In Norway Iowa (pop. 586) baseball is what you do by default—there apparently aren’t too many options. It is either baseball or gas-station get-togethers according to the (true) story in The Final Season. Set in 1991 the town’s high school baseball team the Tigers has amassed 19 State Championships in 22 years and it is the community’s heart and soul. So when a move is put in place to merge the team with another school’s for budgetary reasons the townsfolk are understandably outraged. As a nail in the coffin the team’s longtime coach Jim Van Scoyoc (Powers Boothe) is to be replaced by his much-younger and -less-experienced assistant Kent Stock (Sean Astin) for the final season. Suddenly everyone sours on their team and its chances of notching that 20th title. But what they don't know is that there is a diamond-in-the-rough catcher (Michael Angarano) who has just moved into town—as a punishment by his dad (Tom Arnold)—and that Stock is every bit as determined as Coach Van Scoyoc to continue Norway’s winning tradition. It initially takes some time for the players to warm up to their new coach but after a while… Oh you know the drill. The updated score in Sean Astin’s sports-movie career: football 1 baseball 0. The well-traveled actor can’t quite do for Season what he did for Rudy partly because this movie is cheesy beyond repair. But Astin who also executive-produced is by far the film’s biggest asset both on and off screen. He soldiers on as Coach Stock brimming with realistic enthusiasm and fortitude perhaps to spite the woeful script. Fellow veteran actor Boothe (Sin City) rounds out Season’s two bright spots as the pitch-perfect embodiment of a baseball sage who doesn’t waste words. But he and Astin don’t fit in this movie for reasons of authenticity or lack thereof on the others’ part. That includes onetime Next Big Thing Rachael Leigh Cook who plays Astin’s much-too-cutesy love interest; Tom Arnold striking out in a role that is (mercifully!) a near cameo; and Angarano (Sky High) who gives a performance that is heavy on cliché and light on realism. Like the movie itself. It’s hard to imagine even the youngest of viewers being able to resist sarcastic laughter throughout The Final Season—that’s just the degree of its corn. Almost everything is wrong here and the result is a nearly two-hour cliché whose transparency knows no age boundaries. Both director David M. Evans (The Sandlot of course) and writers Art D'Alessandro and James Grayford seem to only be concerned with concocting unnecessary melodrama. Most of the movie’s story for example is a highly fictionalized addendum to the less-cinematic true story on which it is based. And one scene early on serves as a microcosm of the director’s contrived efforts and forced cheese: After Angarano’s Mitch plunks his classmate/teammate with a Wiffle ball Evans cues music so heavy you’d think you were watching the climax of Mystic River. It’s utterly laughable and indicative of Evans’ many missteps. As for the baseball scenes they look sufficient when shown but Final Season is so much less a sports movie than it is the feel-good stuff of Disney TV movies—nay Disney cartoons.
Looney Tunes: Back in Action revisits an age-old Tunes question: Why does the affable Bugs reap all the fame and glory while the egocentric Daffy gets shafted again and again? Our duck friend quite frankly has had it up to his skinny neck playing second fiddle to the carrot muncher. All Daffy wants is a little recognition from the studio but the brothers Warner (actual twin brothers as we come to find out) decide instead to let Daffy out of his contract on the advice of their no-nonsense VP of comedy Kate Houghton (Jenna Elfman). Bugs however knows they're making a mistake. Even though Daff bears the brunt of the abuse Looney Tunes would fail without him and Bugs convinces the powers that be they need the nutty mallard. If the plot had only followed this thread--perhaps showing Daffy on the skids--then maybe the film wouldn't have spiraled into Looneyville. Unfortunately Daffy ends up hooking up with the hunky D.J. Drake (Brendan Fraser) a studio security guard who finds out that his famous movie star father Damian Drake (Timothy Dalton) is really a secret agent hunting for a mysterious diamond known as the Blue Monkey a supernatural gem that can turn the planet's population into monkeys. The evil head of the Acme Corporation Mr. Chairman (Steve Martin) wants the diamond for his own diabolical plans and he's kidnapped D.J.'s dad in an effort to get it. Now the gang has to get the diamond save D.J.'s dad and of course save the world.
It might be a little hard to act subtly around cartoon characters but these aren't your ordinary cutesy Mickey Mouse types. Bugs Daffy Porky Yosemite Sam and Foghorn Leghorn are pros at comic timing able to spar with the best of them throw out zingers without a second thought and slay you with a droll glance at the camera. It isn't really necessary for the human actors to match their madcap-ness; just reacting would have sufficed. Fraser comes off the best of the human bunch; since he's had practice (Monkeybone) he easily interacts with his animated co-stars and deftly handles the doubletakes and jabs at pop culture. Elfman on the other hand sputters and goes bug-eyed every time she encounters silliness. She looks uncomfortable doing the green screen thing especially when she's trying to look natural when peeling a distraught duck from around her waist. Martin's highly anticipated turn as Mr. Chairman turns out to be the biggest disappointment. The over-the-top character is reminiscent of Martin's hysterically funny Rupert the Monkeyboy in 1988's Dirty Rotten Scoundrels but Martin turns Mr. Chairman--an angry schoolboy with knee socks and matted-down hair who never grew up--into a caricature of ridiculous proportions and unlike Rupert who came in small hilarious doses Mr. Chairman gets very tiresome very quickly.
Back in Action's animation is well done more engaging and ambitious than its 1996 predecessor Space Jam in which the action mostly took place in Looney Tunes land; here animated characters go the Who Framed Roger Rabbit? route and Bugs Daffy and the rest coexist harmoniously with humans in the real world. But despite its aspirations Back in Action leaves out vital elements that made Space Jam appealing. While the earlier film stuck to a simple plot Back in Action guided by director Joe Dante (Small Soldiers The 'Burbs) tries too hard to keep things wild and wacky while incorporating elements of '60s heist pics and action-adventure scenes and in the process loses sight of the most important ingredient in any kids movie: the story. Tykes may have limited attention spans but if the story's good they will watch. Granted some individual bits are laugh-out-loud funny particularly the scene in the Warner Bros. commissary where a stuttering Porky Pig complains about being politically incorrect with Speedy Gonzales while an animated Shaggy and Scooby-Doo berate actor Matthew Lillard for playing Shaggy as such a bonehead in the live-action Scooby-Doo. These scenes prove that if any cartoon characters could pass themselves off as real celebrities in the entertainment industry the gang from Looney Tunes could but moments like these simply can't overcome a contrived plot and juvenile antics.