The 2013 nominees for the Writers Guild of America awards have been announced. Writers, you say? Yes, writers! The people that make words dance on pages to create the worlds in which our favorite shows flourish. Some people, when confronted with a brilliant episode of television automatically assume the credit for its general goodness should go to the actors. But what about the writers? They are often just as (if not more so) likely to be the reason you laughed, cried, gasped, guffawed, or squirmed in your seat during last week's episode of your favorite show.
These makers of televised scripts carry a good chunk of a show's success (and failure) on their shoulders, and leading the pack of successful witty wordsmiths? Lena Dunham and her HBO darling Girls. Overall, it seems as though cable dramas fared better than broadcast (which, duh), but on the flip-side, broadcast comedies outdid their cable brethren. Breaking Bad cleaned up in the episodic drama category, and comedy lady hero Amy Poehler got herself a nod for the episode of Parks and Recreation she penned, "The Debate."
Check out the full list of nominees below!
Boardwalk Empire written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO
Breaking Bad written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC
Game of Thrones written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO
Homeland written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime
Mad Men written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC
30 Rock written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali Chandrasekaran, Luke Del Tredici, Tina Fey, Lauren Gurganous, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, John Riggi, Josh Siegel, Ron Weiner, Tracey Wigfield; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
Louie written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX
Modern Family written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Brad Walsh, Bill Wrubel, Danny Zuker; ABC
Parks and Recreation written by Megan Amram, Greg Daniels, Nate Dimeo, Katie Dippold, Daniel J. Goor, Norm Hiscock, Dave King, Greg Levine, Joe Mande, Aisha Muharrar, Nick Offerman, Chelsea Peretti, Amy Poehler, Alexandra Rushfield, Michael Schur, Mike Scully, Harris Wittels, Alan Yang; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
The Mindy Project written by Ike Barinholtz, Jeremy Bronson, Linwood Boomer, Adam Countee, Harper Dill, Mindy Kaling, Chris McKenna, B.J. Novak, David Stassen, Matt Warburton; Fox
Nashville written by Wendy Calhoun, Jason George, David Gould, David Marshall Grant, Dee Johnson, Todd Ellis Kessler, Callie Khouri, Meredith Lavender, Nancy Miller, James Parriott, Liz Tigelaar, Marcie Ulin; ABC
The Newsroom written by Brendan Fehily, David Handelman, Cinque Henderson, Paul Redford, Ian Reichbach, Amy Rice, Aaron Sorkin, Gideon Yago; HBO
Veep written by Jesse Armstrong, Simon Blackwell, Roger Drew, Sean Gray, Armando Iannucci, Ian Martin, Tony Roche, Will Smith; HBO
“Buyout” (Breaking Bad), written by Gennifer Hutchison; AMC
"Dead Freight” (Breaking Bad), written by George Mastras; AMC
“Fifty-One” (Breaking Bad), written by Sam Catlin; AMC
“New Car Smell” (Homeland), written by Meredith Stiehm; Showtime
“The Other Woman” (Mad Men), written by Semi Chellas and Matthew Weiner; AMC
“Say My Name” (Breaking Bad), written by Thomas Schnauz; AMC
“The Debate” (Parks and Recreation), written by Amy Poehler; NBC
“Episode 9” (Episodes), written by David Crane & Jeffrey Klarik; Showtime
“Leap Day” (30 Rock), written by Luke Del Tredici; NBC
“Little Bo Bleep” (Modern Family), written by Cindy Chupack; ABC
“Mistery Date” (Modern Family), written by Jeffrey Richman; ABC
“Virgin Territory” (Modern Family), written by Elaine Ko; ABC
LONG FORM – ORIGINAL
Hatfields and McCoys, Nights 2 and 3, teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann; History Channel
Hemingway & Gelhorn written by Jerry Stahl and Barbara Turner; HBO
Pilot (Political Animals), written by Greg Berlanti; USA
LONG FORM – ADAPTED
Coma, Nights 1 and 2, teleplay by John McLaughlin, based on the book by Robin Cook; A&E
