Proving that there’s nothing Hollywood won’t reboot if given then chance, a new Scooby Doo movie is reportedly in the works at Warner Bros. According to Variety, the studio is looking to send Scooby, Shaggy, and the gang on another spooky adventure, which will be written by Randall Green. The news comes just a year after Warner Bros. also announced plans for an animated Scooby Doo movie, which is reportedly still on track. Though the last live-action Mystery Gang outings, 2002’s Scooby Doo and its sequel Monsters Unleashed, did well commercially, they weren’t received well by critics and fans of the series, which is why it’s surprising that Warner Bros. would be so intent at taking a third shot at big-screen adventure. After all, the live-action Scooby Doo’s were only slightly better than Yogi Bear. There are plenty of other great classic Hanna-Barbera properties that would make for great films, so why does Scooby get a third shot at big screen success? Think about all of the possibilities that are open…
Wacky Races Concept: Think The Lego Movie meets Speed Racer, with a touch of Mega Mind thrown in. Plot: Set at the Wacky Races Grand Prix, a sprawling, dangerous race that spans three days and covers a variety of terrains, the film charts the highs and lows of all your favorite racers, from Penelope Pitstop to the Ant Hill Mob to the Gruesome Twosome, and sees Dick Dastardly’s desperate attempts to finally experience the glory for himself. Starring: Charlie Day as Dick Dastardly, Isla Fisher as Penelope Pitstop, Bill Hader as Clyde the leader of the Ant Hill Mob, Amy Poheler as the Red Max, and Tom Hanks as the Narrator. Directed By: Edgar Wright.
Inch High, Private Eye Concept: The Maltese Falcon meets Osmosis Jones.Plot: The city is being terrorized by a robber who keeps stealing priceless works of art and jewels from museums and homes. The police are understaffed, and the detectives are at their wits’ ends, and the case has reached a dead end. Then, Mrs. Gotrocks hires Inch High, Private Eye, the most brilliant and tortured detective around to look into the case. But she might not like what he finds… Casting: Casey Affleck as Inch High, Kate Mara as Lori, Josh Brolin as Gator, Tommy Lee Jones as Mr. Finkerton and June Squibb as Mrs. Gotrocks. Directed By: The Coen Brothers.
Hong Kong Phooey Concept: Think 22 Jump Street, but sillier. Plot: Penry Pooch has always wanted to be a cop, but his enthusiasm for the job doesn’t quite balance out his complete incompetence. After failing out of the police academy, he takes a job working as a janitor under the watchful eye of the constantly frustrated Sergeant. One night, when he’s the only one at the precinct, he stops and apprehends a robber, which inspires him to take up crime fighting as Hong Kong Phooey. Luckily, he’s got Spot to help him out of whatever jams he finds himself in. Casting: Will Arnett as Penry, Keith David as Sarge, Anna Kendrick as Rosemary, the telephone operator, and Nick Frost as Spot. Directed By: Shane Black.
The Jetsons Concept: August: Osage County in space. Plot: George Jetson is an ordinary man, living an ordinary life. He loves his family, endures his job and spends his time relaxing with his dog, Astro. But when he catches his wife having an affair with his boss, his world comes crashing down around him, and he’s forced to re-evaluate everything he knew about his life, and decide whether to move forward or move on. Starring: Joaquin Phoenix as George, Sandra Bullock as Jane, Hailee Steinfeld as Judy, and Steve Buscemi as Mr. Spacely, with Art Parksinson as Elroy and Scarlett Johansson as Rosie. Directed By: Spike Jonze.
JabberJaw Concept: Almost Famous meets Jaws, with a dash of Star Trek .Plot: The Neptunes were on their way to becoming the hottest rock band under the seas, until their drummer abruptly left. Then, they discovered Jabberjaw, a 15-foot-tall shark with the skills of Keith Moon, and it seemed like they had it made. But the path to rock stardom is paved with dangers and it’s time for the Neptunes to face them. Starring: Chris Pratt as Jabberjaw, Adam Levine as Clamhead, Malin Ackerman as Bubbles, Zoe Kravitz as Shelly, and Oscar Isaac as Biff. Directed By: John Carney.
Quick Draw McGraw Concept: A better homage to Blazing Saddles than A Million Ways to Die in the West .Plot: The Wild West is a dangerous place, thanks to outlaws, frequent dueling and a lack of modern medicine, but one man is there to keep order in place, and uphold justice where ever he goes… Sherrif Quick Draw McGraw. Unfortunately, he might have finally met his match when the deadliest outlaw in the west rides into his town. Starring: Damon Wayans Jr. as Quick Draw McGraw and Fred Armisen as Baba Looey.Directed By: Mel Brooks, in an ideal world.
