Little known fact: Guy Pearce was approached to play that lead role in the 2003 comic book adaptation Daredevil (the part that eventually went to Ben Affleck). According to Pearce, "playing a comic strip superhero was, some years ago for me, totally out of the question" back when he was courted to play the red-suited, blind superhero. Times have obviously changed, as this weekend he'll be seen opposite Robert Downey, Jr. in Iron Man 3.
"I think I've broadened my horizons a bit," Pearce tells Hollywood.com. "The difference obviously is that the Iron Man films have proven to be really interesting and really fun and really cleverly done."
Pearce, who recently appeared in Prometheus, Lawless, and the Sundance premiere Breathe In, believes that "a lot of comic book movies out there that don't really work" but Marvel's Iron Man franchise has towed an "interesting line between reality and fantasy" while putting its character first.
In Iron Man 3, Pearce plays Aldrich Killian, mastermind behind a regenerative body enhancement process known as "Extremis." When he arrives on the doorstep of Tony Stark (Downey, Jr.) and Pepper Potts (Gwyneth Paltrow), he's your typical genius playboy with a shimmer of pure evil in his eye. But 13 years prior, when he first met Stark at a fateful New Year's Eve party, he was mangy, awkward, and unfit for the future Iron Man's attention.
"Here is someone who wants to get out of the hole that he's in," Pearce says. "He realizes he's annoying, he realizes he's irritating, he's constantly being rejected (and obviously we see in the film that he's rejected by Tony Stark). I think when someone you admire so much turns their back on you, it's almost like a final straw."
Pearce likens Killian's evolution to the modern obsession with plastic surgery. For a fragile personality, there can be an addictive nature to change. "Doing one thing to solve a problem and then thinking you need to do something else because there's another problem and do something else because there's another problem and never knowing where to stop. To me, it was an image I had in mind when looking at Killian and how far he takes it. Getting to the point where he just wants to take over the world," explains Pearce.
Killian may be Shane Black's subtle riff on "comic book fan culture," but Pearce is quick to clear up that it's not symbolically all-encompassing. "Here is someone who clearly has a lot of social difficulties, he's physically disabled in a particular kind of way, [and] he's extremely enthusiastic and ambitious. It was a tricky character to play," Pearce admits. The actor says he's portraying a "geek," but not every geek. Pearce says he's run into a similar situation before where one character resonates as a larger metaphor for audiences and that that's not the case with Killian. "When we did Priscilla [,Queen of the Desert] and a lot of people stepped forward and said, 'you guys are trying to say that all gay people are like this.' 'Well, no, I'm just portraying one character. Not the entire universe of gay characters.'"
Much like Prometheus and Lawless, Pearce goes under the guise of makeup and wigs to bring the pre-dapper-makeover Killian to life. The actor says that he enjoys "the possibilities of costume and makeup and the ability to change yourself on film" and is always surprised when actors look exactly the same from movie to movie. The transformation is part of the supporting character appeal — and for many years, it was the only type of role he wanted to take. He says the reason he took Iron Man 3 and not Daredevil was that he "wasn't asked to play Iron Man himself." At the time Daredevil was casting, he was worried about becoming "a leading man."
"I struggled years ago with the whole prospect of being pigeonholed," he says. "People pounce on you straight away and say, 'Oh, you're a good looking guy, we're going to shove you into leading men roles.' I really fought against that." Pearce recalls getting a taste of leading man work during his time on Australian TV show Neighbours. It left him craving to go back to the stage, where he got his start. "As a kid I did a lot of theater and played a lot of varied roles and I got much more satisfaction out of doing that. So I fought against playing a leading man role. I didn't think that was me. I didn't have anything to say."
"Now if it comes along, I'm more able to go and do it and I'm not afraid that I'll get stuck there," Pearce says of his decision to enlist for Iron Man 3. Pearce recently starred in the action vehicle Lockout where he both had a blast and nailed the persona of gruff, antihero Snow. Pearce says he's come to a moment in his career where he can perform and feel fulfilled tackling the leading man role. "I feel like I can do that (not that I'm doing it that often). I can do something like Killian in Iron Man and think that my versatility is still afloat."
So the ball is in Marvel's court now. Daredevil reboot, anyone?
