Paramount via Everett Collection
One of the most respected authorities on the greatest films of all time is the American Film Institute's "100 Years...100 Movies" list, first presented in 1998 and revised in 2007. For those who want to view some of the films considered the greatest ever, Netflix has you covered, providing viewers with 13 titles on the list through their streaming service. Take a look at what's available.
The General (1926)
Buster Keaton's silent comedy epic based on the true story of a train conductor during the Civil War may not appeal to most modern audiences (and it didn't to critics upon its release either) but it is now considered one of the greatest films of all time.
High Noon (1952)
The classic Western stars Gary Cooper as a retired sheriff who steps up to protect a frontier town from a notorious outlaw and Grace Kelly as his Quaker wife who wants him to stay out of it.
Double Indemnity (1944)
Considered one of the greatest examples of film noir, Double Indemnity tells the story of an insurance investigator (Fred MacMurray) who gets roped into a murderous insurance scheme by a conniving woman (Barbara Stanwyck).
Another quintessential Western, it stars Alan Ladd as wandering gunslinger Shane who ends up in the middle of a deadly Wyoming land dispute.
The oldest film on the list, D.W. Griffith's silent epic tells four parallel stories relating to morality through history.
Duck Soup (1933)
The classic Marx Brothers' comedy tells the story of Rufus. T. Firefly's (Groucho) appointment to leadership of the fictional, bankrupt country Freedonia which is on the brink of war.
The African Queen (1951)
Humphrey Bogart won his only Oscar as a Canadian riverboat captain traveling with uptight missionary Katharine Hepburn down an African river to blow a hole in a German blockade during the onset of WWII.
Butch Cassidy and the Sundance Kid (1969)
Paul Newman and Robert Redford cemented their place in cinema history with their portrayal of the legendary outlaws.
Forrest Gump (1994)
You can re-watch the smash hit starring Tom Hanks as the Alabama man with an IQ of 75 for the 100th time.
Yup, the disaster epic that might be more popular to hate than like made the list. It's not as bad as people say. I'm sure millions of women who were teenagers in the late '90s would agree.
Oliver Stone's tale of a young soldier in the Vietnam War has gained acclaim as one of the greatest war films of all time.
Pulp Fiction (1994)
This Tarantino instant classic telling several sordid, interconnected tales revolving around a surreal L.A. criminal underworld is one of the most widely-loved films of recent decades.
Do the Right Thing (1989)
Spike Lee became an icon with his tale of racial tension erupting in Brooklyn.
Holly Kennedy (Hilary Swank) doesn’t know how lucky she has it. She’s smart beautiful and married to Gerry (Gerald Butler) a passionate funny and impetuous Irishman who loves her with every breath in his body. But when that breath runs out--Gerry dies unexpectedly from an illness--Holly’s luck runs out. Barely coping her salvation arrives in the form of letters from Gerry that come to Holly in unexpected ways--letters he wrote to her before he died to help her get through the pain and move on with her life and letters that always end with “P.S. I Love You.” A saint huh? Holly’s mother (Kathy Bates) and best friends Sharon (Gina Gershon) and Denise (Lisa Kudrow) begin to worry Gerry’s letters are keeping Holly tied to the past but in fact each letter pushes Holly on a journey of rediscovery and to show her how a love so strong can turn the finality of death into new beginning for life. Tissues please! Swank will be damned if she pigeonholes herself into always playing serious women who don’t wear makeup. P.S. I Love You is her stab at romantic dramedy and while the genre may not suit her best the Oscar-winning actress still has fun playing a spirited woman who wears designer clothes cute hats and gets to make out with a strapping Irish hunk. Actually Swank gets to bed TWO strapping Irish hunks in P.S. I Love You: The first is the yummy Butler of course and the other is Gerry’s old bandmate William played by American Jeffrey Dean Morgan (who’ll be seen in the upcoming romantic comedy The Accidental Husband with Uma Thurman). Lucky girl. Butler however is the one the ladies will sigh over the most. Having already given a powerhouse performance this year as the Spartan king in 300 the Scottish actor turns the tables to show his soft underbelly as the adorably romantic and fun-lovin’ Gerry. The abs still rock though. One can easily see why Holly is such a mess after he dies. Gershon and Kudrow add some genuineness as Holly’s friends (someone please find a Kudrow a TV show) as does Bates as Holly’s hardened mother. Harry Connick Jr. however seems out of place as Holly’s would-be suitor. She just needs to stick with the Irish guys. Hilary Swank teams up with her Freedom Writers director Richard LaGravenese once again for P.S. I Love You and it’s clear they have a symbiotic relationship. Swank probably likes the way LaGravenese accentuates her best features turning her into a glam leading lady while LaGravenese obviously enjoys gazing at her through his camera lens. Unfortunately the two really haven’t found the best material. Freedom Writers is the mother of all teacher-gets-students-motivated retreads while P.S. I Love You--based on a novel by Cecelia Ahern and adapted by LaGravenese and Steven Rogers--is just pure fluff with very little substance behind it. Not that the film won't inspire some romantic feelings or work up tears but its only real strengths are: 1) the players who somehow rise about the triteness of it all especially Butler and 2) the gorgeous landscapes of Ireland which should send any woman in her right mind straight to the Emerald Isles to find her perfect man. Seriously ladies book your trips NOW.
