Whatever side of the Underwood debate you fall on, we think everyone can agree that the highlight of NBC's The Sound of Music, Live! were the Broadway veterans in supporting roles. Audra McDonald's "Climb Ev'ry Mountain" provoked the only emotion we saw on Carrie's face all night — other than "Meow, meow, meow, meow...," of course. Christian Borle made Max so likeable we kept forgetting about that Nazi sympathizer thing. And as Elsa, Laura Benanti changed the plot of the show to "Fabulous Baroness loses imagination-free whistle-fetishist to robot nanny in Sandra Bullock's costume from the Miss Congeniality talent competition scene." She. Was. Everything. In no particular order, her finest moments.
When she was the best-dressed woman in Austria.
Clearly, everyone but Laura did something to piss off the costume designer. While the rest of the cast was clothed in K-Mart's Heidi-meets-High School Musical collection, Elsa was devastating us in a black evening gown and a perfectly fitted and flowing pink and red pantsuit. Work.
When she single-handedly filled up our "Reaction Gif" folders.
We were already questioning the Captain and Maria's whirlwind "love" affair when they shared as much chemistry as I do with my Metrocard. But it was Benanti's eyerolls and raised eyebrows that really drove home the silliness of the situation. Go find yourself a nice Baron, Elsa.
Oh right — when she sang.
Laura has played Gypsy Rose Lee, Claudia in Nine, Cinderella in Into the Woods, and yes, Maria the novice on Broadway. So she hardly broke a sweat when she slayed her meager two songs on the live broadcast.
When she loved us for loving her.
"Hey all my gays and bitches out there," Laura tweeted. "Thanks for being #TeamElsa."
NBC has solved its Maria problem, and now the network is releasing a first look at Carrie Underwood in the iconic role of of Maria Von Trapp courtesy of a new promotional poster for its The Sound of Music special. In it, the American Idol alum, wearing a corseted dress and her hair in milkmaid-style braids, strikes a pose reminiscent of Julie Andrews.
The television special, which will also star Stephen Moyer as Captain Georg Von Trapp, will not be based on the 1965 film, but rather the 1959 stage play. It's an important distinction to for Underwood, as it will probably afford her the greatest opportunity to break out of Andrews' shadow. Comparisons between the two are inevitable, but the poster does Underwood no favors by being both heavily photoshopped and a direct allusion to the iconic film. Here's hoping that despite this, Underwood will indeed be able to make Maria "come alive again", as the ad promises.
In addition to releasing the poster, NBC also announced three new cast members - all of them Tony Award winners - who will take part in the special. Smash star Christian Borle will play the role of Max Detweiler, while Audra McDonald, formerly of Private Practice, will play Mother Abbess. Finally, Laura Benanti will take on the part of Elsa Schrader, Captain Von Trapp's former fianceé. The live television production of The Sound of Music will air on December 5.
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WHAT IT’S ABOUT?
The uber-anticipated sequel Transformers: Revenge of the Fallen picks up shortly after the events of the blockbuster first film. With evil Megatron’s carcass buried at the bottom of the ocean Optimus Prime and his Autobot comrades working together with an elite group of human soldiers are now focused on hunting the remaining Decepticons scattered across the globe. Sam Witwicky hero of the 2007 movie is busy preparing for his first year at college while his unlikely girlfriend Mikaela Barnes stays behind to tend to her father’s auto-repair shop. Little do they know however that back on Cybertron a Decepticon elder known as “The Fallen” is hatching a scheme to invade Earth where hidden somewhere on the planet is the last known source of energon the life-blood of all Transformers. If he succeeds the devastation left in his wake will no doubt spell the end of the human race. With the fate of Earth hanging in the balance Sam and Mikaela must once again have to team up with Optimus and the Autobots to defeat this powerful new foe.
WHO’S IN IT?
All the major human players from the first Transformers film are back for the sequel including Shia LaBeouf Megan Fox Tyrese Gibson Josh Duhamel and John Turturro. Newcomers include Ramon Rodriguez who plays Sam’s conspiracy-obsessed college roommate Leo and The Office’s Rainn Wilson who enjoys a notable cameo as a pompous physics professor.
Of course the actors merely serve as background filler for the real stars of the show: those titular talking-alien robots. And director Michael Bay fills up the screen with enough mechanical eye candy to dazzle even the most skeptical gearhead. Returning characters include Optimus Prime Bumblebee Ratchet Ironhide Barricade Jazz (don’t act surprised) Starscream Frenzy and Megatron (again don’t act surprised).
Several new Autobots are introduced to the mix: Mudflap and Skids a pair of jive-talking ceaselessly annoying hatchbacks; Jolt a Chevy Volt; Sideswipe a silver Corvette; and Jetfire an elderly Decepticon turncoat who walks with a cane speaks with an English accent and transforms into an SR-71 Blackbird. Additions to Decepticon side include: The Fallen who we learn is the Decepticons’ real head honcho (consider him the Emperor Palpatine to Megatron’s Darth Vader); Soundwave a communications specialist who sinks his tentacles into a satellite and spies on us from above; Ravage a panther-like creature; Wheelie a radio-controlled truck who talks like Joe Pesci; “the Doctor ” a sort of mad scientist who speaks with a German accent (naturally); and the Constructicons a group of construction vehicles that fuse together to form a massive four-legged beast.
No director does over-the-top explosion-laded action better than Michael Bay and Transformers: Revenge of the Fallen features several staggering set pieces. The CGI work on this film makes the last one look like it was designed on a Commodore 64.
