Can't get enough of Benedict Cumberbatch's sexy voice? Watch his appearance on Jimmy Kimmel Live! that will absolutely knock your ... um, socks ... off, plus the rest of the late night highlights from this post-holiday week.Check back here every week to see the latest late night show highlights at Hollywood.com.
Rhythm and CumberbatchFor those looking for the perfect mix of high and lowbrow, watch Benedict Cumberbatch (Star Trek Into Darkness and The Hobbit: The Desolation of Smaug) read the actual lyrics of R. Kelly's song "Genius."
Honoring MadibaOn Thursday, the world mourned when it was announced that Nelson Mandela, the beloved former South African president and anti-apartheid revolutionary, passed away at the age of 95. On that night R. Kelly performed his song "Soldier's Night" as a tribute to Mandela on The Arsenio Hall Show.
A Break From MayhemCraig Ferguson took pause from his usual opening comical intros to pay respects to the late Nelson Mandela. But rather than let himself speak about the South African humanitarian, Ferguson passed the honors to someone who knew him personally by showing a 2009 clip of Archbishop Desmond Tutu telling a story about the kindness Mandela often displayed.
Thirty Seconds to DallasHe's certainly come along since his days as Jordan Catalano from My So Called Life. Thirty Second to Mars' Jared Leto dropped by The Daily Show with Jon Stewart to talk about his buzzworthy role as a transgender woman in The Dallas Buyers Club.
A Surprise VisitThe Big Bang Theory's Jim Parsons treated a very lucky woman (who coincidentally looked a lot like his sitcom co-star Mayim Bialik) from the audience of Conan to an impromptu tour to the set of his show.
A McNasty ComboStephen Colbert gave his "Thought for Food" regarding the trans fat ban and the dubious origins of McDonald's elusive McRib.
Dance-off, Round 2Two Detroit Pistons fans reignited their choreographed rivalry and extended their viral celebrity status when they battled on Jimmy Kimmel Live! this past Tuesday.
IHOP for MoneyConan O'Brien tried to sell out by shooting a commercial for the very lucrative breakfast chain, the International House of Pancakes.
Set in the turbulent ‘60s each character in Across the Universe represents a different aspect to the unstable times. There’s naïve Lucy (Evan Rachel Wood) whose eyes are opened to the possibilities of life beyond her WASPy sheltered upbringing; adventurous Jude (Jim Sturgess) who breaks away from his Liverpool working-class roots to make it as an artist in New York; and Lucy’s brother Max (Joe Anderson) a college dropout who eventually gets drafted and sent to Vietnam. There’s also Sadie (Dana Fuchs) a Janis Joplin-esque rock singer; her guitar-playing lover Jo-Jo (Martin Luther McCoy) who hails from the riot-torn streets of Detroit; and even a burgeoning lesbian named Prudence (T.V. Carpio). They are all soon swept up into the '60s' emerging psychedelic anti-war and counterculture movements while Across the Universe lets the songs from one of the era’s most influential bands tell the story. But what drives the film is Jude and Lucy’s love for each other—and all you need is love right? You know you are in for something different when indie darling Evan Rachel Wood (Thirteen) is the most recognizable star. Luckily for Across the Universe the cast of unknowns delivers--and then some. Making his film debut newcomer Sturgess is a particular standout looking very much like one of the Beatles boys in their heyday. His earnest performance as the love-struck Jude immediately hits a chord (pun intended) and he makes breaking out into a Beatles tune seem entirely natural. Wood doesn’t seem as comfortable with the vocals but the actress has a lovely voice--and of course handles Lucy’s emotional ups and downs with aplomb. All the rest of the supporting cast does a wonderful job adding their own unique reinterpretations to the songs (and yes both “Hey Jude” and “Dear Prudence” pop up). The big fun with Across the Universe however are the cameo appearances: Eddie Izzard sings “Being for the Benefit of Mr. Kite” as a surreal circus ringleader; Joe Cocker sings “Come Together” alternating between a pimp bum and hippie; Salma Hayek takes nursing to a new level in a “Happiness Is a Warm Gun” number; and finally U2’s Bono sings “I Am the Walrus” as the Beat poet/counterculturist Dr. Robert. You haven’t experienced life until you've heard Bono sing “Goo goo g'joob.” In any original musical there is always something a little disconcerting when a character just breaks out into song even if it’s Julie Andrews standing on top of a mountain. But as with Moulin Rouge a character singing a song we all recognize--well that’s a little different. And honestly who doesn’t love Beatles music? Still director Julie Taymor (Frida) took a big chance creating a musical around the legacy that is Beatlemania. It must have been a daunting task searching through the annals of Beatles music to find just the right tunes for just the right moment--but her extremely inventive ways truly pay off. From Uncle Sam screaming “I Want You!” from a poster hanging in an Army recruiting office to Max and his college buddies running around campus belting out “With a Little Help from My Friends ” everything fits taking us on this journey of life love and self-enlightenment. Although Taymor’s forte clearly lies with the very wild and artistic most evident in Across the Universe’s psychedelic acid trips she also expertly highlights the stark reality of a turbulent time. Taymor is a romantic at heart though—a romantic who adores the Beatles. John Lennon would be proud.
