As the weary crew of the World War II sub USS Tiger Shark heads home to Connecticut after a long grueling mission they come across three survivors of a torpedoed British hospital ship including one female nurse (Olivia Williams). Tough ambitious Lt. Brice (Bruce Greenwood) takes the survivors aboard--to the chagrin of the crew who is reminded of the old adage that a woman on a sub is bad luck. Bad luck it turns out is exactly what they get--whether it's due to the woman aboard pranksters playing tricks the sanity-eroding effects of oxygen deprivation or ghosties in the dark. The sub and its crew already dodging the Nazi U-boats that hover above them in the Atlantic waters periodically sending down depth charges or trolling the deep with massive sub-catching hooks must also contend with the strange happenings inside--frightening noises voices whispering from the sub's depths phantasmic visions and alarmingly inexplicable mechanical failure. Suddenly the sub is stuck on the ocean floor--oxygen is running out the too-close quarters are seemingly getting even more cramped and bizarre unspeakable accidents are killing off the crew.
Chilling with a glittering snakelike gaze Greenwood's Brice manages to cover his slowly unraveling psyche with a capable-officer façade like a lid on a pressure cooker-- until the lid blows off completely. His performance is vaguely reminiscent of Jack Nicholson's in The Shining in that somewhere beneath the escalating madness there's a sense of reason that sometimes peeks out like a face behind a mask to let us know he hasn't gone completely over the deep end (no pun intended). Matt Davis (Blue Crush) shows promise as young Ensign Odell the only seaman willing to stand up to Brice and question his dubious decisions while helping to save the sub from certain disaster. Other standout performances include Holt McCallany (Panic Room) as the strong sensible Lt. Loomis who staunchly believes there's a rational explanation for the weird happenings on the sub until he literally gets the scare of his life; and Jason Flemyng (Lock Stock and Two Smoking Barrels) as crewman Stumbo a practical joker who reels from the reality of the situation that unfolds.
Below was first envisioned years ago by Requiem for a Dream writer/director Darren Aronofsky who reportedly once claimed it would be the scariest movie of the last decade. In director David Twohy's (Pitch Black) hands it's creepy but hardly that scary. The film definitely captures the cramped claustrophobia of a sub trapped at the bottom of the ocean while still showing the hugeness of the vessel and the U-boats above it; there are also some fascinating underwater shots that reinvent the submarine movie altogether. Where the film falters though is in the scare factor. C'mon…jaded horror fans are hardly going to take seriously things like a Benny Goodman record suddenly playing on its own ghostly faces appearing in the dark or voices whispering from the beyond although the scene in which Stumbo thinks he hears a dead body wrapped in a blanket talking to him is truly unsettling--there should have been more like it. Though the film tries to blur the line between what is happening in the seamen's minds and what are really supernatural occurrences eventually it sort of degrades into a "haunted house beneath the sea" kind of thing despite the more intriguing psychological angle. The ending is the most disappointingly silly part of it all conveniently wrapping everything up in a neat package.
After surviving a devastating car accident following her first college party freshman Cassie (Melissa Sagemiller) falls into a coma and steps into a nightmare of otherworldly visitations. Haunted by a grim reaper of a far different kind her only hope is to cling to chance encounters with her lost love Sean (Casey Affleck) and the aid of a mysterious young priest named Father Jude (Luke Wilson). Cassie's malicious friends Matt (Wes Bentley) Annabel (Eliza Dushku) and the morose Raven (Angela Featherstone) seem intent on drawing her to the dark side but the spirit of her soul mate Sean guides her back to the world of the living.
Sagemiller (Get Over It) may be a fine actress but this film--her second full-length feature--isn't the one to prove it. Not that Sagemiller does a poor job but like most dull and stale horror movies the female lead isn't asked to do much other than look frightened and scream--a lot. Affleck (Good Will Hunting) Bentley (American Beauty) and Dushku (Jay and Silent Bob Strike Back) are among the more talented actors of their generation but are completely wasted especially Affleck in his one-dimensional role. Wilson as Father Jude is the only character with an interesting part but unfortunately the good Father's development is stunted and incomplete leaving Wilson little to work with.
Steve Carpenter's first turn as a director leaves much to be desired. Of course Carpenter wrote the formulaic script so why shouldn't he be the one to helm it? One major flaw (and there are plenty to choose from) is that nearly half the movie is shot tight on the characters giving the audience a very myopic view. Even if that was intentional it certainly did nothing to heighten the tension (what little of it there was) in the movie. The flick's tagline "The World of the Dead and the World of the Living... are About to Collide" conveys the message of an epic struggle between the forces of evil and the forces of good--a struggle that never materializes. And the film's final message that love conquers all is the boring hackneyed truism that breaks the cliché camel's back.