The new fall pilots haven't even premiered yet, but already the networks are looking forward to their next big task: finding the right pilots and scripts to order for the 2013-2014 season. Development season is well underway and has been for the past few weeks — although this season is marked by a declaration from some networks (namely ABC and NBC) that the typically order-happy suits would not be as quick to bulk up their pilot orders this year. In other words, less is more.
Most of the majors have already made their first-round choices for specific projects, and the trends that have emerged seem to be all about big-name attachments (e.g. Vince Vaughn, Jodie Foster, Ryan Reynolds), period dramas (e.g. Aztec empire, Cold War America, 1890s Europe), international transplants (from Israel, England and Scandinavia) and — in an interestingly-revived yet well-worn trend — book adaptations (including Dracula and two Sleepy Hollow reboots).
Here's what ABC, CBS, The CW, FOX, NBC and more have coming down the '13-'14 pipeline so far:
— Dumb F*ck: Single-camera comedy about an average Joe and his brilliant wife who move in with her intelligent yet emotionally stunted family of geniuses; written by Hank Nelken (Saving Silverman), executive produced by Vin Di Bona, Bruce Gersh, Susan Levison and Shaleen Desai.
— Burns & Cooley: Medical procedural about two New York neurosurgeons who compete as they strive to be the top in all aspects of their lives; written by Meredith Philpott (Awkward), exec produced by Matt Gross (Body Of Proof).
— Founding Fathers: Drama about a war veteran whose Texas hometown is in the hands of a militia group led by his older brother; written by Rich D'Ovidio (Thir13en Ghosts), produced by Lorenzo Di Bonaventura and Dan McDermott.
— Untitled McG Project: Retelling of Romeo and Juliet, revolving around two rival families fighting for control over Venice, California; written by Byron Balasco (Detroit 1-8-7), produced by McG (The OC, Supernatural, Nikita).
— Untitled Kurtzman/Orci Project: Drama about a mysterious game; written by Noah Hawley (The Unusuals), produced by Heather Kadin, Alex Kurtzman and Bob Orci.
— Dracula: 1890s-set period piece about the iconic vampire; written by Cole Haddon, produced by Tony Krantz and Colin Callender; starring Jonathan Rhys Meyers (The Tudors).
— The Blacklist: Drama about an international criminal who surrenders himself and helps the government hunt down his former cohorts; written by Jon Bokenkamp, exec produced by John Davis, John Fox and John Eisendrath.
— Hench: Based on the comic about a man who becomes a temp for super villains; written by Alexandra Cunningham (Desperate Housewives), exec produced by Peter Berg and Sarah Aubrey (Prime Suspect).
— Cleopatra: Period drama about the Egyptian queen Cleopatra; written by Michael Seitzman (Americana), exec produced by Lorenzo Di Bonaventura and Dan McDermott.
— Pariah: Drama inspired by Freakonomics about a rogue academic who uses economic theory to police San Diego; written by Kevin Fox (The Negotiator), exec produced by Kelsey Grammer, Stella Stolper and Brian Sher.
— After Hours/The Last Stand: Medical drama about Army doctors who work the night shift at a San Antonio hospital; revisited from last season; written by Gabe Sachs and Jeff Judah.
— Untitled Parkes/MacDonald Project: Drama about an interpreter at the United Nations who works with diplomats and politicians from around the world; written by Tom Brady (Hell on Wheels), produced by Walter Parkes, Laurie MacDonald and Ted Gold.
— Untitled Charmelo/Snyder Project: New Orleans-set drama, described as a "sexy Southern Gothic thriller"; created by Eric Charmelo and Nicole Snyder (Ringer), exec produced by Peter Traugott and Rachel Kaplan.
— Untitled Rand Ravich Project: Drama-thriller following a secret service agent at the center of an international crisis in Washington, DC; created by Rand Ravich (Life), produced by Far Shariat.
— Island Practice: Based on the book Island Practice: Cobblestone Rash, Underground Tom, and Other Adventures Of A Nantucket Doctor, about an eccentric doctor with a controversial medical practice on an island off the coast of Washington; written by Amy Holden Jones (Mystic Pizza, Beethoven), produced by Brian Grazer, Francie Calfo and Oly Obst.
— The Brady Bunch: Reboot of the series, about a divorced Bobby Brady who re-marries a woman with children of her own; written by Mike Mariano (Raising Hope), co-developed and exec produced by Vince Vaughn (Sullivan & Son).
— A Welcome Grave: Based on the book series about a private investigator who comes under suspicion when a rival turns up dead.
— Backstrom: Based on the book series about a House-like detective who tries to change his self-destructive nature; written by Hart Hanson (Bones), produced by Leif G.W. Persson (novel) and Niclas Salomonsson.
