January 21, 2009 6:32pm EST
When award season rolls around there’s only one show that no one in Hollywood wants to be a part of ... the Annual Razzie Awards. The only competition honoring the best of the worst in film.
Even the biggest stars can’t dodge the occasional stinker and this year Mike Myers’ was no different. His summer flop The Love Guru received seven nominations, including worst picture, worst actor and worst screenplay for Myers. Ouch!
Myers shouldn’t feel too bad, Paris Hilton didn’t fair much better with nods for worst actress and worst screen couple for Hottie and the Nottie and worst supporting actress for Repo! The Genetic Opera.
Hilton’s Hottie and the Nottie will also compete for worst pic alongside The Love Guru, The Happening, In the Name of the King: A Dungeon Siege Tale and spoof flicks Disaster Movie and Meet the Spartans.
The 29th Annual Razzies, determined by the 687 members of the Golden Raspberry Award Foundation, will be announced Feb. 21, the morning before the Academy Awards.
And the nominees are:
Disaster Movie and Meet The Spartans
The Hottie and The Nottie In The Name of The King: A Dungeon Siege Tale
The Love Guru
Larry the Cable Guy, Witless Protection
Eddie Murphy, Meet Dave
Mike Myers, The Love Guru
Al Pacino, 88 Minutes and Righteous Kill
Mark Wahlberg, The Happening and Max Payne
Jessica Alba, The Eye and The Love Guru
Cameron Diaz, What Happens in Vegas
Paris Hilton, The Hottie and the Nottie
Kate Hudson, Fool's Gold and My Best Friend's Girl
The entire cast of The Women (Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith and Meg Ryan)
Uwe Boll, 1968 Tunnel Rats, In the Name of the King: A Dungeon Siege Tale and Postal
Jason Friedberg, Aaron Seltzer for Disaster Movie and Meet the Spartans
Tom Putnam, The Hottie and the Nottie
Marco Schnabel, The Love Guru
M. Night Shyamalan, The Happening
Worst Supporting Actor
Uwe Boll (as himself), Postal
Pierce Brosnan, Mamma Mia!
Ben Kingsley, The Love Guru, War, Inc. and The Wackness
Burt Reynolds, Deal and In the Name of the King: A Dungeon Siege Tale
Verne Troyer, The Love Guru and Postal
Worst Supporting Actress
Carmen Electra, Disaster Movie and Meet the Spartans
Paris Hilton, Repo! The Genetic Opera
Kim Kardashian, Disaster Movie
Jenny McCarthy, Witless Protection
Leelee Sobieski, 88 Minutes and In the Name of the King: A Dungeon Siege Tale
Disaster Movie and Meet the Spartans (jointly) - written by Jason Friedberg & Aaron Seltzer
The Happening - written by M. Night Shyamalan
The Hottie and the Nottie - written by Heidi Ferrer
In the Name of the King: A Dungeon Siege Tale - screenplay by Doug Taylor
The Love Guru - written by Mike Myers & Graham Gordy
Worst Screen Couple
Uwe Boll & any actor, camera or screenplay, 1968 Tunnel Rats, In the Name of the King: A Dungeon Siege Tale and Postal
Cameron Diaz & Ashton Kutcher, What Happens in Vegas
Paris Hilton & either Christine Lakin or Joel David Moore, The Hottie and the Nottie
Larry the Cable Guy & Jenny McCarthy, Witless Protection
Eddie Murphy & Eddie Murphy, Meet Dave
Worst Rip-Off, Prequel or Remake
The Day the Earth Stood Still
Disaster Movie and Meet The Spartans (jointly)
Indiana Jones and the Kingdom of the Crystal Skull
Star Wars: The Clone Wars
MORE NEWS: Next...Obama the Musical?
