CBS via Everett Collection/Getty
They're making a Gilligan's Island movie. Josh Gad is in it. This is the news we find ourselves facing today.
Gilligan's Island purists (there's a purist for everything) are probably hollering over the news of Gad at the center of this production. "The Book of Mormon kid as Gilligan? That's conflicts with my purism!" But as of yet, we're not entirely sure who Gad is set to play. The assumption: Gilligan. The official word: TBA. So, really, there are seven possible ways this movie can go...
Josh Gad as GilliganThe most straightforward adaptation of the sitcom, with Gad playing the bumbling title character who consistently thwarts his friends' attempts at escaping the confines of their desert island prison. Sight gags, goofy repartee, wacky laughs, and a simplistic message about believing in yourself and the people you love. Maybe Gad's Gilligan has a romantic flight with hometown gal Mary Ann? That'd sell. We mean, foster artistic merit. Directed by Shawn Levy.
Also starringThe Skipper... Kevin JamesThe Millionaire... Jason BatemanHis Wife... Allison JanneyThe Movie Star... Sofia VergaraThe Professor... Jon Hamm (in glasses!)Mary Ann... Ellie Kemper
Josh Gad as The SkipperYou know, for kids! If Gad takes on the role of the Skipper, a maritime man who has quite a few years on the rest of the characters, we might be seeing something in the vein of a Disney Channel vacation flick. Gad and his nephew "Gil" operate an ocean excursion for privileged youths and wind up on a crazy island adventure! Gad must wrangle these preteens (and teach them a few lessons about growing up) in this family-friendly 90-minute TV movie (with commercials). Rally the the small nation of people that wrote and directed the Cloudy with a Chance of Meatballs movies.
Also starringGilligan... Rico RodriguezThe Millionaire... One of the Sprouse twins (maybe not the one with the naked pictures scandal, just to be safe)His "Wife"... iCarlyThe Movie Star... Somebody named ZendayaThe Professor... The kid from Iron Man 3Mary Ann... My cousin Kylee recommended Bridget Mendler, but, admittedly, Kylee doesn't know what Gilligan's Island is
Josh Gad as The Millionaire The quirky indie! We've seen a lot of stylistic liberties taken with old television programs and books, with an extra dose of contemporary eccentricity injected into properties like Dark Shadows or Fantastic Mr. Fox. Casting Gad as the (Internet) millionaire would kick off this new Gilligan with that dry, satirical flavor we find in so many offbeat indie flicks, rendering the entire island adventure a venue for deadpan non sequiturs and (quite appropriately) ukulele solos. Is Noah Baumbach available? No? Damn.
Also starringGilligan... Jason SchwartzmanThe Skipper... Mark Ruffalo (is he still doing this stuff, or is he all Hulk now?)His Wife... Charlyne YiThe Professor... Mark DuplassThe Movie Star... Zoe Kazan, or a Zoe Kazan equivalentMary Ann... Greta Gerwig, obviously
Josh Gad as His WifeThe broader-than-broad cross-dressing comedy! The kind of humor you find on the cutting room floor of Yogi Bear. If there's time to work in a plot between instances of human (and animal) flatulence, so be it. Overweight Gad playing the butt of every joke as Thurston Howell III's hilariously unattractive wife? That's not just comedy, it's America! Brett Ratner is already signed on for a three-picture deal.
Also starringGilligan, The Skipper, The Millionaire, The Movie Star, and The Professor... Eddie MurphyMary Ann... An actual woman that they rope in for some semblance of a romantic arc
Josh Gad as The Movie Star The classy Oscar candidate! Occasionally, a TV adaptation (i.e., The Fugitive) will reach far and beyond the constraints of its source material and actually churn out awards-caliber material. Casting Gad as a subversion of what we view as the epitome of traditional "celebrity" already lends itself to a more poignant and pensive Gilligan's Island than any of us might have anticipated. We're talking Sophia Coppola territory here. A drama that really says something about what it means for a septet of disparate humans to fend for themselves on a desert island.
Also starringGilligan... Michael B. JordanThe Skipper... Christian Bale (he'll gain the weight)The Millionaire... Jean DujardinHis Wife... Marion CotillardThe Professor... Sean Penn — is he still allowed to make movies?Mary Ann... Rooney Mara
Josh Gad as The Professor The sci-fi adventure! Gilligan's Island, less a few anthropomorphic monkeys and some liberties taken with coconut-based technology, was rooted in the laws of our universe. But you can say the same for Scooby Doo and The Brady Bunch, and they went on to face real monsters and impending asteroids in their film incarnations. Sometimes, the step toward the big screen warrants an inclusion of fantasy. Maybe the island isn't just uncharted, but cursed! Or the home of an undiscovered breed of monsters! Or a space-and-time-jumping beacon of electromagnetic energy that stands as an extended metaphor for the plight of the human soul! We can see the Bad Robot logo now...
