Funnyman David Spade celebrated his 50th birthday with a star-studded bash at the Sunset Tower Hotel in Los Angeles this week (beg21Jul14). The comedian turned 50 on Tuesday (22Jul14) and was joined at the gathering that evening by Chris Rock, Judd Apatow, Sarah Silverman and Steve Martin, according to E! Online.
Spade was surprised with a special birthday video filled with messages from his celebrity pals, including Sir Elton John, Jennifer Aniston, Brad Pitt, Courteney Cox, Rob Lowe, Sean Penn, Adam Sandler and his co-stars from TV shows Just Shoot Me! and Rules of Engagement.
A source source tells E! Online, "Most people did funny comedy bits or jokes, but some were also sincere and heartfelt."
Enrique Iglesias and Romeo Santos dominated the Univision Network's Premios Juventud Awards in Miami, Florida on Thursday night (17Jul14), winning five trophies each. The Hero hitmaker scooped awards including best Pop/Rock Artist and several music prizes for El Perdedor, his track with Marco Antonio Solis, while Santos scooped the Favorite Video prize for Propuesta Indecente among others.
Iglesias also took home the special Supernova prize for his career achievements.
Marc Anthony was honoured for his Vivir Mi Vida Tour, while other winners included Bruno Mars (Favorite Hitmaker) and Pitbull (Urban Artist).
Performers included Iglesias, Jenni Rivera's daughter Chiquis, and Latin star Wisin, who took to the stage with holograms of Ricky Martin and Jennifer Lopez at the BankUnited Center venue.
Rihanna has recruited fellow hitmaker Emeli Sande to create songs for her next album. The Next To Me singer revealed she is developing new tunes for Rihanna on the red carpet at the Ivor Novello Awards in London on Thursday (22May14).
The project will coincide with Rihanna's latest movie, the animated Home. Sande said, "I've been writing for Rihanna's new movie, which has been incredible." Rihanna is reportedly developing a concept album based on the 3D film, which also features the voices of Jennifer Lopez and Steve Martin.
Justin Timberlake, Imagine Dragons Robin Thicke and Jennifer Lopez were among the big winners at the 2014 Billboard Music Awards on Sunday (18May14), each taking home top honours. The SexyBack hitmaker, who is currently on his world tour, emerged victorious in a total of seven categories, including Top Artist, Top Male Artist and Top Radio Songs Artist, while he also claimed the title for Top Billboard 200 Album for The 20/20 Experience.
Imagine Dragons and Robin Thicke were also multiple winners on the night, while Lorde had double the reason to celebrate as she was named Top New Artist and her hit Royals earned her the Top Rock Song prize. It was also a big night for Jennifer Lopez, who opened the Las Vegas ceremony by joining Pitbull and Claudia Leitte to perform their official 2014 FIFA World Cup soccer anthem, We Are One (Ole Ola).
She returned to the stage almost three hours later to close the show with her new song First Love as she was feted with the Icon Award by pal Ricky Martin and rapper Iggy Azalea, while video tributes from the likes of Taylor Swift, Keith Urban, Cameron Diaz, Britney Spears, Rihanna and Mary J. Blige were shown on a big screen. She grew emotional as she gave thanks to her friends, family and key colleagues and she wrapped up her acceptance speech by addressing all the youngsters watching the awards on TV, telling them, "Have faith, think big, dream big and know that anything is possible. You never know where you might end up. Thank you, I love you."
Other show highlights included Ricky Martin's energetic Vida and Lorde's first TV rendition of her new single Tennis Court. There was also a pre-taped Birthday surprise from Katy Perry, who recorded a segment from her recent gig in Newcastle, England, where she plucked a real birthday girl from the audience and serenaded her onstage, for the awards show, while footage from Miley Cyrus' concert in Manchester, England last week (14May14), when she sang a cover of the Beatles' Lucy in the Sky with Diamonds with the Flaming Lips' Wayne Coyne and Steven Drozd, also aired.
