Red Hot Chili Peppers star Chad Smith is swapping his drum sticks for a guitar pick to take part in a charity jam session. The rocker will join more than 150 artists, including Paul Simon bandmember Mark Stewart, former Hall & Oates musician G.E. Smith and Israeli singer/songwriter David Broza, for the Guitar Mash Benefit Concert and Jam at New York's City Winery on 17 November (13) to raise funds for music education programmes.
The event will also feature an auction of signed memorabilia from stars such as Ben Harper, Steve Earle and Stephen Stills.
If you can’t wait to see Denzel Washington and Mark Wahlberg team up in the action comedy 2 Guns, we've got a treat for you: 6 clips from the movie! In the film, Washington and Wahlberg play undercover agents Bobby and Stig, who try to break up a drug ring. The problem is that neither knows that the other is undercover. It's not their fault though... they're both pretty convincing.
When a plan to rob a bank turns disastrous, the agents find themselves on the run from the law instead of working for it. Stig gets interrogated while Bobby plays a game of Russian roulette.
The two A-list actors have some great banter, as the unlikely duo is forced to work together. Most notably, Stig has a problem with Bobby’s girlfriend Deb, played by Paula Patton.
2 Guns is in theaters on Aug. 2.
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You might be familiar with The Bible – the bestselling book turned TV miniseries, surprisingly not written by Stephen King? Well, it's now getting a sequel, tentatively titled A.D.: Beyond the Bible. The original 10-part series was such a ratings hit for the History Channel that it got the attention of the broadcast networks. NBC will be airing its follow-up, executive produced by Mark Burnett and his wife Roma Downey.
Since the actual Bible didn't have a sequel (which is really a shame, given its loyal following), A.D.: Beyond The Bible will take place in the aftermath of Jesus’ death. According to a statement from NBC, “A perfect storm brews in the Holy Land, fueled by social injustice, Roman military oppression and religious unrest. And in the face of terrible odds and brutal persecution, the small band of Jesus’ disciples stand against the combined might of Rome and their own local authorities. In a generation of rebellion, war, famine, and carnage, who can they trust?”
Oh, the suspense! If you can’t wait to find out what happens, just brush up on your history.
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November 04, 2010 6:48am EST
Following is a roundup of American Film Market deals making news over the past day.
Voltage Pictures has closed a host of pre-AFM sales for indie political drama The Whistleblower, starring Rachel Weisz, Variety reports. Territories to acquire the project include Canada, Germany, France, Australia, Hong Kong, Latin America, Taiwan and the Middle East. UTA is selling the pic for the US.
Also per Variety, Maya Entertainment has acquired US rights to Sympathy for Delicious, Mark Ruffalo's directorial debut. Plans are to release in the spring. Ruffalo, Juliette Lewis, Orlando Bloom and Laura Linney star.
London-based WestEnd Films has boarded international sales for The Song of Names, directed by Vadim Perelman and starring Anthony Hopkins and Dustin Hoffman.
Per Screen, the project will be shot by Oscar-winning DP Pawel Edelman. Script is by Oscar-nominated writer Jeffrey Caine with a score composed by Oscar winner James Horner.
Story follows a man searching for a childhood friend, who mysteriously vanished one day when they were teenagers.
According to The Hollywood Reporter, Anchor Bay Films has acquired all distribution rights for the US, UK and Australia/New Zealand to Joker Films' Daydream Nation. Michael Goldbach's feature debut stars Kat Dennings and Josh Lucas.
TF1 International is handling two Canadian projects: Hobo With a Shotgun and :) 388 Arletta Avenue.
Latter is produced by Vincenzo Natali and Steven Hoban. Starring Nick Stahl, the found-footage film is Paranormal Activity meets Rear Window, says TF1.
Hobo is from director Jason Eisener, who originally won top honors in the Grindhouse Trailer Contest with a faux trailer for the project. Rutger Hauer stars in the vigilante tale.
France's Memento Films is handling the English-language debut of Palme d'Or winner and Oscar nominee Laurent Cantet, an adaptation of Joyce Carol Oates' Foxfire.
The project, per Screen, is set in 1950s America and follows a group of headstrong teenage girls. Memento previously handled Cantet's lauded The Class.
StudioCanal has sold all Japanese rights on horror hit The Last Exorcism to Comstock Group.
Indomina Releasing, says Screen, has acquired all North American rights from Films Distribution to French horror project The Pack, which premiered in Cannes and stars Yolande Moreau and Emilie Dequenne.