His Costars:Gilligan... Dave FrancoThe Skipper... Dwayne JohnsonThe Millionaire... Idris Elba — now you're on boardHis Wife... Gina CaranoThe Movie Star... Zoe SaldanaMary Ann... Elizabeth Olsen
Josh Gad as Mary Ann Have you ever seen Head? The strange, cerebral, explosively meta deconstruction of the 1960s musical sitcom The Monkees? Well, we're thinking that the Gilligan's Island form would slink perfectly into these margins. It's surreal, it's ripe for analysis, it even has been suggested to represent the Seven Deadly Sins with each of its characters. Gad's casting as Mary Ann already raises an eyebrow, but a progressive and artful director might well give us something worthy of some deep dives. Charlie Kaufman, make Gilligan's Island about US.
His Costars:Gilligan... Jared LetoThe Skipper... Meat LoafThe Millionaire... Denis LavantHis Wife... Catherine KeenerThe Movie Star... Chloe SevignyThe Professor... Joaquin Phoenix
So which version are you rooting for?
Follow @Michael Arbeiter
| Follow @Hollywood_com
Based on Ian McEwan’s equally stirring novel we begin the story in 1935 on the cusp of WWII. Briony Tallis (Saoirse Ronan) a 13-year-old fledgling writer lives with her wealthy family in their enormous English country mansion and on one hot summer day she irrevocably changes the course of three lives including her own. It seems the housekeeper’s son Robbie Turner (James McAvoy) carries a torch for Briony’s older sister Cecilia (Keira Knightley). And on this warm day it becomes clear she feels the same way; their love ignites. Little Briony who harbors her own secret crush on Robbie witnesses the beginnings of this love affair and not understanding its meaning feels compelled to interfere going so far as accusing Robbie of a crime he did not commit. He is arrested and whisked away eventually forced into the British army but thankfully the two lovers have a moment before he goes to war to reconnect. Cecilia promises to wait for him urging him to “come back” to her once the madness he is about to become immersed in is over. Meanwhile Briony (played in adult years by Romola Garai and Vanessa Redgrave) has grown up regretting every single moment of that fateful day and in desperately trying to seek forgiveness finally finds a path to understanding the power of enduring love. The performances in Atonement are nothing less than captivating beginning with the young Irish rose Saoirse Ronan (who is also set to play the lead in Peter Jackson’s The Lovely Bones). Since it is primarily Briony’s story Ronan must make the first most indelible impression and set the tone for the rest of the movie--and she succeeds on every level. From the moment you see Ronan’s pale face clear-blue eyes and steadfast gait you immediately recognize Briony’s need and determination to make everything in her life just so. Indeed Briony is a strongly focused child and Ronan so embodies the character an Oscar nomination is almost a certainty. As the 18-year-old Briony Garai (Dirty Dancing 2) does the best she can following such a tough act as Ronan but can never quite match the same intensity. On the other hand Redgrave who comes in at the very end as the much older Briony nails it right away adding her own nuances to a character who has lived a full life. Of course Knightley and McAvoy are no slouches either vividly capturing the passion bubbling up between Cecilia and Robbie then turning around and showing the heartache as their love is ripped apart. McAvoy is particularly effecting as his Robbie must also witness some truly horrific wartime scenes. Actually Oscar nods should come fast and furious for everyone in Atonement. With Pride & Prejudice and now Atonement director Joe Wright may have just established himself as the new James Ivory (of Merchant/Ivory fame). Wright is a real visionary for the romantic period piece expertly delivering truly spectacular vistas. From set design to costumes to cinematography the look of Atonement is at once verdant welcoming and then startlingly grim. The first half of Atonement at the Tallis’ country home is certainly the film’s most defining peppered by an effective musical score which uses the sound of a typewriter like a metronome. Through a soft lens Wright displays the general idleness of summer day at a country home like a sunny floral motif that belies an undercurrent of sweating bodies wilting flowers stagnant pools--and an imminent tragic event. Then once Wright moves with Robbie into WWII he actually paints an even more grim view of war then maybe seen before. The one continuous shot of the historical Dunkirk--a French beach on which thousands of British soldiers were forced by the Germans and then waited to be evacuated--is absolutely stunning and surreal. Atonement does drag ever-so-slightly in the middle especially as Briony trains to be a nurse in London but overall this is a film Academy voters eat up with a silver spoon. Expect to be hearing about it in the months to come.
