British pop star Cheryl Cole has secretly married her boyfriend of three months, Jean-Bernard Fernandez-Versini. The former Girls Aloud star stunned fans on Sunday evening (13Jul14) when she posted a photo of a massive diamond ring and wedding band on her left ring finger on Instagram.com. In the caption, she wrote, "I usually do not discuss my personal life but to stop the speculation I want to share my happy news... Jean-Bernard and I married on 7/7/14... We are very happy and excited to move forward with our lives together." Cole quietly began dating the French restaurant owner in April (14) and they went public with their relationship a month later (May14), when they attended various events at the Cannes Film Festival in France together. Cole divorced soccer player Ashley Cole in 2010 amid allegations of his infidelity, and her last relationship, with dancer Tre Holloway, ended in 2013.
British pop star Cheryl Cole has sparked rumours she is enjoying a blossoming new love affair after she was spotted with a new man during her trip to the Cannes Film Festival in France. The former Girls Aloud star has been in town to attend the famous film industry gathering, and she has been spotted at a number of events with Jean-Bernard Fernandez-Versini, a French restaurant owner.
The pair has been pictured together on a string of dates, and Britain's The Sun newspaper reports they are a new couple.
A source tells the publication, "She's really happy. They're an item and Cheryl is ready to find love again."
Cole divorced soccer player Ashley Cole in 2010 amid allegations he cheated on her, and her last relationship, with dancer Tre Holloway, ended last year (13).
Want to know what your parents will be watching this fall? CBS has ordered six new series for the 2013-2014 TV season — two dramas and four comedies featuring big-name stars like Robin Williams, Sarah Michelle Gellar, Toni Collette, Will Arnett and more. And yes, Chuck Lorre now has a fourth sitcom on the network. Let's go through them:
Hostages Toni Collette stars as a Washington D.C. surgeon chosen to perform a special operation on the president. When her family is taken hostage she's the one who has to save their lives. It also stars Dylan McDermott and Tate Donovan, among others.
Intelligence Lost alum Josh Holloway plays a government agent with a microchip planted in his brain that allows him to access the entire electromagnetic spectrum. Marg Helgenberger, Meghan Ory, Michael Rady, and James Martinez costar.
We Are Men A man (Chris Smith) learns some very important life lessons from the divorced dudes he meets at his new furnished, short-term rental apartment complex. This cast has plenty of great potential, with Kal Penn, Jerry O'Connell and Tony Shaloub playing the eccentric neighbors.
Mom Anna Faris has made her move to TV in this Chuck Lorre vehicle about a recently sober single mother living in wine country while dealing with her teenage daughter and her own disruptive mom (Allison Janney).
The Millers Another dysfunctional family sitcom, but this one stars Will Arnett as a man whose parents move in with him after his divorce. Margo Martindale and Beau Bridges play said parents — another solid cast.
Crazy Ones The highly anticipated return of Robin Williams to TV centers around a father and his daughter (Sarah Michelle Gellar) who work in advertising together. James Wolk's also in it, if you wanted one more reason to watch.
Which of these new series sounds most promising? And which one will be your dad's new favorite show?
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Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.