WHAT IT’S ABOUT?
Georgia’s love life and career have hit a wall in America so she takes a trip to her ancestral home of Greece and gets a job as a tour guide on a rickety bus in Athens. Her insistence on spouting off endless historical facts tends to bore the tourists however and she becomes the least-popular guide and the target of a ruthless competitor. But as she navigates her way through the ruins of the country and her own life she manages to find new friends a new outlook and romance where she least expected it.
WHO’S IN IT?
It seemed only natural after the blockbuster success of My Big Fat Greek Wedding (still the most profitable romantic comedy of all time) that its star Nia Vardalos would attempt a sequel. But after a failed attempt at a sitcom My Life in Ruins is about as close as she’s going to come. As Georgia a no-nonsense tour guide whose life is slowly transformed by the wonders of Greece Vardalos is right at home. She’s attractive likeable and could probably do this role in her sleep. As her unkempt bus driver who turns from a frog into a prince Alexis Georgoulis is the epitome of Greek geek. Getting the pole tourist position as Irv Richard Dreyfuss is warm and corny as a bad-joke-telling widower. The rest of the bus is intentionally paired off into various two-note stereotypes. Take your pick. There are obnoxious Americans (Harland Williams and Rachel Dratch) obnoxious Australians (Simon Gleeson and Natalie O’Donnell) obnoxious Brits (Ian Ogilvy and Caroline Goodall) with an obnoxious daughter (Sophie Stuckey) oversexed Spanish divorcees (Maria Botto and Maria Adanez) an old lady who steals stuff (Sheila Bernette) and a business guy who can’t stop texting (Brian Palermo). As Georgia’s scheming rival tour guide Alistair McGowan also plays it just the way we expect. No surprises with this group.
Despite the unimaginative sitcom-ish screenplay and Donald Petrie’s uninspired direction My Life in Ruins has two things going for it: Vardalos and Greece. Her fans will probably flock to the theater and once there they will be treated to a gorgeously-photographed tour of some of the country’s most spectacular sights including the rarely filmed (at least in mainstream movies) Acropolis.
Unfortunately the filmmakers rely all too heavily on the glories of Greece to get by. Perhaps with more effort there might have been a MOVIE to match. Sticking a bunch of stereotypes on a bus and hoping for nonstop hilarity just doesn’t cut it. Those looking for pure escapist fluff will probably have a good time watching My Life in Ruins but they’ll find more genuine laughs in a Greek tragedy.
NETFLIX OR MULTIPLEX?
If the bad economy is cutting summer vacation plans and you need a sightseeing fix a trip to the mall to see this big fat Greek tourism informercial might be just the ticket. For everyone else just hit the beach instead.
At first glance The Family Stone appears to be yet another silly romp about family dynamics. But the Stones a vivacious loving liberal-minded New England family are more than just cardboard cut-outs; they’re as real as any dysfunctional family can be. The film begins with the Stones getting ready for their annual holiday gathering. Matriarch Sybil (Diane Keaton) is especially anxious to meet her eldest son’s (Dermot Mulroney) girlfriend Meredith (Sarah Jessica Parker). The family has been warned Meredith is a controlling neurotic New Yorker with very little redeemable qualities. And when Meredith arrives she certainly does nothing to dispel the notion meeting her potential eccentric in-laws with a mix of awkwardness confusion and hostility. Yet oddly enough the disruption brings about some needed changes within the family Stone allowing them to come together and realize their extraordinary capacity for love. Everyone in this stellar ensemble rises to the occasion and truly paints a very vivid picture of a family devoted to one another--but who are less than approachable to outsiders. As mom Keaton turns in yet another genuine look at a complicated woman dealing with some insurmountable obstacles while Craig T. Nelson as her loyal husband does a nice job conveying a warmth to their marriage. Playing their grownup children is Mulroney as the straight-laced “suit” Everett who isn’t all that priggish; Luke Wilson as the laid-back Ben who seems to have strayed the most from his family; and Rachel McAdams as the passionate if rather acerbic little sister. But the real revelation is Parker as the uptight highly unlikable Meredith. It’s quite a departure from her fun-lovin’ Sex
and the City days and the Parker--who truly is one of the better comedic actresses we have today--easily handles the unpleasant chores of playing someone suffering with chronic foot-in-mouth syndrome. Like many newbie filmmakers writer/director Thomas Bezucha--whose only other credit is the little seen indie Big Eden--has the advantage of having that certain fresh quality to his work. Stone’s dialogue is snappy poignant and spot-on as the Stones interact with each other in all too familiar ways. The whole Meredith scenario will perhaps have many of us remembering similar situations--from both sides of the fence. It’s just as painful to have to meet the family of someone you love for the first time as it is dealing with a family member’s poor choices in mates. And what makes
The Family Stone stand out even more is how Bezucha truly defines the term “dramedy.” From the trailer the film seemed to be a balls-out slap-sticky comedy which in many ways it is but you may be surprised to see how The Family Stone’s more serious tones will touch you.