The Irish writer, whose book was made into a hit movie, had been battling melanoma skin cancer in a New York hospice, but his condition took a turn for the worse when he contracted meningitis earlier this month (Jul09).
His brother, veteran actor Malachy McCourt, said his sibling died on Sunday (19Jul09) afternoon in Manhattan.
Speaking last week (beg13Jul09), Malachy admitted he wasn't expecting the scribe to get through his illness, saying, "We don't expect him to live very long. He got meningitis and that screwed up the whole thing. (Until then) he was doing okay, speaking and lecturing and appearing and signing and doing all the usual stuff.
McCourt won a Pulitzer Prize for Angela's Ashes in 1996, which he wrote after retiring from his job as an English teacher.
His other works include Teacher Man and Tis.
McCourt, whose book was made into a hit movie, has been battling melanoma skin cancer in a New York hospice, but his condition took a turn for the worse when he contracted the deadly brain disease.
And the 78 year old is not expected to recover from the illness, according to his brother, veteran actor Malachy McCourt.
He says, "We don't expect him to live very long. He got meningitis and that screwed up the whole thing. (Until then) he was doing okay, speaking and lecturing and appearing and signing and doing all the usual stuff.
"He was one of the unfortunate ones. Only three to five per cent of people who have melanoma get this form of meningitis.
"He's still conscious, but his hearing has gone and his eyesight is going. He's speaking less.".
Someone’s been killing off the criminals of New York City--the ones that the law can’t seem to put away via proper channels--and it’s up to veteran detectives Turk (De Niro) and Rooster (Pacino) to crack the case and bring the killer to justice by means fair or foul. As whodunits go this isn’t a terribly compelling or suspenseful one. There are red herrings and dropped clues galore but the script (by Russell Gewirtz of Inside Man fame) is both choppy and loopy--and not in good ways. The story is needlessly convoluted and despite a few tough-guy quotes from De Niro and Pacino this is a forgettable police potboiler. De Niro. Pacino. What more could anyone ask for? A decent script perhaps? There’s a palpable pleasure in seeing these two titans share the same frame but that sensation is quickly dissipated as the clunky storyline lurches toward its inevitable finale. Pacino appears to be having more fun than De Niro who’s almost sheepish in his role as a troubled New York detective. The supporting cast--and it’s a good one--fares little better although there’s more chemistry between John Leguizamo and Donnie Wahlberg as sort of a younger version of the De Niro/Pacino duo. Carla Gugino smokin’ hot as always bats her eyelashes and struts her stuff as a police pathologist with a kinky streak. Brian Dennehy clocks in as the obligatory hard-boiled police lieutenant while Curtis Jackson (better known as 50 Cent) sleepwalks through the stock role of a club owner of dubious disposition. It just goes to show that a great cast can’t do it alone. Jon Avnet who guided Pacino through his paces in the equally clumsy 88 Minutes (for the same producers no less) is simply not up to the task of overcoming the script’s vast and many shortcomings. Even for the most devout devotees of the two superstars Righteous Kill is merely a matter of killing time … and not in a particularly righteous way.
From the creators of the TNT miniseries Gettysburg including executive producer Ted Turner and writer/director Ronald F. Maxwell Gods chronicles the Civil War from its beginnings when the South rises up. Confederate General Robert E. Lee (Robert Duvall) a distinguished military man but also a loyal native Virginian chooses to fight for his home rather than his country while Thomas "Stonewall" Jackson (Stephen Lang) a devoutly religious man becomes Lee's most trusted lieutenant. On the other side we have Colonel Joshua Chamberlain (Jeff Daniels) a professor from Maine who ends up one of the Union's finest military leaders. In between there are glimpses of the wives and families left behind. Stories of this magnitude with their dramatic bloody battles and tragic endings usually leave you numb or crying for those lives lost and destroyed. Instead Gods and Generals holds no resonance whatsoever meticulously plotting out the details and making this decisive moment in American history interminable at three and a half hours. It's like wading through a textbook--or worse watching Civil War fanatics carefully reenact the famous battle scenes on the very ground they were fought over and over again--while the players stand around quoting long-winded verse from the Bible or Shakespeare's Julius Caesar. Blech.
The actors in Gods and Generals must have honestly thought they were making something important when they signed up. Main players Lang (who played Major Gen. George Pickett in Gettysburg) and Daniels (who reprises his Gettysburg role as Chamberlain) have their moments but after hearing them recite one speech after another especially Lang's Jackson who says more prayers to God than anything else you start to wonder if they ever realized they made a mistake. (Or have we for sitting through it?) One of the more superfluous scenes is when Jackson and his black cook Jim played by Frankie Faison are standing outside in the freezing cold night for about 15 minutes both looking up at the stars and praying to God. It seems like the actors are trying to make such sermonizing poignant meaningful but all this pontification simply drags the movie further down. These speeches aren't just Lang's and Daniels' territory--Mira Sorvino as Chamberlain's wife and Kali Rocha as Jackson's wife get their own personal moments in the sun too. If you count the cast of thousands each with their own things to say well you get the point. Thankfully Duvall who is the only good thing about the movie gets to keep the talking to a minimum.
If you want to see a Civil War melodrama at its best where watching the heroes race through a sacked city makes you hold your breath and witnessing horrific hospital scenes makes you squirm then watch Gone With the Wind. If you want gut-wrenching Civil War battles or more understanding of how slaves truly felt then watch Glory. If you want a heartening history lesson about the Civil War that not only teaches you about the era's political machinations but also shares the insights and thoughts of the men and women who experienced it then watch Ken Burns' documentary series The Civil War. Gods and Generals offers none of that in its dry textbook version of the Civil War which uses the same shots are used over and over again (how many times does the camera pan up to the night sky or show the panoramic view of Fredericksburg Virginia? I lost count) features more actors waxing prophetic than real drama and actually makes you yawn during what should be intense battle scenes.