Maybe you’re concerned Snakes on a Plane isn’t going to live up to the hype. Stop worrying. Those fanatic Internet bloggers who’ve been raving about the movie just from the snippets they’ve seen pegged the movie to a tee. SoaP is everything its cracked up to be and more a monster movie and disaster flick rolled into one. Granted the plot is wafer thin: FBI Agent Neville Flynn (Jackson) has to transport a key witness Sean (Nathan Phillips) from Hawaii to L.A. so he can testify against a nasty mob boss who in turn hatches such a diabolical plan to dispose of the witness that even James Bond would be impressed. That’s right. Said nasty mob boss arranges the release of several varieties of poisonous snakes on the flight so either a) Sean will get bitten and die and/or b) the plane crashes. End of story. How can you go wrong with that? Jackson is one smart cookie. He heard the title of this movie and said yes immediately--despite the objections of his agents--recognizing the brilliance of a title so obvious it's foolproof. “My agents have finally figured out that I’m going to do what I want ” the actor told Entertainment Weekly. “Every now and then I want to do a movie that isn’t ‘stretching my abilities.’ It’s that simple.” All we have to do to be satisfied is watch Jackson scream a few cuss words lay down the law with the freaked passengers say lines like “Well that’s good news. Snakes on crack ” and kick some serious serpent booty. There’s a bunch of unknown actors also onboard to serve mostly as snake food but a few do survive including former ER nurse Julianna Margulies who does a nice turn as the head flight attendant sparring with the snakes and getting a little cozy with Jackson. In the words of Indiana Jones “Snakes. Why does it have to be snakes?” There’s a distinct phobia in the air whenever you mention those particular reptiles so that’s why the “monster” part of SoaP is even more horrifying--and changing the rating from PG-13 to R makes a world of difference. I mean um OUCH. That’s basically what I was mumbling through the harrowing parts watching through splayed fingers. Director David R. Ellis even goes as far as to give you a snake’s perspective as it zeroes in on its next victim. Shiver. Yes the premise is ridiculous. Yes you have to sit through some silly exposition before the snakes show up and will be able to pick out the ones who’ll make it through till the end. But honestly if you love a good disaster-y thrill ride and don’t mind snakes SoaP is the last summer movie you should see.
Based on a book by William Steig the deliriously warped Shrek unfolds as a vividly rendered computer-animated romp with a heart as big as its hero. It also lovingly evokes the spirit of traditional fairy tales while spoofing such contemporary cultural cornerstones as The Matrix and Babe. Shrek (voiced by Mike Myers) longs for peace and solitude but the likes of Goldilocks and the Three Pigs seek solace in Shrek's swamp after being expelled from a fiefdom run by the diminutive Lord Farquaad (John Lithgow). Farquaad agrees to remove the fairy-tale characters from Shrek's land should the ogre rescue Princess Fiona (Cameron Diaz) from a tower guarded by a dragon. With the trusty but jabbering Donkey (Eddie Murphy) by his side Shrek saves Fiona. He soon falls for her but fearing rejection dares not tell her of his love. Fiona meanwhile harbors a dark secret that could ruin her impending marriage to Farquaad.
Imagine a kinder gentler version of Myers' Fat Bastard from Austin Powers: The Spy Who Shagged Me. That's Shrek. Myers' Scottish brogue brings out the charm in an ogre emotionally crippled by a severe lack of self-esteem. Myers restrains himself but that's because Shrek plays the straight monster to Murphy's loud-mouthed Donkey. (Yes expect plenty of ass jokes at Donkey's expense.) Murphy's a riot as he lets loose firing off one zinger after another or bursting into song. A spunky Diaz ensures that her Princess Fiona could teach Charlie's Angels a lesson or two in romance and survival skills. As Farquaad--avoid saying his name too fast when in the company of children--Lithgow is suitably Napoleonic. He also claims some of Shrek's funniest moments including a priceless Dating Game take-off with Farquaad picking out his princess via selections put forth by a stolen Magic Mirror.
Shrek immediately sets aside any notions that this is a grand Disney-ified fairy tale plump with Broadway-style tunes. The first glimpse of Shrek comes when the ogre dashes out of an outhouse having employed a page torn from a book of fairy tales for hygienic purposes. Other bodily functions--executed with childish delight--soon follow. Shrek also tickles a parent's funny bone most notably with its song parodies (pity the bluebird that sings a duet with Fiona). Yet the film's strange and twisted ways do not prevent Shrek from being an enchanting paean to the power of love and friendship. Shrek does harbor a less benevolent agenda one which playfully skewers all things Disney. Producer Jeffrey Katzenberg--who left Disney under bad terms--pokes gentle fun at the company's canon of fairy-tale characters and the sterile environment of its theme parks. Disney execs may not laugh but everyone else will.