Much like its Greek mythological source material Wrath of the Titans is light on dramatic characterization sticking to blunt moral lessons and fantastical battles to tell its epic tale. That's perfectly acceptable for its 100 minute run time in which director Jonathan Liebesman (Battle: Los Angeles) unleashes an eclectic hoard of monsters upon his gruff demigod hero Perseus. The creature design is jagged gnarly and exaggerated not unlike a twelve-year-old's sugar high-induced crayon creations — which is perfect as Wrath is tailor made to entertain and enamor that slice of the population.
Clash of the Titans star Sam Worthington once again slips on the sandals to take on a not-quite-based-on-a-myth adventure a mission that pits Perseus against the greatest force in the universe: Kronos formally-incarcerated father of the Gods. A few years after his last adventure Perseus is grieving for his deceased wife and caring for their lone son but a visit from Zeus (Liam Neeson) alerts the warrior to a task even more urgent than his current seabass fishing gig. Irked that the whole Kraken thing didn't work out Hades (Ralph Fiennes) with the help of Zeus' disaffected son Ares (Edgar Ramirez) is preparing to unleash Kronos — and only Perseus has the required machismo to stop him. But Perseus enjoys the simple life and brushes off Zeus forcing the head deity to take matters into his own hands…just as Hades and Ares planned. The diabolical duo capture Zeus and having no one else to turn to Perseus proceeds into battle.
The actual reasoning for all the goings on in Wrath of the Titans tend to drift into the mystical realm of convolution but the ensemble and Liebesman's visual visceral directing techniques keep the messy script speeding along. As soon as one starts wondering why Perseus would ever need to hook up with battle-ready Andromeda (Rosamund Pike) or Poseiden's navigator son Agenor (Toby Kebbell) Liebesman and writers Dan Mazeu and David Johnson throw in another bombastic set piece another three-headed four-armed 10 000-fanged monstrosity on screen. Perseus' journey pits him against a fire-breathing Chimera a set of Cyclopses a shifting labyrinth (complete with Minotaur) and all the dangers that come with Hell itself. The sequences have all the suspense of an action figure sandbox brawl but on a towering IMAX screen they're geeky fun. If only the filler material was a bit more logical and interesting the final product would be the slightest bit memorable.
Liebesman reaps the best performances he possibly can from Wrath's silly formula Worthington again proves himself a charismatic underrated leading man. As the main trio of Gods Neeson Fiennes and Ramirez completely acknowledge how goofy shooting lightning bolts out of their hands must look on screen but they own it with campy fun tones. But the film's overwhelming CG spectacle suffocates the glimmer of great acting opting for slice-and-dice battle scenes over ridiculous (and fun) epic speak nonsense. If a movie has Liam Neeson as the top God it shouldn't chain him up in molten lava shackles for a majority of the time.
Wrath of the Titans is a non-offensive superhero movie treatment of classic heroes that feels more like an exercise in 3D monster modeling than filmmaking. Its 3D makeover never helps the creatures or Perseus pop turning Wrath into an even muddier affair than the single-planed alternative (although unlike Clash of the Titans you won't have 3D shaky-cam blur burned directly into your retinas). The movie reaches for that child sense of wonderment but instead cranks out a picture that may not even hold a child's attention.
With the unveiling of the official competition and Un Certain Regard lineups for the Cannes Film Festival Thursday morning in Paris came the news that Mel Gibson will be striding up the red carpet next month.
The actor will be out to support Jodie Foster’s The Beaver which has an out-of-competition berth. That news, which was imparted by the festival’s general delegate Thierry Fremaux ahead of announcing the films in official competition, was just one bit of info which appeared to get the assembled journalists all a-Twitter.
The rest of the announcements, while somewhat anticipated, make for a Cannes festival that will be heavy on art house bigwigs and newcomers alike.
The roster of returning talent includes such powerhouse auteurs as Lars von Trier with Melancholia, Pedro Almodovar with The Skin I Live In, Jean-Pierre and Luc Dardenne with Le Gamin au Velo, Aki Kaurismaki with Le Havre, Radu Milhaileanu with La Source des Femmes, Nanni Moretti with We Have a Pope, Paolo Sorrentino with This Must Be the Place and, of course, Terrence Malick with Tree of Life. That film had actually been expected to be in competition last year but was not ready in time. Malick won the directing prize for Days of Heaven when he was last in competition in 1979.
