Sad news has graced the set of the A&E's Network's reality program Paranormal State: 30-year-old star Ryan Buell has been diagnosed with pancreatic cancer.
People reports the news, following a slew of well wishes from fans on Buell's Facebook page, as well as a few updates about Buell's health. Included among the more recent of these posts (which are accredited to a source named "Cereza, PRS Staff") is an update about Buell's brief hospitalization on Monday due to "complications with his kidneys," followed by an announcement on Tuesday that Buell "continues to get some rest."
There have been no explicit updates since, but Buell's Facebook page continues to display encouraging images of the Paranormal State star engaging in retreats, taking photographs with fans, and spreading the philosophies for which his fans adore him so much.
Buell is a paranormal investigator who founded Pennsylvania State University's Paranormal Research Society (featured on the show) during his own college years. Buell's memoir, Paranormal State: My Journey into the Unknown, was published in 2010.
[Photo Credit: WENN]
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Bob Hoskins, the English actor likely known best for his roles in the films Who Framed Roger Rabbit and Hook, has announced that he will be retiring from acting, following a diagnosis of Parkinson's disease. "Bob is now looking forward to his retirement with his family, and would greatly appreciate that his privacy be respected at this time ..." Hoskins agent said in a statement according to BBC. "He wishes to thank all the great and brilliant people he has worked with over the years, and all of his fans who have supported him during a wonderful career."
Although Hoskins' performing career dates back to the early 1970s, including classic pieces like Pink Floyd's The Wall and Brazil, modern audiences are likely most familiar with the actor for his starring role in 1988's groundbreaking melding of live action and animation, Who Framed Roger Rabbit. Hoskins played gruff, embittered, toon-hating detective Eddie Valiant, who turns over a new leaf when he teams up with the titular cartoon character to solve a murder mystery. Hoskins was also a fan favorite in the '91 Peter Pan flick Hook, taking on the lovable, oafish pirate sidekick Smee.
Some of Hoskins' other cinematic roles in the past two decades include the video game hero in the goofy Super Mario Bros. '93 movie, J. Edgar Hoover in '95's Nixon, and Nikita Khrushchev in 2001's Enemy at the Gates. Hoskins also appeared in the 2002 rom-com Maid in Manhattan and the 2005 surreal thriller Stay. Most recently, Hoskins played the role of Muir, one of the princess' dwarf allies in the Kristen Stewart picture Snow White and the Huntsman.
[Photo Credit: David Edwards/Daily Celeb]
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The 69 year old's representative announced the news on Wednesday (08Aug12), revealing the actor was diagnosed with the same degenerative condition as Back to the Future star Michael J. Fox last year (11).
A statement issued by his publicist reads: "Bob Hoskins wishes to announce that he will be retiring from acting, following his diagnosis of Parkinson's disease last autumn.
"He wishes to thank all the great and brilliant people he has worked with over the years, and all of his fans who have supported him during a wonderful career. Bob is now looking forward to his retirement with his family, and would greatly appreciate that his privacy be respected at this time."
Hoskins began his screen career in the late 1960s and became known for his performances in 1980's The Long Good Friday, which won him a Best Actor Oscar nomination, and Mona Lisa in 1986.
He also gained critical acclaim for his turn in 1988's Who Framed Roger Rabbit, in addition to appearances in Mermaids (1990) and the Peter Pan tale Hook (1991).
Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
Oscar winner Barry Levinson (Bandits) received the Golden Eddie for filmmaker of the year Sunday at the 52nd American Cinema Editors Awards at the Beverly Hilton Hotel. Pietro Scalia won best edited dramatic feature for Black Hawk Down while Jill Bilcock won best edited comedy or musical for Moulin Rouge, reports The Hollywood Reporter. The television categories were dominated by HBO editors, which won three of the six awards. Veteran editors George Watters and Antony Gibbs received lifetime achievement awards.
Even after the 25th anniversary of his death, Elvis Presley is still drawing controversy. Elvis Presley Enterprises has licensed a company to replace George Washington on some of Tennessee's 2002 quarters with a color illustration of Presley. While defacing U.S. currency is considered a misdemeanor crime, the King of Rock 'n' Roll quarters are in a gray area because they are not part of a deceptive scheme, the Associated Press reports.
Harrison Ford, who divorced screenwriter Melissa Mathison last year, was seen strolling down Madison Ave. with Ally McBeal star Calista Flockhart, bundled in winter jackets and wearing blue jeans and caps. According to PageSix.com, the also couple attended a post-Globes party together, and when the waifish Flockhart spilled red wine on her dress, Ford kissed her on the cheek and told bystanders, "She's a beautiful girl."
Madonna has refused to accept a Lifetime Achievement Award this year, worried that it might make her seem old and out of date. According to People, the 43-year-old singer was asked to accept the award in recognition of her 18-year career that started in 1984. Instead, the award went to Sting, who insisted the title of the award be changed to Outstanding Contribution before he'd accept it.
Tom Cruise is indeed sporting see-through braces, his spokeswoman Pat Kingsley told Reuters. After taking one of his kids to an orthodontist in Beverly Hills, the doctor noticed that Cruise's bite was out of alignment. The 39-year-old actor will likely have the braces on for a year or so but will take them off for movies.
Sylvester Stallone saved his pregnant wife, model Jennifer Flavin, and good friend Mira Sorvino from a stalled elevator after the two women were stuck between floors in the backstage elevator. The incident occurred during the Entertainment Industry Foundation's Love Rocks party last Thursday at the new Kodak Theater in Hollywood. Stallone took off his jacket and manually pried open the doors with his own hands, pulling the women to safety, according to myvideostore.com.
Singer Kylie Minogue told British talk-show host Michael Parkinson that she intends to marry boyfriend James Gooding, reports Sky News. Minogue, who has had a string of high-profile relationships including late INXS frontman Michael Hutchence, said she has found happiness with the British model.
Anjelica Huston has been added to the cast of Blood Work, a new suspense-thriller from Warner Bros. According to The Hollywood Reporter, the film is based on the novel by Michael Connelly and stars Clint Eastwood as an FBI profiler tracking a serial killer under unusual circumstances involving his own history and blood analysis. Eastwood is also helming the film, which began filming Tuesday in Los Angeles.
Paul McCartney returned home to Liverpool, England, for a surprise appearance Sunday at a tribute concert for George Harrison, Reuters reports. The audience joined McCartney in an impromptu version of "Yesterday" in memory of the late Beatle, who died of cancer last year at the age of 58.
Don't expect Paul McCartney's wedding to Heather Mills next month to be a showy affair. A friend of McCartney told Scotland's Sunday Mail that the couple considered marrying in Skibo Castle, near Dornoch--where Madonna married director Guy Ritchie a year ago--but decided to go for something simpler instead, either at a small church or register office. The couple got engaged last July after meeting two years ago at an awards dinner.
The Screen Actors Guild and the Association of Talent Agents reached a tentative agreement Monday that would allow talent agencies to make and receive investments in companies involved in production, reports AP. The current rules, which went into place in 1939, were drafted to prevent conflicts of interest and protect actors from exploitation by talent agencies working for either producers or movie studios. Movie studios and television networks, however, would still be banned from owning or investing in a talent agency.