There are few things more English than tea and comedy, so with that in mind, here are some comedians talking about their movie, Paul, while drinking tea. Paul, Simon Pegg and Nick Frost's foray into alien road trip movies hits Blu-ray and DVD August 9 and of course comes with quite a few special features to appease their adoring fans. We've got the full list of features for the film, which is directed by Greg Mottola and also stars Kristen Wiig, Jason Bateman, and Seth Rogen in voice only in addition to Pegg and Frost. But before we get into details, why don't you hear it from the men themselves.
In case you're a greedy bastard and that just wasn't enough for you, here's the full rundown of what you can expect on the Blu-ray/DVD combo pack:
BONUS FEATURES EXCLUSIVELY AVAILABLE ON BLU-RAY™ COMBO PACK:
Between the Lightning Strikes: The Making of Paul
Behind the Scenes Featurettes:
RV Doorway: The Cast of Paul On-Location — The cast is just as funny off-screen as they are in front of the camera.
Runway Santa Fe: An Interview with Nancy Steiner — Follow Nancy Steiner, the costume designer, as she chooses hilarious T-shirts and wardrobe for the cast.
Smithereens — Blowing up a house on location causes excitement among the cast.
5th Date Level Direction: The Cast on Greg Mottola — The cast talks about the fun of working with Mottola, who also directed Superbad.
Mexico Zero: The Locations of Paul—Mexico Zero is the nickname the cast gives to New Mexico, where the majority of filming was done for Paul.
The Many Pauls — To create Paul, the filmmakers used all the tricks of the trade, from capturing Seth Rogen’s facial expressions and movements, to using a child dressed up as an alien while on-set.
Paul: The Musical — The cast joins together for an impromptu musical version of the film.
The Traveler Beagle — A look at all the different RVs used on the set of Paul, from fully functioning vehicles to a mock-up on a Hollywood soundstage.
BD-LIVE™: Access the BD-Live™ Center through your Internet-connected player to watch the latest trailers and more.
pocket BLU™: The groundbreaking pocket BLU™ app uses iPhone®, iPod® touch, Android™, PC and Macintosh to work seamlessly with a network-connected Blu-ray™ player. Also available on the iPad®, owners can enjoy a new, enhanced edition of pocket BLU™ made especially to take advantage of the tablet's larger screen and high resolution display. Consumers will be able to browse through a library of Blu-ray™ content and watch entertaining extras on-the-go in a way that's bigger and better than ever before. pocket BLU™ offers advanced features such as:
Advanced Remote Control — A sleek, elegant new way to operate your Blu-ray™ player. Users can navigate through menus, playback and BD-Live™ functions with ease.
Video Timeline — Users can easily bring up the video timeline, allowing them to instantly access any point in the film.
Mobile-To-Go — Users can unlock a selection of bonus content with their Blu-ray™ discs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.
Browse Titles — Users will have access to a complete list of pocket BLU™-enabled titles available and coming to Blu-ray™ Hi-Def. They can view free previews and see what additional content is available to unlock on their device.
Keyboard — Entering data is fast and easy with your device’s intuitive keyboard.
BONUS FEATURES ON BLU-RAY™ AND DVD:
The Evolution of Paul — An inside look at how Paul became a living, breathing alien.
Simon’s Silly Faces — Simon Pegg makes an assortment of wildly funny faces for the camera.
Who the Hell is Adam Shadowchild? — Find out about the legendary sci-fi writer from the characters in Paul.
Feature Commentary with Greg Mottola, Simon Pegg, Nick Frost, Bill Hader and Nira Park
Photo Galleries, Storyboards and Posters
If a major motion picture studio gave you $50 million to make the movie of your choice what would it be like? If you’re producers Tim Bevan and Eric Fellner and writers Simon Pegg and Nick Frost it’d be a loving lampoon of geek culture and an homage to the films of the Spielberg/Lucas revolution but nostalgia is both an advantage and disadvantage in director Greg Mottola’s Paul.
Pegg and Frost star as a pair of nerds from across the pond who fulfill lifelong dreams when they fly to San Diego for the annual Mecca of nerdom Comic-Con. The doofy duo extend their trip to tour America’s extraterrestrial hot spots including Area 51 where they pick up an unexpected alien hitchhiker on the run from the proverbial men in black. Across the country they go getting into trouble picking up more passengers and building bromantic bonds as the little green man Paul inches closer to his escape from planet Earth and the shadowy government official who has been exploiting his knowledge of the universe since he crash landed in Wyoming over 60 years ago.