Space Ghost Concept: It’s basically Guardians of the Galaxy, but with a monkey instead of a raccoon. Plot: After Zorak, Space Ghosts’ nemesis, escapes from prison, he recruits Black Widow (no, not that Black Widow) and Brak and Sisto in order to form a league of villains that will take over the galaxy and allow chaos to reign, but in order to do so, they need a gauntlet of power, one that only Space Ghost’s sidekick Jace possesses. Can Space Ghost and Jan rescue him and save the universe before it’s too late? Starring: Channing Tatum as Space Ghost, Emma Stone as Jan, Miles Teller as Jace, Idris Elba as Zorak, Dwayne Johnson as Brak, Jason Statham as Sisto, and Nicole Beharie as Black Widow (see, told you she was different!).Directed By: Joss Whedon, of course.
Top Cat Concept: Dancing on the Edge meets GoodFellas.Plot: Set in the 1940s, a group of rag-tag musicians are groomed to become a proper jazz sensation. But in order to do so, they’ll have to overcome prejudice, corrupt managers, in-fighting, and substance abuse and stick by each other through everything. Starring: Anthony Mackie as TC, Lamorne Morris as Brain, Albert Tsai as Choo-Choo, Michael B. Jordan as Fancy-Fancy, Josh Gad as Benny the Ball, Ruth Negga as Trixie, and Sean Penn as Officer Dibble.Directed By: Martin Scorsese.
You're welcome, Hollywood.
Beloved British actresses Angela Lansbury and Penelope Keith have landed Dame titles in Queen Elizabeth II's annual New Year Honours List. The Good Life star Keith and Murder, She Wrote's Lansbury join fellow thespians Michael Crawford and Lynda Bellingham, singer Katherine Jenkins, veteran TV presenter Nicholas Parsons and sculptor Antony Gormley among the other celebrities on the newly-released list.
Of her damehood Keith, 73, says, "It's a recognition for not only my 54 years being an actress but also for all the charities with which I'm associated and I think they'll be thrilled."
And Lansbury tells the BBC, "I'm joining a marvellous group of women I greatly admire like Judi Dench and Maggie Smith. It's a lovely thing to be given that nod of approval by your own country and I really cherish it."
Cats and The Phantom of the Opera choreographer Gillian Lynne will also add Dame to her name in 2014, while Turner Prize winner Gormley and theatre producer Michael Codron have both picked up knighthoods.
Michael Crawford and Nicholas Parsons have both picked up Commander of the Order of the British Empire (CBE) medals for their charitable work, and composer and conductor Sir Peter Maxwell Davies has been named a companion of honour.
Bellingham has ended a tough year, during which she battled cancer, with an Officer of the Order of the British Empire (OBE) - an honour also bestowed on opera star Jenkins, who was left "incredibly humbled" after learning her name was on the list.
She says, "To accept such an award after only a decade of service to music and charity, comes as a wonderful surprise. I share this award with the charitable bodies I am so privileged to work with."
Meanwhile, conductor Sir Simon Rattle becomes one of only 24 living people to land an Order of Merit medal.
Others named among the New Year Honours include actress and writer Ruth Jones and DJ Pete Tong (both Member of the Order of the British Empire).
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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Who better to play a couple that the entire viewing public will root for than the uncommonly adorable and blue-eyed Jason Ritter and Alexis Bledel? That's their job in the upcoming Fox series Us & Them: to make us fall in love with them enough that we understand why their family and friends uproot their lives to bring the long-distance pair together. At a special New York Television Festival screening event on Tuesday night, Ritter (Gavin) and Bledel (Stacey) were joined by executive producer David Rosen and their castmates Ashlie Atkinson (Nessa), Kurt Fuller (Michael), and Dustin Ybarra (Archie) to air the pilot and talk about this American adaptation of hit British sitcom Gavin & Stacey.
The pilot recreates a few classic moments from the first series created by James Corden and Ruth Jones, but deviates widely in places. The arc of the developing long-distance relationship of our title characters, for example, won't move as quickly as the British six-episode season format demanded. The city/country action has moved from Essex and Wales to New York and the very real Dillsburg, PA, respectively. ("I have their weather on my phone!" Atkinson said.) The cast talked about the meshing of their ensemble (Fuller: "We would sit at the table and just laugh and tell jokes and before we knew it, an hour was up and we were doing the scene again.") which also includes a mini-reunion of The State with Michael Ian Black as Stacey's Uncle Brian (perhaps the fan favorite of Gavin & Stacey) and Kerri Kenny as her mom Gwen, plus Malcolm in the Middle super-mom Jane Kaczmarek as Gavin's mother Pam; the pressure of playing an existing character ("I started to watch [Gavin & Stacey] when we were shooting, but then freaked out and had to stop," Ritter said); and high hopes for the future of the show. Atkinson bet one of the producers that if the series is picked up for a full season, she'll get a real version of Nessa's bacon tattoo.
