The cast of Edgar Wright's superhero adventure, Ant-Man is growing at an exponential rate, and after the recent additions of Paul Rudd, Michael Douglas, and Michael Pena to the cast, Evangeline Lilly is now being considered to play the female lead.
Lilly is no stranger to genre film, after spending six years battling smoke monsters on Lost, and appearing in Peter Jackson latest The Hobbit movie. While the jury is still out on who the actress will play in the upcoming film, the scuttlebutt over at Variety is hinting that she might be cast as the daughter of Hank Pym (Douglas), and a love interest to Scott Lang (Rudd, Ant-Man himself). Since Lily is taking her first step into comic book filmmaking, we wondered what roles the rest of her Lost castmates could play. We've already heard rumors of Josh Halloway being considered to play Aquaman, or some other DC fixture, in the bizarrely cast Batman vs. Superman. We think his casting as Aquaman could work, given he plays the hook-handed and more roguish version of the character, and not the vintage boy scout of the sea of yesteryear that probably cries a lot after watching Finding Nemo. So now that we're in Lost mode, which superheroes can we match up with the other islanders?
Matthew Fox (Jack)What Character?: The Red HoodWhy: The Red Hood is a former incarnation of Robin who gets blown up by the Joker and feels betrayed that Batman never killed the dastardly clown in retaliation. Those are some Jack-level daddy issues. We've already seen Fox play maniacal in Tyler Perry Presents: Alex Cross, so maybe he could pull it off in a future Batman movie.
Terry O'Quinn (Locke)What Character?: Lex LuthorWhy: Terry O'Quinn is already bald so that's already a mark in his favor, but his period as "Evil Locke" showed that the actor exuded the right mix intelligence, charisma, megalomania to be Superman's greatest foe.
Naveen Andrews (Sayid)What Character?: ArchangelWhy: Archangel or Warren Kenneth Worthington III was a young rich playboy whose mutant powers manifested into a pair of giant wings that allowed him to fly. Several very comic book-like plot developments turned him into a dark and misunderstood anti-hero. Sayid had a similar slide into darkness during Lost and, Naveen Andrews is well-equipped to play a similar character.
Emilie de Ravin (Claire)What Character?: JubileeWhy: Jubilee is a young and feisty member of the X-Men. Actress Emile De Ravin has a lot of the same exuberance and sweetness that has made the character such a popular addition to the X-Men mythos over the years.
Dominic Monaghan (Charlie)What Character?: SpeedyWhy: Green Arrow's troubled sidekick grappled with a crippling drug addiction, and is generally underappreciated in the comics world for being the sidekick of a character whose only ability is to shoot arrows pretty well. Who is better to play Speedy than Dominic Monaghan, who plays a wounded drug addict extremely well in Lost.
Jorge Garcia (Hurley)What Character?: The KingpinWhy: Jorge Garcia has always played the nice guy, but maybe it's time for some career diversity. We want to see the actor take on a role that's really a 180 from anything that he's done before.
Daniel Dae Kim and Yunjin Kim (Jin and Sun)What Character?: The Wonder TwinsWhy: One of Lost's most crushing moments was the demise of Jin and Sun. In fact, we still wonder why Jin didn't leave Sun behind, no matter how painful it would have been, to raise their baby, but that's an Internet rant for another day. Bringing the actors back in roles where they would hardly ever be separated from each other is the only remedy for our post-Lost blues.
Harold Perrineau (Michael)What Character?: The PunisherWhy: Michael lost his only son on the island, and has done some unsavory things in order to find him. Loss has driven him to do some terrible things, but deep down he's still a good guy, just a bit misguided with the methods he uses.
Malcolm David Kelley (Waaaaaaaaaalt)What Character?: Franklin RichardsWhy: Walt seemed like a normal kid in Lost's first season. That is until he started using creepy backwards speak and was revealed to have some sort of mystical connection with the island that had viewers going "What the f**k is up with that kid". He could definitely play Franklin Richards who also seemed normal, before becoming a reality-warping mutant.
Michael Emerson (Ben Linus)What Character?: Doctor OctopusWhy: Michael Emerson played the manipulative and intelligent Ben Linus in Lost, and he'd be perfect to play Dr. Otto Octavius in the new Spider-Man series.
“I don’t know if I can do this much longer ” groans an exhausted Milla Jovovich shortly after dispatching a horde of corporate paramilitary goons in the explode-tastic introductory sequence of Resident Evil: Afterlife. I feel her pain. But Jovovich in her fourth turn as Alice the genetically enhanced zombie-slaughtering heroine of the video game-inspired series isn’t the only one looking a bit tired. The entire film suffers from a severe case of franchise fatigue the hallmarks of which no amount of “big guns beautiful women [and] dogs with heads that explode ” as producer Jeremy Bolt so artfully boasts in the film’s official press notes can possibly hide.
