With college behind them East Great Falls High School alums Jim (Jason Biggs) and Michelle (Alyson Hannigan) decide the time is ripe for marriage. After an embarrassing restaurant proposal that involves under-the-table fellatio and a missing ring Michelle accepts and sets her sights on the perfect wedding ceremony. Jim and his best buds Finch (Eddie Kaye Thomas) and Kevin (Thomas Ian Nicholas) decide to leave Stifler (Seann William Scott) in the dark about the upcoming nuptials to avoid any possible calamities but it doesn't take long for the Stifmeister to figure things out. Stifler the only one of the gang who has not matured since high school lays on the charm--and the Lacoste sweaters--and quickly gains acceptance from Michelle's stuffy parents and her attractive sister Cadence (January Jones). The film basically revolves around Jim trying to turn Michelle's dream wedding into a reality while Stifler unintentionally foils his friend's every effort. American Wedding follows the same formula as its two predecessors and while there are some really funny gags here you can spot their setup from a mile away. When Stifler for example accidentally feeds Michelle's wedding band to a dog waits on it to pooh it out then scoops up the jewelry with a paper doily we are hardly flabbergasted when it is later mistaken for a truffle. And that just about sums up the movie: funny but formulaic.
In the first two American Pie movies Biggs's character Jim was always a key comedic player. For instance who could forget his Internet snafu with Nadia the foreign exchange student or the Crazy Glue incident at the beach house? But while American Wedding is all about Jim and Michelle's wedding Biggs and Hannigan take a back seat to the laughs here: they're the stressed-out grown-ups. Also turning in a more muted performance is Nicholas as pal Kevin who doesn't appear to have a purpose at all in this installment--although he does provide a bit of comic (albeit non-speaking) relief during Stifler's botched attempt at a bachelor party. Contrary to Jim Michelle and Kevin who have blossomed into somewhat dependable adults Scott's character Stifler has degenerated. Stifler is more crass and obnoxious than ever perhaps even a little too over-the-top. The actor whose performance stands out the most in this comedy is Thomas in the role of Finch. Thomas has taken the character's haughtiness and peculiarity to a new level fine tuning Finch's attributes and stylishly transforming him from a high school geek to a cool brainy college graduate. Eugene Levy who is back in the role of Jim's overly involved father but his shtick has become redundant. His only purpose in the films is to walk in on his son at every inopportune moment.
All three films in the American Pie series were penned by screenwriter Adam Herz and produced by Paul and Chris Weitz--who also served as directors on the original--but they have all gone through different directors; the J B Rogers-directed American Pie 2 and now American Wedding helmed by Jesse Dylan (How High). Like the second installment American Wedding has its moments and there are a handful of truly funny ones including a scene in which Jim shaves his pubic area and dumps the hair out the window where it blows towards a group of unsuspecting guests (and the cake). But unlike this particular instance most of the jokes suffer from overkill; the cameras keep rolling long after the yarn stops being funny. Others are stereotypical like Stifler's dance-off with a patron in a gay club while others including a midnight rendezvous in a dark hallway closet are predictable. But even though the film revolves around the now all-too-familiar characters Herz has matured them in a way that still makes them both amusing and endearing. Don't however look for Oz (Chris Klein) Heather (Mena Suvari) Vickie (Tara Reid) or Nadia (Shannon Elizabeth). The filmmakers believe these characters weren't needed since the story wasn't about them anymore but it would have been nice to mention them and what they were up to.
The animated Sinbad: Legend of the Seven Seas has all the great adventure of the story wrapped up in a sappy little package for the kiddies. Taken from the ancient tales of the Arabian Nights Sinbad is a rogue who cares only about what is in his and his crew's best interest--and little else. As the film begins he unsuccessfully tries to steal the Book of Peace--which keeps order in the world--from his childhood best friend Proteus the Prince of Syracuse who is sailing to the city to return the sacred book. Although the two are estranged it's clear they still have a kinship. When the Book of Peace is actually stolen by Eris the goddess of chaos she frames Sinbad for the theft. Proteus stands up for his friend and makes the council give Sinbad one chance to find and return the precious book or Proteus will die on his behalf. Disbelieving the threat the pirate decides to blow the whole thing off but Proteus' beautiful betrothed Marina who has stowed away on Sinbad's ship has other plans. Marina has Sinbad's crew on her side and it could turn mutinous if the guy doesn't fulfill the mission. OK so he'll go get the book. Eris doesn't make it easy for our reluctant hero--dispatching both monstrous creatures and the elements to do battle along the way. But ultimately the brave Sinbad learns a few life lessons falls in love and wins out by following his heart. Aww!
