I know, that headline is trouble. You're always treading dangerous ground when you insist on defining what makes a good this or the right kind of that, as if there is no room for change or improvement when it comes to classic properties. Of course there is — Jason Segel's 2011 Muppet film approached the concept from an entirely different direction. It didn't hit all of its marks, but it prevailed overall in its conceit: make a movie not about Muppets, but about Muppet fandom. But Muppets Most Wanted, in absence of a clear mission statement and fueled largely by the monetary glimmers of the sequel game (the film's opening number admits this outright), has fewer marks readily available to hit. Landing in the ambiguity between the classic Muppet adventure formula and Segel's post-modern Henson appreciation party, Most Wanted feels like a failure on both counts. It doesn't know which kind of movie it wants to, or should, be. So it doesn't really be anything.
On the one hand, there's the half-cocked "get-the-band-back-together" through line, mimicking but not quite accomplishing the spirit of the 2011 picture. None of the Muppets are particularly likable or charming in this turn, and even fewer of them actually given anything to do. Kermit loses his s**t in the first act after a spat with Piggy and a barrage of insubordination from his troupe (provoked by the nefarious Dominic Badguy, Ricky Gervais), storms off in a huff, and gets swept up in a case of mistaken identity when his criminal doppelganger Constantine pulls the old switcheroo, landing Kermit in a Russian gulag. You'd think this would be a good opportunity for the second tier of Muppet favorites — Piggy, Fozzy, Gonzo, Scooter, Rowlf, et al — to go on a search and rescue... but save for a very brief sequence at the tail end of this achingly long film, none of the other Muppets are giving anything to do. They just hem and haw and perform the occasional "Indoor Running of the Bulls" while Dominic and Constantine scheme, rob banks, and bicker.
Meanwhile, Kermit has some fun in prison — a far more endearing plot that sees him befriending the merry convicts, organizing a penitentiary revue, and even winning the heart of the vicious warden Nadia (Tina Fey). If only we could spend more time with real Kermit and less time with fake Kermit and his second banana Gervais, an effectively boring pair.
On the other hand, though, there's the Muppet shtick that fans of The Great Muppet Caper and Muppet Treasure Island — and yes, The Muppet Show itself — will deem the movie's best material: CIA Agent Sam Eagle and Interpol Agent Jean Pierre Napoleon (Ty Burrell) hot on the trail of Constantine and Dominic. Here, we get a different type of Muppet movie entirely from what Segel and the A-plot in Most Wanted are opting: the old fashioned vaudeville act, with Sam standing as an independent entity from his googly-eyed brethren, on a goofy, musical prowl with Burrell that fuels the film with its best and most consistent chuckles. Their "Interrogation Song" number is outstanding, exemplifying the many talents of Flight of the Conchords' Bret McKenzie, who wrote all the music for this and the previous film.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
Unfortunately, Muppets Most Wanted isn't sure that it wants to be The Great Muppet Caper, beheld so stubbornly to its Segelian roots. There's a palpable compulsion to stick with this agonizingly self-aware, nostalgia-crazy, brimming-beacons-of-the-past-in-a-callous-today theme that doesn't work a fraction as well as it did in the 2011 film. Without a legitimate celebration of any of our favorite characters, how could it? With so much going on in this movie, and such a lengthy runtime at just under two hours, it's a sure sign of failure that we walk away feeling like we spent barely any time with the Muppets.
Follow @Michael Arbeiter
| Follow @Hollywood_com
David Mitchell's novel Cloud Atlas consists of six stories set in various periods between 1850 and a time far into Earth's post-apocalyptic future. Each segment lives on its own the previous first person account picked up and read by a character in its successor creating connective tissue between each moment in time. The various stories remain intact for Tom Tykwer's (Run Lola Run) Lana Wachowski's and Andy Wachowski's (The Matrix) film adaptation which debuted at the Toronto International Film Festival. The massive change comes from the interweaving of the book's parts into one three-hour saga — a move that elevates the material and transforms Cloud Atlas in to a work of epic proportions.
Don't be turned off by the runtime — Cloud Atlas moves at lightning pace as it cuts back and forth between its various threads: an American notary sailing the Pacific; a budding musician tasked with transcribing the hummings of an accomplished 1930's composer; a '70s-era investigatory journalist who uncovers a nefarious plot tied to the local nuclear power plant; a book publisher in 2012 who goes on the run from gangsters only to be incarcerated in a nursing home; Sonmi~451 a clone in Neo Seoul who takes on the oppressive government that enslaves her; and a primitive human from the future who teams with one of the few remaining technologically-advanced Earthlings in order to survive. Dense but so was the unfamiliar world of The Matrix. Cloud Atlas has more moving parts than the Wachowskis' seminal sci-fi flick but with additional ambition to boot. Every second is a sight to behold.
