Take Liam Neeson's family members once shame on you. Take Liam Neeson's family members twice shame on him (but you'll still end up in a world of hurt).
Taken 2 sequel to the 2008 sleeper hit doesn't worry too much about improbability in devising a way to bring Bryan Mills (Neeson) back into the action. In the first film Mills punched and shot his way through Paris in order to retrieve his kidnapped daughter Kim (Maggie Grace). The followup jumps ahead two years Kim still on edge from the experience and Mills just hoping to move past it all. To wash away bad memories Kim and Mill's ex-wife Lenore (Famke Janssen) join the badass-for-hire on a work trip to Istanbul where everyone can finally relax. That is until someone gets… taken.
In Taken 2 director Olivier Megaton (Transporter 3 Colombiana) sticks to the formula that helped transform Neeson into an aged action star laying out obvious hurdles for his MacGuyver-esque hero and letting fast-paced editing and Mills' fists do the heavy lifting. There's an added layer of character that feels like a tease: Mills and Kim are trying to act like a normal father/daughter — handed the horrific experience of learning to drive as their through-line conflict — and Megaton finds humorous ways to touch upon the struggle. In one sequence Kim drives a stolen taxi cab away from gun-toting pursuers as Mills dictates directions from the passenger side. The action movie equivalent of "10 and 2!" is shouted and all hell breaks loose in the moment of familial genius. But that's about it for Taken 2's innovation. More of the same is the goal here and the film delivers.
The only issue with straight up repeating Mills antics' from the first movie is that his new adversaries — relatives of the people he previously offed — are old and boring and easily defeated. Seeing schlubby Neeson slice dice and electrocute the private parts of men half his age was exciting. Seeing him do the same to senior citizens isn't. But Neeson is such a powerful onscreen force even Taken 2's slowest moments have a bit of a spark. He makes the nonsensical into pure Shakespeare; in hokey scenes where Mills pals around with his best buds Neeson drops lines that are laughable ("Oh can't we just talk about basketball!) — yet he owns them. We're chuckling with his awareness that Taken 2 is beyond silly.
Pilot Frank "Shut 'Em Down" Towns (Dennis Quaid) arrives in Mongolia to close down an unprosperous oil rig and fly the disgruntled crew home. Along for the ride are his partner A.J. (Tyrese) the oil company's fetching but feisty female foreman (Miranda Otto) the company man (Hugh Laurie) assorted grease monkeys and one very odd hitchhiker (Giovanni Ribisi). Townes foolishly decides to fly into a sandstorm instead of turning back resulting in a forced landing that has them stranded in the middle of the Gobi desert with little hope of rescue. Moviegoers will likely be comparing the film not to the original but to TV's similar plane crash story Lost. Like Lost there's a reluctant leader a spunky babe a wise Arabic guy and lots of life-or-death tension. (Sorry no polar bears). Once they realize no rescue is coming they concoct a risky plan to get home although not everyone's sold on the idea.
Dennis Quaid is his usual roguish self as Towns a crusty arrogant but still charming guy who might be Harrison Ford's brother from Six Days Seven Nights. Heavy lifting isn't required by the actors in a film like this but indie fave Giovanni Ribisi turns in a nicely twitchy performance as Elliott the fellow who turns out to be strangely important to their survival. Miranda Otto (Eowyn from The Lord of the Rings films) is once again believably self-sufficient and is spared any romantic overtures from her fellow survivors. Hugh Laurie's character is at first merely "the suit " but gradually pitches in with the blue-collar workers. Tony Curran and Tyrese buddy up as they pull together to salvage what they can from the wrecked plane. As the chef Jacob Vargas supplies much of the comedy while desert know-how comes from Kevork Malikyan.
John Moore who also directed the rah-rah actioner Behind Enemy Lines clearly likes stories about men in desperate circumstances leavened by unlikely bonding and humor. The Gobi desert never looked more beautiful or more ominous with its mysteriously shifting sand. The plane crash might not be able to rival The Day After Tomorrow's tornados or jaw-dropping tidal wave but is still horrifyingly riveting. If you can't predict every beat of the finale however you clearly haven't seen enough movies.