The future of the show looks murky at the moment — Fox halted production with only six episodes finished. Those will air early next year. We hope it gets another chance. Us & Them is the rare adaptation that has its own vision, voice, and a sparkling cast chemistry. The panel encouraged those who want to see that develop to tweet, Facebook, and email Fox to demand more.
Welsh actor Michael Sheen won a top acting trophy at his home country's version of the British Academy of Film and Television Arts (BAFTA) Awards on Sunday (29Sep13). The Frost/Nixon star picked up the best actor prize at the BAFTA Cymru ceremony in Cardiff for his role in The Passion, which he filmed on the streets in his hometown of Port Talbot.
Gavin & Stacey star Ruth Jones missed out on the best actress award, which was presented to Sara Lloyd Gregory for her role in Welsh language drama Alys. However, Jones went home with the best writer prize for her show Stella.
Welsh producer Julie Gardner, who has helmed Doctor Who, took away the Sian Phillips award for producing. The ceremony also marked the 50th anniversary of the sci-fi show, which is filmed in Cardiff, with a montage of clips.
Welsh actor Michael Sheen has picked up a nomination for a top acting honour in his home country's version of the British Academy of Film and Television Arts (BAFTA) Awards. The Hollywood star is in the running for the best actor prize at the forthcoming BAFTA Cymru ceremony for his role in The Passion, which he filmed on the streets in his hometown of Port Talbot.
Sheen will face competition from Mark Lewis Jones (Stella) and Rhodri Meilir (Gwlad yr Astra Gwyn) at this year's (13) event, which is due to take place in Cardiff on 29 September (13).
Benedict Cumberbatch's crime drama Sherlock has landed four nominations, including a mention in the best TV drama category.
Actress Ruth Jones is up for best actress for her lead role in Stella, and she will also compete for the best writer award for penning the show, which landed 10 BAFTA Cymru nominations in total.
Bafta Cymru director Allison Dowzell says, "We are excited to be able to bring together the very best representatives of the creative industries in Wales in order to recognise the time, energy, determination and hard work that goes into making and producing creative media, TV and film programmes here. We're sure to see some very worthy winners rewarded for their efforts on the evening."
U.S. TV network Fox has ordered an American version of the hit British comedy series Gavin And Stacey. Jason Ritter and Alexis Bledel will star in new show Us and Them, which retains the original series' creators James Corden and Ruth Jones as executive producers.
If there's a cinematic alchemy award to be given this year director Bill Condon deserves to take it home after magically turning the tedious Twilight franchise into entertainment gold. 2011's Part 1 was a horror camp romp that turned the supernatural love triangle — the naval gazing trio of Bella Edward and Jacob — on its head. Breaking Dawn - Part 2 continues the madcap exploration of a world populated by vampires and werewolves mining even more comedy thrills and genuine character moments out of conceit than ever before. The film occasionally sidesteps back into Edward and Bella's meandering romance (an evident hurdle of author Stephenie Meyer's source material) but the duller moments are overshadowed by the movie's nimble pace and playful attitude. Breaking Dawn - Part 2 will elicit laughs aplenty — but thankfully they're all on purpose.
Part 2 picks up immediately following the events of the first film Bella (Kristen Stewart) having been turned into a vampire by Edward (Robert Pattinson) to save her life after the torturous delivery of her half-human half-vampire child Renesmee. She awakes to discover super senses heightened agility increased strength… and a thirst for blood. One dead cougar later Bella and the gang are able to focus on the real troubles ahead: Renesmee is rapidly growing (think Jack) and vampiric overlords The Volturi perceive her a threat to vampiric secrecy. Knowing the Volturi will travel to Forks WA to kill the young girl (a 10-year-old just a month after being born) The Cullens amass an army of bloodsucking friends to end the oppression once and for all.