The members of the directing trio are known for their visual prowess but Cloud Atlas is a movie about juxtaposition. The art of editing is normally a seamless one — unless someone is really into the craft the cutting of a film is rarely a post-viewing talking point — but Cloud Atlas turns the editor into one of the cast members an obvious player who ties the film together with brilliant cross-cutting and overlapping dialogue. Timothy Cavendish the elderly publisher could be musing on his need to escape and the film will wander to the events of Sonmi~451 or the tortured music apprentice Robert Frobisher also feeling the impulse to run. The details of each world seep into one another but the real joy comes from watching each carefully selected scene fall into place. You never feel lost in Cloud Atlas even when Tykwer and the Wachowskis have infused three action sequences — a gritty car chase in the '70s a kinetic chase through Neo Seoul and a foot race through the forests of future millennia — into one extended set piece. This is a unified film with distinct parts echoing the themes of human interconnectivity.
The biggest treat is watching Cloud Atlas' ensemble tackle the diverse array of characters sprinkled into the stories. No film in recent memory has afforded a cast this type of opportunity yet another form of juxtaposition that wows. Within a few seconds Tom Hanks will go from near-neanderthal to British gangster to wily 19th century doctor. Halle Berry Hugh Grant Jim Sturgess Jim Broadbent Ben Whishaw Hugo Weaving and Susan Sarandon play the same game taking on roles of different sexes races and the like. (Weaving as an evil nurse returning to his Priscilla Queen of the Desert cross-dressing roots is mind-blowing.) The cast's dedication to inhabiting their roles on every level helps us quickly understand the worlds. We know it's Halle Berry behind the fair skinned wife of the lunatic composer but she's never playing Halle Berry. Even when the actors are playing variations on themselves they're glowing with the film's overall epic feel. Jim Broadbent's wickedly funny modern segment a Tykwer creation that packs a particularly German sense of humor is on a smaller scale than the rest of the film but the actor never dials it down. Every story character and scene in Cloud Atlas commits to a style. That diversity keeps the swirling maelstrom of a movie in check.
Cloud Atlas poses big questions without losing track of its human element the characters at the heart of each story. A slower moment or two may have helped the Wachowskis' and Tykwer's film to hit a powerful emotional chord but the finished product still proves mainstream movies can ask questions while laying over explosive action scenes. This year there won't be a bigger movie in terms of scope in terms of ideas and in terms of heart than Cloud Atlas.
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
How would you like to spend a night shopping with the stars? It's all possible thanks to the ever-intimidating Anna Wintour! The Vogue editor-in-chief came up with an idea in 2009 where retailers in NYC would stay open past their normal hours and offer in-store events to promote shopping and help stimulate the struggling economy. She called the night Fashion's Night Out, and it always takes place the Thursday before New York's fashion week begins.
FNO has become such a phenomenon that celebrities even take part in the festivities. From performances to guest appearances, A-listers are stepping out to support this stylish shopping extravaganza. And so in case you plan to participate, here is a list of where you can go tonight (in New York, Los Angeles, Miami and Chicago) to rub elbows with some of your favorite Hollywood stars.
NEW YORK CITY
Bloomingdales (1000 Third Avenue New York NY 10022): Actor Eddie Cibrian (6-8 p.m.), star stylist Rachel Zoe (6:30-7:30 p.m.)
Bottega Veneta (699 Fifth Avenue New York NY 10022): Actress Rose Byrne (6-11 p.m.)
Coach (595 Madison Avenue New York NY 10022): Saturday Night Live's Seth Myers (7-9 p.m.)
Completely Bare (25 Bond Street NYC NY 10012): RHONY's Cindy Barshop (6:30-10:30 p.m.)
DASH (119 Spring Street New York NY 10012): Kim and Kourtney Kardashian, Jersey Shore's DJ Pauly D (6-8 p.m.)
David Yurman (712 Madison Avenue New York NY 10065): Camilla Belle (6-11 p.m.)
Dolce & Gabbana (825 Madison Avenue New York NY 10065): Justin Bieber (6-11 p.m.)
Giorgio Armani (760 Madison Avenue New York NY 10065): Samuel L. Jackson and Angela Bassett (8-10 p.m.)
Jeffrey New York (449 West 14th Street New York NY 10014): Harry Potter's Daniel Radcliffe (6-11 p.m.)
Kiehl's (109 Third Avenue New York NY 10003): AJ Maclean of the Backstreet Boys (6-11 p.m.)
Lord & Taylor (424 Fifth Avenue New York NY 10018): Solange Knowles (6-9 p.m.) and Ivanka Trump (6:30-7:30 p.m.)
Lucky Brand (535 Broadway New York NY 10012): Project Runway star Tim Gunn (6-11 p.m.)
