When Fox announced that they were dropping the standard pilot-season model of developing new TV shows; it earned them a great deal of attention from fans and critics. So when they unveiled their Fall 2014-2015 schedule, everyone's focus went straight to the slate of new shows premiering in the next few months — after all, they have to be good if Fox is willing to gamble on a brand new way of doing things. In certain cases, it seems like the gamble might just have paid off — you can't go wrong with Batman or British remakes, right? - but others seem like they'll only rub salt in the wound of recent cancellations.
We've run down all of Fox's upcoming series in order to predict which ones will live up to the hype and be worth your time come fall. Although sadly, none of them seem likely to fill the Enlisted-shaped hole in our hearts.
Gotham What It Is: DramaWhat It's About: Following Det. Jim Gordon and the Gotham City Police Department as they deal with the crime and corruption that plagues the city, and Gordon attempts to find Who's In It: Ben McKenzie, Donal Logue, Sean Pertwee and Jada Pinkett-SmithWhat It Sounds Like: It's basically Batman, minus Batman himself. How Good Will It Be: Based on the first trailer for the show, it looks like it could be exciting and gritty, although tiny Bruce Wayne and Selina Kyle do make us a bit wary. Still, it's got a talented cast on board, so if the show can keep the visuals and story interesting, it could be surprisingly good. How Long It Will Last: At least two seasons. Fox has thrown a lot of support behind Gotham, so they won't let it go easily.
UtopiaWhat It Is: Reality showWhat It's About: 15 people move to an isolated, undeveloped location for a year and attempt to build their own society from scratch. Who's In It: No word yet, but they have to be crazy if they're willing to sign up for this. What It Sounds Like: Big Brother meets Survivor, with a dash of Kid Nation. How Good Will It Be: It depends entirely on the cast, but our best bet is that it will either be outright terrible, or horrifically entertaining. How Long It Will Last: Unfortunately, it will probably run for ten years.
Red Band SocietyWhat It Is: Drama What It's About: A coming-of-age story set in the pediatric ward of a hospital that follows a group of patients as they grow, bond, and battle illnesses. Who's In It: Octavia Spencer, Griffin Gluck, Charlie Rowe, Dave Annable, Brian Bradley aka Astro, Ciara Bravo and Zoe LevinWhat It Sounds Like: One Tree Hill meets Grey's Anatomy, except only one person is in a coma. How Good Will It Be: Spencer is generally the best part of everything she does, but even she might not be enough to make the many elements of this show — comedy, drama, tear-jerking moments of triumph, general teenage drama, hospital administration — blend well together. How Long It Will Last: About a season. Even if it is good, it will probably struggle to find an audience.
GracepointWhat It Is: Drama What It's About: Based on the British series Broadchurch, it centers on a small town and the murder that upends the lives of all of its residents. Who's In It: David Tennant, Anna Gunn, Michael Peña, Jacki Weaver, Kevin Zegers and Jessica LucasWhat It Sounds Like: It's literally just Broadchurch with Tennant doing an American accent. How Good Will It Be: A lot depends on how much they take from the original, but since that was such a good series and they've got a fantastic cast on board, things look good for Gracepoint. How Long It Will Last: At least three seasons, regardless of how closely it hews to the original.
Backstrom What It Is: Drama What It's About: A crime procedural about an obnoxious and offensive, but brilliant detective who is brought back from exile to run the special crimes unit. Who's In It: Rainn Wilson, Dennis Haysbert, Thomas Dekker, Beatrice Rosen and Kristoffer PolahaWhat It Sounds Like: Every other "rogue cop" procedural that's hit the air in the last few year, but with Dwight from The OfficeHow Good Will It Be: It has a pretty decent cast, but the premise is something we've seen before many times, with varying levels of success, so there's a lot against it. A lot is riding on Wilson, although it's his first real foray into drama, which also doesn't bode well. How Long It Will Last: Like almost every other crime procedural premiering this fall, it will probably be canceled within the year.
