Cradle 2 the Grave isn't going to be known as one of those action flicks that thrills you but also has a surprisingly interesting story to back it up. Still Cradle has enough credible plot points to keep things moving until the next fight sequence. The action begins with Tony Fait (Earl "DMX" Simmons) and his fiercely devoted crew--including the stunning Daria (Gabrielle Union) and comic relief Tommy (Anthony Anderson)--pulling off a complex jewelry heist and snagging a valuable cache of black diamonds. These diamonds aren't what they appear to be but are actually something much more powerful--and deadly. Su (Jet Li) working for the Taiwanese government as a secret agent must retrieve them before its too late. Fait would be happy to hand over the stones for the right price but word of their value has hit the street and they are stolen by a powerful crime lord (Chi McBride). Su and the crimelord end up being the least of Fait's problems however when Su's ex-partner Ling (Mark Dacascos) now a ruthless arms dealer enters the picture. He and his treacherous woman (Kelly Hu) will stop at nothing to get those black baubles including kidnapping Fait's daughter Vanessa (Paige Hurd). OK things just got personal. Fait Su and company have to work together to fight off the onslaught of nasties exact revenge stop possible world destruction and get back the only thing Fait cares about in the world--his daughter.
Is it me or is Jet Li just too damn cool for words? The whole martial arts arena has certainly been stepped up with the Jackie Chan's and Crouching Tiger Hidden Dragon's of the world but Li brings back that calm yet deadly demeanor the late Bruce Lee made so popular. Granted Li hasn't had the same success in the U.S. as Chan--save for maybe his American debut performance in the smokin' Romeo Must Die. But he sure is impressive on-screen kicking the bejesus outta someone without blinking an eye no matter what the asinine plot line. Hip-hop singer DMX who also appeared in Romeo Must Die (along with Anderson) holds his own as a tough nut über-thief but he finds a little difficulty emoting when the time comes. The hilarious Anderson and the oh-so-alluring Union are quickly becoming the "It" black actors (him: Kangaroo Jack Barbershop; her: Deliver Us From Eva the upcoming Bad Boys 2) while the forever-irritating Tom Arnold pops up as a demolition surplus dealer (but make sure to stay all the way through the credits to watch a hilarious exchange between him and Anderson). Hurd does an nice turn as the feisty Vanessa who is fairly resourceful for a kidnapped 10-year-old. It's easy to see the apple doesn't fall far from the tree.
Enough with all the superfluous plot lines and acting analysis--let's get down to real reason the movie exists. Action. High octane fist-flyin' action and as a self-proclaimed action junkie--and newly transformed martial arts fan--Cradle certainly doesn't disappoint. Director/cinematographer Andrzej Bartkowiak who worked with Li and DMX on Romeo Must Die knows how to frame the martial arts sequences while using the pounding hip-hop soundtrack and urban locale to full effect. One of the more fast-paced sequences has Fait outrunning police cars on a three-wheel ATV eventually jumping the bike from rooftop to rooftop while Su in another location is fighting off a dozen guys in a boxing pit including an aggressive midget who would like to smash Su's face in but ends becoming a device to fend off the rest. All while DMX is belting out a jammin' song. Great stuff. Of course you wait for the ultimate showdown between Su and his nemesis Ling and when it comes it's a jaw-clencher. The film is just a purely mindless roller-coaster ride.
The Recruit wants us to believe the film's main thrust revolves around the Central Intelligence Agency's old maxim "nothing is what it seems." Had they stuck with this framework perhaps the film would have been more compelling. Instead it lapses into the expected and the implausible where you can pretty much guess exactly what's going to happen even if it really makes no sense. Our hapless protagonist James Clayton (Colin Farrell) is hustled by CIA recruiter Walter Burke (Al Pacino) who believes himself to be a "scary judge of talent" and sees James as prime CIA meat. When James hesitantly accepts the offer to come to The Farm he does so motivated less by helping his country and more by trying to find out what happened to his father who died mysteriously several years before and whom Burke alleges he knew. Once at The Farm James proves his mettle and is told again and again "it's in his blood." Ah then should we believe James' father who supposedly worked for Shell Oil really worked for the CIA as an NOC or Non-Official Cover agent one of the Agency's more prestigious--and dangerous--positions? The plot thickens. James also falls for fellow recruit Layla (Bridget Moynahan) but during an intense interrogation set-up he makes a serious error trying to save her and "washes out" of the program. Just when he thinks he's out forever James gets pulled back in by Burke who tells him all his trials and tribulations were just a test and that he is really NOC material and needed to root out a mole. Is it what it seems? Heavens no.
