A character drama with a twisted sense of humor Silver Linings Playbook follows Pat (Bradley Cooper) a recently released psychiatric hospital patient who moves back in with his parents and begins a quest to reclaim his broken marriage. Despite the warnings from doctors Pat's mom Dolores (Jacki Weaver) and dad Pat Sr. (Robert De Niro) take him in hoping familiar settings and a little Eagles football may be the perfect cure. It isn't — Pat continuously loses his s**t over his ex-wife Nikki frantically stressing over her high school English class' reading syllabus (he toss Hemmingway's A Farewell to Arms straight through a glass window) and breaking down every time he hears their wedding song. There's no hope for him and Nikki — catching her with another man and beating him to a pulp led to his institutionalizing — but Pat's focused mind doesn't let him deviate.
After being invited to a friend's house for dinner Pat meets Tiffany (Jennifer Lawrence) who sees a friendship in the bipolar patient. After the death of her husband Tiffany went off the deep end engaging anyone and everyone for sex. She's sees a companion in Pat and although he's reluctant the off-kilter pair can't fight the magnetic power of their psychological issues.
Most of their conversations end in screaming or blunt admissions — but they're relatable.
Mental illness and human connection may sound like an equation for eye-roll-worthy saccharine but director David O. Russell mines Cooper and Lawrence's comedic strengths to turn Silver Linings Playbook into one of the funniest movies of the year.
Nothing is off limits for Russell; one reoccurring joke is that Pat can't stop bringing up the fact that Tiffany's husband is dead. As Tiffany puts it to Pat, "You say more inappropriate things than appropriate things."
To make Pat aware of how his bipolar existence affects the people around him and to make us the audience feel for this heart-wrenching experience Russell shoots and paces Silver Linings Playbook for awkward comedy.
He also returns to the always-reliable family dynamic. The Fighter is to Boston as Silver Linings Playbook is to Philadelphia De Niro perfecting the Eagles-loving everyman with a collection of betting buddies who may be just as delusional as Pat.
The legendary actor proved he had comedy chops in Meet the Parents but here he blends it with gravitas that earned him a legacy in the first place. Rush Hour actor Chris Tucker also pops up as Pat's good friend from the institution. More restrained than ever Tucker helps add warmth to the picture. Pat has a support system everywhere he turns. In essence the film emanates with positive vibes.
Even with a great ensemble Silver Linings Playbook is Cooper and Lawrence's show. To the bitter end Pat and Tiffany never get sappy with one another always at each other's throats over the feelings they harbor and the pasts they can't shake away.
Cooper loses himself in the chaotic mind of Pat without ever slipping into a caricature of the mentally ill. He can stir up laughs with his desperate search for Pat's missing wedding video and then shock us in the blink of an eye when things turn violent.
Impressively Lawrence's Tiffany is never written down. She never succumbs to being a comforting presence always provoking Pat to push himself.
She's a strong woman but a strong woman juggling her own set of issues. Lawrence conveys all of that without missing a beat. That dynamic should be make Silver Linings Playbook the talk of the town come Oscar time.
WHAT IT’S ABOUT?
Set in a seaside English town in the '80s this small heartfelt tale centers on the relationship between Edward a 10-year-old boy whose parents run a retirement home and Clarence an aging magician and recent widower who is one of the new residents. Lonely and curious Edward has a habit of befriending the old folks only to search for their ghosts after they die. When Clarence comes in both learn new life lessons as the older one comes to terms with his past while the younger boy finds reason for optimism as he faces the future.
WHO’S IN IT?
Michael Caine is wonderful in a startling character role in which the 76-year-old movie icon allows himself to look older drawn and beaten in parts of the film. Although the career of the two-time Oscar winner has been full of memorable performances ranging from Alfie in 1966 to The Dark Knight last year it’s this kind of realistic and moving portrayal that has marked the best of his work. and he’s never been better than in this memorable portrait of a forgotten magician who still manages to discover a couple of new tricks late in life. Matching him every step of the way is the engaging Bill Milner (Son of Rambow) who manages to go toe-to-toe with a screen legend without coming off as a too precocious of a child actor. He’s haunting and extremely natural in a pivotal three-dimensional role that never seems forced. Helping matters immensely is a great ensemble of splendid British stars who play the other residents including the great Rosemary Harris Leslie Phillips Sylvia Syms and Peter Vaughan.
Director John Crowley (Boy A Intermission) wisely lets his actors off the leash to create a chemistry that makes the modest story work its own kind of movie magic. Reminiscent in certain ways of the kind of British kitchen-sink dramas popular in the '60s Crowley resists any opportunity to let directorial flash overwhelm this poignant character-driven tale thereby letting it thrive on its own terms.
With such a superlative cast of British-acting royalty in the supporting roles you almost wish there were a few more scenes showcasing these characters in the film’s trim 91-minute running time.
Clarence rallies his talents to put on a magic show for the home’s residents. Caine pulls this off seamlessly and the sequence is pure delight.
NETFLIX OR MULTIPLEX?
This quaint film won’t lose anything on TV screens and may be hard to find in wide release so take the opportunity to see it any way you can.
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