Mulaney What It Is: SitcomWhat It's About: An aspiring stand-up comic gets a job writing jokes for a narcissistic comedian and game show host, which causes conflict between him and his two best friends and roommates. Who's In It: John Mulaney, Martin Short, Nasim Pedrad, Seaton Smith and Elliott GouldWhat It Sounds Like: Seinfeld meets New Girl, with a touch of 30 Rock How Good Will It Be: The cast is fantastic, but multi-cam sitcoms can be pretty hit or miss, and this one was dropped by NBC and then reworked before FOX picks it up. However, the combination of SNL alums and comic legends means this one will probably be one of your new favorite shows. How Long It Will Last: Sunday night at 9:30 is a tough slot, but we think this one will scrape its way to a second season.
EmpireWhat It Is: Drama What It's About: It follows Lucious Lyon, the head of a major hip hop record label and the ex-wife and family who are competing to take over the family business. Who's In It: Terrence Howard, Taraji P. Henson, Gabourey Sidibe, Bryshere Gray, Jussie Smollett, Trai Byers and Kaitlin DoubledayWhat It Sounds Like: Hustle and Flow meets Nashville How Good Will It Be: Empire has a lot of big-name talent behind it - in addition to the Oscar-nominated cast, it was created by Lee Daniels and written by Danny Strong — but it seems like the kind of show that would fare better on cable, so it might end up being a little lackluster. How Long It Will Last: Well, Nashville got three seasons, so we're predicting Empire will get the same.
Hieroglyph What It Is: Drama What It's About: After he gets caught stealing a magic scroll, a thief is brought to work for the Pharaoh, only to discover that court might be more dangerous than prison. Who's In It: Max Brown, Reece Ritchie, Condola Rashad, Caroline Ford and John Rhys-DaviesWhat It Sounds Like: Game of Thrones meets Sleepy Hollow, set in Ancient Egypt. How Good Will It Be: It's written by Travis Beacham, who wrote Pacific Rim, so it could turn out to be entertaining and campy. However, it's completely ridiculous-sounding, so the odds are against it. How Long It Will Last: Unless it manages to pull in a devoted audience like Sleepy Hollow, probably only one season.
Wayward Pines What It Is: Drama What It's About: An idyllic American town... that you can never leave. Who's In It: Matt Dillon, Carla Gugino, Melissa Leo, Tobey Jones, Juliette Lewis and Terrence HowardWhat It Sounds Like: The Stepford Wives meets The Twilight Zone How Good Will It Be: On the one hand, it's got an impressive A-List cast. On the other, it's executive-produced by M. Night Shamylan, so we're hoping it will be good, but expecting it to be terrible. How Long It Will Last: The Shamylan outrage will bring attention to it, resulting in it just barely earning a second season.
Bordertown What It Is: Animated sitcomWhat It's About: Set on a town that borders the US and Mexico, it follows two families as they navigate life, relationships and politics. Who's In It: Alex Borstein, Nicholas Gonzalez, Judah Friedlander, Missi Pyle and Efren RamirezWhat It Sounds Like: American Dad meets The Cleveland ShowHow Good Will It Be: The last time Seth MacFarlane made a show about racial and family dynamics, we got Dads, so we're not optimistic. How Long It Will Last: 5 years at a minimum
Last Man on Earth What It Is: SitcomWhat It's About: After an apocalypse wipes out all of humanity except one man, he wanders the earth looking for other survivors. Who's In It: Will ForteWhat It Sounds Like: Zombieland, minus the other peopleHow Good Will It Be: Forte is hilarious, and his recent dramatic turn in Nebraska will probably serve him well, but it's hard to see how this concept will last longer than one episode. How Long It Will Last: It's a quirky comedy from an SNL alum that isn't Amy Poehler, Tina Fey or Jimmy Fallon. It'll get a year if we're lucky.
Weird LonersWhat It Is: SitcomWhat It's About: Four relationship-phobic weirdoes find each other living next door to one another in a New York apartment. Who's In It: Becky Newton, Zachary Knighton, Nate Torrence and Meera KhumbhaniWhat It Sounds Like: New Girl meets Happy Endings, minus Damon Wayans Jr. How Good Will It Be: The cast is made up of actors who have primarily played the "best friend" role in comedies, so it could be the showcase they need to establish themselves as leading actors. However, the premise seems like a re-tread of most post-Friends comedies, with some forced "quirk," so we don't see things going well. How Long It Will Last: Three out of four actors were on shows that were cancelled relatively soon, so we'd be surprised if this one made it to a second season.