Playing second fiddle to a more famous sibling can be rough. Just ask Fred Claus (Vaughn) a regular guy who has had to grow up under the shadow of his little brother Nicholas Claus (Paul Giamatti) aka Santa. That’s a big shadow to say the least both figuratively and literally. As an adult Fred has pretty much steered clear of his family but when he finds himself in dire need of some fast cash he calls his brother. Pleased as punch to hear from him Nicholas nonetheless makes him a deal: If he comes up to the North Pole for a visit and to help out the few days before Christmas then Fred can have the money. Fred reluctantly agrees and soon he’s being whisked off in Santa’s sleigh by head elf Willie (John Michael Higgins). But once Fred gets to the North Pole nothing seems to go right and soon he is the cause of much chaos--which unbeknownst to Fred causes Nicholas even more stress since his North Pole operation is one step away from being shut down by a cold-hearted efficiency expert (Kevin Spacey). Can Fred quit being bitter in time to save his brother’s livelihood? Of course he can. Hmmm Vince Vaughn minus the R-rated Wedding Crashers/Old School irreverence? It’s a stretch. Seeing the comic actor playing it PG is a little weird but you might enjoy how Vaughn infuses his unique energy into Fred Claus. From getting all the elves to boogie down in Santa’s workshop to going on one rant after another (on his brother: “He’s a clown a megalomaniac a fame junkie!”) to pilfering money on the street and then being chased by Salvation Army Santas it’s all good. Giamatti too seems a little out of his comfort zone as the saintly St. Nick. The actor who usually plays such endearing sad sacks has already played against type to great effect this year as the maniacal bad guy in Shoot ‘Em Up but he isn't nearly as successful in doing the flipside of that in Fred Claus. And what the hell is Kevin Spacey doing in this? As the villain of the film he fills the shoes nicely but he is almost too good at it (natch) for such a feel-good family film. Even Higgins--a character actor who is usually so hilarious in films such as The Break Up and all of Christopher Guest’s movies—has to shed the cheekiness and sugar himself up for Fred Claus. There’s also Rachel Weisz as Fred’s beleaguered girlfriend (you heard right) and Kathy Bates as the Claus boys’ mother who always sees Fred as inferior to her other son to fill out a cast of big names doing family fare. Director David Dobkin is a Vince Vaughn favorite having directed him in Wedding Crashers and Clay Pigeons but like his muse Dobkin seems a little out of place guiding this material. Granted Dobkin creates a pretty magical North Pole complete with an entire city of little dwellings a Frosty Tavern and a huge domed Santa’s Workshop. The montage of Fred delivering presents on Christmas Eve—falling down chimneys stuffing cookies in his face zooming around in the sleigh—is also well done. But overall Fred Claus is a Vaughn vehicle—even as sugary sweet and family-friendly as it is--and all Dobkin really does is turn the camera on and let the man do his stuff. Dan Fogelman's script is also so very bland full of any number of holes and only picks up once Vaughn starts to improvise. Bottom line: If you’re looking to take the kids to a sweet Christmas movie and are a Vince Vaughn fan then Fred Claus is for you.
Meet Roger (Jon Heder) a beleaguered New York City meter maid who can’t even get a kid to like him in the Big Brother program he’s that much of a loser. In a desperate attempt to change Roger joins a top-secret confidence-building class taught by the suavely underhanded Dr. P. (Billy Bob Thornton). The doc guarantees that if you employ his unorthodox and often dangerous techniques you WILL unleash your inner lion. The class turns out to be just the incentive Roger needs and he takes to it like a duck to water. He even finally gets up the courage to ask out his pretty neighbor Amanda (Jacinda Barrett). But here’s the catch: Because Roger is such a star student it catapults Dr. P. into ultra-competitive mode and he makes it his mission to infiltrate and destroy Roger's life including going after Amanda. Well that’s not very fair. Can Roger use his newfound king of the jungle-ness to beat the master at his own game? Hmmm. It’s mostly because of the two leads that Scoundrels feels like you’ve been there and done that. First of all Heder best known as THE Napoleon Dynamite is playing a nerd...again. And although he’s far more lovable this time around—with the full lips and shaggy hair—and you instantly cheer him on the actor doesn’t really evolve by movie’s end. With his limited comic abilities he may not be the right choice to carry an entire film. Thornton who has been known to carry a film is just doing his same Bad Santa shtick he’s done in about the last four films he’s made. Wonder if he’ll ever go out on a limb again like he did with Sling Blade. As for the other band of misfit classmates—Walsh (Old School’s Matt Walsh) who's dying to move out of mother's basement; Diego (SNL’s Horatio Sanz) a punching bag for his hen-pecker of a wife; and Eli (Jerry Maguire’s Todd Louiso) a shy guy just looking for female companionship—they are hilarious. Barrett (The Last Kiss) too works fine as the ingénue. And there is a well-placed cameo by Ben Stiller as a former student of Dr. P who also got in his way. Based on the 1960 British film of the same title Scoundrels reunites director/writer Todd Phillips with his writing partner Scot Armstrong—the guys who brought us Old School Starsky and Hutch and Road Trip. It’s obvious these guys know comedy and they turn an uppity British laffer into a cross between Anger Management and Rushmore. Not a bad combination actually. They set up the big comedic payoffs such as the class’ painful attempt at engaging in a paint ball fight in the woods or the one-upmanship competition between Roger and Dr. P and let the chortles roll in. But overall Scoundrels seems almost too paint by the numbers and tad superficial. It could have definitely benefited from either a little more star power (as with Anger Management’s Adam Sandler and Jack Nicholson) or more off-beat humor (as between Rushmore’s Jason Schwartzman and Bill Murray). Oh well better luck next time.
