The actor passed away at his home in Everdingen in the Netherlands on 3 January (12). Details of his death have only just emerged.
Martinez left Mexico for Los Angeles after making his breakthrough in the 1967 movie Pedro Paramo, and went on to work in film, TV and onstage for more than 30 years.
He starred in a number of Western TV shows, including Gunsmoke and Bonanza, and also appeared on Dynasty, L.A. Law and Ironside.
Martinez also appeared onstage with Christopher Reeve in Tennessee Williams' Summer and Smoke in 1988, as well as in the James Bond thriller Die Another Day in 2002.
The star is best remembered for his part in Sydney Pollack's Jeremiah Johnson and for playing the title role in Ulzana's Raid.
WHAT IT’S ABOUT?
Half-brothers Beto and Tato Verdusco live at home with mom work as fruit pickers and play for the local Mexican soccer team. Beto juggles a wife two kids and a gambling habit while Tato dreams of a singing career. One day fate intervenes when a soccer talent scout gives Tato the opportunity to try out for a big Mexico City team. Eventually Beto gets his own opportunity to play in the second division and the brothers’ new success and lifestyle will have significant changes and challenges for both guys as the contrast of sibling rivalry and brotherly bonds send them into an uncertain future.
WHO’S IN IT?
After first gaining worldwide attention in the 2001 sleeper hit from Mexico Y Tu Mama Tambien Diego Luna and Gael Garcia Bernal have each gone on to significant individual success and are now delightfully re-teamed in a film written and directed by Y Tu writer Carlos Cuaron who certainly knows how to get the best from his stars. As Beto Luna presents a three-dimensional portrait of a guy whose flaws threaten his future while Bernal is fun as Tato a goodhearted and friendly soul with misguided dreams of a musical career. The nature of the scripting finds each actor on screen alone much of the time but together or apart the teaming works just like it did the first time. Standout in the supporting cast is Guillermo Francella as Batuta the talent scout who sets the story in motion. He’s superb. Dolores Heredia as the mother and Adriana Paz as Beto’s wife ably round out the featured female roles.
While Rudo y Cursi never seems to take itself too seriously it’s not a mindless exercise concocted simply to get Luna and Bernal back together. There’s real heft in the underlying theme of the cryptic nature of real brotherhood and the film makes some surprising conclusions that add gravitas to Cuaron’s engaging screenplay.
Luna and Bernal are such an attractive team it’s a shame that the storyline separates them for a good portion of the picture. The separation may be necessary for the narrative but the scenes when they are on screen together are the ones that really crackle.
WORST CANDIDATE FOR MEXICAN IDOL?
Bernal gets his chance to sing a wretched Spanish version of “I Want You to Want Me” in a dopey video as his misguided character Tato proves sports talent doesn’t necessarily equal musical ability. It’s the movie’s most amusing scene.
NETFLIX MULTIPLEX OR TELEMUNDO?
Beyond obviously the Spanish-language audience Rudo y Cursi may cross over into other markets providing a much needed boon for foreign-language films in America. Give it a shot at your local theater first.
Based on the best-selling book of the same name Fast Food Nation has three intertwined stories revolving around the fast food industry. Don Anderson (Greg Kinnear) is a corporate marketing guy assigned to put a positive spin on the bad news that fecal traces has been found in the meat. He goes to the meat factory to investigate and doesn’t like what he sees but no one offers him a viable solution. Then there’s Raul (Wilmer Valderrama) and Sylvia (Catalina Sandino Moreno) Mexican immigrants who cross the border illegally. The only job they can get is in the meat factory. She bears with demeaning sexual advances while he faces the unhealthy and dangerous conditions to try for the American Dream. Finally we meet Amber (Ashley Johnson) who works in a local franchise. She’s just a high school girl trying to pay for her car insurance. This isn’t her future but it dominates her present. The corporate story is a comedy about ineffective management and media spin. The immigrants’ story is a hard drama about a bad life. Amber’s story straddles both lines--a slacker teen comedy but also introspective about what the job is doing to her soul. It may be no secret these days but it’s still fascinating. There is plenty of juicy dialogue for actors to sink their teeth into (pun intended). Kinnear plays the corporate suit as lovably as possible. He’s the put-upon business cog similar to his characters in The Matador and Little Miss Sunshine but funnier because it’s the system that’s futile not his own dreams. Valderrama has a smaller part just supporting his wife going through a horrible life with noble determination. Moreno is as heartbreaking as she was in her Oscar-nominated performance in Maria Full of Grace. You sense so much potential in her and she’s stuck in the factory demeaned by sexual harassment and unable to save her sister from succumbing to it. She adds new colors of despair to the immigrant experience. Johnson is careful not to make her character too wise beyond her years. She really is just a normal kid. High school sucks so do counter jobs. It’s not about being unique just relatable. Cameos stand out too. Ethan Hawke plays the coolest uncle ever. He comes to town for two scenes spouts off his cool-uncle advice and then leaves. Even though he’s a self-confessed loser he’s convincing. And he buys her beer. Bruce Willis gives a speech on the meat industry with his David Addison smirk while chomping into a burger. We’re sold. Director Richard Linklater does a good job keeping the comedy and drama balanced. He cuts back and forth between stories at sensible intervals. Towards the end Greg Kinnear disappears for a long time but Ashley Johnson’s story beefs up to compensate. Showing the inner workings of the meat factory is pretty powerful. Cow guts falling out and bodies mangled by machinery are not fun things to watch but they are important to remember. It’s all up there on the screen but not gratuitous—and doesn’t have to ruin meat forever. Just think how all foods have processes that we don’t see and still taste good. There are plenty of scenes in which the characters are talking a real Linklater specialty (Before Sunset Before Sunrise for example). Whether they’re talking about meat or minimum wage jobs or life ambitions the conversations have a catchy flow. The satire of corporate America and slacker lifestyles juxtaposed against the drama of immigrant life makes Fast Food Nation both ridiculously funny and appropriately uncomfortable.