Lucy (Ashley Judd) is a small town girl just getting by with her small-town job and small-town roommate. Relationships are forgettable to her mainly because she tries to sneak out before her lovers even wake up. But Cal (Jeffrey Donovan) wants more than a one night stand. He actually cares encourages her to stay for breakfast and maybe even have a conversation. This is all new for Lucy. Someone actually cares about her feelings? How could that be when she doesn’t even care about her own? It changes her approach to all her usual routines--her boss (Stacy Keach) her family and her church. But positive change has a hard time sticking and old habits threaten to ruin Lucy’s progress. That’s about as far as we can stretch this plot description. Really it’s just sleeping around trying to stay faithful and open and going about small-town life. It’s really slow or you could call it deliberate if you’re being kind--so you’d better love promiscuous drunks to spend 90 minutes with them. Judd gives her most powerful performance in decades since her debut performance in the indie film Ruby in Paradise. She may not be playing a suicidal cutter in Come Early Morning but she gets to show real emotional pain. She cries yes but what’s really going on with her self-esteem is much more subtle. An awesome supporting cast makes sure Lucy exists in a real inhabited world. Keach is an honorable boss who hopes against hope that maybe Lucy will pick up and follow him to bigger and better places but kind of resigned in the knowledge that people don’t leave their nest. Laura Prepon (TV’s That ‘70s Show) plays Lucy’s roommate as spunky as small- town folks get but never in an obnoxious way. Diane Ladd plays what may be Lucy’s future a bitter old woman taking crap from a sexist grump. These kinds of people really exist and these actors portray them as slightly complicated people considering the simple examples they are meant to serve in the film. Donovan sure makes Cal a lovable guy and you almost root for him to find someone more stable than Lucy yet he’s never a pushover just an honest good soul. Actor-turned-director Joey Lauren Adams (Chasing Amy) really loves the small-town setting so she lets the camera linger on loving establishing shots. It creates a believable world of folks in their routine. She cast perfect supporting players to beef up the star vehicle and really just lets them go. Some are familiar faces professional enough to tone down any personas they may have. Others are unknowns who bring more authentic color outside of Hollywood. The story gives them all quirks to show but a lot of it is just effective casting. There is nothing flashy about the style of Come Early Morning. It’s definitely an indie in the vibe of people sitting around talking but there are no extended diatribes á la Kevin Smith. Come Early Morning is focused on moving the characters’ emotional journeys forward. That’s exactly what Adams should be doing in serving this rural relationship drama. If given a subject with broader appeal or a killer hook Adams could surely have a long career behind the camera.
Date Movie doesn’t have a story as much as it does a series of miss-or-really-miss spoofs of date movies and cultural hodgepodge; the thin “story” is just enough to keep the film from being a series of vignettes. Julia (Alyson Hannigan) who makes Big Momma look little is determined to find her Prince Charming instead of wasting away in her lonely apartment. She briefly finds him in Grant Fonckyerdoder (Adam Campbell) before losing him (so ends any originality). So she visits a date doctor named Hitch (Tony Cox)—yes that movie—who takes her to get barbaric liposuction. Then she meets Grant again they fall in love and she meets his parents Mr. and Mrs. Fonckyerdoder (Fred Willard and Jennifer Coolidge) making for a Meet the Fockers spoof (the biggest spoof-ee). Julia has competition from Grant’s ex (Sophie Monk) allowing for more film references but ultimately they live clumsily ever after.
