Stars including Adele, Katy Perry, Ed Sheeran and Gwyneth Paltrow have shared candid self-portraits online in support of World Water Day. A number of famous faces took to their social networking accounts on Saturday (22Mar14) to back a campaign by clean water charity Drop4Drop.
They all shared snaps of themselves with a water theme - singer Adele posted a snap of herself on Twitter.com sipping from a mug of tea and another showing her young son, Angelo, reaching for his own drink.
Paltrow showed herself drinking from a glass bottle, adding in a caption, "Full of healing power," while pop star Katy Perry added a photograph of herself holding a glass of water, writing, "Remember it's world water day today & 2b (to be) grateful for every clean drop!"
Sheeran added a snap of himself filling up a tumbler in the sink, while other stars who backed World Water Day on Twitter.com included Jennifer Lopez, Britney Spears and Justin Bieber.
Actress Leah Remini found a little comfort in pal Jennifer Lopez's kids on Saturday (03Aug13) amid the fall-out from her decision to quit the Church of Scientology last month (Jul13). The former star of hit U.S. comedy show King of Queens hit the headlines when she announced she had left the church, which boasts John Travolta and Tom Cruise as high-profile members.
And she turned to a little trampolining fun in Los Angeles to take her mind off the drama.
Remini was spotted at Sky High Sports Trampoline Park with her husband Angelo Pagan, their daughter Sofia and best pal Lopez's twins Max and Emme, who she was babysitting while mum was out of town.
Last week (ends02Aug13), the actress revealed she is planning a tell-all book about her experience as a Scientologist.
"That snail is fast!" This tagline sums up all you need to know about Turbo, the rather ironic tale of a garden snail who races in the Indy 500. The latest computer-animated flick from Dreamworks tells a typically predictable underdog story, with the proper doses of humor and heartwarming moments. It's totally cliché, but still great family fun.
Voiced by Ryan Reynolds, Turbo (née Theo) is a simple garden snail who is fed up with his humdrum life in the tomato patch with his overly cautious brother Chet (Paul Giamatti). When he isn't working with overripe fruit at "the plant," the ambitious little snail watches old car race tapes and dreams of being fast like French-Canadian Indy 500 champion Guy Gagne (voiced by Bill Hader). Then one fateful night, Turbo is exposed to nitrous oxide and effectively transformed into a car, equipped with a radio, alarm, headlights, and best of all, super speed. Turbo's newfound abilities quickly come into play when he rescues Chet from a crow attack, but the two brothers are then snatched up by a taco truck driver named Tito Lopez. Just when they think they're about to become escargot, Chet and Turbo are surprised to find that Tito only wants to enter them in a snail race.
Tito and his brother Angelo operate the struggling Dos Bros taco stand in a ramshackle strip mall with a hobby shop, nail salon, and auto repair shop. The owners are friends, racing snails together to take their minds off their failing businesses. But when they discover Turbo's incredible talents, they decide to show him off to the world. With hopes to win the Indy 500 and put their strip mall on the map, the shop owners and their snails band together to travel to Indianapolis. Then, it's all up to Turbo and his supersnail speed.
With a star-studded cast boasting the likes of Maya Rudolph, Samuel L. Jackson, Snoop Dogg, Michelle Rodriguez, Luis Guzmán, Michale Pena and Richard Jenkins, Turbo is an adorable film about a little snail with big dreams. While some animated movies focus solely on entertaining the kids, and others devote too much energy to appeasing the adults, Turbo manages to achieve a nice balance of humor that will have parents and their children laughing together. And it promotes the inspiring messages that we want our children to be exposed to: 1) Follow your dreams, no matter how outlandish they may be. 2) Your heroes may disappoint you, but you can become your own hero. 3) Taco trucks are awesome.
Indeed, Turbo features some nice contemporary touches, like the ever-popular food truck, a viral video subplot, and a French-accented car-racing villain à la Talladega Nights. Still, there is absolutely nothing surprising about this movie, which isn't necessarily to its detriment but certainly makes for a less exciting viewing experience. There's comic relief (most notably Ken Jeong's voice performance as a feisty female manicurist) and a bit of suspense, but we're never too worried that things won't turn out okay in the end. Is it realistic? Of course not. But is it fun? Most definitely. In effect, it's an easy movie to watch and enjoy for 90 minutes or so, but you probably won't find yourself hankering for a repeat viewing. While Turbo is nothing groundbreaking, it's a charming film with a lot of heart.