Three Burials is languid simplicity at its best. The story starts off as a murder mystery of sorts when a Mexican man Melquiades Estrada is found shot dead outside a dusty Texas town near the U.S./Mexican border. Without any family he’s written off and unceremoniously buried in a shallow grave. This is not at all satisfactory for Pete Perkins (Jones) a local ranch foreman and Melquiades’ only friend. Pete decides to investigate his friend’s murder on his own and finds out the culprit is a young hot-headed border patrolman named Mike Norton (Barry Pepper). He kidnaps Mike and forces him to disinter the body. With his captive in tow and the body tied to a mule Pete then undertakes a dangerous and romantic journey into Mexico to give Melquiades a proper burial. The older he gets the more Tommy Lee Jones excels at portraying a man of few words. Maybe its because his face--filled with years of deep lines and crevices--can explain everything just by staring off into the distance or by coldly glaring at an enemy. As Pete (for which Jones won best actor prize at the Cannes Film Festival) the actor hands us a lonely cowboy who finds a friendship with an unlikely amigo (played by Julio Cedillo). These two don’t head towards Brokeback Mountain territory but the bond is there. And when Melquiades is killed it sends Pete into a spiral of pain revenge and eventual self-discovery. As Pete’s captive Pepper (25th Hour) turns in an amazing performance as the bewildered border patrolman who goes on his own journey towards redemption. And on the sidelines is January Jones (American Wedding) as Mike’s wife and Melissa Leo (21 Grams) as Pete’s sometimes girlfriend who give boredom a whole new outlook and aptly show just how stuck a beautiful woman can be in such a nowhere town. It’s clear Three Burials is indeed very close to Jones’ heart. Shot almost entirely on his sprawling West Texas ranch Jones’ directorial debut was apparently born out of years of deer-hunting trips he took with Three Burials’ screenwriter Guillermo Arriaga (who also wrote the happy little film 21 Grams). “You don’t have to spend much time along the Rio Grande before you realize that [Arriaga’s] country and mine and the same ” Jones told Entertainment Weekly. Jones paints a vivid picture of this land--and the people--he obviously loves dearly while also depicting the racial and political tensions brewing along the border. But it’s Arriaga’s script that deftly changes the film’s pace. It’s a Western a dark comedy a revenge thriller that eventually turns into a Don Quixote journey of sorts--and the whole thing just keeps you glued save for a few extraneous moments here and there. This could be the start of a beautiful collaborative team.
Richard Riddick (Vin Diesel) has a really bad rep and with good reason: Five years ago convicted killer Riddick escaped the galaxy's law enforcement during a botched interplanetary prison transfer and has been on the lam ever since. As The Chronicles of Riddick picks up our antagonist finds his relative freedom has been compromised when mercenaries out for the $1 million bounty on his head discover his location and hunt him down. Riddick escapes their clutches steals their ship and sets off for Planet Helion to find Imam (Keith David) the Muslim cleric he rescued in Pitch Black and the only person who could have squealed his location to authorities. But while Riddick's hunch about Imam are correct the cleric has a reason for luring the mammoth murderer out of hiding: Helion is falling to unholy armies of Necromongers--warriors who conquer by force in the vein of Star Trek's Borg. Of course Riddick doesn't give a damn about the Helions or their plight--until he gets wind that the Necromogers want to kill him because of an old prophecy that foresees their end at Riddick's hands. Like it or not Riddick is left with no other choice but to battle the Necromongers.
The character of Riddick is unquestionably what made Pitch Black one of the most sequel-worthy sci-fi films in years. And Riddick would not have been one of sci-fi's most intoxicating characters if it weren't for Diesel. Like his Dominic Toretto in the 2001 actioner The Fast and the Furious Riddick is a villain of few words but when he speaks his carefully chosen words have impact--even if the dialogue is at times overly theatrical. Riddick is the perfect antihero; a cold-blooded and indifferent being who somehow evokes more compassion than the film's so-called good guys. Joining Riddick are some recurring characters including David as Imam but Riddick benefits the most from the addition of some new characters particularly Colm Feore as Lord Marshal the Necromonger leader whose goal is to rid the universe of all human life. Feore channeling nuggets of Julius Caesar into his role makes for one of Riddick's most thrilling foes. Another prominent addition to the cast is Judi Dench who has a surprisingly small role as Aereon an Elemental captured by the Necromongers and used for her special powers including ESP.