As a thinking man’s actioner Ultimatum continues the franchise’s firm grasp on how spy games are actually played. The film starts at the point where Jason Bourne (Matt Damon) is in Moscow having killed the assassin from Bourne Supremacy in a car crash. He has exacted his revenge for his girlfriend’s death but he is still haunted and needs to know how the hell he got into this predicament in the first place. Plus he’s got a new CIA schmuck Noah Vosen (David Strathairn) after him. Vosen has reopened the Treadstone project--now called Blackbriar--and is using a new cache of highly trained assassins to do his dirty work. Luckily for Bourne he’s got two women on his side: CIA lackey Pam Landy (Joan Allen) who while in the situation room tries to thwart Vosen at every turn; and Nicky Parsons (Julia Stiles) the young logistician who covers for Bourne whenever she runs into him. With their help our intrepid assassin circumvents the globe in typical Bourne fashion so he can hunt down his past in order to find a future. Damon has truly perfected his Bourne alter ego in this third go-around. With his cool demeanor he really makes it all look so effortless--jet-setting around the world fighting enemies off with pens books towels cars whatever he can get his hands on and covertly obtaining the information he needs. Damon is an accomplished actor no doubt able to take on a variety of roles--but he may never quite top Bourne. Damon is also surrounded by a top-notch supporting cast. In both Supremacy and Ultimatum Allen as Landy stands out in the crowd of power-hungry men she works for and with infusing the proceedings with a steely intelligence--and ultimately compassion. Stiles too is a breath of fresh air in the otherwise testosterone-filled environment and her Nicky may actually have more of connection to Bourne than we previously thought. The stellar Strathairn a character actor who can play both hero and villain with relative ease adds the sneaky Vosen to his list of bad guys while Albert Finney makes a brief but memorable appearance as a link to Bourne’s past. Helming his second Bourne installment after getting our hearts pounding with Supremacy Paul Greengrass (United 93) gets it. Although the Bournes sprouted from the furtive mind of spy-thriller author Robert Ludlum the director seems keyed into the whole spy genre as well handing us what feels to be a genuine look at how covert operations might work. From the operations center in which CIA personnel can find ways to tap into a target’s life via any number of ways to the action on the streets Greengrass keeps it moving at a whiplash pace. We’ve now come to expect the seat-clenching car chases along with at least one hand-to-hand combat scene between Bourne and some other super assassin in which Bourne kills his attacker with sheer brute force aided by some everyday item. Still they never seem redundant flowing nicely into the storyline. Greengrass’ filmmaking style however can be a tad jolting at times. He loves putting the audience in the middle of the action swinging the camera around fast-cutting between shots keeping things slightly confusing on who’s doing what to whom. But that real-time look and feel is what makes the Bourne movies unique from other actioners. Could there be room for a fourth Bourne? One can only hope.
October 19, 2001 5:57am EST
The film opens with prison warden Colonel Winter (Robert Redford) greeting the highly respected General Irwin (James Gandolfini) at the start of his 10-year sentence for disobeying a presidential order. When they meet Irwin makes a snide remark about Winter--a non combatant--proudly showcasing military trinkets and memorabilia in his office. The comment instantly touches off a power war between the two which ends with Irwin threatening to take over the prison and flying the American flag upside down--a symbol that the castle has fallen. Winter rises to the challenge and the two begin their strategic plotting. Irwin wins the respect of his fellow inmates in an overly drawn scene where he is forced to carry large stones from one pile to another in the prison courtyard and forms an army of inmates using clichéd chess tactics to demonstrate his assault plans. Winter meanwhile watches from his cozy office overlooking the courtyard as if he was watching a reality series on a big-screen TV.
The highly regarded General Irwin is a simple solemn type which unfortunately is what is fundamentally wrong with the film. While Redford does the brooding thing quite well the script never calls for him to do anything more than that. James Gandolfini takes on the role of prison warden Colonel Winter with fitting simplicity. He accentuates Winter's dumb-thug persona by over-enunciating his words and speaking in an unnaturally slow manner. Redford and Gandolfini both churn out great performances but it would have been more rewarding had the script called for their characters to be more well-rounded. Steve Burton plays Winter's right hand man Captain Peretz convincingly considering what few lines he has. His body language facial expressions and dialogue manage to convey his character's thoughts even when his lines don't.
Directed by Rod Lurie (The Contender) The Last Castle is a well-paced story without a dull moment. It concludes with a dramatic and exciting climax but the problem is it's just too simple. While it's easy to get caught up in the story it's hard to buy how easily the inmates are able to take control of such a heavily guarded maximum-security prison. Using cafeteria trays as shields is one thing but hurling stones using a giant catapult that somehow went unnoticed by prison security is hard to swallow. So is the fact that these inmates a group of hardened criminals cooperate so easily with hardly any friction. While it could have been a very emotional story it fails because the characters are one-dimensional and never really explored including the two main characters played by Redford and Gandolfini. One is a great strategist and the other draconian but viewers are left to guess why and how they got that way.