WHAT IT’S ABOUT?
Half-brothers Beto and Tato Verdusco live at home with mom work as fruit pickers and play for the local Mexican soccer team. Beto juggles a wife two kids and a gambling habit while Tato dreams of a singing career. One day fate intervenes when a soccer talent scout gives Tato the opportunity to try out for a big Mexico City team. Eventually Beto gets his own opportunity to play in the second division and the brothers’ new success and lifestyle will have significant changes and challenges for both guys as the contrast of sibling rivalry and brotherly bonds send them into an uncertain future.
WHO’S IN IT?
After first gaining worldwide attention in the 2001 sleeper hit from Mexico Y Tu Mama Tambien Diego Luna and Gael Garcia Bernal have each gone on to significant individual success and are now delightfully re-teamed in a film written and directed by Y Tu writer Carlos Cuaron who certainly knows how to get the best from his stars. As Beto Luna presents a three-dimensional portrait of a guy whose flaws threaten his future while Bernal is fun as Tato a goodhearted and friendly soul with misguided dreams of a musical career. The nature of the scripting finds each actor on screen alone much of the time but together or apart the teaming works just like it did the first time. Standout in the supporting cast is Guillermo Francella as Batuta the talent scout who sets the story in motion. He’s superb. Dolores Heredia as the mother and Adriana Paz as Beto’s wife ably round out the featured female roles.
While Rudo y Cursi never seems to take itself too seriously it’s not a mindless exercise concocted simply to get Luna and Bernal back together. There’s real heft in the underlying theme of the cryptic nature of real brotherhood and the film makes some surprising conclusions that add gravitas to Cuaron’s engaging screenplay.
Luna and Bernal are such an attractive team it’s a shame that the storyline separates them for a good portion of the picture. The separation may be necessary for the narrative but the scenes when they are on screen together are the ones that really crackle.
WORST CANDIDATE FOR MEXICAN IDOL?
Bernal gets his chance to sing a wretched Spanish version of “I Want You to Want Me” in a dopey video as his misguided character Tato proves sports talent doesn’t necessarily equal musical ability. It’s the movie’s most amusing scene.
NETFLIX MULTIPLEX OR TELEMUNDO?
Beyond obviously the Spanish-language audience Rudo y Cursi may cross over into other markets providing a much needed boon for foreign-language films in America. Give it a shot at your local theater first.
Vantage Point gives us just that--a birds-eyed view of an assassination/terrorist attack on the U.S. president. In Spain at a landmark outdoor summit on the global war on terror President Ashton (William Hurt) is shot and a bomb explodes killing hundreds of people. For the rest of the film we see the same 15 minutes over and over but from different points of view: There’s a CNN-like news producer (Sigourney Weaver) who is the first to witness the events; the Secret Service agents (Dennis Quaid and Matthew Fox) assigned to protect the president; an American tourist (Forest Whitaker) videotaping the historic event; a Spanish cop (Eduardo Noriega) who suspects what’s going down by the surreptitious actions of his girlfriend (Ayelet Zurer) at the rally; and most importantly the head terrorist (Said Taghmaoui) who orchestrates it all. Through each of these individual perspectives we learn the truth behind the assassination attempt--and as far-fetched as it is it still isn’t pretty. This is an all-out action thriller folks--quiet subtle performances are not required. Quaid goes full blast as the veteran Secret Service agent who has already taken a bullet for the president once before and is still a bit skittish about it. But his loyalty to the president never wavers and it’s through his determination to find out what happened that propels the story forward. Fox also plays it to the hilt much like he does as Jack on TV’s Lost but the actor has a certain movie-star quality to him; he could easily transition from TV to film. Whitaker unfortunately has to play the big schlub with a heart--which at this point seems a tad beneath the Oscar-winner--but he still gives it his all. Hurt’s Head of State is another one of those dream presidents we wish we had. Taghmaoui (The Kite Runner) and Zurer (28 Weeks Later) are adequately cold-hearted as the terrorists while Edgar Ramirez (Domino) effectively emotes as a reluctant member of the terrorist cell forced to do their bidding while his brother is being held captive. Did we mention that the terrorists were cold-hearted? Right. Vantage Point’s trio of film editors (Stuart Baird Sigvaldi J. Karason Valdis Oskarsdottir) must have either thought they’d died and gone to heaven or hell depending on how much of a pain it was to cut the film. Whatever the scenario together with newbie director Peter Travis they keep the action taut and suspenseful. Each character’s POV lends itself to more information as the plot unfolds piece by piece culminating with a whopper of a car-chase scene that should leave you clenching your teeth. The use of electronic devices in the attack is also noteworthy as the main terrorist basically accesses his PDA to 1) shoot the president 2) explode bombs and 3) send the pictures of the destruction to all his friends. OK he actually doesn’t do that last part but he certainly could with that handy device of his. The only drawback to the whole scenario is the implausibility of it all--and the lack of back story. Suspending disbelief we can do but in Vantage Point’s case a little explaining would have helped.