— Ex-Men: Single-camera comedy about a young guy who moves into a short-term rental complex and befriends the other men who live there after being kicked out by their wives; written and directed by Rob Greenberg; starring Chris Smith and Kal Penn.
— Sleepy Hollow: Contemporary reinterpretation of the Sleepy Hollow short story; written by Patrick Macmanus and Grant Scharbo, produced by Scharbo and Gina Matthews.
— Gun Machine: Based on an upcoming novel (of the same name) about a New York detective whose chance discovery of a stash of guns leads back to a variety of unsolved murders; written by Dario Scardapane (Trauma), produced by Warren Ellis (book author), Scardapane, Peter Chernin and Katherine Pope.
— Sleepy Hollow: Modern-day thriller based on the Sleepy Hollow short story, following Ichabod Crane and a female sheriff who solve supernatural mysteries; written by Alex Kurtzman and Roberto Orci (Fringe, Hawaii Five-0) and Phillip Iscove, produced by Heather Kadin and Len Wiseman.
— The Beach: Based on the 1996 novel and 2000 movie about a group of youths who try to start society over on a remote paradise; written by Andrew Miller (The Secret Circle).
— Hard Up: Single-camera comedy based on Israeli series about four twentysomething guys who are strapped for cash; written by Etan Frankel (Shameless), produced by John Wells.
— Lowe Rollers: Animated comedy about a struggling Titanic-themed casino in Las Vegas; written by Mark Torgove and Paul Kaplan (Outsourced) and Ash Brannon, produced by Ryan Reynolds, Jonathon Komack Martin, Steven Pearl and Allan Loeb.
— Untitled Chris Levinson Project: Cop drama about a detective who puts his life under surveillance when he begins to lose his memory; written by Chris Levinson (Touch), produced by Peter Chernin and Katherine Pope.
— Untitled Friend/Lerner Project: Drama set on an aircraft carrier following young naval officers and a female fighter pilot who tries to solve an onboard murder; written and produced by Russel Friend and Garrett Lerner (House).
— Untitled Ryan Reynolds Project: Half-hour comedy about a disgraced hotelier forced to manage a rundown airport hotel; written by Matt Manfredi and Phil Hay (Clash of the Titans), produced by Ryan Reynolds, Allan Loeb, Jonathon Komack Martin and Steven Pearl.
— Untitled Jason Katims Project: Romantic comedy about a single female attorney; written by Jason Katims (Parenthood, Friday Night Lights) and Sarah Watson.
— Getting On: U.S. adaptation of a British comedy about a group of nurses and doctors working in a women's geriatric wing of a run-down hospital; Big Love creators Mark V. Olsen and Will Scheffer to exec produce with Jane Tranter, Julie Gardner and Geoff Atkinson.
— Buda Bridge: Belgian-set crime drama about a woman who is found dead on a famous bridge in Brussels; written and directed by Michael R. Roskam (Bullhead), produced by Michael Mann (Luck) and Mark Johnson (Breaking Bad).
— Hello Ladies: Comedy about an oddball Englishman who chases women in Los Angeles; written, directed by and starring Stephen Merchant (The Office), produced by Lee Eisenberg and Gene Stupnitsky (The Office).
— Angie's Body: Drama about a powerful woman at the head of a crime family; written by Rob Fresco (Heroes, Jericho), directed and executive produced by Jodie Foster, Fresco and Russ Krasnoff.
— Conquest: Period drama about Spanish conquistador Hernan Cortes, who clashes with the Aztec ruler Moctezuma II; written by Jose Rivera (The Motorcycle Diaries), produced by Ron Howard, Brian Grazer and Francie Calfo.
— Low Winter Sun: Based on 2006 British miniseries about the aftermath that follows the murder of a cop by a fellow detective; written by Chris Mundy; James Ransone, Ruben Santiago Hudson and Athena Karkanis to star.
— Those Who Kill: Based on Danish series about a detective and forensics scientist who track down serial killers; written by Glen Morgan, produced by Brian Grazer, Francie Calfo, Peter Bose and Jonas Allen, directed by Joe Carnahan.
— Untitled LaGravenese/Goldwyn Project: Legal thriller about an attorney who discovers new evidence that re-opens a sensational murder case; written by Richard LaGravenese, directed by Tony Goldwyn, exec produced by David Manson; Marin Ireland to star as female lead.
— The Americans: Period drama about two KGB spies posing as Americans in Washington, DC; created by Joe Weisberg, exec produced by Weisberg, Graham Yost, Darryl Frank and Justin Falvey; directed by Gavin O'Connor; Keri Russell, Matthew Rhys and Noah Emmerich to star.
— The Bridge: Based on the Scandinavian series, about a murder investigation opened up after a dead body is discovered on a bridge connecting the United States and Mexico; written by Meredith Stiehm and Elwood Reid (Cold Case), produced by Carolyn Bernstein, Lars Blomgren and Jane Featherstone.