Magnolia International has closed multiple territories on Norwegian creature feature Troll Hunter. According to Screen, the film has sold in the UK, Australia, Japan, Canada, Brazil and Thailand.
Finally, Strand Releasing has picked up all US rights to Catherine Breillat's Sleeping Beauty from Pyramide Intl. The film will be released next spring.
Source: Hollywood Wiretap
November 03, 2010 5:50am EST
News of a new Andrew Dominik project ramped up on Tuesday when Deadline reported that Brad Pitt is negotiating to star in and produce Cogan's Trade, a comedic crime saga that Dominik will direct.
Earlier in the day, The Playlist had been tipped that Dominik was putting the film together and, referencing an earlier comment by Casey Affleck, said it appears the actor would also reteam with his and Pitt's Assassination of Jesse James director.
Says Deadline, Pitt will play Jackie Cogan in the adaptation of George Higgins' novel. Cogan is a professional enforcer who investigates a heist that takes place during a high stakes poker game held under the protection of the mob. Dominik wrote the script.
According to the Heat Vision blog, names such as Sam Rockwell, Mark Ruffalo and Javier Bardem have also sprung up as possibilities for the ensemble piece.
Cogan's Trade has been set up independently, financed by Inferno Entertainment, which will handle international sales. Plan B's Pitt and Dede Gardner and Chockstone's Steve Schwartz and Paula Mae Schwartz are producing. Inferno's Bill Johnson and Jim Seibel will exec producer with Marc Butan. Roger Schwartz is co-producer.
Although Affleck previously said he was doing a movie with Dominik in January 2011, it is not clear when the film will start.
Dominik is also set to direct the adaptation of Joyce Carol Oates' Blonde, with Naomi Watts playing Marilyn Monroe. Word on that project is that the financing is in place and a February start had been planned.
However, Wiretap recently heard that if Dominik could get the Pitt project off the ground, Blonde could move to June.
Source: Hollywood Wiretap
The catastrophic battles of the Clone Wars are in their final stages as the crumbling Republic--supported by the ever-vigilant Jedi Knights--fight against the Separatist Alliance lead by a particularly nasty half-droid half-alien named General Grievous. Jedi überheroes Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen) are sent to kill General Grievous and end the war but it isn't easy. Meanwhile Yoda Mace Windu (Samuel L. Jackson) and the other Jedi Council members fear for the state of the Republic under the guidance of the nebulously sinister Chancellor Palpatine (Ian McDiarmid). I know what you're thinking "Yeah yeah just tell us how Anakin goes bad." Poor Annie. He still has some serious anger issues which now revolve around his adoring young wife Padme (Natalie Portman) and their unborn child (or children in this case). He thinks he foresees Padme's death and will do anything to keep her safe including listening to Palpatine malevolently whisper promises of immortality and the power of the Dark Side into his ear. Not the best thing for this volatile fellow. Yes Darth Vader will soon emerge and the inevitable duel between the good and the Dark Side is at hand. Get your lightsabers ready.
Happily all the main actors--save for perhaps Natalie Portman as the ineffectual Padme--get a lot more to chew on in this final installment. Christensen is thankfully done being the whining teenager from Attack of the Clones and turns into a brooding conflicted pre-Vader who can't control his anger. Of course he overdoes it a bit with the scowling and evil cold stares but that's OK. It's what the part requires. The love story between Christensen and Portman however is still kind of painful to watch. The two actors look more than a little embarrassed professing their love for one another ("I'm so much in love with you" "No I'm so much in love with YOU!"). And besides bringing back the infamous Leia "cinnamon bun" look Portman isn't given a darn thing to do but fret and pace and rub her pregnant belly praying Anakin will be all right. You'd think after wielding a gun in The Phantom Menace she'd get to do more fighting. Oh well. On the flip side McGregor Jackson and even McDiarmid all get to kick some serious butt in Revenge of the Sith each with their own action-packed fight sequences. Jackson just seems happy to be swinging a lightsaber around. McGregor with the full beard and biting commentary does a nice job setting the stage for the elderly Ben Kenobi to come. And McDiarmid a veteran British stage thesp finally gets his chance to shine as the malicious Palpatine as we see his own transformation into the ultimate evil being he becomes.