You'll be seeing a lot of Farrell in the coming months. Along with The Recruit this year alone he'll be in three major feature films including the upcoming comic-book actioner Daredevil; S.W.A.T. yet another feature based on a TV series; and the sniper movie Phone Booth. How has this 26-year-old Irish hunk risen so quickly in the ranks you might ask? Maybe it's because he has an uncanny ability to make the parts he plays completely believable. He slips easily into the Clayton character the quintessential CIA recruit with a daddy complex and fuels the film with the right amount of acting skills and smoldering good looks. Unfortunately his co-star the high and mighty Mr. Pacino is becoming a caricature of himself. Playing Burke is certainly no stretch for the actor and the film would not be complete without the requisite ranting scene where CIA veteran Burke tells the world all about it--voice booming words punctuated. It seems this has become the standard in any Pacino performance and frankly it's getting tiresome. Where's the quiet but powerful Michael Corleone when you need him? Moynahan (The Sum of All Fears) is somewhat bland as Clayton's love interest Layla. Word of advice: if Colin Farrell is making eyes at you go for it immediately. Don't waste any time.
For all its obviousness The Recruit does some things right. No stranger to the inner workings of our government agencies director Roger Donaldson who directed the Cuban Missile Crisis drama Thirteen Days and the Pentagon thriller No Way Out gives us access to the CIA training program or The Farm as its lovingly referred to--and it's one scary place. Obviously when making the film things had to be handled delicately as not to divulge too much so the film does take some creative liberties in showing the intense training the eager recruits have to face. That's fine with us--if we can't rely on death-defying stunts and car chases then outrageous mind games are generally good enough. But once The Recruit takes leave of The Farm the movie begins to fall apart. The inherent action set up for us in the first part--James finding out about his father the blossoming relationship between Layla and James who will be the NOC and the whole mole plot--just isn't as convincing to carry the film through its fruition. And being able to guess the next move isn't much fun either.
Zak Gibbs (Jesse Bradford) finds what looks like a wristwatch while scavenging through a box of his father's junk. What he doesn't know is that the watch is actually a device that makes its wearer move so quickly that the rest of the world appears to be moving in slow motion. The device was sent to his father (Robin Thomas) a science professor and dilettante inventor by a former student (French Stewart) who is being held captive by an evil corporation. Now the evildoers want their watch back and kidnap the professor while Zak unaware that his father is in grave danger runs around town with a cutie pie exchange student (Paula Garces) freezing time. Of course the two teens eventually join forces and save the day. Not only is the film's plot is so unbelievably implausible the characters are ridiculously typecast. The most insulting is Zak's black friend Meeker (Garikayi Mutambirwa) who dreams of winning a DJ competition. Eager to help him win Zak and his gal pal go into hypertime and make like puppeteers moving Meeker's arms and legs so that in real time it appears as though he's a good dancer.
Jesse Bradford (Bring It On) is the most redeemable thing in this film. His character Zak is a conventional teen who is smart but not brilliant and clever without being a hero. But unfortunately Bradford is stuck in this mess of a movie acting alongside the pretty but frothy Paula Garces. Like most girls in the movies nowadays her character Francesca de la Cruz is a vixen that cleverly puts guys in their places and can single-handedly beat up a villain. French Stewart is Dr. Earl Dopler the watch's creator. Although his brainy character is the opposite of his airheaded Harry on Third Rock From the Sun Stewart seems like he is the same persona simply reading a different script. Robin Thomas (The Contender) and Julia Sweeney (Whatever It Takes) play Zak's parents. Both are pretty standard fare: Thomas the parent married to his work at the expense of his relationship with Zak while Sweeney is a regular June Cleaver type.