It’s hard to see through the utter mess that is Date Movie enough to evaluate its acting but Hannigan seems to be at least serviceable. Although it seems like “acting” here means merely nauseating the audience enough so they can taste the vomit but manage to hold it in. Like when she licks Tony Cox’s face for 15 or so seconds—in slow motion… It’s more Fear Factor than Inside the Actor’s Studio. As for Campbell Date Movie is his first. There’s no frame of reference whatsoever and yet it’s still clear that he’s above this. He almost seems like a classically trained actor who’s forced to stretch his comfort zone by performing horrendous impressions such as the orgasm scene from When Harry Met Sally. The lone semblance of a bright spot comes from Coolidge impersonating Barbra Streisand’s Roz Focker. Again way too classy for this Movie.
Date Movie's trailer brags “From two of the six writers of Scary Movie...” After seeing it you can’t help but muse “It took two writers for that movie?!” The writers in question are Jason Friedberg and Aaron Seltzer who also co-directed. The film should at the very least be an appetizer for Scary Movie 4’s upcoming entrée (to which they did not contribute) but with no hint of continuity or a passable storyline it even fails that menial task—and where the Scary Movies have succeeded is in the satisfactory stories that surround the film references. The biggest problem though lies in the spoofs: While the rules mandate that only chick flicks/date movies can be parodied the writer/directors abandon their target audience by referencing movies like When Harry Met Sally. Luckily there’s always an audience member who feels the need to solve the conundrum aloud.
A Guy Thing's premise is standard and remarkably uneventful. Paul (Jason Lee) thinks marrying the sweet and perfect Karen (Selma Blair) and working for his tough soon-to-be father-in-law Ken (James Brolin) is the best thing he's got. Until he meets Becky (Julia Stiles) the girl he wakes up with after his wild bachelor party. Paul can't remember what happened but assumes the worst and tells Karen a little lie to cover it up. His friends tell him it's fine it's "a guy thing" and he shouldn't feel guilty but in the week before his nuptials he watches the whole thing blow up in his face. See Becky is Karen's free-spirited cousin a girl who lives life to the fullest. Even if Paul wanted to forget Becky and the apparent incident he can't especially when he realizes he is beginning to have feelings for Becky and that maybe Karen isn't the right girl for him. Oh boy he's got some s'plaining to do. This is life folks--these are the tough choices you've got to make. Or so that's what the film wants us to remember when we walk out of the theater with our sides splitting from laughing so hard. Right.
After last year's stinker Stealing Harvard one would have hoped Jason Lee learned his lesson--but apparently not. The thing is the guy is talented. He's shown great comedic flair alongside director Kevin Smith (Chasing Amy) but it's obvious his judgment has been impaired somewhere along the way. Lee looks like he is sleepwalking through most of the film as Paul does nothing more than react to all the craziness around him typically coming to his senses just in the nick of time. Blair (Legally Blonde) once again plays the country-club princess to a tee but someone please give this actress something meaty for a change. She can handle it. Yet it's Stiles who surprises you in A Guy Thing. Venturing into a balls-out comedy for the first time she just seems so out of place in the romantic comedy milieu. You think it isn't going to work but then suddenly you realize she's grown on you and Becky's gangly klutzy style becomes the only refreshing thing in this tired genre movie. Larry Miller also makes a hilarious appearance as Paul's minister neighbor who has seen the whole "guy thing" transpire. Funny stuff.