Oh George what are you going to do now that it's all over? Of course Lucas has said he is going to redo all the six Star Wars episodes in 3-D as well as produce a TV series which follows the events after Return of the Jedi. Then there's the fourth Indiana Jones movie to look forward to. But Lucas will probably hole back up at his Skywalker Ranch in northern California and dream up even better ways to generate special effects for the big screen. That's what he does best. He truly is an amazing genius at creating visuals and Revenge of the Sith is no exception. From the battle between General Grievous and Obi-Wan to Yoda's clash with Darth Sidious to Obi-Wan's climactic duel with Anakin Sith is simply riveting. The only difficulty Lucas has ever had is with the human element. I'll admit I'm one of those die-hard fans of the original trilogy who had a problem with the lack of an emotional core in the prequels. After writing and directing the first Star Wars (or Episode IV for those counting) Lucas understood then that maybe he wasn't the best choice to write the next two handing the chores off to screenwriter Lawrence Kasdan. It worked. Big time. Yet with all three prequels (that's Episodes I-III) Lucas did it all himself and his obvious shortcomings are evident. But hey does it really matter how connected you feel to the characters when you've got the Force Jedi Knights evil Darths an ass-kicking little green guy clone armies droid armies Wookiee armies (yeah that's a lot of fur) and an ultimate turn towards the Dark Side? No. But it helps.
Steve and Terri Irwin are crocodile relocators in Far North Queensland Australia. They spend a lot of time well relocating crocs--saving a baby kangaroo and charming a few snakes along the way. But all that's about to change. A U.S. satellite has exploded in space and its black box has re-entered the atmosphere and ended up in the gut of a nasty 12-foot croc the Irwins are about to relocate. The FBI CIA and goodness knows what other agencies are out to find the box at any cost because it contains data that could change the world's power structure. When the agents cross paths with the Irwins they become convinced that the two croc hunters are actually spies mainly because as one agent says toward the end of the film "You don't make that kind of money in cable television." That's for sure and that's probably the reason the producers turned The Crocodile Hunter cable show into a movie. It definitely wasn't because the script was irresistible: The plot is as transparent as shed snakeskin and the acting (if it can be called that) is as stiff as the spikes on a croc's back. I'm sure this is the kind of movie that a critic shouldn't take seriously but from its lizard-pooh opening to its crocodile-pooh finish The Crocodile Hunter: Collision Course really stinks.
Director/story writer/producer John Stainton was working with Irwin long before The Crocodile Hunter TV show became an international hit. In fact he wrote a movie script for Irwin in the mid-1990s that was scrapped because he didn't think Irwin should be acting. It's a shame he didn't take that thought process one step further; we'd all have been spared an agonizing guided tour of a good idea gone very very bad. The film's stars while appealing enough in the one-hour documentary format simply can't sustain a full-length motion picture and Mr. Irwin would have done well to heed his own advice--"Don't muck with it." Granted at least Stainton was smart enough to present the Irwins doing what they do best--enthusiastically working with wild animals while talking straight into the camera. The task of plot development is left to the other cast members--mainly Australian actors doing caricatures of Americans--who overdramatically play out the goofy spy plot in scenes that are completely separate from the Irwins' animal antics until the last 10 minutes of the film. The Irwin family dog Sui is probably the best actor of the bunch--and the smartest too. Most of the time she looks like she'd rather be just about anywhere else which is the most intelligent thing anybody in this film does.
As if anybody needed it The Crocodile Hunter: Collision Course is proof that what works on TV doesn't necessarily make a good movie; the Crocodile Hunter documentary routine quickly grows frustrating in the film because the Irwin scenes do nothing to further what little plot the movie actually has. Plus the reason why the Irwins continually talk into the camera goes unexplained until the very end of the film--and when someone finally mentions the fact that the Irwins have been "filming" their show throughout the movie it's so offhand that it's easily missed. At the same time the spy storyline that drives the plot is trite and because of the movie's bizarre structure it's played out by actors the audience couldn't care less about rather than by the ones they came to see. The spy scenes separate the Irwin segments like commercials--and like commercials when they come on you just want to get up and go to the bathroom grab a snack or feed the dog. The best thing that can be said for Stainton's direction is that at least he's not afraid of the film's ridiculousness. Bad though the movie is in every way Stainton puts it all out there as enthusiastically as Steve Irwin wrestles crocs and that's saying something. The film also gets across the Irwins' admittedly important message about conservation loud and clear but that probably won't be enough to keep its audience from becoming extinct.