This latest edition finds Alice stripped of her superpowers by her arch-nemesis the blond Matrix reject Albert Wesker (a cringe-worthy Shawn Roberts) whose evil Umbrella Corporation created the virus that inadvertently turned most of the planet’s population into flesh-devouring zombies. Though she can no longer pull off fancy tricks like triggering spontaneous earthquakes she’s still able to withstand powerful blasts without shielding and fire handguns the size of her head without any visible recoil. Both traits come in handy when she's charged with leading a small ethnically diverse group of human survivors through an army of undead many of whom are armed with face-sucking tentacles in lieu of tongues to a refugee camp located on a ship anchored off the coast of Los Angeles.
For all of its recycled plot elements predictable twists and cliched dialogue Resident Evil: Afterlife does feature one genuinely interesting new wrinkle (and no it's not the aforementioned dogs with heads that explode though they are quite nice): It’s the first film of the franchise to be shot and edited entirely in 3D — the real non-Clash of the Titans variety. Who knows perhaps writer-director (and Jovovich hubby) Paul W.S. Anderson returning to the helm after ceding directing duties on the prior two Resident Evil films was simply too drained from the work of adding an additional dimension to all of the film's flying limbs and bursts of blood to devote much creative energy to anything else. More likely there was never any creative energy there in the first place.
And still Anderson sees fit to end the film with a transparent pitch for yet another sequel. Might I suggest Resident Evil: Straight to Video?
New Line Cinema's The Lord of the Rings: The Return of the King, the third and final installment in director Peter Jackson's fantasy epic, continued its reign at the box office with a cork-popping take of $51.2 million* over the holiday weekend. What's more, The Return of the King posted the best Christmas day gross ever, taking in $14.5 million on Dec. 25 alone. The film also crossed the $200 million mark after only 11 days, beating The Lord of the Rings: The Two Towers, which took 12 days. That's definitely good news for New Line, whose Rings trilogy was a $300 million-plus make-or-break investment for the studio. Combined with the spirited take of four new wide releases, The Return of the King's strong legs also helped make this weekend the biggest Christmas weekend in box office history.The comedy Cheaper by the Dozen triumphed over rival newcomers hitting theaters this weekend, opening in second place with a generous three-day take of $28.2 million. The family comedy was followed by Cold Mountain, which debuted in the No. 3 position with nippy $14.5 million. Aided by its eight Golden Globe nominations and inclusion on many critics' Top 10 lists, the American Civil War drama is on a likely track for key Oscar nominations. Something's Gotta Give, now in its third week of release, placed fourth with $14.2 million, while the new Ben Affleck sci-fi thriller Paycheck, rounded out the Top Five with a foreseeable opening take of $13.9 million. The family pic Peter Pan, the last of this week's wide releases, kicked off in seventh place with a not-so-magical take of $11.4 million.Although this week's four new releases produced a combined first-day box office tally of almost $22 million, Paul Dergarabedian, president of the box office tracking service Exhibitor Relations, told The Associated Press Sunday the industry's total yearend box office revenues would likely fall short of last year's $9.3 billion record, marking the first year-to-year decline since 1991."The end of the year is looking pretty good," Dergarabedian said. "But not enough to jump ahead of last year's revenues ... because 2002 was so amazing."Last year, Hollywood benefited from an abundance of blockbusters, such as Spider-Man, Star Wars: Episode II--Attack of the Clones, Harry Potter and the Chamber of Secrets, The Lord of the Rings: The Two Towers and the sleeper hit, My Big Fat Greek Wedding.The Top 12 films this weekend grossed an ESTIMATED $168.6 million, up 26.39 percent from last weekend's $133.4 million take and up 8.18 percent from last year's $155.8 million.THE TOP TENNew Line Cinema's PG-13 rated fantasy epic The Lord of the Rings: The Return of the King kept its No. 1 stronghold in its second week of release with an ESTIMATED $51.2 million (-29%) at 3,703 theaters (unchanged; $13,833 per theater). Its cume is approximately $223.6 million. Directed by Peter Jackson, it stars Elijah Wood, Viggo Mortensen, Orlando Bloom, Ian McKellen, Sean Astin, Liv Tyler, Miranda Otto, Billy Boyd and Dominic Monaghan.Twentieth Century Fox's PG