Although most Holocaust-themed works present the Jews as victims this true story shows there were small bands who did manage to fight back no matter how difficult the challenge. Starting near the beginning of World War II the film focuses on three Jewish brothers who lead a small but effective resistance against the surging Nazi presence in the forests of Belarussia. Eldest brother Tuvia Bielski (Daniel Craig) returns home to find most of his family murdered. His only surviving siblings are his wild quick-tempered brother Zus (Liev Schreiber) prone to shoot first and ask questions later and his youngest brother Asael (Jamie Bell) whose gentle nature allows to him to act as a buffer between his two older siblings. Crux of the film is the conflict between Zus’ quest for revenge at any cost and Tuvia’s more measured desire to save lives. As they round up more and more Jewish outcasts the Bielskis form a community deep in the woods. But soon Tuvia must rise to the occasion and lead the 1 200 strong group deeper into hiding in order to survive the winter and the lurking Nazi threat. Daniel Craig gets back to his acting roots after two high-profile outings as 007. He’s strong resilient and complex as a man with a criminal past whose mettle is tested when he chooses to become an advocate for life over the prospect of turning into a killing machine. Schreiber is superb as well as the toughest of the brothers -- at least on the outside. His primal urge to survive at all costs by using whatever preemptive force is necessary is apparent throughout his well-detailed portrayal. And finally Bell who more than holds his own as the most innocent of the bunch and the one with the most to learn. Alexa Davalos Iben Hjejle and Mia Wasikowska add needed warmth and emotion as the three very different women or “forest wives ” with whom the brothers romantically bond during their years in hiding. Stand out in the enormous meticulously chosen cast is Mark Feuerstein as an intellectual and Viktor Panchenko as Isyyanov the leader of the People’s Army. Edward Zwick is known for intelligent historically based films like Glory The Last Samurai and Blood Diamond. Defiance follows suit shot on a rather large scale with lots of impressive action sequences buffering an intimate story. Zwick’s co-writer Clayton Frohman stumbled upon the Bielskis’ story while reading a newspaper obituary on one of them. Armed with exhaustive research and an unerring eye for authenticity the director does not present any of these characters as saints. They were flawed conflicted human beings caught up in a extraordinary situation which only highlights their indomitable determination and fortitude to walk out of that forest alive. James Newton Howard’s brilliant score with haunting violin solos from Joshua Bell deserve special mention among the talented artists who made Defiance come to life. This is a must-see movie and another towering cinematic achievement for Zwick his best since Glory.
Charlie (Michael Douglas) has been a mess for quite a while. A jazz musician who has battled schizophrenia and manic depression for years has spent the last couple living in a mental hospital. His 16-year-old daughter Miranda (Evan Rachel Wood) has been living on her own in the family home (mom is long gone) having quit school and gone to work at McDonald’s to make ends meet. When Charlie is released and comes home the pair begins to tentatively rebuild their relationship. The good news is that Charlie is taking his meds and handling the real world reasonably well; the bad is that he’s developed an obsession with a legendary cache of Spanish gold doubloons reportedly buried near their dusty California home. When Charlie begins to convince Miranda that he really isn’t crazy--at least when it comes to the treasure--together they begin a Don Quixote-like journey that cements their fractured relationship back together. Forget Michael Douglas as Gordon Gekko the ultra-smooth Wall Street guy or as dashing Jack Colton of Romancing the Stone fame. These days Douglas now 62 has said he needs a really good reason to leave his family so this role where he can play a scraggly bearded wild-eyed edge-of-nuts guy is just the ticket. Douglas gives one of his best performances ever as Charlie striking just the right balance of intellect insanity and inherent love for his no-longer-little girl. Plus the man whose on-screen persona has often been all about male vanity is anything but that in King of California. He’s a scrawny whippet of a guy rather than a hunky leading man and it’s a transformation that just may get him another Academy Award nomination. Meanwhile 20-year-old Evan Rachel Wood proves that she really is an acting force to be reckoned with giving a gently nuanced performance as a girl who has had to grow up way too soon yet still completely loves the father who has struggled to care for her as he struggles with his personal demons. First-time writer/director Mike Cahill has done a first-rate job of bringing this quirky funny and slightly poignant story to the screen. Perhaps the reason he’s been so successful is in the company he keeps. A film-school friend of Oscar-winner Alexander Payne (Sideways About Schmidt) Cahill enlisted his producing help for his film along with Payne’s Sideways partner Michael London. King of California bears Cahill’s own stamp however--a combination of terrific visuals that often make wry satiric statements deftly melded with an assortment of memorable characters and situations. Perhaps his biggest strength is in the casting of the film in his choice of the two talented actors who bring a believability and sense of real family ties to their roles. With King of California Cahill begins what looks to be a long and beautiful friendship with moviegoers who love to be transported to interesting and funny places.