Beloved Wizard Of Oz tune Somewhere Over The Rainbow is to be named a Towering Song at the upcoming Songwriters Hall of Fame gala. The 75-year-old Harold Arlen & E.Y. Harburg tune, which Judy Garland sang in the 1939 movie, will join Take Me Out To The Ballgame, Moon River, Bridge Over Troubled Water and A Change Is Gonna Come, among the other Towering Songs.
The 45th annual Hall of Fame event will be held in New York on 12 June (14).
Previously announced inductees Include Ray Davies, Donovan, Graham Gouldman, Mark James and Jim Weatherly, while the prestigious Johnny Mercer Award will be presented to songwriters/producers Kenneth Gamble and Leon Huff, Sony Music Entertainment Chairman and CEO Doug Morris will be honoured with the Hitmaker Award and Imagine Dragons star Dan Reynolds will receive the Hal David Starlight Award.
Music mogul Del Bryant will be presented with the Visionary Leadership Award.
Imagine Dragons frontman Dan Reynolds is set to receive the prestigious Hal David Starlight Award at the 2014 Songwriters Hall of Fame Gala. The Radioactive hitmaker will follow in the footsteps of previous winners such as Alicia Keys, John Mayer, Taylor Swift and John Legend when he is feted with the prize, which was created in 2004 and named in honour of Hall of Fame Chairman Emeritus Hal David to celebrate the work of young songwriters.
Current organisation chairman Jimmy Webb says, "Dan Reynolds is a dream ticket for the Songwriters Hall of Fame Starlight Award.
"He has helped create truly contemporary rock 'n' roll with the band Imagine Dragons. A sound at once musically literate and issue driven yet founded on solid composition and songwriting. We are extremely happy to join Dan with the other distinguished alumni who have received the Starlight."
The Kinks frontman Ray Davies, Scottish singer Donovan and 10cc rocker Graham Gouldman are among the stars who will be inducted into the Songwriters Hall of Fame as part of the class of 2014, while another top accolade, the Johnny Mercer Award, will be presented to music duo Kenneth Gamble and Leon Huff, and industry mogul Doug Morris will receive the Hitmaker Award.
The presentations will take place in New York on 12 June (14).
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
As the Sundance Film Festival rounds out its first week Wednesday, many stars were on hand to promote their films at the famed indie festival, co-founded by director/actor Robert Redford.
The fabulous 21-year-old Christina Ricci was there hawking her new film Pumpkin (a big buzz at the festival) and talked about independent films being less "indulgent" in 2002 than in previous years (sure). Others in attendance included Jennifer Aniston, promoting her film The Good Girl, with hubby Brad Pitt along for the ride; and Matt Damon and Ben Affleck, hyping their film Stolen Summer, which was made by Pete Jones, the $1 million winner of the Project Greenlight contest co-sponsored by the dynamic duo.
Robin Williams, supporting his film One Hour Photo, couldn't pass up the opportunity to provide a little zany comedy for the Sundance crowd as he ran up on stage to perform, pointing out a woman's llama coat and calling it "Genghis Kahn's road kill." The festival ends this Saturday with an awards ceremony.
When the ninth season wraps in May, Fox has decided to end its serial on paranormal investigation and close shop on the Emmy-winning The X-Files. What? No more alien abductions? The series will end its primetime life with a special two-part episode penned by creator Chris Carter.
Outspoken lesbian Ellen DeGeneres has admitted that she would like to have children someday, in an online interview on the Human Rights Campaign Foundation Web site. Good for her. Still, she acknowledges the fact "the kid is going to have a hard time at school" by having a lesbian mother.
In related news, TV's Enterprise star Scott Bakula, along with other famous Star Trek captains, including Patrick Stewart and Kate Mulgrew, bemoaned the lack of gay characters in the Star Trek series, to MetroSource magazine. Stewart said, "Given what growth and advancement has been made in the past 20 years even in the most rigid male bastions...one would have thought that Star Trek would be the ideal environment [for a gay character]." Data finally gets a boyfriend!
Hot off the critical success of his veddy British film Gosford Park, director Robert Altman is looking at his next project, Voltage, a comedy about corporate America based on Robert Grossbach's novel A Shortage of Engineers. He's already compiling an ensemble cast with Joaquin Phoenix, Philip Seymour Hoffman, Liv Tyler, William H. Macy, Steve Buscemi, Tony Shalhoub and Bob Balaban.
A plaque to be given to actor James Earl Jones at a Ft. Lauderdale, Fla. celebration on Martin Luther King Jr. day had one teeny-weeny typo on it: it read, "Thank you James Earl Ray for keeping the dream alive." Of course, we all know James Earl Ray was the man who shot and killed King in 1968. Oops. The manufacturers of the plaque, Merit Industries, have said the mix-up was an "honest error." Hey, guys, don't upset Darth Vader or the NAACP.
HBO executives announced some of their programming plans Wednesday at the Television Critics Assn., including placement a 13-episode order for the new police drama The Wire, from the creator of the successful HBO miniseries The Corner, due for a summer or fall launch. HBO has also picked up the comedy series The Mind of the Married Man for another season.
Barbra Streisand feels a need to get closer to one of our country's founding fathers, George Washington (oh, don't we all). At a Sotheby's auction, Babs outbid the Mount Vernon Ladies Association to buy an oil painting of our first president to hang in her Malibu home.
Pop singer Dido has had her nomination for best-newcomer from the Official U.K. Charts Company taken away Wednesday, mainly because she's not all that "new." The 30-year-old had actually been nominated for best female artist the previous year. Those goofy British.
Actor Brad Renfro, 19, is in trouble again. He was arrested and charged Monday with public intoxication and driving without a license in Knoxville, Tenn. after being stopped for a traffic violation. Last year Renfro was sentenced to two year's probation for trying to steal a yacht in Florida.
The Boss gets his own musical. That's right, the songs of rocker Bruce Springsteen have been fashioned into a musical called Drive All Night, with Springsteen's blessing. A first reading will take place in March after a three-week rehearsal.
The myths and legends of Native American folklore will be made into a $30 million-plus miniseries for ABC. The four-hour epic will center around a 100-year-old Native American grandfather telling his 17-year-old grandson about such myths as the story of a rain god who falls in love with a mortal woman and an outcast child who tries to tame a water beast. The targeted air date is November 2003.
Fashion designer extraordinaire Giorgio Armani, creator of some of the world's most lavish clothes, says he is tired of luxury. "Luxury disgusts me," he told an Italian newspaper Thursday. "I want to pay homage to the workers, to the dignity of workers..." Does this mean Armani is giving up the private jet?
Publicist Lizzie Grubman, who injured 16 people by backing her SUV into a crowd of people outside a Hamptons nightclub last year, has been hit with another lawsuit related to that incident. Grubman's vehicle hit the outside structure of the establishment and pieces of the wall fell and injured Dabney Mercer, who brought the suit.