Follow Matt Patches on Twitter @misterpatches
More: Daredevil Can Join the Avengers NowA Non-Geek's Guide to 'Iron Man'Loving Gwyneth Paltrow in 'Iron Man 3'
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There's no holiday Gleekier than Christmas, which is why the new Glee Christmas album, Glee: The Music, The Christmas Album Volume 2, will make a perfect gift for any of your friends or family members who are particularly fascinated with the misadventures of the McKinley High student body. This year's Glee Christmas album will have a couple of special bonuses. The first will be the presence of The Glee Project contestants Damian McGinty, Samuel Larson, Lindsay Pearce and Alex Newell on the CD, singing in such songs as "Blue Christmas," "Santa Claus is Coming to Town," and "Do You Hear What I Hear?"
The second, and even more exciting, surprise is the inclusion of two original songs as sung by the cast of Glee. The songs will be entitled "Extraordinary Merry Christmas" and "Christmas Eve With You."
Below is a full track listing, along with the names of the actors (and characters) who will be performing the songs. The album will be available Nov. 15.
1. 'All I Want For Christmas Is You' Featuring Amber Riley (Mercedes)
2. 'Extraordinary Merry Christmas' Featuring Darren Criss (Blaine) and Lea Michele (Rachel)
3. 'Santa Baby' Featuring Naya Rivera (Santana)
4. 'Christmas Eve With You' Featuring Jayma Mays (Emma) and Matthew Morrison (Will)
5. 'Little Drummer Boy' Featuring Kevin McHale (Artie)
6. 'River' Featuring Lea Michele (Rachel)
7. 'Do You Hear What I Hear?' Featuring Lindsay Pearce and Alex Newell ('Glee Project')
8. 'Let It Snow' Featuring Darren Criss (Blaine) and Chris Colfer (Kurt)
9. 'Santa Claus Is Coming To Town' Featuring Mark Sailing (Puck), Cory Monteith (Finn) and Samuel Larsen ('Glee Project')
10. 'Christmas Wrapping' Featuring Heather Morris (Brittany)
11. 'Blue Christmas' Featuring Damian McGinty (Rory)
12. 'Do They Know It's Christmas' Featuring Cory Monteith (Finn), Amber Riley (Mercedes), Lea Michele (Rachel), Chris Colfer (Kurt), Kevin McHale (Artie), Heather Morris (Brittany), Mark Salling (Puck), Jenna Ushkowitz (Tina), Naya Rivera (Santana)
Moviegoers fell in love with "Heartbreakers" this weekend, giving MGM its second straight first place opening this year.
The PG-13-rated romantic comedy from MGM and Davis Entertainment captured the top spot with a frisky estimated $12.3 million at 2,750 theaters ($4,468 per theater).
Directed by David Mirkin, "Heartbreakers" stars Sigourney Weaver, Jennifer Love Hewitt and Gene Hackman.
"Two in a row," MGM worldwide distribution president Larry Gleason said Sunday morning, referring to the studio's Number One openings for "Hannibal" in February and now "Heartbreakers." "The last time (MGM had two consecutive first place openings) was 1995 with 'Get Shorty' and 'GoldenEye,' which were back to back pictures. The Lion is back again!
"This is right where we wanted ('Heartbreakers') to be. We're happy for it. The plan that we had of aggressively screening this picture (with sneak previews two consecutive Saturday nights) and showing that it was fun also helped us get an audience that's a little bit younger. Jennifer Love Hewitt was a key to that. The fact that we have her in this movie has enabled us to get more young people in."
Looking at the film's audience composition, Gleason noted it was, "60-40 female-male. It got a 68% definite
recommend against a norm of 50% and that's great. It was pretty evenly older women-younger women, males were a
little bit lighter. The Top Two Boxes (excellent and very good) are 83%. It bodes well for the future."
Sony's Screen Gems division opened its R-rated urban appeal comedy "The Brothers" in second place with a
muscular estimated $10.7 million at 1,378 theaters ($7,765 per theater).
"Brothers" had the highest per-theater average for any film playing in wide release last weekend.
Written and directed by Gary Hardwick, "Brothers" stars Morris Chestnut, D.L. Hughley, Bill Bellamy and Shemar Moore.
"This is a very focused release with half the prints of the other top pictures this week and has an incredibly strong screen average," Sony Pictures Entertainment worldwide marketing & distribution president Jeff Blake said Sunday morning. "It has an A CinemaScore, which really makes you believe that those 1,378 runs are going to be playing for a long time."