rated comedy Cheaper by the Dozen debuted in second place with $28.2 million in 3,298 theaters, with an $8,558 per theater average. In the film, a contemporary remake of the 1950 Walter Lang comedy based on the novel by Ernestine Gilbreth Carey and Frank B. Gilbreth, mayhem ensues as a couple moves their large family of 12 children from a small town to an affluent Chicago suburb.Directed by Shawn Levy, it stars Steve Martin, Bonnie Hunt, Hilary Duff and Tom Welling. Miramax Films' R rated Civil War drama Cold Mountain opened in third place with $14.5 million in 2,167 theaters with a $6,691 per theater average. In the film, a Confederate soldier makes the arduous journey from the front lines of the Civil War to his home in Cold Mountain, N.C., where his ladylove has been fighting battles of her own.Directed by Anthony Minghella, it stars Jude Law, Nicole Kidman and Renee Zellweger. Sony Pictures' PG-13 rated romantic comedy Something's Gotta Give dropped one spot to fourth in its third week with an ESTIMATED $11.4 million (+24%) at 2,709 theaters (+32 theaters; $5,242 per theater). Its cume is approximately $56.3 million. Directed by Nancy Meyers, it stars Jack Nicholson, Diane Keaton, Keanu Reeves, Amanda Peet and Frances McDormand.Paramount Pictures' PG-13 rated sci-fi thriller Paycheck kicked off in the No. 5 position with $13.9 million in 2,762 theaters with a $5,033 per theater average. In the film, a "reverse-engineer" who has had three years of his memory erased by a multimillion-dollar corporation, tries to piece together his past using a collection of random objects.Directed by John Woo, it stars Ben Affleck and Uma Thurman.*Box office estimates provided by Exhibitor Relations, Inc.Sony Pictures' PG-13 rated drama Mona Lisa Smile fell from its runner-up position last week to sixth place in its second week with an ESTIMATED $11.5 million (unchanged) in 2,677 theaters (unchanged; $4,296 per theater). Its cume is approximately $31.4 million.Directed by Mike Newell, it stars Julia Roberts, Maggie Gyllenhaal, Kirsten Dunst and Julia Stiles.Universal Pictures' PG rated family pic Peter Pan opened in seventh place with $11.4 million at 2,813 theaters with a $4,053 per theater average. In the film, based on the classic J.M. Barrie novel, the Darling family children receive a visit from Peter Pan, who takes them to Neverland where an ongoing war with the evil pirate Captain Hook is taking place.Directed by P.J. Hogan, it stars Jeremy Sumpter, Jason Isaacs and Ludivine Sagnier. Warner Bros.' R rated period actioner The Last Samurai, fell four spots to eighth place in its fourth week with an ESTIMATED $8.3 million (+8%) in 2,557 theaters (-381; $3,273 per theater). Its cume is approximately $74.3 million.Directed by Edward Zwick, it stars Tom Cruise, Ken Watanabe, Tony Goldwyn and Timothy Spall.Miramax Films' R rated dark comedy Bad Santa dropped two rungs to ninth place in its fifth week with an ESTIMATED $4.5 million (-11%) at 1,710 theaters (-515 theaters; $2,644 per theater). Its cume is approximately $50.9 million. Directed by Terry Zwigoff, it stars Billy Bob Thornton, Bernie Mac, Tony Cox and John Ritter.New Line Cinema's PG rated holiday comedy Elf fell five places in its eighth week to round out the Top 10 with an ESTIMATED $4.2 million (-22%) at 2,015 theaters (-436 theaters; $2,122 per theater). Its cume is approximately $164.8 million. Directed by Jon Favreau, it stars Will Ferrell, James Caan, Bob Newhart, Ed Asner, Zooey Deschanel and Mary Steenburgen.OTHERSSony Picture Classics' PG-13 rated dance drama The Company debuted in 11 theaters with $96,939, with a $8,813 per theater average.The film centers on a Chicago ballet company--the difficult daily work, the intense pressures of performance and the richly textured behaviors of the dancers, whose professional and personal lives grow impossibly close.Directed by Robert Altman, it stars Neve Campbell, James Franco and Malcolm McDowell.New Market's R rated biopic Monster opened in four theaters with $84,156 with an impressive $21,039 per theater average. The dark tale is based on the true story of Aileen Wuornos, one of America's first female serial killers.Directed by Patty Jenkins, it stars Charlize Theron and Christina Ricci.WEEKEND COMPARISON Last year, New Line's PG-13 rated The Lord of the Rings: The Two Towers came in at No. 1 in its second week with $48.8 million in 3,622 theaters (unchanged; $13,494 per theater); DreamWorks' biopic Catch Me If You Can opened in second place with $30 million 3,156 theaters ($9,523 per theater); Warner Brothers' PG-13 rated romantic comedy Two Weeks Notice followed in third place in its second week of release with $15.5 million in 2,755 theaters (unchanged; $5,633 per theater).