Any scene in which people talk — and several of the ones in which robots talk too. Just as the action and visual effects are beefed up for the sequel the bad jokes and cringe-worthy dialogue are as well. Highlights include two dogs humping John Turturro in a thong a robot humping Megan Fox’s leg a sequence involving Sam’s stoned mom and a glimpse of a very large pair of testicles on one very large Decepticon. The latter will likely go down as the “nipples-on-the-Batsuit” moment for the Transformers franchise.
The show-stopping climax set in the Egyptian desert is one extended riotous battle royale packed with so much robot-on-robot action you’ll feel overwhelmed at times.
NETFLIX OR MULTIPLEX?
This big-budget spectacle begs to be seen at the multiplex — IMAX if possible. Just bring a pair of earplugs for the dialogue sequences. You might want to bring some Dramamine as well as Mr. Bay went a little overboard with his trademark circling-camera sequences this time around.
Adapted from John Boyne’s award winning novel Pajamas presents a different view of the Holocaust told as a fable primarily through the eyes of an 8-year-old German boy Bruno (Asa Butterfield) whose father a Nazi officer (David Thewlis) is transferred from Berlin to a desolate outpost. Bruno finds nothing much to do and no new friends to play with. His older sister Gretel (Amber Beattie) pretty much ignores him preferring to spend time playing with dolls or talking to Lieutenant Kolter (Rupert Friend) an eerie young man working for her father. What the father knows and doesn’t tell his family is that his new assignment is running a concentration camp. Despite the warnings from his mother (Vera Farmiga) to stay away from the huge backyard Bruno heads to a “farm” he sees in the clearing where he meets and befriends a Jewish boy Shmuel (Jack Scanlon) on the opposite side of a barbed wire fence. As the frequency of his visits with this boy in the striped pajamas increases Bruno learns more about intolerance in the world and the fences that divide them. As his “education” continues the story takes a surprising turn. Although the film has typically fine performances from an impressive roster of actors -- including Thewlis Farmiga and Friend as well as veteran Richard Johnson as Grandpa -- it’s the remarkable young stars who make the most vivid impression. Butterfield is especially impressive showing the emerging curiosity of a young child caught up in a new environment and circumstances he can’t quite grasp. His outgoing friendly nature and his discovery of a human connection despite the barrier of a barbed wire fence is well-played and carries the entire film. This is perhaps the first time the tragedy of the Holocaust has been portrayed in such a manner and it’s all on Butterfield’s able shoulders. Equally fine is Scanlon playing the title role with haunting sunken eyes but who like Bruno shows us a better way through an uncorrupted innocent perspective. Their scenes together are touching and quietly intense and both are easily up to the task. Smartly adapted for the screen by director Mark Herman this delicate fable about the effects of hatred senseless violence and unimaginable prejudice as filtered through the eyes of children has become far more dramatic and complex in its trip to the big screen. The novel is essentially FOR children an attempt to show the Holocaust in terms they could more easily understand. The film uses the children at the center of the story to express a more universal and tragic view of war and the Holocaust. Herman has still captured the surreal fable at the heart of Boyne’s book but it’s pointedly real and effective in its devastating impact when seen on film. Shot on location in Budapest Herman expertly captures the lone note of youthful hope and power of friendship embodied in his two remarkable young leads who seem immune to the reality of death and hate surrounds them. This is a daringly different and gut-wrenching movie that stays with you long after the theatre lights have gone up.
Maybe you’re concerned Snakes on a Plane isn’t going to live up to the hype. Stop worrying. Those fanatic Internet bloggers who’ve been raving about the movie just from the snippets they’ve seen pegged the movie to a tee. SoaP is everything its cracked up to be and more a monster movie and disaster flick rolled into one. Granted the plot is wafer thin: FBI Agent Neville Flynn (Jackson) has to transport a key witness Sean (Nathan Phillips) from Hawaii to L.A. so he can testify against a nasty mob boss who in turn hatches such a diabolical plan to dispose of the witness that even James Bond would be impressed. That’s right. Said nasty mob boss arranges the release of several varieties of poisonous snakes on the flight so either a) Sean will get bitten and die and/or b) the plane crashes. End of story. How can you go wrong with that? Jackson is one smart cookie. He heard the title of this movie and said yes immediately--despite the objections of his agents--recognizing the brilliance of a title so obvious it's foolproof. “My agents have finally figured out that I’m going to do what I want ” the actor told Entertainment Weekly. “Every now and then I want to do a movie that isn’t ‘stretching my abilities.’ It’s that simple.” All we have to do to be satisfied is watch Jackson scream a few cuss words lay down the law with the freaked passengers say lines like “Well that’s good news. Snakes on crack ” and kick some serious serpent booty. There’s a bunch of unknown actors also onboard to serve mostly as snake food but a few do survive including former ER nurse Julianna Margulies who does a nice turn as the head flight attendant sparring with the snakes and getting a little cozy with Jackson. In the words of Indiana Jones “Snakes. Why does it have to be snakes?” There’s a distinct phobia in the air whenever you mention those particular reptiles so that’s why the “monster” part of SoaP is even more horrifying--and changing the rating from PG-13 to R makes a world of difference. I mean um OUCH. That’s basically what I was mumbling through the harrowing parts watching through splayed fingers. Director David R. Ellis even goes as far as to give you a snake’s perspective as it zeroes in on its next victim. Shiver. Yes the premise is ridiculous. Yes you have to sit through some silly exposition before the snakes show up and will be able to pick out the ones who’ll make it through till the end. But honestly if you love a good disaster-y thrill ride and don’t mind snakes SoaP is the last summer movie you should see.