What’s in a name? Everything if you’re a rock star. Majority of people are born with boring, everyday names - unless, of course, you’re born to a 20th century celebrity, in which case your name is a fruit, Disney character, or another entry from the MeSoUnique dictionary. In order to be larger-than-life celebrities, these rockers opted for a larger-than-life name.
Here’s a rundown of rockers with some of the best names that their mamas don't call them by.
Marilyn Manson (Brian Hugh Warner) The artist formerly known as Brian Hugh Warner came up with his stage name by combing the names of 2 infamous icons from the 1960s: Marilyn Monroe and Charles Manson. He chose the 2 celebs because he wanted to have the “fakest stage name of all” to reflect the phoniness of show business. Well played, Brian.
Axl Rose (William Bruce Rose, Jr.) Before his name was synonymous with rock star douchebaggery, Axl Rose was called William Bruce Rose, Jr. The name we’ve all come to love and loathe him by came from the name of one of the first bands he was in when he first moved to Los Angeles: AXL. Of course, there is that whole anagram story…
Elvis Costello (Declan Patrick MacManus) Declan MacManus may sound like the name of a capo from the Westies, but it’s actually the birth name of post-punk rock god Elvis Costello. Costello took his name from his musician father’s stage name (Day Costello) and Elvis Presley.
Cat Power (Charlyn Marie Marshall) Cat Power sounds like the slogan of a felinist wanting to empower kitties everywhere, but really the indie rocker’s stage name came from a guy wearing a Caterpillar trucker cap. Power was part of a band that needed a name for their first show, and after seeing a man in a “Cat Diesel Power” hat, she knew she found the name. Though she ended up moving to New York a couple years after, the name stuck and she’s been Cat Power ever since.
Slash (Saul Hudson) Back in the 70s, when someone said “Better call Saul,” they were talking about Saul Hudson. Slash got his nickname from family friend and actor Seymour Cassel, who started calling him the name due to the fact that he was always in a hurry and never in one place for a long period of time.
Iggy Pop (James Newell Osterberg) Iggy Pop has long been called the Godfather of Punk, but his real name sounds like the name of an 80-year-old Russian history professor. After serving as the drummer for The Iguanas, Mr. Osterberg officially became Iggy. The “Pop” came after a friend of the Stooges, Jimmy Pop, lost all his hair, including his eyebrows, prompting Iggy to shave off his eyebrows in tribute and consequently being dubbed Iggy Pop.
Joe Strummer (John Graham Mellor) John Graham Mellor sure doesn’t sound like the name of the frontman of one of the original punk bands, so it’s no surprise that he changed his name. Before he was Joe Strummer, though, he went by Woody Mellor, in honor of folk legend Woody Guthrie. He used this moniker during his time with the 101’ers and a couple years before the Clash was born, changed his name to Joe Strummer. The “Joe” was to signify that he was nothing special, just a “regular joe,” and the “Strummer” pertained to his rather lackluster rhythm guitar skills.
The Cramps: Lux Interior (Erick Lee Purkhiser) & Poison Ivy (Kristy Marlana Wallace) “Hi, my name is Lux Interior and this is my wife, Poison Ivy.” Few people get to drop opening lines like that, but the 2 permanent members of psychobilly pioneers the Cramps were an exception. Interior not surprisingly took his name from an old car commercial, while Ivy (who also went by Ivy Rorschach) stated the name had come to her in a dream.
Brody Dalle (Bree Joanna Alice Robinson) With a name like Bree Joanna Alice Robinson, you’re either going to become a Type A debutante who looks up to Paris Hilton, or you’re going to drop every part of your name and become one of the most hardcore lead singers of a punk rock band. Luckily for the world, Bree Robinson opted for the latter and changed her name to Brody. Before she adopted her last name from crazy/badass French actress Beatrice Dalle, however, she was known as Brody Armstrong (aka Tim Armstrong’s wife). A Rolling Stone tongue-makeout session with Josh Homme later, Brody Armstrong officially became Brody Dalle.
Sid Vicious (John Simon Ritchie) Born John Simon Ritchie, Sid Vicious went on to personify the defining aspects of punk rock – rebellion, attitude, and safety pins. The story of the Sex Pistols is one of abrupt fame coupled with an even speedier decline, and Vicious’ scandalous life and tumultuous relationship with girlfriend Nancy Spungen made for a punk rock fairytale, where there’s no such thing as a happy ending. The best part of all this, though, is that the dude was named after a hamster. After being bit by Johnny Rotten’s fuzzy, lovable hamster Sid, the then-John Ritchie said, “Sid is really vicious!,” and Rotten decided that a star was born.
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Poor Shrek (Mike Myers). The irascible ogre just can’t catch a break. First he has to leave his beloved swamp to rescue Princess Fiona (Cameron Diaz). Then he marries her and has to go meet the in-laws. NOW he’s stuck in Far Far Away as its de facto ruler after the frog king croaks. Oh and he finds out Fiona is pregnant too. All this throws the great green one into a tailspin because 1) impending fatherhood scares the bejeezus out him and 2) he believes he has no business being king. So Shrek sets out with his pals Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to fetch Artie aka Arthur (Justin Timberlake) Fiona’s cousin and next in line for the throne. Thing is Artie’s just a teenager—and kind of a loser one at that; he really doesn’t want to be king either. Meanwhile on the home front Fiona and her merry band of princesses have to defend the castle against the vain Prince Charming (Rupert Everett) who’s hell bent on getting revenge and taking over Far Far Away. And so the high jinks ensure. But it’s OK it all works out in the end. Certainly part of Shrek’s charm is its vocal talent. Myers Diaz and Murphy are all old pros by now—which is actually a good and bad thing. They are definitely more comfortable with their roles but Shrek isn’t nearly as charmingly irritable as he once was and Fiona not as feisty. Guess they are growing up. And Murphy used to get all the best lines as the jittery Donkey. Now that job has been delegated to the likes of Banderas as Puss as well as side characters such as the Gingerbread Man (Conrad Vernon) Pinocchio (Cody Cameron) and the Three Little Pigs (also Cameron). Also adding to the humor are the various princesses especially SNL alums Amy Poehler as the sardonic Snow White and Maya Rudolph as turncoat Rapunzel plus Amy Sedaris as the dimwitted Cinderella. Timberlake is sweetly goofy as Artie while Brit comic legend Eric Idle voices the New Age-y on-the-verge-of-a-nervous-breakdown Merlin the magician with aplomb. It’s these characterizations that make Shrek the Third zing. Much like Shrek 2 this third installment ultimately comes off as a retread. They just haven’t been able to recapture the magic created in the original. Instead the filmmakers regurgitate the same comic set ups and in some cases the same jokes. Maybe they won’t ever be able to reach that same plateau. But you’ve still got to give the Shrek franchise props for being the granddaddy of fairy-tale spoofs. Even if the sequels don’t measure up the Shrek phenomenon on the whole has set the bar creating a certain charisma in the let’s-make-fun-of-traditional-lore milieu. Shrek the Third highlights include: Worcestershire High School where Artie goes to school which is full of John Hughes teenagers talking in medieval oh-thou-di’nt-just-say-that speak; Charming being relegated to doing third-rate dinner theater; Pinocchio trying to talk his way around not lying and more. Oh who cares what us dumb critics say anyway. Kids are going to love Shrek the Third regardless of whether it hits the mark or not.