The main list of winners at the 2014 Billboard Music Awards, presented by rapper Ludacris, is as follows:
Top Artist - Justin Timberlake
Top New Artist - Lorde
Top Male Artist - Justin Timberlake
Top Female Artist - Katy Perry
Top Duo/Group - Imagine Dragons
Top Touring Artist - Bon Jovi
Top Billboard 200 Artist - Justin Timberlake
Top Billboard 200 Album - Justin Timberlake, The 20/20 Experience
Top Hot 100 Artist - Imagine Dragons
Top Hot 100 Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top Radio Songs Artist - Justin Timberlake
Top Radio Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top Digital Songs Artist - Katy Perry
Top Digital Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top Social Artist - Justin Bieber
Top Streaming Artist - Miley Cyrus
Top Streaming Song (Audio) - Imagine Dragons, Radioactive
Top Streaming Song (Video) - Miley Cyrus, Wrecking Ball
Top Christian Artist - Chris Tomlin
Top Christian Song - Matthew West, Hello, My Name Is
Top Christian Album - Alan Jackson, Precious Memories Volume II
Top Country Artist - Luke Bryan
Top Country Song - Florida Georgia Line featuring Nelly, Cruise
Top Country Album - Luke Bryan, Crash My Party
Top Dance/Electronic Album - Daft Punk, Random Access Memories
Top Latin Artist - Marc Anthony
Top Latin Song - Marc Anthony, Vivir Mi Vida
Top Latin Album - Marc Anthony, 3.0
Top R&B Artist - Justin Timberlake
Top R&B Song - Robin Thicke featuring T.I. and Pharrell Williams, Blurred Lines
Top R&B Album - Justin Timberlake, The 20/20 Experience
Top Rap Artist - Eminem
Top Rap Song - Macklemore & Ryan Lewis featuring Ray Dalton, Can't Hold Us
Top Rap Album - Eminem, The Marshall Mathers LP 2
Top Rock Artist - Imagine Dragons
Top Rock Song - Lorde, Royals
Top Rock Album - Imagine Dragons,
Night Visions Milestone Award - Carrie Underwood
Icon Award - Jennifer Lopez.
Rapper/actor Ludacris has signed on to host the Billboard Music Awards on Sunday (18May14). The Get Back hitmaker will be taking a break from filming the seventh Fast & Furious movie to take charge of the ceremony at the MGM Grand Garden Arena in Las Vegas.
Meanwhile, Shakira has been added to the list of performers, which also includes Miley Cyrus, Pitbull, Ariana Grande, Florida Georgia Line, Iggy Azalea, Imagine Dragons, Jason Derulo, John Legend, Lorde, Luke Bryan, Miranda Lambert and Carrie Underwood, OneRepublic, Ricky Martin and Jennifer Lopez, who will be honoured with the night's Icon Award.
Warner Bros. Pictures via Everett Collection
With only a week and change having passed since the release of The Amazing Spider-Man 2, we no doubt feel the question living fresh in our minds: can we ever judge a remake without considering its predecessors? The conversation about the stark contrast in critical favor between Marc Webb's release and Sam Raimi's trilogy (the second installment of his franchise in particular) buzzed loudly, and we imagine the volume will keep in regards to Gareth Edwards' Godzilla. But it'll be a different sound altogether.
The original Godzilla, a Japanese film released in 1954, reinvented the identity of the monster movie, launched a 30-film legacy, and spoke legions about the political climate of its era. The most recent of these films — Roland Emmerich's 1998 American production — is universally bemoaned as a bigger disaster than anything to befall Tokyo at the hands of the giant reptile. With these two entries likely standing out as the most prominent in the minds of contemporary audiences, Edwards' Godzilla has some long shadows cast before it. And in approaching the new movie, one might not be able to avoid comparisons to either. It's fair — by taking on an existing property, a filmmaker knowingly takes on the connotations of that property. But the 2014 installment's great success is that it isn't much like any Godzilla movie we've seen before. In a great, great way.