The key ingredient to any Bond flick is the quasi-plausible globe-trotting plots where on more than one occasion you are asked to suspend your disbelief. This is particularly true for Die Another Day where reality assuredly takes a back seat--almost too much. The action starts in the demilitarized zone between North and South Korea. Bond (Pierce Brosnan) is on an undercover mission to stop a war-loving North Korean colonel--but is found out. Cut to a high-speed hovercraft chase (is there anything James can't drive?) where Bond seemingly dispatches the colonel but ends up being captured and tortured. Agent 007 gets out and soon finds himself on a quest to find the person who set him up. All points--including some rare diamonds and a tie to genetic engineering (Note: This is one of the many moments where you say "Oh come on!")--lead to millionaire Gustav Graves (Toby Stephens) and his ruthless right-hand man Zao (Rick Yune). They eventually show him firsthand an ultimate high-tech global-warming device capable of starting WWIII if used properly. But let's not forget about the Bond girls. James hooks up with Jinx (Halle Berry) a beautiful but deadly American agent and Miranda Frost (Rosamund Pike) Graves' personal assistant who is much more than just someone's flunky. It all culminates to an explosive showdown.
The dashing and good-looking Brosnan embodies the true spirit of the suave British super agent--except this time around he is finally showing a little wear and tear. Don't get me wrong Brosnan still looks great doing the stunts and wooing the women but he's getting a little long in the tooth for all this spy stuff--and it slightly detracts from the movie. Interestingly Die Another Day is one of the first times you get to see Bond tortured and beaten. It is perhaps one of the more real moments Brosnan has ever had as Bond and the 49-year-old actor handles the chores well. But it may be time for him to hang it up and move on (and the actor admits this). Berry plays the buff Jinx with relish. This Oscar-winning beauty takes your breath away from the first time you see her coming out of the water Ursula Andress-style but she manages to kick some major butt throughout the rest of the movie and loves every minute of it. Pike as Miranda Frost is another rough and tumble beauty who can spar with the best of them. It's nice to see the Bond girls getting tougher and tougher. The villains are adequately over-the-top. Stephens (who is British thesp Maggie Smith's real-life son) as Gustav Graves has a truly menacing snarl which he uses to full advantage while Yune (The Fast and the Furious) as sidekick Zao makes Goldfinger's Oddjob look like a pussycat. Judi Dench as M and John Cleese as Q always add a nice element.
Along with grandiose plots the other key factor to a good Bond movie are the action sequences. They must be fast-paced highly implausible but nevertheless spectacular. Die Another Day doesn't disappoint. Even the opening credits have a unique feel. As Bond is being tortured women dance seductively around him while Madonna belts out the theme song--it's well done. New Zealand director Lee Tamahori (Along Came a Spider) starts the film off with a pretty exciting surfing sequence (is there anything Bond can't do?) and continues the trend with the hovercraft chase scene.The best part of the movie however takes place in Graves's lair an ice palace in Iceland where Bond has to do some fancy driving on ice to escape the bad guys and rescue the damsel in distress. The entire chain of events looks amazing (save a scene with Bond parachute-surfing around--icebergs? Come on!) Day also pays homage to several early Bond films including Dr. No Goldfinger and Diamonds Are Forever. It's the lag time between the action where the film falters. There is far too much pontificating in this Bond film. Better to just keep to the business at hand. Only the last action sequence seems too far off-base from reality even for a Bond movie. I say that intellectually but it still keeps you on the edge of your seat watching. You can't help it.