Based on the award-winning book by Bernhard Schlink The Reader is an extraordinary provocative and controversial story set in post-World War II Germany. It starts when 15-year-old Michael (David Kross) becomes ill with scarlet fever and is helped home by sympathetic woman named Hanna (Kate Winslet). After his recovery he returns to thank her and is drawn into a clandestine affair with this intriguing woman more than twice his age. Their relationship grows stronger especially when he starts reading to her. But then she suddenly disappears leaving a devastated Michael who now must move on with his life. Little does he know that eight years later while he is in law school he would see Hanna again -- as one of the defendants in a court case against Nazi war criminals. Shocked at revelations about her secret past he also discovers something that will change both their lives forever. Granted Kate Winslet is one of the finest young screen actresses but her range in The Reader will astonish you. It’s an extremely tricky part that could easily lose the audience’s sympathy if done incorrectly but Winslet handles it with aplomb. She runs through the whole gamut of emotions -- aging from her 30s to 60s -- all at once sexy mysterious conflicted contrite as well as many other colors. As Michael newcomer Kross is devastatingly good the most impressive acting discovery in a long time. Although he plays 15 he was 17 at the start of filming and production had to shut down until he turned 18 for the graphic sex scenes. As the story flashes forward Ralph Fiennes takes over the role as the older Michael and does so with a touching sincerity. Lena Olin also has a strong cameo as a Holocaust survivor with definite opinions of Hanna. Although this is only acclaimed stage director Stephen Daldry’s third film he once again shows a mastery of the medium far beyond his limited cinematic resume. Like The Hours and his debut film Billy Elliot he has crafted another film to savor. The Reader isn’t necessarily the most comfortable film to watch but Daldry guides the subject matter with a delicate and steady hand giving us a complex and touching love story between the most unlikely couple. It also delves into how one generation of Germans can come to terms with the horrors of another. Daldry’s directorial restraint and power perfectly serves David Hare’s impressive screenplay and delivers a memorable movie-going experience.
Bo (Seann William Scott) and Luke (Johnny Knoxville) Duke are cousins--two hell-raisers who drive fast sell moonshine and bed sexy farm girls all across Georgia's Hazzard County. They've got another cousin Daisy Duke (Jessica Simpson) a drop-dead hottie who waits tables at the local watering hole. If someone gets a little too friendly with the gal she's knocks 'em on their ass--and if her cousins get into trouble she shakes hers to get them out of it. Then there's Uncle Jesse Duke (Willie Nelson) who makes the moonshine on his farm tells bad jokes and sings country-western songs. I can't quit thinking about how the Duke family dynamics work. They're all tight-knit cousins right? But Uncle Jesse isn't the father to any of them. So like where's the rest of the Dukes? There's gotta be other siblings parents maybe. It perplexes me. But I digress. Suffice to say the Dukes are always outrunning--and out-jumping--the local law enforcement in their souped-up Dodge Charger the General Lee. The boys are also constantly doing battle with the crooked county commissioner Boss Hogg (Burt Reynolds) who cooks up one nefarious plan after another to make Hazzard County his own personal cash cow only to be thwarted by those darn Dukes. Dagnabbit.
Although some diehard fans of the TV show may disagree the casting for this feature film redo is pretty spot on. Knoxville and Scott do just fine as the rip-roarin' Duke cousins bantering about one upping each other--you know boys stuff. Nelson's still got the whole pigtail thing going for him but he looks like he's having a good time. Reynolds does too but he's definitely a lot slicker--and a lot better looking--than the show's original Boss Hogg Sorrell Booke. As the bumbling police veteran character actor M.C. Gainey who always plays bad guys at least gets to show off some comedy chops as Sheriff Roscoe P. Coltrane. Michael Weston (Garden State) as the wimpy Deputy Enos Strate is sufficiently reduced to a puddle whenever Daisy is around. And then there's Simpson. My my my. It's obvious the camera (and whose ever behind it) loves every inch of her and she tends to light up the screen whenever she's on it. Of course playing Daisy in her acting debut isn't much of a stretch but Simpson still shows a comic flair. The singer-turned-actress could actually become a fairly serviceable comedic actress if she plays her cards right.
This is what director Jay Chandrasekhar (Super Troopers) had to say about making The Dukes of Hazzard: "I had a poster of Daisy Duke [played in the original show by Catherine Bach] on my wall when I was nine that was very inspiring and when you combine the prospect of a new Daisy Duke with the opportunity to send the General Lee flying through the air again it was impossible for me to say no." Well Jay actually you could have said no and maybe the whole Hazzard as a feature idea would have gone away. It's perfectly suitable to have a television show be about nothing but cars flying through the air hot women in skimpy clothes and idiotic behavior. We'll always accept brain-friendly crap on TV. But to be subjected to an entire feature-length film of mindless stupidity is just too much at least in Hazzard's case. Sure watching the General Lee perform seemingly impossible stunts is fun. Apparently 28 Dodge Chargers had to be converted into the multiple General Lees needed for the film and the parts had to be hunted down on the Internet in junkyards or by word of mouth. Still after about the 100th time the car jumps over something you've had quite enough.