]. To have a movie star so committed to going out and doing all the events is just terrific."
Asked what accounts for the strength the box office has shown the past three weekends, all of which have been in the $125-135 million range, Viane said, "I honestly think there's just a whole lot of really good movies out there right now. It is [a product driven business] and, obviously, the success of this particular time should spur the summer because everybody's seeing all those terrific new trailers for the summer product."
New Line Cinema's R rated vampire thriller Blade 2 slid three pegs to fourth place in its second week with a less thrilling ESTIMATED $13.18 million (-59%) at 2,707 theaters (theater count unchanged; $4,867 per theater). Its cume is approximately $54.9 million, heading for $75 million in domestic theaters.
Directed by Guillermo Del Toro, it stars Wesley Snipes.
Paramount and Nickelodeon Movies' PG rated time travel adventure Clockstoppers kicked off in fifth place to a slow paced ESTIMATED $10.1 million at 2,540 theaters ($3,976 per theater).
Directed by Jonathan Frakes, it stars Jesse Bradford, Paula Garces, French Stewart, Michael Biehn and Robin Thomas.
"It's on the low side of where I thought it would be, frankly," Paramount distribution president Wayne Lewellen said Sunday morning. "I think Rookie did more business than we anticipated. Our picture is playing a little younger than we had anticipated. But this genre of film normally will play to a higher multiple because it stays in the marketplace a lot longer. It does matinee business and weekend business [that] sort of extends the life of the film, if you will."
Asked why business this March is so good, Lewellen replied, "I assume that it's just the product that's coming into the marketplace. Certainly, pictures like Ice Age that has broad family appeal has really pumped up (business). I think Rookie is of that same kind of genre. I think the quality of the product in the end probably is always the key to [strong ticket sales].
"But it could be that the country's in a mood to go to the movies or a combination of the two. Usually, that's what it is. There's no one dramatic thing that says this is why they're coming to the movies. You don't have a Titanic, if you will, driving the whole market."
Universal's 20th anniversary reissue of its PG rated sci-fi fantasy drama E.T. dropped three notches to sixth place with a slow ESTIMATED $6.13 million (-57%) at 3,007 theaters (theater count unchanged; $2,040 per theater). Its reissue cume is approximately $24.3 million.
Directed by Steven Spielberg, it stars Dee Wallace, Peter Coyote, Drew Barrymore and Henry Thomas.
Warner Bros.' R rated black comedy Death to Smoochy opened uneventfully in seventh place to an ESTIMATED $4.29 million at 2,164 theaters ($1,980 per theater).
Directed by Danny DeVito, it stars Robin Williams, Edward Norton and Catherine Keener.
Universal, DreamWorks and Imagine Entertainment's PG-13 rated drama A Beautiful Mind--which won four Oscars, including Best Picture--rose one peg in its 15th week to eighth place with a still beautiful ESTIMATED $4.04 million (-1%) at 1,560 theaters (+105 theaters; $2,590 per theater). Its cume is approximately $161.0 million.
Directed by Ron Howard, the Brian Grazer production stars Russell Crowe, Ed Harris and Jennifer Connelly.
Paramount and Icon Productions' R rated Vietnam war drama We Were Soldiers, which was sixth last weekend, tied for ninth place in its fifth week with a calm ESTIMATED $3.53 million (-38%) at 2,046 theaters (-813 theaters; $1,723 per theater). Its cume is approximately $67.4 million, heading for $75 million in domestic theaters.
Written and directed by Randall Wallace, it stars Mel Gibson.
Warner Bros.' PG-13 rated action comedy Showtime from Village Roadshow Pictures and NPV Entertainment dropped five rungs to tie for ninth place in its third week with a dull ESTIMATED $3.51 million (-57%) at 2,321 theaters (-596 theaters; $1,510 per theater). Its cume is approximately $33.3 million.
Directed by Tom Dey, it stars Robert De Niro, Eddie Murphy and Rene Russo.
This weekend also saw the arrival via MGM of United Artists' R rated drama No Such Thing to a quiet ESTIMATED $0.029 million at 9 theaters in six markets ($3,196 per theater).
Written and directed by Hal Hartley, it stars Sarah Polley, Robert John Burke, Helen Mirren and Julie Christie.
Artisan Entertainment held sneak previews Saturday night of its R rated youth appeal comedy National Lampoon's Van Wilder.
Directed by Walt Becker, it stars Ryan Reynolds and Tara Reid.
No details were available from Artisan. Van Wilder opens wide this Friday (Apr. 5).
On the expansion front this weekend Lions Gate Films' R rated drama Monster's Ball went wider in its 14th week following Halle Berry's Best Actress Oscar victory with an OK ESTIMATED $2.03 million at 676 theaters (+133 theaters; $2,995 per theater). Its cume is approximately $22.9 million.
Directed by Marc Forster, it stars Billy Bob Thornton, Halle Berry, Heath Ledger and Peter Boyle.
USA Films' R rated romantic comedy Monsoon Wedding added theaters in its sixth week with a still spicy ESTIMATED $0.78 million (+4%) at 140 theaters (+12 theaters; $5,560 per theater). Its cume is approximately $4.3 million.