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More: 'Turbo': Ryan Reynolds Tackles the Classic Snail Movie Genre'Turbo' Trailer 2Ryan Reynolds Lives in the Fast Lane in 'Turbo' Trailer
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While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Salt the propulsive new thriller from Phillip Noyce (Clear and Present Danger Patriot Games) has been dubbed “Bourne with boobs ” but that label isn’t entirely accurate. In the role of Evelyn Salt a CIA staffer hunted by her own agency after a Russian defector fingers her in a plot to murder Russia’s president Angelina Jolie keeps her two most potent weapons holstered hidden under pantsuits and trenchcoats and the various other components of a super-spy wardrobe that proudly emphasizes function over flash.
But flash is one thing Salt never lacks for. Its breathless cat-and-mouse game hits full-throttle almost from the outset when a former KGB officer named Orlov (Daniel Olbrychski) stumbles into a CIA interrogation room and begins spilling details of a vast conspiracy. Back in the ‘70s hardline elements of the Soviet regime launched an ambitious new front in the Cold War flooding the western world with orphans trained to infiltrate the security complexes of their adopted homelands and wait patiently — decades if necessary — for the order to initiate a series of assassinations intended to trigger a devastating nuclear clash between the superpowers from which the treacherous Reds would emerge triumphant.
The Soviet Union may have long ago collapsed (or did it? Hmmm...) but its army of brainwashed killer orphan spies remains in place and if this crazy Orlov fellow is to be believed they stand poised to reignite the Cold War. It’s a preposterous — even idiotic — scheme but no more so than any of our government’s various harebrained proposals to kill Castro back in the ‘60s. As such the CIA treats it with grave seriousness even the part that that pegs Salt who just happens to be a Russian-born orphan herself as a key player in the conspiracy.
Salt bristles at the accusation but suspecting a set-up she opts to flee rather than face interrogation from her bosses Winter (Liev Schreiber) and Peabody (Chiwetel Ejiofor). A former field agent she’s been confined to a desk job since a clandestine operation in North Korea went south leaving her with a nasty shiner and a rather unremarkable German boyfriend (now her unremarkable German husband). She’s clearly kept up her training during while cubicle-bound however and in a blaze of resourceful thinking and devastating Parkour Fu she fends off a dozen or so agents of questionable competence and takes to the streets where she sets about to clear her name and unravel the Commie orphan conspiracy before the authorities can catch up with her. That is if she isn’t a part of the conspiracy.
The premise which aims to resurrect Cold War tensions and graft them onto a modern-day spy thriller is absurdly clever — and cleverly absurd. But Kurt Wimmer’s screenplay isn’t satisfied with the merely clever and absurd — it must be mind-blowing. Salt is one of those thrillers that ladles out its backstory slowly and in tiny portions every once in a while dropping a revelatory bombshell that effectively blows the lid off everything that happened beforehand. No one is who they seem and every action every gesture no matter how seemingly trivial is imbued with some kind of grand significance. The effect of piling on one insane twist after another has the effect of gradually diluting the narrative. When anything is possible nothing really matters.
But spy thrillers by definition trade in the preposterous and the principal function of the summer blockbuster is to entertain. In that regard Salt more than fulfills its charge. Noyce wisely keeps the story moving at pace that allows little time for asking uncomfortable questions or poking holes in the film’s frail plot. And he has an able partner in the infinitely versatile Jolie who having already exhibited formidable action-hero chops in Wanted and the Tomb Raider films proves remarkably adept at the spy game as well.
It’s well-known that Jolie wasn’t the first choice to star in Salt joining the project only after Tom Cruise dropped out citing the story’s growing similarities to the Mission: Impossible films. But she’s more than just a capable replacement; she’s a welcome upgrade over Cruise not least because she’s over a decade younger (and a few inches taller) than her predecessor. Should Brad Bird require a pinch-hitter for Ethan Hunt he knows where to look.
The actress/singer was a new mum when she signed up to play an unlucky-in-love woman starting a family and she still wasn't sure about the role when fate brought her and the writer, Kate Angelo, together.
Lopez explains, "So much of the movie was art imitating life, because I had just gone through the pregnancy so it was fresh in my mind - and the character is conceiving twins through artificial insemination.
"Kate had also just been through a pregnancy and we met at this aerobics bootcamp class. She comes up to me... and she said, 'Hi, I'm Kate, I wrote The Back-Up Plan. I just had a baby too.'
"It was perfect and so fresh in our minds that we really fought with the guys sometimes about what was important for women going through that in real life."