Game Change written by Danny Strong, based on the book by Mark Halperin and John Heilemann; HBO
“A Farewell to Arms” (Futurama), written by Josh Weinstein; Comedy Central
“Forget-Me-Not” (Family Guy), written by David A. Goodman; Fox
“Holidays of Future Passed” (The Simpsons), written by J. Stewart Burns; Fox
“Ned and Edna’s Blend Agenda” (The Simpsons), written by Jeff Westbrook; Fox
“Treehouse of Horror XXIII” (The Simpsons), written by David Mandel & Brian Kelley; Fox
COMEDY / VARIETY (INCLUDING TALK) – SERIES
The Colbert Report writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Barry Julien, Jay Katsir, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Central
Conan writers: Jose Arroyo, Andres du Bouchet, Deon Cole, Josh Comers, Dan Cronin, Michael Gordon, Brian Kiley, Laurie Kilmartin, Rob Kutner, Todd Levin, Brian McCann, Conan O'Brien, Matt O'Brien, Jesse Popp, Andy Richter, Brian Stack, Mike Sweeney; TBS
The Daily Show With Jon Stewart writers: Rory Albanese, Kevin Bleyer, Richard Blomquist, Steve Bodow, Tim Carvell, Hallie Haglund, J.R. Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart; Comedy Central
Jimmy Kimmel Live writers: Tony Barbieri, Jonathan Bines, Joelle Boucai, Sal Iacono, Eric Immerman, Gary Greenberg, Josh Halloway, Bess Kalb, Jimmy Kimmel, Jeff Loveness, Molly McNearney, Bryan Paulk, Danny Ricker, Rick Rosner; ABC
Key & Peele writers: Jay Martel, Ian Roberts, Keegan Michael Key, Jordan Peele, Sean Conroy, Colton Dunn, Charlie Sanders, Alex Rubens, Rebecca Drysdale; Comedy Central
Portlandia writers: Fred R. Armisen, Carrie Brownstein, Karey Dornetto, Jonathan Krisel, Bill Oakley; IFC
Real Time With Bill Maher writers: Scott Carter, Adam Felber, Matt Gunn, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Mike Larsen, Bill Maher, Billy Martin; HBO
Saturday Night Live Head writer: Seth Meyers. Writers: James Anderson, Alex Baze, Neil Casey, Jessica Conrad, James Downey, Shelly Gossman, Steve Higgins, Colin Jost, Zach Kanin, Chris Kelly, Joe Kelly, Erik Kenward, Rob Klein, Lorne Michaels, John Mulaney, Christine Nangle, Mike O’Brien, Josh Patten, Paula Pell, Marika Sawyer, Sarah Schneider, Pete Schultz, John Solomon, Kent Sublette, Bryan Tucker, Additional Sketch By Emily Spivey, Jorma Taccone, Additional Material By Frank Sebastiano; NBC Universal
COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
66th Annual Tony Awards written by Dave Boone; special material by Paul Greenberg; opening and closing songs by David Javerbaum, Adam Schlesinger; CBS
2012 Film Independent Spirit Awards written by Billy Kimball, Wayne Federman; IFC
After the Academy Awards Head writers Gary Greenberg, Molly McNearney. Writers Tony Barbieri, Jonathan Bines, Sal Iacono, Eric Immerman, Jimmy Kimmel, Jeffrey Loveness, Bryan Paulk, Danny Ricker, Richard G. Rosner; ABC
National Memorial Day Concert written by Joan Meyerson; PBS
Days of Our Lives written by Lorraine Broderick, Carolyn Culliton, Richard Culliton, Rick Draughon, Christopher Dunn, Lacey Dyer, Janet Iacobuzio, David A. Levinson, Ryan Quan, Dave Ryan, Melissa Salmons, Roger Schroeder, Elizabeth Snyder, Christopher J. Whitesell, Nancy Williams Watt; NBC
One Life to Live written by Lorraine Broderick, Ron Carlivati, Anna Theresa Cascio, Daniel J. O’Connor, Elizabeth Page, Jean Passanante, Melissa Salmons, Katherine Schock, Scott Sickles, Courtney Simon, Chris Van Etten; ABC
The Young and the Restless written by Amanda Beall, Jeff Beldner, Brent Boyd, Susan Dansby, Janice Ferri Esser, Jay Gibson, Scott Hamner, Maria Kanelos, Natalie Minardi Slater, Beth Milstein, Michael Montgomery, Anne Schoettle, Linda Schreiber, Lisa Seidman, Sarah K. Smith, Christopher J. Whitesell, Teresa Zimmerman; CBS
CHILDREN'S – EPISODIC & SPECIALS
“The Good Sport” (Sesame Street), written by Christine Ferraro; PBS
CHILDREN’S – LONG FORM OR SPECIAL
Girl vs. Monster story by Annie De Young; teleplay by Annie De Young and Ron McGee; Disney Channel
Winners will be announced on February 17th at events in New York and Los Angeles. What do you think of this year's nominees? Let us know in the comments!