"Brothers" should be nicely profitable for Sony. "It's a $6 million negative," Blake said. "We always had our eye on Universal's release of 'Best Man,' which was similar certainly (in being an) African-American romantic comedy. They opened Oct. 22, 1999, in 1,346 screens to $9,031,660 and did $34.1 million. So we always have had our eye on that one, and the fact that we've beat it pretty significantly really gives us hope that this is definitely a picture we can get into the mid-$30 millions or $40 millions. At a $6 million cost, that's a terrific piece of business."
Sony's Screen Gems label, he said, "is really on a bit of a roll here after 'Snatch.' Their next release is (the horror genre drama) 'The Foresaken' on April 27 (directed by J.S. Cardone and starring Kerr Smith and Brendan Fehr), and then they have 'John Carpenter's Ghosts of Mars' (directed by Carpenter and starring Ice Cube, Jason Statham and Natasha Henstridge) this summer. It's a very wonderful, focused marketing job by the Screen Gems group. You can give the credit to Valerie Van Galder, who's the head of marketing, and Clint Culpepper, who's the head of production. They really teamed up for a good one here."
Warner Bros. and Village Roadshow Pictures' R-rated action drama "Exit Wounds" slid two pegs to third place in its second week with a less-penetrating estimated $9.23 million (-50%) at 2,830 theaters (theater count unchanged; $3,260 per theater). Its cume is approximately $32.6 million.
Directed by Andrez Bartkowiak, "Exit" was produced by Joel Silver and Dan Cracchiolo. It stars Steven Seagal and DMX and was executive produced by Bruce Berman.
Paramount's R-rated World War II drama "Enemy at the Gates" from Mandalay Pictures added theaters in its second week but still fell two rungs to fourth place with a quieter estimated $8.4 million (-39%) at 1,677 theaters (+168 theaters; $5,009 per theater). Its cume is approximately $26.2 million.
Produced and directed by Jean-Jacques Annuad, "Enemy" stars Joseph Fiennes, Jude Law, Rachel Weisz, Bob Hoskins and Ed Harris.
"I was a little disappointed in the Friday figure, but Saturday came back real strong. We were down 29% on
Saturday, and I'm figuring about 40% today (Sunday) because the Academy Awards will impact us a little more than it will some of the other films, (because 'Enemy' is) more adult and a little more upscale," Paramount distribution president Wayne Lewellen said Sunday morning.
Sony Pictures Classics' Oscar-contending, PG-13-rated action adventure "Crouching Tiger, Hidden Dragon" rose one peg to fifth place in its 16th week, still basking in the glow of its 10 Oscar nominations with an estimated $4.65 million (+15%) at 2,027 theaters (+167 theaters; $2,295 per theater). Its cume is approximately $106.3 million.
"Tiger's" nominations include Best Picture, Best Foreign Language Film and Best Director. Director Ang Lee won the Directors Guild of America's award and is favored to win the Best Director Oscar.
Directed by Ang Lee, "Dragon" stars Michelle Yeoh and Chow Yun-Fat.
Asked where "Tiger" goes from here, Sony Pictures Classics sales vice president Tom Prassis said Sunday morning, "We'll know tonight. I have a goal in mind if it wins, but I'm not going to tell you what that is. It's a significant number."
Have the nominations been a big help to "Tiger" at the box office? "They have," Prassis replied, "but I think the film has really done it on its own, as well. I'm not sure if it would have done $100 million (without its Oscar attention). But there are people who are going to see it over and over again. A lot of them are kids, and those aren't the people who pay attention to the Academy Awards. Right now we're reaching the people of my generation, who do follow the awards, I think more than before. That's who we're going after now. There's a lot of them."
DreamWorks' R-rated drama "The Mexican" skidded three notches to sixth place in its fourth week with a dull estimated $4.3 million (-46%) at 3,043 theaters (-119 theaters; $1,419 per theater). Its cume is approximately $57.7 million.
Directed by Gore Verbinski, "Mexican" stars Brad Pitt and Julia Roberts.
USA Films' R-rated, Oscar-contending drama "Traffic" rose three pegs to seventh place in its 13th week, still making the most of the Oscar nominations spotlight with an estimated $3.9 million (+14%) at 1,684 theaters (+2 theaters; $2,320 per theater). Its cume is approximately $107.6 million, heading for about $120 million if it does not win Best Picture and about $140 million if it does.