Someone really needs to tell why these vacuous romantic comedies keep getting made. A Guy Thing portends to be different claiming the comedy comes from real-life choices rather than from outlandish unbelievable situations. OK then it makes sense Paul would climb out his future in-laws' bathroom window to escape seeing Becky only to get hung up on a tree limb then get shot at by big bad daddy Ken and then have to climb back in the bathroom and wind up squirting a shampoo bottle into the toilet to make it seem like he was having gastric problems to those listening outside the bathroom door. Sure that happens all the time. Comedy works best when it's a tad outrageous and don't think A Guy Thing is anything but although it fails most of the time. Still under the guidance of director Chris Koch (Snow Day) the film has a few laugh-out-loud moments including the rehearsal dinner scene where a pharmacy technician caters the meal (don't ask) and spikes the gravy with marijuana resulting in priceless reactions from some veteran actors such as Diana Scarwid and Julie Hagerty playing the two mothers. The actual meaning of "a guy thing " which can ultimately be defined as a guy's inclination to back his buddies up also gets explained in a few hilarious ways. Overall though it's just one formulaic moment after another.
Harrison Ford (What Lies Beneath) has signed on to play Fred Cuny, an American aid worker who disappeared in Chechnya in 1995, The Associated Press reports. The as-yet-untitled film is based on David Fanning's 1997 documentary The Lost American and will be penned by Gladiator scribe William Nicholson. Filming is scheduled to begin next year, though it'll likely not be shot on location--then the film would end up being about an American Hollywood star who disappeared in Chechnya.
Barbie's been naughty, and parent Mattel Corp. is none too happy about it. An Argentinean movie, Barbie Gets Sad Too, shows the well-endowed doll having lesbian sex with her Latina maid. Mattel was outraged by Barbie's "performance" and has asked for and received a court order to ban the movie, which was set to debut at Mexico City's Urban-Fest film festival, PageSix.com reports. The movie is a "work of art," according to the festival's director, who allegedly managed to recite that line while keeping a straight face. We're still laughing.
Sony Pictures Entertainment has agreed to pay the state of Connecticut $325,000 for promoting films using phony reviews credited to a Connecticut newspaper. A Sony spokesman reportedly promised that Sony would "never, ever do it again, cross our hearts, hope to die," though eyewitnesses did see him cross his fingers while making that statement.
Despite having aired the openly-gay-themed episode of Ellen when Ellen DeGeneres' character came out of the closet, an ABC affiliate in Lynchburg, Va., refused to broadcast the latest episode of Once and Again because it showed two teenage girls kissing. A spokesman for GLAAD (Gay & Lesbian Alliance Against Defamation) called it "simple homophobia." We're not quite sure why WSET affiliate management pulled the episode; nobody watches ABC, anyway.
Jerry Seinfeld, titular star of TV's legendary Seinfeld, is making a comeback of sorts to the small screen. Seinfeld has signed a new three-year deal with American Express to make more commercials for the financial institution. It's no wonder why: Seinfeld's previous commercials pulled better ratings than the shows of former colleagues Michael Richards and Jason Alexander combined and ran for longer periods--but that's not saying much.
Hollywood stars (or at least some B listers) appeared at the Michael Awards, the self-proclaimed Fashion Oscars, Monday night. The charitable event, named after Michael Landon, raises money for the National Children's Leukemia Foundation and drew Sigourney Weaver, Cheryl Tiegs, Hallie Eisenberg and Roberta Flack. (Apparently Cheryl Ladd and Debbie Harry were no-shows.)
CSI is looking to break ER's seven-year stranglehold as TV's top-rated drama. For the second week in a row, CSI drew more viewers than ER and leads in average viewers per episode for the season. But in the wacky world of the Nielsen ratings, ER actually has the better rating. Recent rumors purport that the Nielsens were actually started by Florida Secretary of State Katherine Harris--counting and numbers are clearly her strong suit.
More big names have signed on to new TV shows. John Larroquette (Night Court), Patrick Dempsey and Balthazar Getty signed on to an untitled ABC pilot; Randy Quaid will headline Fox's The Grubbs; NBC's Miss Miami will feature Jonathan Silverman (The Single Guy); and Judge Reinhold is forging a Brave New World on the WB. In related news, ABC has allegedly canceled its fall slate now, avoiding the Christmas rush.
The scheduled Monday night "Face to Face" concert in St. Petersburg, Fla., was canceled when one of the "faces," Billy Joel, called in sick. (Elton John is the other "face" on the billing.) Joel's tour manager said the piano man is afflicted by an "acute upper respiratory infection and laryngitis." The manager said Joel did hand in a note asking that he be excused from the appearance, signed "Joel's mother."