This isn't 1954's Godzilla, a dire and occasionally dreary allegory that uses the supernatural to tell an important story about nuclear holocaust. A complete reversal, in fact, first and foremost Edwards' Godzilla is about its monsters. Any grand themes strewn throughout — the perseverence of nature, the follies of mankind, fatherhood, madness, faith — are all in service to the very simple mission to give us some cool, weighty, articulate sci-fi disaster. Elements of gravity are plotted all over the film's surface, with scientists, military men (kudos to Edwards for not going the typical "scientists = good/smart, military = bad/dumb" route in this film — everybody here is at least open to suggestion), doctors, police officers, and a compassionate bus driver all wrestling with options in the face of behemoth danger. The humanity is everpresent, but never especially intrusive. To reiterate, this isn't a film about any of these people, or what they do.
Warner Bros. Pictures via Everett Collection
The closest thing to a helping of thematic (or human) significance comes with Ken Watanabe's Dr. Serizawa, who spouts awe-stricken maxims about cryptozoology, the Earth, and the inevitable powerlessness of man. He might not be supplying anything more substantial than our central heroes (soft-hearted soldier Aaron Taylor-Johnson, dutiful medic and mom Elizabeth Olsen, right-all-along conspiracy theorist Bryan Cranston), but Watanabe's bonkers performance as the harried scientist is so bizarrely good that you might actually believe, for a scene or two, that it all does mean something.
Ultimately, the beauty of our latest taste of Godzilla lies not in the commitment to a message that made the original so important nor in the commitment to levity that made Emmerich's so pointless, but in its commitment to imagination. Edwards' creature design is dazzling, his deus ex machina are riveting, and the ultimate payoff to which he treats his audience is the sort of gangbusters crowd-pleaser that your average contemporary monster movie is too afraid to consider.
In fairness, this year's Godzilla might not be considered an adequate remake, not quite reciprocating the ideals, tone, or importance of the original. Sure, anyone looking for a 2014 answer to 1954's game-changing paragon will find sincere philosophy traded for pulsing adventure... but they'd have a hard time ignoring the emphatic charm of this new lens for the 60-year-old lizard, both a highly original composition and a tribute in its way to the very history of monster movies (a history that owes so much to the creature in question). So does Godzilla '14 successfully fill the shoes of Godzilla '54? No — it rips them apart and dons a totally new pair... though it still has a lot of nice things to say about the first kicks.
Oh, and the '98 Godzilla? Yeah, it's better than that.
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Bosses at U.S. network Fox have brought down the axe on several new shows, including Dads, Enlisted and Surviving Jack. The cull came on Wednesday (07May14) when it was confirmed none of the programmes will get a second season.
Seth MacFarlane's Dads had been much maligned by viewers and critics alike following its debut last September (13), while Surviving Jack, starring Christopher Meloni as a no-nonsense dad, also failed to prove a hit. Enlisted, about three soldier brothers posted at the same base, received critical acclaim when it aired in January (14) but failed to register impressive viewing figures.
Creator Kevin Biegel took to Twitter.com to break the news to fans, writing, "Well guys, we fought as hard as we could - all of us - but #Enlisted isn't going forward at Fox. Thank you from all of us for your support."
Miley Cyrus is back with a bang after a miserable month of ill health forced her to scrap a string of North American tour dates - she has revealed she'll be performing at the 2014 Billboard Music Awards in Las Vegas via satellite on 18 May (14).
The pop star was hospitalised for 10 days after suffering an allergic reaction to medication she was taking for a sinus infection, but she's set to pick up her Bangerz world tour in London on Tuesday night (06May14), and she's celebrating her good health by announcing she'll be a part of the Billboard awards, alongside Ricky Martin, John Legend, Florida Georgia Line, Pitbull and Jennifer Lopez, who will be feted with the night's Icon Award.
The Wrecking Ball singer, who is a finalist in eight categories, will perform remotely from a tour stop in England between scheduled dates in Birmingham and Belfast, Northern Ireland.