"Traffic" is nominated for five Oscars, including Best Picture and Best Director.
Directed by Steven Soderbergh, "Traffic" stars Michael Douglas, Don Cheadle, Benicio Del Toro, Dennis Quaid and Catherine Zeta-Jones.
Miramax's PG-13-rated, Oscar-contending romantic comedy drama "Chocolat," which was ninth last week, tied for eighth place in its 15th week, still holding very well on the eve of the Oscars with an estimated $3.3 million (-4%) at 1,781 theaters (-120 theaters; $1,852 per theater). Its cume is approximately $60.6 million.
"Chocolat" is nominated for five Oscars, including Best Picture.
"It'll probably work its way to just about $70 million," Miramax senior vice president, marketing David Kaminow
said Sunday morning of the film, which only cost around $15 million. "This is definitely a profitable situation."
Directed by Lasse Hallstrom, "Chocolat" stars Juliette Binoche, Judi Dench, Alfred Molina, Lena Olin and Johnny Depp.
Warner Bros.' G-rated family appeal comedy "See Spot Run" from Village Roadshow Pictures, which was fourth last week, tied for eighth place in its fourth week with a slower estimated $3.3 million (-33%) at 2,605 theaters (-51 theaters; $1,282 per theater). Its cume is approximately $29.2 million, heading for $40 million in domestic theaters.
Directed by John Whitesel, "Run" stars David Arquette.
Rounding out the Top Ten was 20th Century Fox's opening of "Say It Isn't So" with a disappointing estimated $3.1 million at 1,973 theaters ($1,572 per theater).
Directed by J.B. Rogers, "Say" stars Heather Graham and Chris Klein.
There were no other noteworthy openings this weekend.
20th Century Fox held 189 sneak previews Saturday night of Fox 2000's PG-13-rated comedy "Someone Like You." The film opens March 30 at about 2,000 theaters.
"The reports I've gotten back are fabulous," Fox domestic distribution president Bruce Snyder said early
Sunday morning as he was starting to get details about the sneaks. "All the reports so far are sell-outs. I haven't
gotten all of them in, but they're very encouraging, very pleasing. It played wonderfully. It's a date night movie."
Directed by Tony Goldwyn, "Someone Like You" stars Ashley Judd, Greg Kinnear and Hugh Jackman.
On the expansion front, this weekend saw Sony Pictures Classics go wider with its R-rated drama "Pollock" in its seventh week, grossing a still colorful estimated $0.85 million (+13%) at 271 theaters (+42 theaters; $3,119 per theater). Its cume is approximately $4.9 million.
"Pollock" received Oscar
nominations for Best Actor (Ed Harris)
and Best Supporting Actress (Marcia Gay Harden).
Directed by Ed Harris, "Pollock"
stars Ed Harris and Marcia Gay Harden.
"Very respectable. In an ordinary year, this would be a big film (for the company)," Sony Pictures Classics sales vice president Tom Prassis said Sunday morning, after discussing the blockbuster success of "Crouching Tiger."
Newmarket's R-rated film noir thriller "Memento" added a theater in its second week and continued to look very promising with an estimated $0.24 million (even) at 12 theaters (+1 theater; $19,627 per theater). Its cume is approximately $0.6 million.
Directed by Christopher Nolan, it stars Guy Pearce, Carrie-Anne Moss and Joe Pantoliano.
USA Films' R-rated reality TV satire "Series 7" added a theater in its fourth week with a slow estimated $0.026 million (-28%) at 11 theaters (+1 theater; $2,320 per theater). Its cume is approximately $0.15 million.
Written and directed by Daniel Minahan, "Series" stars Brooke Smith, Glenn Fitzgerald, Mary Louise Burke, Richard Venture, Michael Kaycheck and Merrit Wever.
Key films -- those grossing more than $500,000 -- took in approximately $76.40 million, down about 3.98% from
the comparable weekend last year when key films grossed $79.57 million.
This weekend's key film gross was down about 2.48% from last weekend this year when key films did $78.34 million.
Last year, Universal's second week of "Erin Brockovich" was first with $18.55 million at 2,851 theaters ($6,505 per theater); and Warner Bros.' opening week of "Romeo Must Die" was second with $18.01 million at 2,641 theaters ($6,821 per theater). The top two films one year ago grossed $36.5 illion. This year, the top two films grossed an estimated $23.0 million.