Barbara Walters. Katie Couric. Matt Lauer. All great folks. All legendary journalists. But none of them, nor their colleagues, can compare to Nardwuar, the Human Serviette. Straight outta British Columbia, celebrity interviewer Vancouver Nardwuar (born John Ruskin) owes much of his unique Q&A styling to his mother, who was a local journalist as well as a high school history teacher and historian. Nardwuar himself has a degree in history and it shows in his love for the stories behind some of the greatest musicians. He's interviewed everyone from Ice-T to Henry Rollins to A$AP Rocky and the A$AP Mob. Here are just a few of his very best. Doot doola doot doo... doot doo!
Nardwuar vs. Drake
Nothing says "Nardwuar interview" like a Michie Mee rap pack trading card. All kinds of epic.
Nardwuar vs. Katy Perry
You can watch the first part of the interview here. We had to post the second part because of the unbelievable references to the legendary Jimi Hendrix's "situation"... which apparently has major significance in the life of Katy Perry. Anyway, this is just an adorable video.
Nardwuar vs. Lil Wayne
This is probably the most NSFW Nardwuar interview ever... mainly the part where he asks Weezy about his favorite food. But there's also a great moment where Weezy talks about his love for Nirvana and then goes on to discuss his love for Pimp Daddy (who actually influenced his original name: Shrimp Daddy... true story).
Also: rap snacks. That is all.
Nardwuar vs. Kurt Cobain & Courtney Love
You can watch parts two and three of the interview here and here. It's a very strange collection of videos, with Courtney Love coming off pretty cool and not at all like someone who'd be throwing a shoe at Madonna within a year. And Kurt Cobain and the rest of Nirvana were as opposed to the interview as you'd expect, though Cobain ends up coming around in the end. The Human Serviette has named this as one of his all-time favorite interviews. In an interview with Spin he explained how it all went down:
"After stalking Nirvana for two days trying to get this interview, I was ready to give up until Courtney Love snuck me backstage, telling security I was her cousin. Sadly, I was never able to talk to Cobain again, as he died only a few months later. I think this is one of his last interviews ever."
Pharrell vs. Nardwuar
And in a dramatic turn of events, the student becomes the teacher. At the end of his own interview (which you can watch here), Pharrell does the unthinkable and interviews Nardwuar! Except, Nardwuar is so clearly not used to playing the role of interviewee and it makes for some hilarious moments. But probably the best part was when Pharrell bestowed upon him the Here's A Ho! Vancouver sheet music and they began to sing some sort of trap remix to the 1914 ditty. And there was a "ho" pronunciation tutorial as well. Epic.
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Beneath the glossy sheen of Zac Efron there exists the makings of quite a fine actor glimpses of which were seen in both the blockbuster comedy 17 Again and the indie drama Me and Orson Welles. His transition out of the Disney-fied teen-dream world and into more adult-oriented projects is a gradual uneasy one as is evidenced by his latest film the metaphysical drama Charlie St. Cloud which finds him perched squarely in between the two camps. Efron it appears is in that awkward stage.
In Charlie St. Cloud Efron plays the title character a carefree college-bound sailing star whose bright future is torpedoed when an awful auto wreck takes the life of his beloved kid brother Sam (Charlie Tahan). Charlie at the wheel of the car at the time of the crash briefly dies himself only to be wrested from a flatline by a particularly stubborn and spiritual EMT (Ray Liotta).
Years later Charlie’s body has made a full recovery but his mind remains plagued by some nasty after-effects of the tragedy. He’s given up sailing ditched his college plans gotten a job at a cemetery and taken up the habit of holding regular conversations with dead people — specifically his brother Sam with whom he meets daily in a forest clearing to play catch. Usually such mental deterioration coincides fairly closely with physical deterioration which is why you don’t encounter a lot of well-groomed paranoid schizophrenics on skid row. But Charlie has kept up with his workout and grooming regimens earning a reputation among the residents of his sleepy Pacific Northwest town as a sort of beautiful nutcase.
Unable to escape his all-consuming grief Charlie seems doomed to retreat further into isolation and despair until salvation arrives wrapped in a cardigan: Tess (Amanda Crew) a feisty pro sailor and no stranger to tragedy herself can see beyond Charlie’s unhinged persona to the sensitive troubled and irresistibly hot man that lies beneath. As their relationship deepens Charlie is increasingly torn between his imaginary friends and his real-life love.