Columbia Pictures via Everett Collection
As grand as the themes of good and evil, needs and deservings, power and responsibility and such forth are, superhero movies are generally pretty straightforward in premise: hero stops villain from wreaking havoc. As off-putting as this kind of simplicity might sound, it's usually the right way to go. If you pack enough substance into your characters and adhere your plot to these linear margins, you can actually wind up saying a healthy amount (and having a lot of fun). The Amazing Spider-Man 2 gets half of this formula down pat. Although Andrew Garfield's Peter Parker is still a moreover undistinguished identity, his emotional magnitude (re: his relationship with Gwen Stacy) is enough to keep him valid through the storm of lunacy that is his second feature. And it's not even that lunacy that holds him back. The problem isn't how wild his conquests are, how silly some of the action sequences feel, or how absolutely bonkers his villains turn out to be. It's all the other stuff (and yes, if you can believe it, there's a ton more going on in this movie than what I've already mentioned — that's the issue). All the plot twists, tertiary mysteries, ominous flashbacks, abject reveals, and weightlessly sinister pawns in this brooding game that, save for its fun with the baddies, takes itself way too seriously. All that stuff that The Amazing Spider-Man 2 thinks is necessary to make Peter Parker matter? It actually does just the opposite.
Peter is at his best when he's playing Tracy and Hepburn with the girlfriend he's perpetually disappointing (the eternally charming Emma Stone), or trying to win back the favor of the only remaining parental figure from whom he's rapidly slipping away (Sally Field, reminding us why she's a household name), or angling to connect with the mentally unstable engineer who just wants people to notice him (Jamie Foxx working his comic shtick with a frightening zest). We have the most fun with Peter when he's playing the simplest games, and we connect best with him on similar ground. But Peter and company, at the behest of The Amazing Spider-Man franchise's Sandman-sized aspirations, spend so much time exploring new avenues: the secrets surrounding the death and work of Richard Parker, the behind-the-curtains operations of OsCorp, the nefarious goings on in the waterside penitentiary Ravencroft.
Columbia Pictures via Everett Collection
As a result of the grand stab at world building, there is just so much stuff that Peter has to wade through in this movie, dragging the likes of Gwen and his boyhood friend Harry Osborn (Dane DeHaan, mastering angst, menace, and upper-class privilege all at once) into the dark crevasses of narrative waste. With so many diversions into the emotionally vacant, deliberately joyless explorations of Parker family origin stories, secret brief cases, and underground subways — The Amazing Spider-Man 2 rivals Captain America: The Winter Soldier in complexity, but forgets the necessary ingredient of fun — we barely have enough energy left when the good stuff hits.
And in truth, the good stuff isn't really good enough to sustain us through all the duller periods. Garfield and Stone do have laudable chemistry. Foxx is a hoot as Peter's maniacal new foe, especially when paired with the grimacing DeHaan. And the action, while often straying from any aesthetic authenticity, is nothing shy of neat-o. It's all passable, occasionally worthy of a hearty smile, but rarely anything you'll be definitively pleased you took the time to see.
But beyond coming up short in the micro, the film's regal downfall is its scope. With so much to do, both in accomplishing its own necessary plot points and setting up for those to come in future films, The Amazing Spider-Man 2 doesn't seem to take time to make sure it's having fun with its own premise. And if it isn't having fun, we won't be either.
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Music superstar Rihanna has been tapped to voice the role of the first black lead character in an upcoming 3D animated film from movie studio Dreamworks, titled Home. The Umbrella hitmaker will plays Tip, a teenage tomboy who befriends and helps a group of aliens.
Based on author Adam Rex's 2007 children's book The True Meaning of Smekday, the comedy centres on an overly-confident alien race, called Boov, which takes over the earth, and attempts to efficiently reorganise the planet. Rihanna joins The Big Bang Theory star Jim Parsons, Jennifer Lopez, and Steve Martin, who will also voice characters in the film. She will also help curate an album featuring original songs for the soundtrack.
Home is set to hit U.S. cinemas in November (14).