Go to our Box Office section for recent weekend movie analysis.
We meet the two very unlikely sisters while each are having sex. Rose Feller (Toni Collette) is a successful lawyer who is sleeping with her boss and thinking of ways it can improve her career. Maggie Feller (Cameron Diaz) is a party girl and at her 10-year high school reunion--after trying to have a fling in a bathroom stall--she ends up puking instead. Inevitably Maggie gets kicked out of her dad and stepmother's house and winds up on the doorstep of her sister. The Feller girls were close once when they were young girls especially after their mentally unstable mother died. But now their grown-up personalities clash rather dramatically. And when Maggie seriously crosses the line by seducing Rose's new boyfriend the straw is broken. Forced out Maggie stumbles upon some birthday cards from a long-lost grandmother and decides to go hit her up for cash. Turns out Grandma Ella (Shirley MacLaine) lives in a senior citizen's community in Florida that gets its humor from Golden Girls re-runs. Maggie may ingratiate herself within this new environment but isn't any more redeemed by reconnecting with Ella. She still acts like a petulant child. But rather than throwing her out Ella along with the gang of old folk forces Maggie to take some responsibility.
Collette (The Sixth Sense) is fantastic as the frumpy pudgy Philadelphia lawyer who gives up everything so she can walk dogs and lead a simpler life. But she's done this many times before--and honestly is so much better than Muriel's Wedding. Diaz (my personal favorite Charlie's Angel) doesn't need to stretch too far to play a conniving ditz with a heart. This is her There's Something About Mary role albeit a tad more screwed-up with a sister and lost grandma. So that leaves MacLaine as the saving grace for any worthwhile acting in this movie. Despite the obvious shuffleboard clichés--and the occasional leers at Diaz by the old guys around the pool--when the old folk are around the film gets lively and tolerable believe it or not. MacLaine leads the way with the quips and barbs but in a more subtle way than we are used to from this usually eccentric actress. The supporting cast of cranky cronies have some great moments especially veteran actor Norman Lloyd as the blind professor who teaches Maggie a thing or two about manners trust and family.
If this were Nora Ephron directing that would have been one thing but coming from Curtis Hanson the Oscar-winner who gave us L.A. Confidential it just doesn't mesh. Hanson can do quirky (Wonder Boys) he can do adventure (The River Wild) he can do hard-hittin' rap stories (8 Mile) and he can even do scary (Hand That Rocks the Cradle) but why in the world would he attempt a saccharine-soaked female family story that threatens to be a Crimes of the Heart tear-jerker? Screenwriter Susannah Grant who adapted In Her Shoes from Jennifer Weiner's popular bestseller of the same name also wrote Erin Brockovich and 28 Days. She understands strong female characters but there's still a major layer of sugar coating that Hanson can't scrape off. He doesn't tone anything down from Grant's script--not the overly cute dogs nor the embarrassing bridal shower nor the expected moments of guilt-tripping between the ladies. Instead he plods through the paint-by-number script and wraps it all up nicely into a crowd-pleasing film that is ultimately forgettable.
Supermom Claire (Michelle Pfeiffer) and her geneticist husband Norman (Harrison Ford) are adapting to their only daughter's departure to college when Claire begins sensing an unearthly presence in the couple's lakeside Vermont dream home. Is she losing her marbles or is that the spirit of a beautiful young woman she keeps glimpsing? To say any more (as the too-explicit ad campaign does) would spoil some delicious twists.
The toplining Ford is his usual solid self in a role that plays cleverly on his familiar persona but the picture is Pfeiffer's from beginning to end. She delivers one of her most pleasing performances nicely disarming audience doubts about the story's supernatural elements with some judicious eye-rolling and embarrassed frowning -- her character is so painfully aware that what she's saying sounds crazy how can we possibly doubt her? Among the low-key supporting cast Joe Morton ("Terminator 2") stands out as an amiably down-to-earth psychiatrist.
Robert Zemeckis ("Forrest Gump") takes Clark Gregg's highly derivative haunted house script and pours on the Hitchcockian visual flourishes unapologetically pilfering from the Master's "Rear Window" and "Psycho " among others. His extended homage results in scene after scene of almost unbearable tension as the audience waits for the next shock. There's some clunky storytelling in the first section but the all-suspense second half more than makes up for it with some classic work including what seems destined to go down in movie history as "the bathtub scene."