In This Means War – a stylish action/rom-com hybrid from director McG – Tom Hardy (The Dark Knight Rises) and Chris Pine (Star Trek) star as CIA operatives whose close friendship is strained by the fires of romantic rivalry. Best pals FDR (Pine) and Tuck (Hardy) are equally accomplished at the spy game but their fortunes diverge dramatically in the dating realm: FDR (so nicknamed for his obvious resemblance to our 32nd president) is a smooth-talking player with an endless string of conquests while Tuck is a straight-laced introvert whose love life has stalled since his divorce. Enter Lauren (Reese Witherspoon) a pretty plucky consumer-products evaluator who piques both their interests in separate unrelated encounters. Tuck meets her via an online-dating site FDR at a video-rental store. (That Lauren is tech-savvy enough to date online but still rents movies in video stores is either a testament to her fascinating mix of contradictions or more likely an example of lazy screenwriting.)
When Tuck and FDR realize they’re pursuing the same girl it sparks their respective competitive natures and they decide to make a friendly game of it. But what begins as a good-natured rivalry swiftly devolves into romantic bloodsport with both men using the vast array of espionage tools at their disposal – from digital surveillance to poison darts – to gain an edge in the battle for Lauren’s affections. If her constitutional rights happen to be violated repeatedly in the process then so be it.
Lauren for her part remains oblivious to the clandestine machinations of her dueling suitors and happily basks in the sudden attention from two gorgeous men. Herein we find the Reese Witherspoon Dilemma: While certainly desirable Lauren is far from the irresistible Helen of Troy type that would inspire the likes of Tuck and FDR to risk their friendship their careers and potential incarceration for. At several points in This Means War I found myself wondering if there were no other peppy blondes in Los Angeles (where the film is primarily set) for these men to pursue. Then again this is a film that wishes us to believe that Tom Hardy would have trouble finding a date so perhaps plausibility is not its strong point.
When Lauren needs advice she looks to her boozy foul-mouthed best friend Trish (Chelsea Handler). Essentially an extension of Handler’s talk-show persona – an acquired taste if there ever was one – Trish’s dialogue consists almost exclusively of filthy one-liners delivered in rapid-fire succession. Handler does have some choice lines – indeed they’re practically the centerpiece of This Means War’s ad campaign – but the film derives the bulk of its humor from the outrageous lengths Tuck and FDR go to sabotage each others’ efforts a raucous game of spy-versus-spy that carries the film long after Handler’s shtick has grown stale.
Business occasionally intrudes upon matters in the guise of Heinrich (Til Schweiger) a Teutonic arms dealer bent on revenge for the death of his brother. The subplot is largely an afterthought existing primarily as a means to provide third-act fireworks – and to allow McGenius an outlet for his ADD-inspired aesthetic proclivities. The film’s action scenes are edited in such a manic quick-cut fashion that they become almost laughably incoherent. In fairness to McG he does stage a rather marvelous sequence in the middle of the film in which Tuck and FDR surreptitiously skulk about Lauren's apartment unaware of each other's presence carefully avoiding detection by Lauren who grooves absentmindedly to Montel Jordan's "This Is How We Do It." The whole scene unfolds in one continuous take – or is at least craftily constructed to appear as such – captured by one very agile steadicam operator.
Whatever his flaws as a director McG is at least smart enough to know how much a witty script and appealing leads can compensate for a film’s structural and logical deficiencies. He proved as much with Charlie’s Angels a film that enjoys a permanent spot on many a critic’s Guilty Pleasures list and does so again with This Means War. The film coasts on the chemistry of its three co-stars and only runs into trouble when the time comes to resolve its romantic competition which by the end has driven its male protagonists to engage in all manner of underhanded and duplicitous activities. This Means War being a commercial film – and likely an expensive one at that – Witherspoon's heroine is mandated to make a choice and McG all but sidesteps the whole thorny matter of Tuck and FDR’s unwavering dishonesty not to mention their craven disregard for her privacy. (They regularly eavesdrop on her activities.) For all their obvious charms the truth is that neither deserves Lauren – or anything other than a lengthy jail sentence for that matter.
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Last night, viewers were treated to a particularly emotional Grammy Awards. Naturally, the tributes to the deceased Whitney Houston were some of the most moving moments of the night, and in recent television. But many rising artists had a lot to celebrate; particularly, Adele, who swept the awards with four major wins. Check below for a complete list of winners from the 54th Annual Grammy Awards, and for a recap, hop over to our Seven Things You Need to Know About the 2012 Grammys list.