Sean Penn stars in the English-language Sorrentino film and in Tree of Life which also has Brad Pitt – a near-certain bet to make an appearance in Cannes – and Jessica Chastain. Other stars potentially gracing the red carpet in support of their films include Kirsten Dunst and Kiefer Sutherland who star in Melancholia while Pitt’s partner Angelina Jolie is a likely attendee for the Kung Fu Panda sequel, although that film is not among the official selections.
The cast of Woody Allen’s opening night film, Midnight in Paris includes Owen Wilson, Rachel McAdams and model/singer-turned-first-lady Carla Bruni Sarkozy while Rob Marshall’s Pirates of the Caribbean: On Stranger Tides is screening out of competition which can only mean that Johnny Depp and French partner Vanessa Paradis will be on hand on the Riviera.
But, while a major element of Cannes is the glitz and glamour, the most important component is the films.
Along with the big name auteurs this year will be new talent like Australian Julia Leigh whose first film Sleeping Beauty has scored a competition berth. There are 19 films in competition and 19 in the complementary Un Certain Regard sidebar. All told, there are six female directors with films across the two sections which marks a first for the festival.
Austrian Markus Schleinzer is no stranger to Cannes having acted as casting director for many of the films of Palme d’Or winner Michael Haneke, but this time he’ll be on the Croisette with his directorial debut, Michael.
Making his first trip to Cannes is cult favorite Nicolas Winding Refn. The Pusher director will be on hand with competition entry Drive which stars Ryan Gosling and Carey Mulligan.
Other English-language titles include Sean Durkin’s feature debut, Martha Marcy May Marlene which originally premiered in Sundance and stars Elizabeth Olsen. That film will run in Un Certain Regard. Lynne Ramsay’s We Need to Talk About Kevin with Tilda Swinton and John C. Reilly is in competition.
In introducing the selection, which has some notable absences (Dominik Moll’s The Monk and David Cronenberg’s A Dangerous Method among them), Fremaux remarked that although he and his committees chose 49 films for the official selection, “there were a lot more than 49 films that we liked.”
Cannes runs from May 11-22 with Robert De Niro overseeing the main jury as president. Keep an eye out for Hollywood.com’s Cannes blog which will run down the daily festivities direct from the Riviera and the red carpet.
Full list of official selection films:
Midnight in Paris - Woody Allen
The Skin I Live In - Pedro Almodovar
House of Tolerance - Bertrand Bonello
Pater - Alain Cavalier
Footnote - Joseph Cedar
Once Upon a Time in Anatolia - Nuri Bilge Ceylan
Le Gamin au Velo - Jean-Pierre and Luc Dardenne
Le Havre - Aki Kaurismaki
Hanezu No Tsuki - Naomi Kawase
Sleeping Beauty - Julia Leigh
Poliss - Maiwenn
The Tree of Life - Terrence Malick
La Source des Femmes - Radu Mihaileanu
Hara-kiri: Death of a Samurai - Takashi Miike
We Have a Pope - Nanni Moretti
We Need to Talk About Kevin - Lynne Ramsay
Michael - Markus Schleinzer
This Must Be the Place - Paolo Sorrentino
Melancholia - Lars Von Trier
Drive - Nicolas Winding Refn
Out of Competition
The Conquest - Xavier Durringer
The Beaver - Jodie Foster
The Artist - Michel Hazanavicius
Pirates of the Caribbean: On Stranger Tides - Rob Marshall
Un Certain Regard
Restless - Gus Van Sant (opening film)
The Hunter “ Bakur Bakuradeze
Halt auf freier Strecke - Andreas Dresen
Hors Satan - Bruno Dumont
Martha Marcy May Marlene - Sean Durkin
The Snows of Kilamanjaro - Robert Guedeguian
Skoonheid - Oliver Hermanus
The Day He Arrives - Hong Sang-soo
Bonsai - Cristian Jimenez
Tatsumi - Eric Koo
Arirang - Kim Ki-duk
Where Do We Go Now? - Nadine Labaki
Loverboy - Catalin Mitulescu
Yellow Sea - Na Hong-jin
Miss Bala – Gerardo Naranjo
Trabalhar Cansa - Juliana Rojas and Marco Dutra
L’Exercice de l’Etat - Pierre Schoeller
Toomelah - Ivan Sen
Oslo, August 31 - Joachim Trier
Wu Xia - Chan Peter Ho-Sun
Dias de Gracia - dir. Tekla Taidelli
Labrador - Frederikke Aspock
Le Maitre des Forges de l’Enfer - Rithy Panh
Michel Petrucciani - Michael Radford
Tous Au Larzac - Christian Rouaud