Creepy clan The Addams Family are set to rise again in a new animated movie. Created by Charles Addams for a U.S. magazine cartoon strip in 1938, the Gothic bunch appeared on the big screen in 1991's The Addams Family and also in Addams Family Values in 1993.
The original movies starred Anjelica Huston and Raul Julia as peculiar parents Morticia and Gomez Addams, and now the family is set for a comeback in cartoon form.
Pamela Pettler will pen the script for the MGM production. She's no stranger to writing the screenplay for spooky animated films - she wrote Corpse Bride and Monster House.
The new project comes three years (10) after Tim Burton scrapped his plans to create a cartoon reboot of The Addams Family.
Paramount via Everett Collection
They're creepy and they're kooky, mysterious and spooky, they're back for one more movie, the Addams Family. According to Variety, the spooky family is being rebooted as an MGM animated movie.
The final negotiations are still underway, but Pamela Pettler (Corpse Bride and Monster House) is set to pen the screenplay, and BermanBraun's Gail Berman and Lloyd Braun are in talks to produce the film. Earlier in the year, it was expected that a Tim Burton-led stop-motion Addams Family movie would be made, but the project was put to rest in July.
While we're not a fan of all of the reboots that are being announced as of late (we're looking at you, Charmed), we're pretty excited that our favorite Halloween-esque family is inviting us back into their mansion. When you've got a set of characters — especially one that has a family dynamic — that are off-kilter (in the best way possible), it's not a bad move to reincarnate them for another go-around.
The Addams Family has been around since 1938 when the family came to life in Charles Addams' comic strip, and 75 years later, it's seen its fair share of air-time. The family came to the masses via ABC's sitcom, which aired from 1964 to 1966, and then was the basis for a handful of other TV series (one being an animated version), two Paramount live-action films (The Addams Family and Addams Family Values), a musical, and the straight-to-video reboot Addams Family Reunion (which we like to pretend never happened). Suffice it to say, the black-clad family certainly has enough of a fanbase — one that loves a dose of nostalgia every now and then -- to warrant another reboot.
Plus, we're just super psyched to see which version of Wednesday is going to come out to play: the sweet-natured girl who loved her pet spiders (a la the '60s TV series) or the morbid girl with a deadpan wit and an urge to murder her brother (also known as Christina Ricci in the 1991 live-action film). We're definitely hoping it will be the diabolical Wednesday.
That’s right: A movie version of the age-old board game is finally in the works, and Ridley Scott will direct. Here’s hoping it’s about half as long as the average Monopoly game!
According to the Hollywood Reporter, longtime director Scott plans to give the Hasbro game a futuristic twist reminiscent of his ‘80s classic Blade Runner.
Universal and toymakers/board-game kings Hasbro are looking to repeat the success of Hasbro’s previous movie venture, the megablockbuster Transformers, whose sequel is currently filming.
Also in development are movies based on Hasbro’s G.I. Joe, Battleship and, somehow, Ouija Board -- while the company’s Trivial Pursuit has already been turned into a syndicated TV game show.
No actors have been lined up for Monopoly yet, but screenwriter Pamela Pettler (Corpse Bride, Monster House) is charged with the task of concocting a script out of the real-estate game.
Can a Play-Doh film be far behind?
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It’s Halloween Eve in suburbia and while most of the neighborhood kids are gearing up for a candy extravaganza two young‘uns--DJ (voiced by Mitchell Musso) and Chowder (voiced by Sam Lerner)--are fretting and dreading. They’re convinced that the decrepit house across the street is in fact a monster house inhabited by an old hermit named Nebbercracker (voiced by Steve Buscemi) that will lure kids in on Halloween night. But just as DJ’s parents who naturally don’t believe him to begin with leave for a vacation DJ inadvertently sends Nebbercracker to his death--or so he fears. Now DJ believes Nebbercracker’s monster house will seek revenge on him specifically and to make matters worse his negligent babysitter (voiced by Maggie Gyllenhaal) won’t hear of his yapping. After DJ and Chowder are forced to take action they along with a girl peddling candy (voiced by Spencer Locke) discover how the monster came to be and just how unforgiving she is. When it comes to animation acting the main goal is to make audiences forget that the actors are giving their performances in a studio possibly dressed in their PJs and sans makeup. That goal’s usually achieved but Monster House takes a gamble in supposing that child actors comprising the lead characters will be able to wrap their still-expanding brains around the concept. Somehow Lerner and Musso grasp this despite sounding like they haven’t even been in this world very long! The two are surrounded by a fail-proof supporting cast: it takes a while to recognize Buscemi’s voice as Nebbercracker but once it hits it fits and Gyllenhaal as the babysitter is great if unpredictable casting. Quasi-cameos from Jason Lee as Gyllenhaal’s punk boyfriend Jon Heder as a video-game god and Kevin James and Nick Cannon as slow-moving and -thinking cops garner the most laughs. Not only does it help a film’s box office performance to have Steven Spielberg and Robert Zemeckis onboard as executive producers it helps a film’s director--in this case a rookie director named Gil Kenan. (Zemeckis directed ‘04’s somewhat similar-looking The Polar Express.) While the animation doesn’t quite stand up to say Pixar’s earth-shattering visuals Kenan makes up for it with a fun-filled story (from scripters Dan Harmon Rob Schrab and Pamela Pettler) and an overall lively involved effort--and it’s not like the movie doesn’t still look gorgeous. Besides sometimes it’s refreshing to not be so entranced by the CGI that you lose sight of the actual movie at hand. Kenan’s film is one of the scarier animated movies in a while but that still doesn’t exclude many age groups. What the first-time director thrives on is stopping just shy of true horror moments at which point he reverts to feel-good mode without ever being sappy.