[Photo Credit: Jojo Whilden/HBO]
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Instead of following a ragtag team of brutes hired for a suicide mission to destroy an Earth-bound meteor Seeking a Friend for the End of the World plays out the apocalyptic "what if?" scenario from the everyman vantage point. Written and directed by Lorene Scafaria (Nick and Norah's Infinite Playlist) the film pairs average joe Dodge (Steve Carell) with wallflower Penny (Keira Knightley) for a journey across the east coast a hunt for Dodge's college sweetheart. Scafaria takes a character-first approach to her anti-blockbuster examining the end of the world with a pitch black sense of humor. But the road trip loses steam as it chugs along with the film's insistence to avoid Hollywood disaster tropes taking a toll on the entertainment value. Dodge and Penny are so normal they aren't that interesting to watch. In turn neither is Seeking a Friend.
Worse for Dodge than the whole "destruction of humanity" thing is the fact that he's facing it alone; his wife leaves him he has no real family and he hates nearly all of his friends. While everyone he knows is either hooking up or shooting up in hopes of going out on a high note Dodge buckles under the weight of an existential crisis that feels all too familiar. To his rescue is next-door neighbor Penny who insists the two hit the road together to go find Dodge's one-that-got-away. They don't have much of a choice as New York City is quickly overrun by Malatov cocktail-hurling riots.
When the catastrophe and societal chaos is seen through Dodge's eyes and Carell's complex interpretation of the straight man Scafaria hits all the marks. Watching Dodge tell his cleaning lady to go home because "What's the point?" is heartbreaking while his good friend's descent into frat boy madness for the same reasons nails mankind's vile tendencies. And through it all it's funny thanks to Carell's impeccable timing. When Dodge is eventually paired up with Penny the film meanders the two never unearthing what it is about each other that keeps them sticking together. The duo run into a kindly truck driver (who's hired an assassin to off him when he's unaware) a TGIFriday's-esque restaurant full of zany drugged up waiters and even one of Penny's ex-boyfriends whose locked down with automatic rifles and Ruffles chips in anticipation of the end. But Dodge and Penny's quest is mostly about the in-between moments the quitter grounded human reactions to the apocalypse. Even with great performers at the helm Seeking a Friend doesn't organically shape those moments so much as contrive them. In one scene Penny fondly recalls the wonders of listening to music on vinyl Dodge listening carefully and learning. It's a soft and low key discussion perfect juxtaposition against the big-scale problem at hand but when a twenty-something is explaining records to a guy nearing 50 it comes off as twee instead of truthful. The problem infiltrates most of Seeking a Friend's character moments.
Scafaria has an ear and eye for comedy but Seeking a Friend boldly reaches for something more. Sadly ambition doesn't translate to success a messy tonal mix that fail to make it all that engaging or emotional. Carell and Knightley serve the material as best they can but this is the end of the world an even that requires a little weight a little sensationalism and a little more than a casual road movie.
If you've seen Heathers Clueless or Jawbreaker then you've seen Mean Girls. Cady Heron (Lindsay Lohan) is the new girl having moved from Africa where she was raised (one of many comic head-scratchers that goes nowhere) and now trying to win
friends in a hostile new high school environment. On the verge of becoming--gasp!--friends with two geeks one gay and one Goth she is invited to join "The Plastics" (Rachel McAdams Lacey Chabert and Amanda Seyfried) the coolest girls on campus. When she develops an unfortunate crush on the head Plastics' ex-boyfriend (Jonathan Bennett) the girls declare war on each other and all hell breaks loose. Saturday Night Live regulars Tina Fey Amy Poehler Tim Meadows and Ana Gasteyer fill in the adult roles and Fey wrote the script as well.
Lohan has star power in spades and enough going on behind the eyes to at least suggest the inner life and back story absent from the script. She conveys Cady's
sudden character changes with aplomb and her comic timing is excellent. McAdams makes the biggest impression with the showiest "Plastics" role and is certainly someone to watch for in the future. Her Regina George is one of the funniest nastiest high school girls since Election's Tracy Flick. Bennett is likeable in a one-note jock role and Daniel Franzese and Lizzy Caplan are similarly stereotyped as the Gay
and the Goth respectively. Of the adults Poehler
who is always funny stands out as Regina's alcoholic mini-skirted mother. Fey wisely and selflessly wrote herself a straight-man role as the calculus teacher. And Meadows as the principal quite simply has never
been funnier. Whether he has ever been funny before is another question.