Why Jonathan Frakes better known as Commander Riker on Star Trek: The Next Generation or anyone for that matter would put their names on this project is unfathomable. From the hideously flashy and noisy opening credits to the predictable denouement Clockstoppers is about as entertaining as nails scraping against a chalkboard. The ridiculous story accompanied by flimsy special effects was penned by too many writers to mention. This may explain the massive plot inconsistencies--are they not supposed to count because this film is aimed at younger viewers? At one point Zak comes to the realization that for others to come in and out of hypertime they must be touching him. But there are several instances throughout the film that clearly contradict this. The watch also makes its users age rapidly but seems to spare Zak his friends and the evildoers of this fate. And is there no gravity in hypertime? Zak and Francesca were able to toss Meeker around the stage like he was weightless. And is Meeker a typical cheery Jamaican caricature with thick dreadlocks in the film for no other reason than to offend? His character disappears halfway through the film after being redeemed by his white rescuers.
Randolph Smiley (Robin Williams) is on top of his game--he's the eponymous star of the highest rated kid's TV show Rainbow Randolph has his own Times Square billboard and makes lots of money. Until that is he gets caught taking bribes from stage parents. Suddenly he becomes the social pariah of the millennium and of course gets canned. Losing Rainbow Randolph however leaves the network in a bind. Now they have to find a squeaky-clean replacement pronto. Enter Sheldon Mopes (Edward Norton) and his alter-ego Smoochy an abnormally large fuschia rhino who sings children's songs about kicking drug habits and stepdads who aren't mean but simply adjusting. With his naivete unwavering ethics and unflagging ambition to make the world a better place he becomes the new number one show. Sheldon soon learns however how cutthroat children's entertainment can be as the powers that be try to corrupt his ideals. Meanwhile a homeless Randolph makes it his number-one priority to destroy the bastard who stole his life. Who's going to get Smoochy first the corrupt businessmen or crazy Rainbow Randy? Stay tuned...
When you hear the Smoochy cast list--Williams Danny DeVito Jon Stewart Catherine Keener--you automatically think mondo laughs. Added to the list is Norton who may not be known for his comedic talents but certainly adds credibility to the movie especially given that he rarely picks bad scripts. Luckily no one disappoints. Norton plays the straight guy with aplomb and shines brilliantly when singing his sappy yet lesson-filled songs. Keener whom we haven't seen since her Oscar-nominated turn in Being John Malkovich is also a standout as the jaded development VP who falls for Sheldon's sweet manner. She has an uncanny way of delivering lines that bite to the bone. And then there's Williams--as always he has extraordinary moments of sheer hilarity in the film. This isn't one of those films where the comedian has to attempt to act or simply be reined in by the director (as some have done) to give a good performance. Director DeVito (who also plays the greedy agent) is wise enough to simply turn the camera on the comedian and let him go. Just wish we could have seen more of him.
Ever wonder what it would be like to kill Barney? We're betting DeVito thought about it quite often--and things never turn out good for that purple dinosaur. The premise of Smoochy is one of the funnier ones in recent memory and seems to follow the dark comedic path DeVito has chosen in his other directorial efforts including War of the Roses and Throw Momma From the Train. Unfortunately Smoochy doesn't quite hold up to its hype (or its trailers) because basically it focuses on the wrong character. It's got some great moments granted especially when Smoochy is on his show. But instead of being about Randy's obsession to do away with his replacement the film chooses to follow Mopes and deal with the dirty business of making a kid's show which appears to involve the Mob (whatever). Smoochy would have been a lot funnier if Randolph could have finally succeeded in his quest instead of getting all sappy.
The vampire Lestat de Lioncourt (Stuart Townsend) wakes from a hundred-year sleep to the rock 'n' roll present day and likes what he sees and hears. Tired of the vampire's solitary life he becomes the frontman for an unknown rock band and transforms it into the latest greatest thing gaining the adulation of millions. He also decides to disregard the unspoken rule that vampires must hide away from the rest of world and writes songs encoded with specifics of the secret life of vampires. As expected Lestat's lyrics draw the attention of both the bloodsuckers who want to destroy him and the human vampire scholars (called the Talamasca) who want to study him. One young Talamascan student Jesse Reeves (Marguerite Moreau) becomes obsessed with Lestat after reading his journal from the 1800s. She learns that Lestat had a brief encounter with Queen Akasha (Aaliyah) the most ancient and dangerous vampire to ever exist and the mother of all who walk the Earth in search of blood. He gets his chance to meet Akasha again when his music awakens her from an ancient slumber. She rises and seeks out Lestat to become her king and join her in ruling the world.