Writer/director David Twohy took his horror pic Pitch Black which gained a cult following since it was released four years ago and managed to successfully turn it into an sci-fi actioner of epic proportions. Everything is grander here which is almost a given considering Twohy shot Pitch Black on a dime in Australia using colored filters. In Riddick the director distinguishes the film's different environments--the Necros' mothership Crematoria's cavernous prison and Helion--using warm to cool tones that are dazzling yet more subtle than its predecessor. The CGI effects get a little gamey at times but production designer Holger Gross' gargantuan sets are impressive and help craft Twohy's otherworldly vision into a plausible one. And although Twohy jumps genres from Pitch Black to its sequel his storyline evolves logically from the original premise. But while moviegoers unfamiliar with Pitch Black will be able to follow the story easily enough they may have a difficult time grasping what makes Riddick such a big deal; the film explains the legend but never fully captures its quintessence. This could hurt Riddick's chances to broaden its Pitch Black fan base.
For bringing in 35 million viewers for its season finale and being television's most popular show, Friends and NBC claimed the prize of top network for the 2001-02 television season. CBS finished a solid second, with its show CSI: Crime Scene Investigation, the second most-watched show on the air, while ABC and Fox followed in third and fourth place, respectively.
Jerry Lewis returned home Tuesday after staying overnight at a hospital, where doctors made a routine check on a device that Lewis had surgically implanted April 8. The device, called Synergy Neurostimulation System, has helped eased chronic back pain Lewis has been suffering from years of pratfalls. He told the Las Vegas Sun that it has left him pain free for the first time in 30 years.
Actress Jenny McCarthy gave birth to a boy, Evan Joseph Asher, on Saturday. The baby weighed 7 pounds, 13 ounces and is the first child for McCarthy and her husband, director John Asher.
Wasting no time since announcing his departure from Saturday Night Live, funny guy Will Ferrell is set to star in a new film, Action Newsman. He'll play an egotistic local news anchorman threatened by an ambitious female newscaster who, unlike his character, has mastered journalism.
Annette Bening will star in a remake of the Disney film Freaky Friday. The story is about how a mother and her rebellious tomboy daughter, secretly wishing for each other's lives, switch bodies for a day. The original 1976 film starred Barbara Harris as the mother and a young Jodie Foster as the daughter.
In the Biz
Yet another thing the strange Michael Jackson is obsessed with: Sky News reported the Gloved One announced in Cannes that he'll be producing and starring in the film Wolfed, playing a werewolf. He's been fascinated with werewolves since seeing John Landis' 1981 film An American Werewolf in London and got to play one when Landis directed Jackson's music video to the hit song "Thriller."
Director Woody Allen filed a lawsuit last May against his former producer Jean Doumanian, claiming she cheated him out of $14 million in profits, and now Doumanian's lawyer says Allen has overstated what he is owed. According to The Associated Press, Doumanian's lawyer, Lee A. Armstrong, claimed he received a document from Allen's lawyer asking for only $2 million. Allen's camp denies the mix-up, saying Armstrong's "characterization of the document was completely false and uninformed."
Sony Pictures has picked up the rights to yet another Marvel comic-book hero: Ghost Rider. This superhero, named Johnny Blaze, makes a pact with the devil to save someone he loves, but the deal goes awry (as deals with the devil tend to do). Blaze, now embodied with superhuman powers, transforms into a ghost rider to try to reclaim his life, love and soul.
Quickly becoming a powerhouse producer in Hollywood, the multitalented Ice Cube has signed up to produce the comedy feature Race under his CubeVision banner. The film is a fish-out-of-water story about a black cab driver who gets involved in a stock-car race. Ice Cube will not be starring in this particular venture.
Looks like the rash of TV nostalgia shows will finally be tapering off after the May sweeps. According to AP, several TV executives have admitted that they may have overdone it with the clip-filled specials on such shows as The Cosby Show, M.A.S.H., The Mary Tyler Moore Show and Laverne and Shirley. Think so?
Pop-punk band Blink-182 will be making a guest appearance on the 300th episode of The Simpsons this fall. The show has Bart moving out of the Simpson house and into his own apartment, where the band and pro skater Tony Hawk are his neighbors. The episode will air next season.
You can't kill the Dead, man. That's right, the surviving members of The Grateful Dead will be jamming for the first time since lead singer Jerry Garcia died in 1995 of a heart attack, according to the AP. They will perform a two-day concert in East Troy, Wis., Aug. 3-4.
Variety reports producer Jerry Bruckheimer (Black Hawk Down) will be receiving the Albert R. Broccoli Award of Excellence at this year's Cinema Expo in June. Past recipients included producers Saul Zaentz, Brian Grazer and Claude Berri.