The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
Based on the iconic 1960s television series created by Mel Brooks and Buck Henry the new 2008 big-screen incarnation of the show smartly goes its own way faithful in spirit but charting a new course for Maxwell Smart and company. With Steve Carell in the lead this Max is a likeable reliable paper-pushing analyst for spy agency CONTROL who dreams of one day of becoming a top agent out in the field himself. When CONTROL headquarters is attacked and nearly all the other agents identities are compromised he gets his chance. The Chief (Alan Arkin) has no choice but to bench his number one Agent 23 (Dwayne Johnson) in favor of Max now Agent 86. Max teams up with Agent 99 (Anne Hathaway)--a far more competent and experienced agent--in order to thwart the terrorist plans of KAOS lead by Siegfried (Terence Stamp) and his right-hand man Shtarker (Ken Davitian). This Get Smart is a full-out action-comedy with the emphasis on action. The actors make all the derring-do and wild on-screen antics totally believable.
There is no question that Don Adams and Maxwell Smart are interchangeable. It’s almost impossible to imagine another actor in the role which is why Steve Carell has made all the right choices choosing to take his Max in a different direction. This is no imitation at all but a fully fleshed out bumbling guy with dreams of his own. Carell is very funny trying to deal with gadgets out of his er control--using code language getting his signals mixed up and trying to be a decent partner for the much smarter 99. Hathaway gets to act tough for the first time in her career and makes this 99 a bright woman who is obviously light years ahead of all her male colleagues. Both stars skillfully handle the considerable physical humor required here. After scoring in his surprise family hit The Game Plan Dwayne Johnson continues to show his comic timing as the superstar agent who is grounded against his will. Stamp and Borat’s sidekick Davitian are amusing caricatures but stuck with rather one-dimensional over-the-top villain roles. Arkin is perfectly cast as the beleaguered Chief while James Caan as the U.S. President has little to do but does it well. Bill Murray’s cameo in a tree trunk just lays there. Director Peter Segal’s experience working with comedians like Adam Sandler and Eddie Murphy clearly pays off here as he guides Steve Carell to one of his best screen performances against daunting odds. People always have built-in expectations for pre-sold properties like a Get Smart but Segal wisely uses the source material to make it work for two kinds of audiences: those who loved the TV series and those who have never heard of it. Key to the success of this adaptation is taking the characters and placing them in big action set pieces. What was an amusing weekly sitcom is now suddenly competing favorably with summer blockbusters delivering stunt-filled sequence after stunt-filled sequence. In fact there is almost too much action but fortunately Carell and company know how to bring it down to earth at just the right moments. The screenplay by Tom J. Astle and Matt Ember catches the flavor of the old TV series retaining much of what we loved--including Smart’s famous catch-phrases (“Missed it by THAT much!)--but craftily updating it for today’s more sophisticated movie-goers. They got the blessing of the show’s famous creators Mel Brooks and Buck Henry who served as consultants. That can only be a good thing.