— Untitled Dr. Dre Project: One-hour drama about music and crime in Los Angeles; written by Sidney Quashie, exec produced by Dr. Dre.
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[Photo Credit: ABC, CBS, Fox, NBC, The CW]
John (Will Arnett) and Dean Solomon (Will Forte) are as much related by blood as they are by their stupidity but apparently there’s room for them to grow even dumber. When their father (Lee Majors) slips into a sudden coma the brothers rush over—after stopping to rent a video—to be by his side. Once at the hospital they learn that their dad had but one unfulfilled wish: to become a grandfather. So begins the search for a female to impregnate in order to the brothers believe keep their father alive. It doesn’t take long after posting an ad on Craigslist for the bros to find their mate—or at least a woman named Janine (Kristen Wiig) who agrees to become artificially inseminated and bear their child for $12 000. As Janine’s trimesters pass by John and Dean prepare to become fathers by baby-proofing their apartment with strategically placed combination locks and by running practice drills for potential disasters—like what to do when the newborn jumps off the stairwell from 15 stories up. But nothing can prepare them for the third-trimester shocker delivered by Janine and her on-again off-again boyfriend (Chi McBride). Will Arnett desperately needs Arrested Development to come back and Will Forte—well he’s just lucky to have Saturday Night Live to fall back on a place where he can commiserate with fellow cast member/recent big-screen failure Andy Samberg. Arnett who has made some awful post-TV decisions but none worse than this excels at dry smart comedy so while he can make due with some of the smirk-worthy moments in Brothers the overtly moronic material falls well beneath his range and thus flat. Forte is better suited for such stupidity with his trademark imbecilic grin but as is the case on SNL his scenes tend to be more annoying than funny. Another SNL-er Wiig at least saves face by not even attempting to play it funny or sarcastic; however that just shifts the mood from too-goofy to awkwardly non-goofy. McBride (Boston Public) scores a few stereotype-exploiting laughs while Cameron Diaz look-alike and hope-to-be Malin Akerman (HBO’s The Comeback) in a role that’s completely inessential to the story is really only there for looks. And so maybe there is something redeeming about this movie! With the Judd Apatows and Seth Rogens of today brilliantly covering the whole spectrum of hilarity—from dumb to smart—doofus comedy is as dead a sub-genre as torture porn (i.e. Hostel: Part II). That said The Brothers Solomon’s concept courtesy of writer/star Forte might’ve actually worked in the vein of the aforementioned Apatow-ian system. But director Bob Odenkirk—another great-at-TV (Mr. Show) bad-at-film (Let's Go to Prison) casualty—aims very low. As with similar movies most gags are predictable overlong and unrewarding; call it “The Saturday Night Live Effect ” which expressly states that a feature-length film must try and stretch what may be mildly funny in a three-minute sketch into 90 minutes. The stretching-humor theme is in fact rampant throughout. Case in point: During an airplane-billboard scene towards the end Odenkirk displays some inventiveness for about a minute before dragging the same gag out for at least five more minutes (though it’s a challenge to keep track of time at that point).
The two faces of Don Corleone may be reunited in the upcoming crime drama "The Score." Daily Variety reports that Marlon Brando is in negotiations to co-star alongside Robert De Niro in the Frank Oz-helmed project. Also starring in the film is Edward Norton ("American History X").
Brando and De Niro last appeared in the same movie as the younger and older faces of Corleone in "The Godfather: Part II." Their collaboration on "The Score" marks the first time they will appear together in the same scenes.
The story involves a young con played by Norton who seeks out De Niro's veteran thieving skills to pull off one last heist. Brando will play De Niro's fence. Shooting on the Mandalay/Paramount project is set to begin in late April in Montreal.
AH-NULD SEEKS 'DAMAGE': Arnold Schwarzenegger has signed up for action in "Collateral Damage," a story about a man who hunts down the terrorist responsible for the bombing murders of his wife and child. According to Variety, "The Fugitive's" Andrew Davis is the assigned director on the Warner Bros. project based on a spec script titled "Thou Shalt Not Kill."
'TURNPIKES' HEADS FOR THE EXIT: The Kelsey Grammer project "New Jersey Turnpikes" has been directed to the off-ramp. Universal Pictures has put the brakes on the basketball comedy, a mockumentary about a fictional team during the last days of the American Basketball Association in 1975.
Grammer stars in director Bryan Buckley's 1998 film as the general manager of the worst team in the league. Other stars in the film include Robert Conrad, Lee Majors, Jim Brown and Orlando Jones.
Variety reports that the studio has pulled the film off its schedule and is putting it up for sale. The studio's also decided to rename its Norm MacDonald comedy to "Screwed." Other titles tossed around: "Ballbusted," "Pittsburgh" and "Foolproof."