To take on a project already burdened with two strikes--Teen Comedy and SNL Movie--is either a bold move or career suicide but director Mark S. Waters doesn't need to worry. He does a nice job of staying out of the way and tells the story simply without relying too heavily on fruit-flavored set design drowning every scene in music or ruining the witty laughs with too much slapstick. And it is a very witty script sharply observed and rich in detail. (The Halloween party scene showing every single girl wearing lingerie and a different set of animal ears stands out.) Fey adapted sociologist Rosalind Wiseman's nonfiction
best-seller Queen Bees & Wannabees and the interaction between the various species of teen is note perfect. That said Fey seems to have been given a lot of leeway due to her stature on SNL and it shows. One example: everyone has trouble pronouncing
Cady's name which wasn't funny the first time and still isn't 500 times later. The movie also attempts to impart a message of female solidarity but by building the characters on the same cookie-cutter stereotypes it denounces its girl power is undermined. Plus the movie seems cut to within an inch of its life. If it is possible for a comedy to move too quickly Mean Girls does as Waters furiously connects the dots without consideration for the characters or the audience. It's like watching schizophrenics at a track meet--but maybe that's the point.
Looks like people were ready for more Middle-earth action.
As if anyone is truly surprised, the second installment of the The Lord of the Rings trilogy dominated the box office this weekend with its continuing tale about some good-hearted Hobbits who want to destroy an evil Ring, while a bunch of nasty Middle-earth denizens try and stop them.
Over the three-day weekend, The Lord of the Rings: The Two Towers took in a whopping $61.5 million*, towering over the number two spot captured by the new Sandra Bullock/Hugh Grant film Two Weeks Notice. The romantic comedy only managed to take in about a quarter of The Two Towers' haul at $14.4 million.
Other openers this week included another epic saga, Gangs of New York, which came in fourth with $9.1 million and the animated The Wild Thornberrys Movie, which opened strong at number six with a respectable $6.1 million.
THE TOP TEN
New Line Cinema's PG-13 rated The Lord of the Rings: The Two Towers opened with an amazing three-day weekend total, ESTIMATED at $61.5 million at 3,6 22 theaters ($16, 980 per theater) and also taking in almost half of the weekend's box office (46.4 percent). Since its Wednesday, Dec. 18, opening, the film has brought in an ESTIMATED $101.5 million in total over five days.
Directed by Peter Jackson, it stars Viggo Mortensen, Ian McKellen, Elijah Wood, Sean Astin, Orlando Bloom and Liv Tyler.
The middle part to J.R.R. Tolkien's literary fantasy epic clearly surpassed its predecessor by nearly 25 percent. On the same weekend last year, The Lord of the Rings: The Fellowship of the Ring, which also opened on the Wednesday before Christmas, took in $47.2 million in three days. The film went on to pull in $94 million after its first five days, eventually grossing $313 million in North America and about $550 million overseas, according to Variety.
The Two Towers also posted the second highest domestic Wednesday opening ever, with a healthy $26 million, behind 1999's Star Wars: Episode I - The Phantom Menace at $28.5 million, according to New Line. Fellowship of the Ring was the previous holder of the December one-day record, opening with $18.2 million.
"We are pleased and astounded," New Line distribution president David Tuckerman told Variety of The Two Towers performance.
Warner Bros.' PG-13 rated romantic comedy Two Weeks Notice opened in second place with an ESTIMATED $14.4 million at 2,755 theaters ($5, 229 per theater).
Directed by Marc Lawrence, it stars Sandra Bullock and Hugh Grant.
This romantic comedy about a corporate lawyer's love/hate relationship with her boss is Bullock's second best opening in the last five films she has made. Her best opening was this summer's Divine Secrets of the Ya-Ya Sisterhood, which opened with a strong $16.1 million and went on to gross $69.5 million domestically. Bullock's top film Miss Congeniality opened to the smaller tune of $10 million in December 2000 but grossed $106.8 million domestically, proving the comedic actress has the star power to open films strong--and keep them that way.
The third spot belonged to Sony Pictures' Maid in Manhattan, this season's other romantic comedy, which opened last weekend at number one. Falling 41 percent, it still managed to rake in an ESTIMATED $11 million at 2,866 theaters (+28 theaters; $3,838 per theater). It's cume to date is approximately $35.5 million.
Directed by Wayne Wang, it stars Jennifer Lopez and Ralph Fiennes.
Guess a historical period piece about 1860s New York can't beat Hobbits or romance. Miramax's highly anticipated R-rated Gangs of New York opened with a less-than-exciting ESTIMATED $9.1 million at 1,504 theaters ($6,064 per theater). Still, with the film's recent slate of Golden Globe nominations, the momentum should give Gangs a fair amount of shelf life.
