The boxing world got exited by the snaps of a sweat-drenched De La Hoya, dressed in fight gear and looking like he was ready for a comeback, but the Latino sports star insists the shots were just for show.
He tells BoxingScene.com he has no plans to come out of retirement, stating, "I wish I could. Seriously. Look, I love training and I'm actually even hitting the heavy bag, working out and this and that. I love boxing... and it hurts me deep down inside that I can't. I just can't.
"I wake up every single morning thinking, 'Maybe today, maybe I turned back the clock and maybe I can!' But I can't, I can't do it. And it hurts me."
But at least he has a fight night to look forward to as a promoter - De La Hoya's Golden Boy Productions will stage the much-anticipated Amir Khan/Carlos Molina match in Los Angeles in December (15Dec12).
The movie, directed by Gore Verbinski, will be honoured at the festival's gala ceremony on 24 October (11) in Beverly Hills.
Depp voiced the titular lizard character in the film, which also featured Isla Fisher, Abigail Breslin, Alfred Molina, Bill Nighy, Harry Dean Stanton, Ray Winstone and Timothy Olyphant.
Announcing the news of Rango's latest honour, Carlos de Abreu, the founder and executive director of the Hollywood Film Festival, says, "It is a great pleasure to recognise Rango as the recipient of our animation award. This piece of cinematic treasure borders on surrealism and Rango will be a classic for generations to come."
Past recipients of the Hollywood Animation Award include Cars, Ratatouille, Toy Story 3, UP and Wall-E.
At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
Colombian folk singer Carlos Vives topped the Latin Grammy nominations with six nods Wednesday, including album, record and song of the year.
Vives, who also won a Grammy this year for best traditional tropical Latin album, performs in the style of Vallenato, the traditional music of Colombia's northern plains, which is known for its simple lyrics about village life, The Associated Press reports.
"Me and my people are very happy," Vives told AP through a translator. "This shows that traditional music and rhythms that come from the heart can have appeal no matter the language."
The third annual Latin Grammys ceremony will take place Sept. 18 at the new Kodak Theatre in Hollywood, airing live on CBS.
Here is a list of nominations in some of the top categories:
Record of the Year
La Negra Tiene Tumbao, Celia Cruz; Sergio George, producer; Jon Fausty, engineer/mixer
Mentira, La Ley; Humberto Gatica and Kenny O'Brien, producers; Humberto Gatica, Cristian Robles and Eric Schilling, engineers/mixers
Se Me Olvido, Gian Marco; Emilio Estefan Jr. and Archie Pena, producers; Javier Garza, engineer/mixer
Y Solo Se Me Ocurre Amarte, Alejandro Sanz; Humberto Gatica and Kenny O'Brien, producers; Chris Brooke, Humberto Gatica and Eric Schilling, engineers/mixers
Dejame Entrar, Carlos Vives; Andres Castro, Emilio Estefan Jr., Sebastian Krys and Carlos Vives, producers; Javier Garza, engineer/mixer
Album of the Year
Sereno, Miguel Bose; Peter Walsh, producer; Alessandro Benedetti and Peter Walsh, engineers/mixers
La Negra Tiene Tumbao, Celia Cruz; Sergio George, Isidro Infante and Johnny Pacheco, producers; Mario deJesus and Jon Fausty, engineers/mixers
Jobiniando, Ivan Lins; Roberto Menescal, producer; Guilherme Reis, engineer/mixer
MTV Unplugged, Alejandro Sanz; Humberto Gatica and Kenny O'Brien, producers; Humberto Gatica, engineer/mixer
Dejame Entrar, Carlos Vives; Andres Castro, Emilio Estefan Jr., Sebastian Krys and Carlos Vives, producers; Javier Garza and Sebastian Krys, engineers/mixers
Song of the Year
A Dios Le Pido, Juanes; Juanes, songwriter
Dejame Entrar, Carlos Vives; Andres Castro, Martin Madera and Carlos Vives, songwriters
La Negra Tiene Tumbao, Celia Cruz; Sergio George and Fernando Osorio, songwriters
Morenamia, Miguel Bose; Miguel Bose, Lanfranco Ferrario and Massimo Grilli, songwriters
Y Solo Se Me Ocurre Amarte, Alejandro Sanz; Alejandro Sanz, songwriter
Best New Artist
Best Female Pop Vocal Album
Peces De Ciudad, Ana Belen
Secreta Intimidad, Cecilia Echenique
Vuela, Monica Molina
Viaje Infinito, Nicole
Muchas Flores, Rosario
Best Male Pop Vocal Album
Sereno, Miguel Bose
Sea, Jorge Drexler
Lerner Vivo, Alejandro Lerner
A Tiempo, Gian Marco
Mas De Mi Alma, Marco Antonio Solis
Producer Of The Year
Geronimo Labrada Jr., X Alfonso
Ana Lourdes Martinez Nodarse