Album of the Year
21 by Adele
Record of the Year
"Rolling in the Deep" by Adele
Best New Artist
Best Country Album
Own the Night by Lady Antebellum
Song of the Year
“Rolling In The Deep” by Adele Adkins & Paul Epworth, songwriters (Adele)
Best R&B Album
F.A.M.E. by Chris Brown
Best Rock Performance
“Walk” by Foo Fighters
Best Rap Performance
“Otis” by Jay-Z and Kayne West
Best Pop Solo Performance
“Someone Like You” by Adele
Best Pop Duo/Group Performance
“Body and Soul” by Tony Bennett and Amy Winehouse
Best Pop Instrumental Album
The Road from Memphis by Booker T. Jones
Best Pop Vocal Album
21 by Adele
Best Dance Recording
“Scary Monsters and Nice Sprites” by Skrillex
Best Dance/Electronica Album
“Scary Monsters and Nice Sprites” by Skrillex
Best Traditional Pop Vocal Album
Duets II by Tony Bennett & Various Artists
Best Hard Rock/Metal Performance
“White Limo” by Foo Fighters
Best Rock Song
“Walk” by Foo Fighters
Best Rock Album
Wasting Light by Foo Fighters
Best Alternative Music Album
Bon Iver by Bon Iver
Best R&B Performance
“Is This Love” by Corinne Bailey Rae
Best Traditional R&B Performance
“Fool For You” by Cee Lo Green & Melanie Fiona
Best R&B Song
“Fool For You” by Cee Lo Green, Melanie Hallim, Jack Splash
Best Rap/Sung Collaboration
“All Of The Lights” by Kanye West, Rihanna, Kid Cudi & Fergie
Best Rap Song
“All Of the Lights” by Jeff Bhasker, Stacy Ferguson, Malik Jones, Warren Trotter & Kanye West
Best Rap Album
My Beautiful Dark Twisted Fantasy by Kanye West
Best Country Solo Performance
“Mean” by Taylor Swift
Best Country Duo/Group Performance
“Barton Hollow” by The Civil Wars
Best Country Song
“Mean” by Taylor Swift
Best New Age Album
What’s It All About by Pat Metheny
Best Improvised Jazz Solo
“500 Miles High” by Chick Corea
Best Jazz Vocal Album
The Mosaic Project by Terri Lyne Carrington & Various Artists
Best Jazz Instrumental Album
Forever by Corea, Clarke & White
Best Large Jazz Ensemble Album
The Good Feeling by Christian McBride Big Band
Best Gospel/Contemporary Christian Music
“Jesus” by Le’Andria Johnson
Best Gospel Song
“Hello Fear” by Kirk Franklin
Best Contemporary Christian Music Song
“Blessings” by Laura Story
Best Gospel Album
Hello Fear by Kirk Franklin
Best Contemporary Christian Music Album
And If Our God Is For Us… by Chris Tomlin
Best Latin Pop, Rock, Or Urban Album
Drama Y Luz by Maná
Best Regional Mexian Or Tejano Album
Bicentenario by Pepe Aguilar
Best Banda Or Norteno Album
Los Tigres Del Norte And Friends by Los Tigres Del Norte
Best Tropical Latin Album
The Last Mambo by Cachao
Best Americana Album
Ramble At the Ryman by Levon Helm
Best Bluegrass Album
Paper Airplane by Alison Krauss & Union Station
Best Blues Album
Revelator by Tedeschi Trucks Band
Best Folk Album
Barton Hollow by The Civil Wars
Best Regional Roots Music Album
Rebirth of New Orleans by Rebirth Brass Band
Best Raggae Album
Revelation Pt 1: The Root Of Life by Stephen Marley
Best World Music Album
Tassili by Tinariwen
Best Children’s Album
All About Bullies… Big And Small
Best Spoken Word Album
If You Ask Me (And Of Course You Won’t) by Betty White
Best Comedy Album
Hilarious by Louis C.K.