Directed by Martin Scorsese, it stars Leonardo DiCaprio, Daniel Day-Lewis and Cameron Diaz.
20th Century Fox's drum showstopper PG-13 rated Drumline continued to boom at number five with an ESTIMATED $7.6 million (-40%) at 1,837 theaters ($4,137 per theater). The little-film-that-could about an underdog high school band opened at No. 3 last week and has so far gained a respectable $22.8 million.
Directed by Charles Stone, it stars Nick Cannon, Zoe Saldana and Orlando Jones.
Another new flick on the block this weekend was Paramount Pictures' PG-rated The Wild Thornberrys Movie, which opened in sixth place with an ESTIMATED $6.1 million at 3,012 theaters ($2,025 per theater).
Based on the hit Nickelodeon TV show, the animated film about a family of wildlife documentary filmmakers, is directed by Cathy Malkasian and Jeff McGrath and includes the vocal talents of Lacey Chabert, Tim Curry, Rupert Everett, Lynn Redgrave and Marisa Tomei.
Chortling in at number seven is Disney's PG-13 rated The Hot Chick, taking in an ESTIMATED $4.5 million at 2,217 theaters ($2,030 per theater). Dropping 39 percent, the body-switching comedy bowed last week in fifth place and has made approximately $13.7 million thus far.
Directed by Tom Brady, it stars Rob Schneider, Anna Faris and Rachel McAdams.
Warner Bros. PG-rated Harry Potter and the Chamber of Secrets dropped a couple of notches to No. 8 with an ESTIMATED $4.45 million (-30%) at 2,750 theaters (-275 theaters; $1,620 per theater). The second movie about our fab boy wizard and his adventures at Hogwarts has managed to eke out approximately $228.9 million in its six weeks at the box office. Not too shabby.
Directed by Chris Columbus, the film stars Daniel Radcliffe, Emma Watson, Rupert Grint, Kenneth Branagh, Jason Isaacs, Richard Harris, Robbie Coltrane and Maggie Smith.
The once-popular franchise seems to have lost its steam. Paramount Pictures PG-13 rated Star Trek: Nemesis continued its disappointing run, slipping from its bow at second place last weekend to ninth with an ESTIMATED $4.4 million (-76%) at 2,711 theaters ($1,623 per theater). Its cume is approximately $26.4 million.
Directed by Stuart Baird, it stars Patrick Stewart, Brent Spiner, Tom Hardy, Ron Perlman, Jonathan Frakes, LeVar Burton, Michael Dorn, Gates McFadden and Marina Sirtis.
Tenth place belongs to Bond, James Bond. MGM's megahit, PG-13 rated Die Another Day, continued reaping the rewards with an ESTIMATED $4 million, dropping 49 percent at 2,075 theaters (-1,302 theaters; $1,928 per theater). One of the highest-grossing Bond films ever, its taken in approximately $138.4 million so far.
Directed by Lee Tamahori, it stars Pierce Brosnan, Halle Berry, Rosamund Pike, Toby Stephens and Rick Yune.
Three of the higher-profile independent films of the season opened in limited theaters this weekend, including Denzel Washington's Antwone Fisher, Spike Lee's 25th Hour and Narc starring Ray Liotta.
Fox Searchlight's PG-13 rated Antwone Fisher opened Thursday in 15 theaters at an ESTIMATED $217,500 ($14,500 per theater). The film, about a man struggles to come to terms with his abusive childhood, is directed by the Oscar-winning Washington, who also stars along with newcomer Derek Luke. Fisher will open wide Jan. 1.
Buena Vista's R-rated 25th Hour also opened Thursday in 5 theaters and took in an ESTIMATED $109,811 ($21, 962 per theater). The intense drama focuses on a drug dealer's last 24 hours before he goes to prison and how he chooses to spend it. Directed by Spike Lee, it stars Edward Norton, Philip Seymour Hoffman, Barry Pepper, Rosario Dawson and Brian Cox. The film opens wide Jan. 10.
Paramount's Narc opened in 6 theaters Friday, making an ESTIMATED $66,000 ($11,000 per theater). The gritty drama stars Ray Liotta and Jason Patric as two undercover narcotics detectives after a cop killer.
The top 12 films this weekend earned $132 million, up 46.4 percent from last weekend.
This time last year, New Line's The Lord of the Rings: The Fellowship of the Ring was number one at the box office with $47.2 million, while Warner Bros. Ocean's Eleven came in second with $14.7 million and Jimmy Neutron: Boy Genius third with $13.8 million.
*All estimates as reported by Exhibitor Relations, Inc.