The film truly belongs to Townsend and fans of the Anne Rice's novels will be happy to know he completely embodies the charismatic vampire Lestat. The little-known Irish actor who starred in last year's indie About Adam with Kate Hudson rules the screen whenever he is on it and luckily he's on it quite a lot. He's especially powerful when he is in rock star mode. Although Moreau's Jesse is fairly one dimensional she comes alive in her scenes with Townsend. Let's hope they keep asking him to play Lestat (when and if they make any more films from Rice's vampire novels) and next time give him an actress he can have some real chemistry with. The late R&B singer Aaliyah made her second film appearance in Damned as the queen. Even though she is only in the film a short time she possesses a certain charm as the ancient and evil Queen Akasha and makes a great first impression by destroying a vampire coven. Yet her acting skills are just not up to par with the rest of the cast including the charismatic Vincent Perez as the vampire Marius and Lena Olin as the kind-hearted vampire Maharet.
Damned was set to be released in the fall of last year but word of mouth had the film destined for the video shelf before it even made it to the big screen. Then tragedy struck and as the news of Aaliyah's untimely death echoed throughout the world of entertainment Warner Bros. wisely decided to hold onto it and release it in theaters at a more favorable time knowing there would be an audience who'd want to see the singer's last film. Yet for all the bad press surrounding it Damned actually pleasantly surprises you due largely in part to Townsend's mesmerizing performance. Michael Rymer's direction is not a masterpiece of filmmaking by any stretch of the imagination but it has a certain MTV quality about it which makes it appealing. That same quality however also makes it too slick glossing over the meatier parts of Rice's novel making the dialogue and action trite and sometimes downright silly. Come to think of it the 1994 Interview With the Vampire also suffered from the same thing. Maybe translating Rice's words is harder than it looks.
January 31, 2002 5:51am EST
A group of high school seniors put a boy who is eager to become part of their clique through a cruel initiation prank that involves jumping off some sort of high scaffolding into a cloudy pool at a local cement factory. When one of them Landon (Shane West) gets caught the principal decides Landon needs to hang with a different crowd and assigns him to tutor kids on the weekend and take part in the drama club's spring play. Surprise-the plan works! In over his head with the play Landon seeks help from Jamie (Mandy Moore) a dowdy bible-thumper who apparently only owns one ratty cardigan. Jamie however is not your run-of-the-mill unpopular girl. Rather than being introverted and weird she is smart witty and confident-in fact that grubby sweater of hers seems to be the only thing branding her as an outcast. The two grow closer and Landon eventually sees her inner beauty forgoing his own A-list status to be with her. But Landon learns that Jamie has been keeping a secret from him that inevitably blocks their path to happiness.
Moore the underdog of the teen pop stars dyes her hair brown and dulls herself down for the role of Jamie a simple girl that loves to gaze at the stars in her spare time. She did a great job transforming herself into her character but in the process extinguished most of what makes her sparkle on screen. Mind you the script might be to blame for creating a character so unbelievably mundane and one-dimensional. Under all of Jamie's goodness and perfection is well nothing. West does a great job portraying his character transformation. Even while Landon runs with the bad crowd West conveys a sense of humility in the character. Peter Coyote plays Reverend Sullivan Jamie's over-protective father without being too overbearing which is refreshing. An almost unrecognizable and weathered Daryl Hannah has a small but convincing enough role as Landon's mother. Maybe it was her now-brunette hair but I didn't realize it was Hannah until I saw the credits.
In A Walk to Remember director Adam Shankman steered away from being overly sentimental. The relationship that develops between the teens is actually very sweet and interestingly enough the film ends up being more about Landon's transformation than about Jamie's faith. While the film is not as flaky as the rash of recent teen movies it still manages to fall into the same clichés. Though the story is very-dare I say-poignant characters like Jamie's in trying to be different have become a stereotype: The plain Jane whose personality and convictions win over the popular guy. Remember Andie (Molly Ringwald) in Pretty in Pink? Or more recently Laney (Rachael Leigh Cook) in She's All That? And though Moore has a beautiful melodic voice her singing scenes are too drawn out. We are not just treated to her crooning a chorus or two of a song during a church scene but the songs in their entirety. Even Mariah Carey spared us that much in Glitter.