Fan-favorite filmmakers since 2004’s Shaun of the Dead Pegg and Frost have been making geek chic for years now and continue to create identifiable roles for themselves while finding humorous ways to write their like-minded friends into their movies. Their collection of wacky characters is charming if incredibly derivative but for better or worse they are the heart and soul of the film. Jason Bateman Kristen Wiig Bill Hader and Jo Lo Truglio turn in fun performances but I expected a bit more from the Jane Lynch David Koechner and Sigourney Weaver cameos. Still Seth Rogen’s vocal performance as Paul adds significant layers to an already adorable alien and enlivens the adequately rendered CG character.
The comedy is surprisingly sweet and doesn’t bite like Mottola’s Superbad though there are enough religious jabs and signs of anti-establishment fervor to call it mildly subversive. Lack of laughs isn’t the issue here; lack of originality is. Mottola is too dependent on pop-culture references and inside jokes pertaining to E.T. Star Wars and Close Encounters of the Third Kind so much so that the film ultimately becomes a parody of itself as its storyline mirrors that of Steven Spielberg’s massive 1982 blockbuster (in this world the movie mogul actually consults the incarcerated alien for inspiration for his beloved family film). While these nods are all amusing they’re not enough to carry the film and Mottola/Frost/Pegg offer little else. At its worst Paul will give you a reason to revisit those classic sci-fi staples and remember the good old days. At best it provides a few mindless chuckles and gives you good reason to give the geek next to you a great big hug.
The romantic action comedy Scott Pilgrim vs. the World is like nothing — and if you’re a person between the age of approximately 18 to 35 everything — you’ve seen before. British director Edgar Wright’s (Shaun of the Dead Hot Fuzz) adaptation of Bryan Lee O’Malley graphic novel is so densely laden with pop-culture references it often times feels less like a movie than a mixtape. Those who share the tastes of the film’s 31-year-old writer and 35-year-old director will find the experience to be exhilarating; those who don’t however will likely be at a loss to comprehend what all the fuss is about.
The list of ‘80s and ‘90s video game nods in Pilgrim alone is daunting: Tekken Super Mario Bros. Tetris Zelda and even retro titles like Galaga and Ms. Pac-Man are represented just to name a few. To fit all of it in Wright must practically invent a brand-new kind of filmmaking. Using techniques and iconography culled from the holy fanboy triumvirate of comic books video games and anime/manga and armed with a clearly generous effects budget he splatters the screen with a dazzling array of CGI visual aids as the action unfolds: informational pop-ups supply key details on each character as they are introduced; words like “Boom!” and “Pow!” burst forth when blows are landed during fight sequences; a “Level Up!” graphic indicating increased levels of key character attributes appears after the film’s hero triumphs in battle. Even the old Universal Studios logo has been revamped by Wright rendered in the rudimentary graphics and sound of the old 8-bit Nintendo Entertainment System. Call it easter-egg filmmaking.
At the center of this digital maelstrom is Scott Pilgrim a 22-year-old Canadian hipster waif played by 22-year-old Canadian hipster waif Michael Cera. Unemployed and in no great rush to find work he splits his time evenly between jamming with his middling band Sex Bob-Omb (a Super Mario Bros. reference) combing thrift shops for new additions to his near-limitless collection of ironic t-shirts and pining for Ramona Flowers (Mary Elizabeth Winstead) a beguiling New York City emigre whose signature attribute is her constantly-changing hair color.
After a few abortive encounters Scott finally gets Ramona to reciprocate his affections. Thus begins the quest — or "campaign " as gamers call it — portion of the film as Scott soon discovers that in order to secure Ramona’s hand he must defeat each of her seven evil exes (six boys and one girl) in spontaneous death matches of decreasing novelty. (A few of them could easily have been excised without harming the narrative but that might invite the ire of comic book fans who typically demand nothing less than absolute adherence to the source text.) With a variety of found power-ups and an entirely implausible collection of fancy kung-fu moves he faces off against among others a pompous vegan straight-edge (Brandon Routh) a self-absorbed action star (Chris Evans) a spiteful lesbian (Mae Whitman) and a smarmy record producer (Jason Schwartzman).
