Wracked by guilt over what she believes is her responsibility for the tragic death of her mother -- and running away from a distant father (Paul Bettany) -- 14 year-old Lily Owens (Dakota Fanning) takes off with her caretaker Rosaleen (Jennifer Hudson) and heads to the South Carolina home of the Boatwright sisters a place that holds many memories of her own mother’s childhood. She is immediately taken under their wing and bonds with August (Queen Latifah) the family matriarch who runs the enterprising bee farm on the property and teaches Lily the ways of the honey. There’s also the spirited June (Alicia Keys) a music teacher resisting the marriage proposals of the well-intentioned Neil (Nate Parker) and fragile and childlike May (Sophie Okonedo). In forging new relationships with these women a whole new world of self-esteem is slowly opened for Lily. For Dakota Fanning her performance in Bees marks a turning point into a new phase of her already impressive career and in Lily proves she is able to move effortlessly into strong teenage roles and more sophisticated material. She’s quite touching as a young Southern girl who comes of age with the help of some wonderful African-American women at the height of the Civil Rights movement in 1964. Hudson also proves she can move comfortably beyond her Oscar-winning powerhouse debut in Dreamgirls. In Rosaleen she gives voice to a young black woman who is determined to exercise her right to vote for the first time but at a price. Latifah is warm and commanding and the Queen bee of this clan and her scenes with Fanning are nicely toned. In an unusual cast with lots of singers-turned-actresses such as Hudson and Latifah Keys also shows smart acting instincts even if her interpretation of June is a little on the flat side. Okonedo (Hotel Rwanda) is simply wonderful and touchingly understated as the shy inward May. You wish there was more with her. Among the men Bettany takes a one-dimensional role as the demanding father and gives it some light while Parker (The Great Debaters) and Tristan Wilds as August’ godson and Lily’s new friend are spot on. Gina Prince-Bythewood who directs and smartly adapted the popular Sue Monk Kidd novel does go for the sentiment inherent in an old-fashioned story of this kind. But she also thankfully doesn’t pour it on. She creates a world in the deep South that doesn’t shy away from showing the harshness of life for African-Americans but whose lives at least politically are right at a major turning point. Most of all though she nurtures some lovely performances and brings an ensemble cast together with ease and heart. Prince-Bythewood whose breakthrough feature was the entertaining sleeper hit Love and Basketball clearly knows how to bring out the best in her actors. Secret Life of Bees elicits laughter and tears in equal doses proving to be the kind of not obviously commercial but uplifting movie-going experience rarely seen these days.
Did you know there are scientifically documented cases of very young children who had spontaneous memories of things and people and places they could never possibly have known about? Apparently The Return’s screenwriter Adam Sussman discovered this phenomenon and created the character Joanna Mills (Sarah Michelle Gellar) a young woman who since she was 11-years-old has been having disjointed flashbacks of some horrible attack she never experienced herself. She flashes regularly on a dank bar paintings of seahorses and ends up hiding from a man who calls her "Sunshine.” And who knew hearing Patsy Cline on your radio would spell supernatural trouble? The best part is when Joanna has one of these episodes she ends up cutting herself. Needless to say the girl’s a tad screwed up. Eventually Joanna finds herself inexplicably drawn to La Salle Texas where she finally starts to piece together the murder mystery that has been plaguing her for so long. Thank god! Someone just needs to hand Sarah Michelle Gellar a Coke and a smile. Forget about being a scream queen Gellar has become the queen of depression with the two Grudges and now The Return under her belt. She has actually made an art form of sad teary-eyed stares in the mirror sinking onto a bed with head in hand and general malaise. She also plays scared pretty well but deep down you know at any moment Gellar can get all Buffy the Vampire Slayer on whoever is threatening her especially as the tough Joanna. But the actress has to be getting tired of all this despair so let’s hope she decides to move on. The other Return cast members really aren’t worth mentioning except for a brief appearance by Sam Shepherd as Joanna’s dad. One can only imagine he did this for some extra cash. The Return is one of those cases in which the trailer makes the movie look a hell of a lot scarier than it really is which is probably why the studio didn’t pre-screen it for critics. It’s a marketing ploy of course pitching a thriller with an established horror actress attached--except this time they are messing with their built-in audience. Reminiscent of the truly creepy What Lies Beneath The Return may have a few jumps and bumps here and there but as a ghost story there isn’t any oomph. Maybe it has something to do with the ultra-depressive main character who isn’t nearly developed enough. We aren’t invested in what happens to Joanna or the woman periodically possessing her so she can solve her murder. The Return doesn’t measure up to its expectations lulling us instead of thrilling us.