Macy's Herald Square (151 West 34th Street New York NY 10001): Tommy Hilfiger (5:30 p.m.), celeb DJ Samantha Ronson (6-7 p.m.), Kelly Rowland (7-8 p.m.), Pretty Little Liars actress Shay Mitchell (8-9 p.m.)
MAC Cosmetics (109 Spring Street New York NY 10012): Beth Ditto (8-9 p.m.)
Manolo Blahnik (31 West 54th Street New York NY 10019): Sarah Jessica Parker (6-11 p.m.)
Marc by Marc Jacobs Men's (382 Bleecker Street New York NY 10014): Bar Refaeli (6-10 p.m.)
Marc Jacobs (163 Mercer Street New York NY 10012): Dakota Fanning (6-10 p.m.)
Michael Kors (610 Fifth Avenue New York NY 10020): Michael Kors (6-11 p.m.)
New York & Company (715 Lexington Avenue New York NY 10022): Real Housewives of NY cast mates Countess LuAnn de Lesseps, Kelly Killoren Bensimon and Ramona Singer (6-10 p.m.)
Payless Shoe Source (716 Lexington Avenue at 58th Street New York NY 10022): Designer Christian Siriano (7:30-9 p.m.)
QVC (428 Broadway at Howard Street New York NY 10013): Kris Jenner, Heidi Klum, Donald Trump (6-11 p.m.)
Rag & Bone (119 Mercer Street New York NY 10012): Stars of Lala's Full Court Life Carmelo Anthony and La La Vazquez (6-11 p.m.)
Saks Fifth Avenue (611 Fifth Avenue New York NY 10022): Kris Humphries (6:30-10 p.m.), Ne-Yo (8-9 p.m.)
Sephora Times Square (200 West 42nd Street New York NY 10036): True Blood's Kristin Bauer, Kat Von D, Kate Walsh (6-11 p.m.)
Stuart Weitzman (625 Madison Avenue New York NY 10022): Michelle Trachtenberg and Hayden Panettiere (6:30-10 p.m.)
Ted Gibson Salon (184 5th Avenue 2nd Floor New York NY 10010): Twilight star Ashley Greene (8-10 p.m.)
Tiffany & Co (727 Fifth Avenue New York NY 10022): Leighton Meester (8 p.m.)
Versace (647 Fifth Avenue New York NY 10022): DRAKE (7-10 p.m.)
Victoria's Secrets (591-593 Broadway New York NY 10012): Angels Adriana Lima, Alessandra Ambrosio, Erin Heatherton and Lily Aldridge (7-10 p.m.)
The Beverly Center (Beverly Blvd lvd, Los Angeles, CA 90048): Nicole Richie (5-11 p.m.)
The Grove (189 The Grove Dr Los Angeles, CA 90036): Lauren Conrad (7-8 p.m.)
Westfield Topandga Canyon (6600 Topanga Canyon Blvd, Canoga Park, CA 91303, USA): Tori Spelling (6:30 p.m.)
900 Shops (900 North Michigan Avenue Chicago IL 60611): Bravo fashion guru Brad Goreski (6-9 p.m.)
Macy's State Street (111 North State Street Chicago IL 60602): Kelly Osbourne (6-8:30 p.m.)
Macy's Aventura (19535 Biscayne Boulevard Aventura Miami FL 33180): Real Housewives of Miami's Alexia Echevarria (6-7 p.m.), Real Housewives of NY's Jill Zarin (6:30-7:30 p.m.)
Russell Crowe was stunned when a New York cop handed him a cellphone following
his arrest for phone throwing on June 6 and found a pal berating him
for not keeping in touch on the line.
The temperamental movie star lost his temper with Mercer Hotel clerk Nestor
Estrada during an early morning argument about Crowe's phone connection and
allegedly threw his room's telephone against a wall, which police say inflicted
minor injuries on Estrada's face.
Crowe was arrested and taken to a local police station, where he was put
behind bars, while they waited for him to be officially charged with second
degree assault and criminal possession of a weapon.
And, in his darkest hour, the actor was delighted to hear from a new York
pal, who somehow had convinced police contacts to get a phone to Crowe.
Crowe says, "A guy walks past and he sticks a cellphone through the thing
(bars), so I take the phone and I realize there's actually somebody on it.
"I'm like, 'Hello,' and it's this guy Tommy that I know, who knows somebody
in the precinct and has, like, rung and said, 'Hey, can you put me through to
"He says, `What you doin' in there? Man, c'mon, you're on the wrong side of
the bars, but how ya doin' anyway? I haven't seen you for a long time. Why
didn't you call when you got into town?
"It was actually kinda reassuring hearing a familiar voice on the phone."
But Crowe quickly regretted taking the call when he handed the cellphone
back, because he was informed he was only allowed one phone call in jail. He adds, "I didn't know it was an incoming one, I thought it was an outgoing
Article Copyright World Entertainment News Network All Rights Reserved.