It’s a noble aim giving tweens questions deeper than just “Edward or Jacob?” to contemplate and Charlie St. Cloud’s principal message “life is for living ” is a worthwhile one. But director Burr Steers having learned from the success of 17 Again clearly knows where his bread is buttered and so he takes care to sate the demands of Efron’s screeching fanbase by stocking the film with ample glowing shots of his star lovingly lit and clad invariably in a light blue solid color shirt and emoting against a picturesque coastal landscape. (Lest you think I'm exaggerating check out this studio-supplied promo clip featuring an interview with a shirtless Efron.) The awkward mix of existential drama and Abercrombie & Fitch commercial combined with a healthy dose of loopy Sixth Sense-esque supernatural shenanigans tossed in toward the end makes for an experience only the most fawning of Efron’s fans could enjoy.
WHAT'S IT ABOUT?
Jennifer Check and Anita "Needy" Lesnicky are lifelong best friends and high school students in tiny Devil's Kettle Minnesota. Needy is the practical bookish counterpart to small-town sexpot cheerleader Jennifer who controls most everyone around her — Needy included — with knowing relish using her hypnotic good looks. After Jennifer and Needy escape a grisly fire at the local dive bar Jennifer is whisked away in a creeper van by the band that was playing there despite Needy's pleas not to. In a "sell your soul for rock and roll"-style move the fame-hungry indie rockers Low Shoulder kill Jennifer in an occult virgin sacrifice ceremony which goes awry because Jennifer isn't one. After being left for dead Jennifer shows up at Needy's house covered in blood spewing black bile and grinning wickedly.
The next day amidst the fire tragedy aftermath Devil's Kettle's star football player is found disemboweled and half-eaten in the woods adjacent to the school. Jennifer of course did it and after the vixen kills a sweet emo boy she confesses to Needy (after a too-brief girl-on-girl makeout session complete with heavy tongue close-ups) that the botched sacrifice turned her into a demon and that she becomes happier and more beautiful — and thus deadlier — after she feasts on the blood of horny high school boys. Needy does some research in the occult section of the high school library and discovers her best friend is indeed a pawn of the devil. Needy warns her boyfriend Chip to watch out for Jennifer and consequently finds herself covered in bile with Chip dead in her arms at the prom because he doesn't. Then she seeks revenge.
WHO'S IN IT?
The ever enjoyable Amanda Seyfried takes the lead as plain jane Needy and Johnny Simmons is her sweet doting boyfriend Chip. Adam Brody doing a spot-on Brandon Flowers impression is the killer front man of Low Shoulder. Amy Sedaris makes a too-brief cameo as Needy's mom and Juno's dad J.K. Simmons is a high school teacher with an unexplained hook for a hand. Megan Fox is in it too.
Diablo Cody's script is smart funny and infinitely more interesting than the typical teen slasher swill. The movie revels in its gory moments without being gratuitous and employs a healthy amount of sex without coming off like it's pandering to horny teens. Rather Jennifer's Body is the perfect template for the incomparably hot Megan Fox to use her looks as a plot-forwarding mechanism. This is a professionally signficant departure from her eye candy turns in the Transformers movies and lets Fox prove that she can actually act. There's no one else in Hollywood right now better suited to this role. Fox's performance is unhinged and charming and she makes good use of all the Diablo Cody-isms ("You need a mani bad. You should find a Chinese chick to buff your situation.") that devil-may-care Jennifer gets to utter. The love/hate best friend relationship is interesting and there's a load of good-girl-gone-wrong catharsis in Seyfried's revenge-fueled rampage. Cody and director Karyn Kusama are adept in skillfully if a bit condescendingly creating a convincing depiction of a small Midwestern town which serves as the perfect ultra-real backdrop for the story.
Cody's unique style adds the perfect quirk factor to what could otherwise be run-of-the-mill cinematic garbage.The Cody-isms however sometimes come off as cloying when they aren't being uttered by Fox. Also hopeful Fox worshippers might be disappointed that the sexually radiant actress despite her character's penchant for using sex to lure her victims doesn't actually bare anything that necessitates the film's R-rating.
With its surprising plot twists a snarky bff vs. bff subplot and Cody's flair for linguistics Jennifer's Body is a smart horror flick for anyone who enjoys jolly gore or Megan Fox in a mini-skirt.