Packed with an absurd amount of backstory and mythology-twisting plot points (some vampires can shoot lightning now?) Condon and series screenwriter Melissa Rosenberg mine revel in the beefed up ensemble of Breaking Dawn - Part 2 and thanks to a wildly funny cast it never feels like pointless deviation. Along with the usual suspects Lee Pace adds swagger to the series as a grungy alt-rock vampire Noel Fisher appears as a hilarious over-the-top battle-ready Russian coven member and Michael Sheen returns has Volturi head honcho Aro and steels the show. Flamboyant diabolical and a steady stream of maniacal laughter Sheen owns Condon's high camp vision for Twilight and he lights up the screen. There are a few throw away nations of vampires — the oddly stereotypical Egyptian and Amazonians sects are there mostly there to off-set the extreme whiteness — but the actors involved bring liveliness to a franchise known for being soulless. Even Stewart Pattinson and Taylor Lautner give personal bests in this installment — a scene between Bella and her dad Charlie (Billy Burke) is genuinely heartfelt while Jacob's overprotective hero schtick finally lands.
Whereas Breaking Dawn - Part 1 stuck mostly to the personal story relying on the intimate moments as Bella and Edward took the big plunge into marriage and sex Part 2 paints with broader strokes and Condon has a ball. Delving into the history of the vampires and the vampire world outside Forks is Pandora's Box for the director. One scene where we learn why kids scare the heck of the Volturi captures a scope of medieval epics — along with the bloodshed. Twilight might be known for its sexual moments but Breaking Dawn - Part 2 will go down for its abundance of decapitations. The big set piece in the finale is something to behold both in the craftsmanship of the spectacle and in its bizarre nature.
The Twilight Saga: Breaking Dawn - Part 2 had the audience hooting hollering and even gasping as it twisted and turned to the final moments. There's little doubt that even the biggest naysayer of the franchise would do the same. No irony here: the conclusion of Twilight is a blast.
The allure of a jump scare that perfectly-timed loud noise that sends a horror movie audience jumping is hard to ignore. They're easy but effective — if you want to shake people up nothing works as well as a well placed violin screech or slamming door sound effect. Thankfully the new evil ghost movie Sinister mostly avoids the easy way out by developing its lead character a novelist with a drinking problem and exploring an inventive twist on "found footage" (the guy actually finds footage). It all works quite well… that is until it starts relying on jump scares.
True crime writer Ellison Oswalt (Ethan Hawke) hasn't had a hit book in years but he hopes to change his life around by investigating a set of murders committed in the backyard of a suburban home. To immerse himself in the history Ellison moves his entire family into the house where the committed murders took place (and without telling them their new home's little secret). He immediately falls down the rabbit hole discovering a series of Super 8 movies depicting the first killings and a string of other bizarre murders all captured on gritty film. Ellison loses himself to the movies only flinching when his wife Tracey (Juliet Rylance) begs him to come to bed or his son Trevor (Michael Hall D'Addario) wakes up in a fit of terror from an anxiety ailment. But as he watches and rewatches the snuff films Ellison begins to see a connection between them: a shadowy figure who it turns out might be a supernatural entity.
Great horror rides on its lead and Hawke serves Sinister well. He's ambitious and overly confident of his abilities as he digs deeper and deeper into the history of the Super 8 movies. He makes some poor choices — why writers in movies are continually keeping secrets from their families and drinking way more whiskey than their finances would allow is one of Hollywood's great mysteries — but Hawke is adept at making the act of watching someone watch something interesting. His obsession with the mystery his slowly disintegrating mind is reminiscent of Jack Torrence in The Shining.
But before Sinister gets that involved with its central character it strays into run-of-the-mill haunted house territory. Vincent D'Onofrio pops up for a quick expositional Skype chat to inform Ellison that the dark being in his home movies might be a Pagan deity that eats the souls of children. That would explain all those pesky kid ghosts that keep whispering in the ear of Ellison's Ashley (Clare Foley) and making creepy bumps in the night.
Sinister's most terrifying material comes from the grainy "found footage." When director Scott Derrickson moves back and forth between Ellison and the films the writer illuminated only by the flickering projector it's chilling. But the movie progresses away from that into its own conventional horror movie. Weighed down by explanation and meandering action Sinister loses track of its character angle in favor of the almighty jump scare. It's exhausting — but then again as the nickname suggests they never fail to make one jump.
The star became a household name in his native U.K. after creating the hit series with co-star Ruth Jones, but has gone on to international acclaim thanks to his role in One Man, Two Guvnors when the production transferred from London's West End to Broadway.
He won a prestigious Tony Award for his role in the stage show earlier this year (Jun12) and has been offered a number of big screen projects, but Corden is adamant he will not turn his back on Gavin & Stacey.
He says, "It would be a crime not to (write more episodes), it's a great show. Writing with Ruth is a gift, I definitely plan on doing some more."
After Twitter erupted with questions about when the show will return, Corden insisted he is currently too busy to concentrate on writing more episodes.
He wrote, "Getting loads of messages about a Gavin and Stacey special. I'm sorry to say there are no plans right now I'm afraid, but maybe one day! (sic)"