Directed by Mira Nair, it was produced by Nair and Caroline Baron.
Fox Searchlight Pictures' R rated romantic comedy Kissing Jessica Stein expanded in its third week to a still arousing ESTIMATED $0.71 million (+39%) at 131 theaters (+65 theaters; $5,420 per theater). Its cume is approximately $2.0 million.
Directed by Charles Herman-Wurmfeld, it stars Jennifer Westfeldt and Heather Juergensen.
"We're very pleased," Fox Searchlight distribution president Stephen Gilula said Sunday morning. "We expanded into many more regional markets this week with a lot of good results. We're pleased with how it's playing. It's variable. It obviously is better in some [markets] than others. We're expanding again next week to more than 300 theaters. We're looking forward to a good long and smooth run."
In the greater New York area, Gilula added, "the film is very, very strong. That's where it was made. The suburban runs in New York are quite strong. We expanded last Friday into the greater metropolitan area around New York City in a lot of suburban areas around New York in northern New Jersey and southern Connecticut with very good results."
Key films--those grossing more than $500,000--took in approximately $126.25 million, up about 37.14 percent from last year when they totaled $92.06 million. Last year Easter weekend was Apr. 13-15 when key films took in $85.3 million, putting this Easter 48.01% ahead of last year.
Key films this weekend were down a modest 2.26 percent from the previous weekend of this year's total of $129.17 million.
Last year, Dimension Films' opening week of Spy Kids was first with $26.55 million at 3,104 theaters ($8,552 per theater); and 20th Century Fox's opening week of Someone Like You was second with $10.01 million at 2,345 theaters ($4,269 per theater). The top two films one year ago grossed $36.5 million. This year, the top two films grossed an ESTIMATED $48.8 million.
As film festivals have become ubiquitous, status and distinction have become increasingly important. And no festival has the status and distinction that the Cannes International Film Festival has.
Nothing can beat the mix of midwinter sun, Cannes cachet, bonhomie, expensive sunglasses and the eclectic smorgasbord of big-bucks productions and auteur-driven independents.
The 54th edition of the film festival, which began Wednesday, doesn't disappoint.
The festival's festivities will kick off - literally - with a lavish and luscious flick, Moulin Rouge. A cancan revue, backed by the film's interior sets, will take place near Cannes' old port, starting the party, and the film's buzz should dominate the first day.
The $50 million dollar production is the first of 23 films to be entered in competition for the Palme d'Or. Moulin Rouge, starring Nicole Kidman and Ewan McGregor, tells the tale of doomed love between a cabaret star and a young poet. Director Baz Luhrman is no stranger to Cannes: his Strictly Ballroom screened there in 1992.
DreamWorks' much ballyhooed animated adventure film Shrek also is in the competition field. Featuring the voice talents of Mike Myers, Cameron Diaz and Eddie Murphy, Shrek is the first feature animation in 48 years to be assigned to the competition field. Shrek's showing at Cannes will be the world premiere for the film, as it doesn't open nationally in the United States until Friday, May 18.
Three other American films will vie for the coveted Palme d'Or award. Joel and Ethan Coen return to the red carpet with The Man Who Wasn't There, starring Frances McDormand (Fargo, Almost Famous) and Billy Bob Thornton (Sling Blade, Pushing Tin). Jack Nicholson stars in the Sean Penn-lensed stark mystery, The Pledge. And David Lynch returns to his dark, twisted side, with Mulholland Drive, Lynch's unique take on Los Angeles life.
Of the 18 other films in competition, ones to watch include:
Two-time Palme d'Or winner Shohei Imamura's Lukewarm Water Under The Bridge;
Iranian director Mohsen Makhmalbaf portrays the plight of Afghani women in Sun Behind The Moon;
Danis Tanovic's No Man's Land, the first entry by a Bosnian;
Acclaimed Japanese director Shinji Aoyama's Desert Moon; and
French new wave pioneer Jean-Luc Godard's Eloge de l'amour.
But not all the excitement is reserved for those in competition. American films headline the Un Certain Regard category, Cannes' second tier of films, including noted indie artist Hal Hartley's No Such Thing - a woman falls in love with a monster, set in Iceland - and the digital video project featuring Jennifer Jason Leigh, The Anniversary Party.
France and Japan also have an impressive presence in this category. The French film with the most buzz is Claire Denis' science fiction thriller, Trouble Every Day. Starring Beatrice Dalle (Betty Blue), the seemingly normal denizens of Paris are turning into cannibals.
Exploring a more current topic - and one that happens to affect most people - Japan's Kiyoshi Kurosawa releases Kairo, a computer-virus action flick. Needless to say, download the trailer to your home PC at your own risk.
Francis Ford Coppola is making a splash on the beach at Cannes, without even entering any competition. Twenty-two years after Apocalypse Now won a Palme d'Or, the movie returns, this time with 53 minutes of footage that's never been seen before.
Coppola's son Roman is following in Dad's footsteps, showing his new film C.Q. Cannes also screened last year The Virgin Suicides, directed by Coppla's daughter, Sofia.
The fortnight of film will end Sunday, May 20, with a showing of Savage Souls, by France's Raoul Ruiz.