Think Mean Girls meets High School Musical meets whatever other high school teen scenario you can think of. Here four teenage girls make up the Bratz contingency each come from different ethnic and socio-economic backgrounds—just like the dolls they are based on. There’s Yasmin (Nathalia Ramos) a quiet Latina beauty with a great voice; Sasha (Logan Browning) the outgoing black cheerleader who loves to dance; Jade (Janel Parrish) a lovely Asian fashionista who also a wiz in chemistry; and Cloe (Skyler Shayne) the tall Caucasian blonde who despite being a klutz is a star on the soccer field. They’ve been best friends forever (or BFF as they lovingly refer to it) but once they hit high school they drift apart and into respective cliques organized by the narcissistic class president Meredith (Cheslea Staub). Still these BFF’s—who live for clothes make-up and hair products—won’t be pushed down. They’re gonna shake things up and prove it’s always best to just be yourself and stick together. You can’t really blame the unknown girls—each very cute in their own way—for wanting to bring the Bratz dolls to life. It’s a big deal! They get to sing and dance and wear all these cool clothes! They get to throw food in a cafeteria lunch fight! They get to serve sweets at Meredith’s Sweet 16 party dressed as clowns and still look fabulous! All the young girls in the audience will idolize them and wish they were a Brat too (perhaps to their parents’ chagrin). No it’s the adults in the movie you have to scratch your head about and ask “Do they really need the money that bad?” Character actors such as Lainie Kazan who plays Yasmin’s wise grandmother and Jon Voight as the inept high school principal and Meredith’s father just embarrass themselves over and over again—especially Voight who along with his mediocre appearance in Transformers has become the go-to guy to star in movies based on toys. And what’s with this latest trend to make live-action flicks based on toys? You can understand Transformers because they already had their own cartoon show and you know the movie would at least be action-packed full of cool visual effects. But a Bratz movie is a little too much. Even though it tries really hard to send positive messages there’s really nothing redeeming about turning little dolls—who frankly dress a little on the trashy side—into flesh-and-blood teenagers obsessed with how they look and dealing with high school politics. Bratz really only distinguishes itself from other Mean Girls-type movies because of the toy franchise. It would have been easier to take had it aired on the Disney Channel.
Meet Beverly D'Onofrio (Drew Barrymore) a woman on her way to getting her first book published. She is driving with her grown son Jason (Adam Garcia) back to her hometown in Connecticut for the first time in many years. Together they begin discussing Beverly's book a memoir of her life. Jumping back to 1968 we meet Beverly as a bright 15-year-old girl with a talent for writing. She dreams about going to college and getting out of her small-town existence. But like most teenagers she and her best friend Fay (Brittany Murphy) also have a penchant for boys--except Bev picks them from the wrong side of the tracks. Inevitably Bev meets Ray (Steve Zahn) a sweet guy but a total screw-up gets pregnant and has a son. Now she's stuck..and stuck..and still stuck---unhappy and taking it out on her child throughout the years. On this road trip she comes to grips with what she's done with her life and her son's.
Barrymore has certainly come into her own as an actress choosing projects that highlight her sweet comedic talent such as The Wedding Singer and Never Been Kissed. In Boys she goes for the melodramatic and although she has some great moments the material actually brings her down. Her Beverly is an annoying selfish woman who never really shows much affection towards her son--not what you would call a flattering portrayal in any way. However some of the supporting performances are outstanding including James Woods- as Beverly's cop father and Murphy as the best friend who is about as loyal as it comes. Zahn really stands out as Ray the good-hearted but drug-addicted father. His tender scene with his son before he leaves the house for good was heartfelt and real. If anyone is to get an Oscar nomination from this film it may be him.
Maybe it was director Penny Marshall's intention but the movie makes you feel like you too are stuck as you watch one opportunity after another pass Beverly by. It was exhausting and hardly worth the time spent in the theater. Marshall has had such a nice touch with comedies before such as Big and A League of Their Own but she can definitely turn on the schmaltz when she wants to and she does it in spades in Boys. Of course the funny moments were wonderful. Barrymore getting ready for a big scholarship interview with her adorable three-year-old watching her was fun but you've seen most of it in the trailer. Perhaps the fault lies not with Marshall or Barrymore but rather with the plodding script which basically goes nowhere. Once again Hollywood has decided to make a movie that would have been better suited for television.