Best Musical Theater Album
The Book of Mormon: Josh Gad & Andrew Rannells; Anne Garefino, Robert Lopez, Stephen Oremus, Trey Parker, Scott Rudin & Matt Stone (producers); Robert Lopez, Trey Parker & Matt Stone (composers/lyricists)
Best Compilation Soundtrack For Visual Media
Boardwalk Empire: Volume 1: Various Artists
Best Score Soundtrack For Visual Media
The King’s Speech by Alexandre Desplat
Best Song Written For Visual Media
“I See The Light (From Tangled)” by Alan Menken & Glenn Slater, songwriters (Mandy Moore & Zachary Levi)
Best Instrumental Composition
"Live In Eleven” by Béla Fleck & Howard Levy, composers (Béla Fleck & The Flecktones)
Best Instrumental Arrangement
“Rhapsody In Blue” by Gordon Goodwin, arranger (Gordon Goodwin’s Big Phat Band)
Best Instrumental Arrangement Accompanying Vocalist(s)
“Who Can I Turn To (When Nobody Needs Me)” by Jorge Calandrelli, arranger (Tony Bennett & Queen Latifah)
Best Recording Package
Scenes From the Suburbs, Caroline Robert, art director (Arcade Fire)
Best Boxed Or Special Limited Edition Package
The Promise: The Darkness On The Edge of Town Story by Dave Bett & Michelle Holme, art directors (Bruce Springsteen)
Best Album Notes
Hear Me Howling!: Blues, Ballads & Beyond As Recorded By the San Francisco Bay By Chris Strachwitz In The 1960s, Adam Machado, album notes writer (Various Artists)
Best Historical Album
Band On the Run (Paul McCartney Archive Collection — Deluxe Edition), Paul McCartney, compilation producer; Sam Okell & Steve Rooke, mastering engineers (Paul McCartney & Wings)
Best Engineered Album, Non-Classical
Paper Airplane, Neal Cappellino & Mike Shipley, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station) Producer Of the Year, Non-Classical Paul Epworth
Best Remixed Recording, Non-Classical
“Cinema (Skrillex Remix)” by Sonny Moore, remixer (Benny Benassi)
Best Surround Sound Album
Layla And Other Assorted Love Songs (Super Deluxe Edition), Elliot Scheiner, surround mix engineer; Bob Ludwig, surround mastering engineer; Bill Levenson & Elliot Scheiner, surround producers (Derek & The Dominos)
Best Engineered Album, Classical
Aldridge: Elmer Gantry, Byeong-Joon Hwang & John Newton, engineers; Jesse Lewis, mastering engineer (William Boggs, Keith Phares, Patricia Risley, Vale Rideout, Frank Kelley, Heather Buck, Florentine Opera Chorus & Milwaukee Symphony Orchestra) Producer Of the Year, Classical Judith Sherman
Best Orchestral Performance
“Brahms: Symphony No. 4” by Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Best Opera Recording
“Adams: Doctor Atomic” by Alan Gilbert, conductor; Meredith Arwady, Sasha Cooke, Richard Paul Fink, Gerald Finley, Thomas Glenn & Eric Owens; Jay David Saks, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
Best Choral Performance
“Light & Gold” by Eric Whitacre, conductor (Christopher Glynn & Hila Plitmann; The King’s Singers, Laudibus, Pavão Quartet & The Eric Whitacre Singers)
Best Small Ensemble Performance
“Mackey: Lonely Motel — Music From Slide” by Rinde Eckert & Steven Mackey; Eighth Blackbird
Best Classical Instrument Solo
“Schwantner: Concerto For Percussion & Orchestra” by Giancarlo Guerrero, conductor; Christopher Lamb (Nashville Symphony)
Best Classical Vocal Solo
“Diva Divo” by Joyce DiDonato (Kazushi Ono; Orchestre De L’Opéra National De Lyon; Choeur De L’Opéra National De Lyon)
Best Contemporary Classical Composition
“Aldridge, Robert: Elmer Gantry” by Robert Aldridge & Herschel Garfein
Best Short Form Music Video
“Rolling In The Deep” by Adele; Sam Brown, video director; Hannah Chandler, video producer
Best Long Form Music Video
“Foo Fighters: Back And Forth” by Foo Fighters; James Moll, video director; James Moll & Nigel Sinclair, video producers Grammy Trustees Award Dave Bartholomew, Steve Jobs, and Rudy Van Gelder