The veteran actor passed away on Tuesday (17Jul12). Details of his death have not been released, but Paull was diagnosed with stomach cancer earlier this year (12).
The actor, who also appeared in film classics Patton and Norma Rae, played Holden in Ridley Scott's sci-fi hit and became the director's sidekick on set after suggesting he hire Daryl Hannah to play replicant Pris in the film and fire Sean Young.
Scott agreed with Paull on the former and famously ignored him on the Young advice, casting the actress as Harrison Ford's love interest in the movie.
Paull became a serious theatre actor first on Broadway and then in California, where he was spotted by Franklin J. Schaffner and cast in his 1970 epic Patton, alongside George C. Scott.
Paull was with the movie great in Spain, where the film was shot, when Scott allegedly claimed the eye of a drunk American tourist in a bar brawl.
Paull also appeared in Fools' Parade and John Wayne movie Cahill U.S. Marshal.
He also enjoyed success on TV with roles in Gunsmoke, The Waltons, McCloud and Ironside, and he was a long-time union official in Hollywood, serving on the Screen Actors Guild board of directors and co-founding Actors Working for an Actors' Guild with close friend Charlton Heston.
He also made his mark in Hollywood as a talent agent.
Earlier this year (11), ABC network bosses announced All My Children will come to an end in September (11) after 41 years on air, while One Life To Live will also be scrapped following a 43-year run.
But the shows look set to dominate the 38th annual Daytime Emmys - All My Children, which has 13 nominations, is up for Outstanding Drama Series, competing against The Bold and the Beautiful, General Hospital and The Young and the Restless, while its stars Alicia Minshew, Debbi Morgan and Ricky Paull Goldin will all do battle in the Leading Drama Actor categories.
All My Children's Melissa Claire Egan will go up against One Life To Live actress Bree Williamson for Best Supporting Drama Actress title, alongside the likes of Julie Pinson (As The World Turns), Heather Tom (The Bold and the Beautiful) and Tricia Cast (The Young and the Restless), while Williamson's co-star Brian Kerwin will fight for Best Supporting Drama Actor, a category which includes Jonathan Jackson and Jason Thompson from General Hospital.
Medical drama series General Hospital leads the nominations with 21, while The Young and The Restless garnered 20 and children's show Sesame Street earned 16.
Comedienne-turned-talk show host Ellen DeGeneres is also set for a big night after taking 12 nods, including Outstanding Talk Show - pitting The Ellen DeGeneres Show against The View, Regis & Kelly and Rachael Ray.
DeGeneres' hit programme also gained recognition for direction, set design and make-up, although the star herself failed to land a nomination for Outstanding Talk Show Host - a title she has won four times before. Instead, The View's star-studded line-up - consisting of Whoopi Goldberg, Joy Behar, Sherri Shepherd, Elisabeth Hasselbeck and Barbara Walters - will battle against the presenters of Regis & Kelly, Rachael Ray, The Doctors and Dr. Oz for the top TV category.
The nominees for the 2011 Daytime Emmy Awards, which celebrate the best in U.S. TV production, were announced early on Wednesday (11May11).
The winners will be unveiled at a ceremony in Las Vegas on 19 June (11). Actor/comedian Wayne Brady will host.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.