I expect Scott Pilgrim vs. the World will polarize audiences and not just because of Wright’s distinctively dizzying directorial style. (Which I thoroughly enjoyed even though it occasionally overdoses on manufactured quirk and is a bit too proud of its cleverness.) The film glosses over Scott and Ramona’s wooing process in its rush to commence with its succession of comic-book battles which grow somewhat tedious toward the end. It’s simply assumed that Ramona would fall for our protagonist as it’s likewise assumed that we already have. But not everyone will embrace Scott’s castrati hipster affect which too often comes across as grating rather than charming. (The movie’s funniest moments come courtesy of Scott’s sassy gay roommate played by Kieran Culkin who is never without a clever barb for his lovelorn pal.) And beneath Cera’s self-effacing sheen exists an unmistakable whiff of pretentiousness that isn’t entirely justified — at least not yet. Far less debatable is the appeal of Winstead whose spunky Ramona appears every bit worth the hassle of fending off seven or more ex-lovers.
God knows what she sees in him.
Seth Rogen, Jason Bateman, Kristen Wiig, Bill Hader and Jane Lynch have joined Simon Pegg and Nick Frost's Paul. The Universal and Working Title Films road-trip comedy was written by Pegg and Frost -- who are also starring -- and will be directed by Greg Mottola.
Pegg and Frost are to play two sci-fi fanatics whose conspiracy dreams come true when they encounter an escaped alien at Area 51. Rogen will provide the voice of the alien, Variety reports.
Eric Fellner and Tim Bevan will produce with Nira Park of Big Talk Prods. Shooting begins in June.
A family reunion of sorts, Paul re-teams Pegg and Frost after Shaun of the Dead and Hot Fuzz, while Rogen last worked with Mottola on Superbad in which he played one of a pair of cops with Hader. Hader, in turn, just worked with Mottola and Wiig on Adventureland.
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Shaun (Simon Pegg) is an ambitionless electronics salesman whose idea of grabbing life by the throat is chugging beer at the local pub the Winchester. After three years Shaun's ennui starts to grate on his girlfriend Liz (Kate Ashfield) who presents the 29-year-old slacker with an ultimatum: Set some goals or get ready for the single life. Of course it isn't long before Liz dumps lazybones Shaun who drowns his sorrows in a pint of cold ale at--where else? The Winchester of course along with his out-of-shape and equally lethargic buddy Ed (Nick Frost). What Shaun and Ed are too wasted to realize however is that the good people of London are turning into zombies all around them. When Shaun is almost bitten by a strange pale lady lurking in his garden he realizes something's up--namely that the dead have risen and are feasting on the living. A newly-inspired Shaun springs into action and comes up with the perfect plan to thwart the undead. With the help of Ed he rounds up Liz her roommates his mom and stepfather and takes them to his idea of a safe haven: The Winchester!
As Shaun Pegg who had a small roles in the HBO miniseries Band of Brothers and the comedy 24 Hour Party People is quite endearing. Although he's shiftless Shaun is someone everyone can relate to--stuck in a comfort zone with no plan to change in his life. But Pegg brings some complexity to the character giving Shaun a sympathetic edge. Of course the film tends to overplay the sympathy card complete with shots of Shaun's fake tears after he splits with Liz. But in the end Shaun is not the lazy loser Liz and her friends all thought he was--just an easy-going guy who enjoys the simpler things in life. Ashfield who has starred in several British feature films is also impressive as Shaun's disapproving girlfriend. The on-screen chemistry between the two stars is surprisingly sweet and almost too down to earth for a parody; sure it's silly at times but incredibly believable. Frost meanwhile nails the sidekick role of Ed--a character you'll first despise but eventually grow to almost love.
In vein of his 1995 spaghetti Western spoof A Fistful of Fingers writer/director Edgar Wright uses his parodying skills once again for his second feature Shaun of the Dead--this time lampooning George Romero's 1978 zombie classic Dawn of the Dead. Like Romero whose zombie films take a satirical look at American counterculture of the late 60s Wright's Shaun takes aim at the dreadful idleness plaguing the underachieving Gen-Xers. The film's first 30 minutes are undoubtedly its best as Shaun and other young Londoners mechanically go through the motions of life without ever taking the time to smell the proverbial roses; they schlep to work traipse to the pub and slump into bed never fully appreciating their lives. While anticipating the imminent onslaught of zombies Wright takes pleasure in blurring the lines between the undead and the just plain lethargic. But the film loses its focus once Shaun's character takes a heroic turn and we are forced to endure several poignant moments with his mom and stepdad. Remember Shaun is suppose to be a zombie satire not a Lifetime movie of the week.