See what a little success in the animated world can get you? These days an animated film can demand the attention of any A-list actor to provide the voices not just your occasional Robin Williams. We have Finding Nemo with the voices of Albert Brooks and Ellen DeGeneres and now Sinbad which attracted huge names such as Brad Pitt (Sinbad) Catherine Zeta-Jones (Marina) Michelle Pfeiffer (Eris) and Joseph Fiennes (Proteus). It could also be the fact DreamWorks' animation king Jeffrey Katzenberg has the clout to rope them all in. Pitt as Sinbad is roguishly clever infusing the pirate with the requisite amount mischievousness and rebellion while Zeta-Jones provides the adventurous Marina with the right amount of bravado and vulnerability. Fiennes as the stiff but honorable Proteus is fine but you can tell right away who has the most fun with her character; Pfeiffer's Eris is a pure delight in sound as well as sight. She is able to take her Catwoman persona from Batman Returns and elevate it to a well celestial level. In the supporting roles Dennis Haysbert does a nice job as Sinbad's right-hand man Kale as does Adriano Giannini the son of legendary actor Giancarlo Giannini as the ship's lookout Rat. Kudos all around for a job well done.
As a self-proclaimed fan of those cheesy 1970s Sinbad movies including The Golden Voyage of Sinbad and Sinbad and the Eye of the Tiger--where the stop-motion special effects of wizard Ray Harryhausen made it all worthwhile--the idea of an animated version of Sinbad seems perfectly fitted for the genre. Now the mythical creatures could be fully realized in vivid Technicolor where the DreamWorks' animators spare no expense in providing their own visions of things such as sirens sea monsters and giant birds of prey. The artwork for Eris is a particular stroke of genius with the flowing black hair and beautifully evil features; the film definitely comes alive when she is onscreen. As well the action sequences are as exciting as any car chase or gun battle you'll see in a live-action film. The drawback for the adults is the film's slightly schmaltzy story about friendship and of course true love. It's not entirely clear why computer-animated films such as Shrek and Finding Nemo are now becoming the only animated films that appeal to everyone adults and kids alike. It used to be traditional hand-drawn classics such as The Little Mermaid and The Lion King did the trick but now it seems animated films need only provide spectacular visuals--without a great story and snappy dialogue to back them up.
After 20 years with the LAPD Det. Mitch Preston (Robert De Niro) just wants to catch the crooks finish the paperwork and retreat to his mundane life at home where he eats TV dinners and pursues his hobby of making bad pottery. Patrolman Trey Sellars (Eddie Murphy) really wants to be an actor--he's only a cop because he made a lousy waiter. When Sellars bungles Preston's undercover case and media hounds catch it all on tape the irate Preston shoots up a news camera that gets in his face. Over-caffeinated network exec Chase Renzi (Rene Russo) upon seeing the damning evidence that could have killed her cameraman is captivated by Preston's complete lack of charm and convinces her superior she can save his crappy network by pairing Preston and Sellars up on a reality show. As expected Preston is reluctant--and even more so when he's forced to take the mugging Sellars as his partner. The two take impromptu acting lessons from iconic actor/director William Shatner (playing himself) and set off to attract an audience boost the ratings become celebrities and get the bad guys in a televised reality christened Showtime. Meanwhile the evil Cesar Vargas (Pedro Damian)--whom we know is evil 'cause he hides in the shadows he's flashy and well groomed and he mumbles in an unfathomable Third World/ European accent--is stockpiling guns powerful enough to knock down houses and blow the doors off a Brinks truck.
The movie offers a few good yuks--a coke-sniffing dog an unprecedented cameo by jive-rhyming lawyer Johnnie Cochran and William Shatner satirizing William Shatner (who does this better than anybody else satirizing William Shatner). Unfortunately we've seen a lot of his funniest stuff like the scene in which he demonstrates how to roll over a car hood cop-style in the previews. Rene Russo gives an effective souped-up Lethal Weapon-type performance with her hyper pushy fast-talking network exec desperate to make her name in the industry. De Niro's straight-man comedy is in his facial expressions--or lack thereof--and Murphy is…well Murphy. It's their first outing together and they play off each other like a foul-mouthed version of Abbott and Costello (guess who plays who?). We've seen De Niro play grumpy (Midnight Run) and Murphy play obnoxious (almost everything) before. But as you may suspect it's their grade-A chemistry that holds this badly stitched predictable though occasionally funny flick together--especially in regards to the jokes on Hollywood and the current bounty of reality TV.
You can smell the gags and The Odd Couple-versus-Goldfinger plot unfolding a million miles away. You just know Preston is hiding a gun inside that Big Gulp when he goes undercover to investigate a pawn shop and you know Vargas will make bad-guy errors in judgment like staging a robbery in downtown L.A. the day after he's confronted by our star cops in a populated disco. But that may lead you to wonder why the police--who are likewise not presented as being particularly bright in this movie--weren't trailing him as Vargas is the prime suspect in the gun-trafficking subplot. Some of the comedy borders on satire but isn't played up enough for you to tell if it was meant that way or not. The action scenes are so badly edited it's hard to tell who's chasing whom until the camera cuts back to Murphy's toothy grin and a cement-faced De Niro shooting out his car window. And speaking of commercial-laden reality TV the product placement in this movie is shameless--we get a full-length commercial for Apple Computers played not once but twice.